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Nick McCabe recommended Street Sounds Electro 5 by Various Artists in Music (curated)
Kristy H (1252 KP) rated Good as Gone in Books
Feb 13, 2018
Anna and Tom Whitaker's lives are irrevocably changed the night their thirteen-year-old daughter, Julie, disappears. The only witness to her kidnapping is her ten-year-old sister, Jane, who watches petrified from her closest as a man takes away her sister. The broken parents remain in their home, hoping against hope that someday their daughter will return. And then, amazingly, one night the doorbell rings and there she is: Julie. Now a young woman, with a harrowing tale to tell of abuse and horror, but otherwise unscathed. And just like that, the broken family is whole. But is it? Anna doesn't understand what her daughter is keeping from her, where she disappears when the family thinks she's at therapy. And when a Private Investigator shows up--a former detective who was involved in the early portions of Julie's case, with thoughts that Julie isn't really Julie--Anna is even more confused. She just wants her daughter back, but does she really have her?
This novel hooked me from the beginning, and I tore through it less than two days. It starts out with Julie (or the imposter, but I will say Julie for the sake of this review) arriving home and then we hear from Anna and some of the other characters as the family adjusts to Julie's homecoming. But we also delve into the past, which adds this amazing layer of suspense and intrigue and leaves you slightly befuddled, completely invested, and flipping pages like mad. When the point of view first switched from Anna to Julie early in the novel, I gasped a bit.
Gentry has created a book that is compulsively readable from a thriller standpoint, but also features emotionally damaged characters, struggling to survive after losing Julie for so many years. What I enjoyed so much about this book is that it's not only an excellent thriller, which keeps you guessing and wondering, but a nuanced portrait of a truly fractured family, who is still reeling from Julie's kidnapping. The interactions between Anna and her family is fascinating in itself -- Jane, for instance, has had her entire life basically formed around the disappearance of her sister. You don't always get explicit descriptions of their reactions, but you see it in every interaction and emotional attachment (or lack thereof) the family displays.
Overall, this is a great thriller: a fast-paced read, with a plot that will have you guessing (and gasping) and turning pages long into the night.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 7/26.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This novel hooked me from the beginning, and I tore through it less than two days. It starts out with Julie (or the imposter, but I will say Julie for the sake of this review) arriving home and then we hear from Anna and some of the other characters as the family adjusts to Julie's homecoming. But we also delve into the past, which adds this amazing layer of suspense and intrigue and leaves you slightly befuddled, completely invested, and flipping pages like mad. When the point of view first switched from Anna to Julie early in the novel, I gasped a bit.
Gentry has created a book that is compulsively readable from a thriller standpoint, but also features emotionally damaged characters, struggling to survive after losing Julie for so many years. What I enjoyed so much about this book is that it's not only an excellent thriller, which keeps you guessing and wondering, but a nuanced portrait of a truly fractured family, who is still reeling from Julie's kidnapping. The interactions between Anna and her family is fascinating in itself -- Jane, for instance, has had her entire life basically formed around the disappearance of her sister. You don't always get explicit descriptions of their reactions, but you see it in every interaction and emotional attachment (or lack thereof) the family displays.
Overall, this is a great thriller: a fast-paced read, with a plot that will have you guessing (and gasping) and turning pages long into the night.
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 7/26.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Debbiereadsbook (1664 KP) rated His Accidental Daddy in Books
May 2, 2020
so very nearly 5 stars!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Thornton runs into the side of Asher's car and neither man will ever be the same again. Thornton is a Daddy, and he wants Asher for his boy, but Asher doesn't have a clue about the lifestyle or what being a little means. Can Thornton make Asher see that he needs him, that they need each other?
I really REALLY enjoyed this book!
I've been struggling with a lot of reading at the moment, and to be honest, Daddy/littles haven't really been my thing but this one twanged something when I read the blurb, and I am so glad I gave it a go!
Poor Asher! He really is a wreck about most things, everyday things cause him into meltdowns and he is struggling just to function. Cue getting sideswiped in the rain, and Asher is losing it, big time. Then a voice cuts through the panic and Asher can just breathe (as much as fractured ribs will allow) and Asher falls hard and fast for Thornton.
Thornton, while feeling incredibly guilty for crashing his car into Asher's, feels a pull to Asher that he never felt before. Just seeing him in that wreck calls to his inner Daddy so far and so deeply, Thornton cannot resist. But Asher thinks he is damaged, and Thornton knows that isn't the case, he just needs to make Asher see.
I've tagged this BDSM but there is actually very little of the "usual" stuff, just some spanking, and talk about power exchange and a Dom/sub relationship that is in this book for Thornton's best friends.
It is HEAVY on the emotional side of things though, and I think that's what carried me through, watching Asher get out of his head, and into his little for his Daddy. Thornton's emotions are all over the place too, but I didn't feel them as deeply as I did Asher's.
It is also incredibly SWEET in places, hence the warm and fuzzies tag.
Both voices are clear and you really do get into Asher's head when he starts to meltdown. Very well written scenes when Asher loses it and Thornton brings him back.
I'm interested in reading about Damian and Syed (the D/s relationship here), Thornton's best friends, but MORE so about another pairing that blossomed towards the end of this book. Madi, who is Asher's best friend, and Trent, who is Thornton's younger brother. That pairing would be a Mummy/little relationship, and I'm really rather curious about that one!
Not quite hitting those 5 stars, but so very nearly!
4 stars
**same worded review will appear elsehwere**
Thornton runs into the side of Asher's car and neither man will ever be the same again. Thornton is a Daddy, and he wants Asher for his boy, but Asher doesn't have a clue about the lifestyle or what being a little means. Can Thornton make Asher see that he needs him, that they need each other?
I really REALLY enjoyed this book!
I've been struggling with a lot of reading at the moment, and to be honest, Daddy/littles haven't really been my thing but this one twanged something when I read the blurb, and I am so glad I gave it a go!
Poor Asher! He really is a wreck about most things, everyday things cause him into meltdowns and he is struggling just to function. Cue getting sideswiped in the rain, and Asher is losing it, big time. Then a voice cuts through the panic and Asher can just breathe (as much as fractured ribs will allow) and Asher falls hard and fast for Thornton.
Thornton, while feeling incredibly guilty for crashing his car into Asher's, feels a pull to Asher that he never felt before. Just seeing him in that wreck calls to his inner Daddy so far and so deeply, Thornton cannot resist. But Asher thinks he is damaged, and Thornton knows that isn't the case, he just needs to make Asher see.
I've tagged this BDSM but there is actually very little of the "usual" stuff, just some spanking, and talk about power exchange and a Dom/sub relationship that is in this book for Thornton's best friends.
It is HEAVY on the emotional side of things though, and I think that's what carried me through, watching Asher get out of his head, and into his little for his Daddy. Thornton's emotions are all over the place too, but I didn't feel them as deeply as I did Asher's.
It is also incredibly SWEET in places, hence the warm and fuzzies tag.
Both voices are clear and you really do get into Asher's head when he starts to meltdown. Very well written scenes when Asher loses it and Thornton brings him back.
I'm interested in reading about Damian and Syed (the D/s relationship here), Thornton's best friends, but MORE so about another pairing that blossomed towards the end of this book. Madi, who is Asher's best friend, and Trent, who is Thornton's younger brother. That pairing would be a Mummy/little relationship, and I'm really rather curious about that one!
Not quite hitting those 5 stars, but so very nearly!
4 stars
**same worded review will appear elsehwere**
Gareth von Kallenbach (980 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Zuky the BookBum (15 KP) rated Watching Edie in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/watching-edie-by-camilla-way
NOW AVAILABLE IN THE UK!
<b>TRIGGER WARNING: <spoiler>Rape</spoiler></b>
Firstly Id like to thank Netgalley and HarperCollins UK, HarperFiction for the opportunity to read this book in an exchange for a review.
<b><i>"... they do remain a part of us, those people who have hurt us very deeply, or who we have hurt, never letting us go, not entirely."</b></i>
This is the tale of a fractured friendship between two young ladies from broken families. Edie is popular and beautiful, Heather is awkward and shy. To begin with they seem to be the best of friends, but one night, something terrible happens that tears them apart. Fast forward 17 or so years and Edie is alone, working as a waitress and struggling to cope with new motherhood. Luckily, Heather steps out of Edies past and into her present, just at the right time to keep Edie afloat. But, somethings not right, theres a darkness in their past that cant be overlooked in the future.
From the get go, I thought this wasnt going to be my sort of book, Im not really into thrillers where the past and present are skipped between and an intense love story is the main focus. I tend to find them samey and cringey - the love of an 18 year old still haunting lives at the age of 33 just seems to only happen in novels. But, this one intrigued me a little more than the others have done. At 50% I started getting a little more excited at what was going to happen next. In the end, I actually got quite into the book, reading it in 24 hours.
Our two main characters of the novel, Edie and Heather, have really terrible stories attached to them and we can sympathise with them both, but its difficult to pick a side . Lets just say that what youre thinking throughout the book may be completely turned on its head once the twist has come out.
There were aspects of this book that were very predictable and for a while the only reason I wanted to continue reading was because I wanted to know the full details of what happened that night at the quarry, so it had me more interested than <a href="https://www.goodreads.com/review/show/1474373840">In a Dark, Dark Wood.</a> But then <b>BAM</b> were smacked with the truth of that awful night and we have to take the book and its characters in a whole new light. The twist in the novel is so far from what I was expecting it to be, its absolutely brutal in comparison to other novels with the same kind of plot.
I ended up really enjoying this after being so skeptical to begin with and I think its an excellent fast paced, twisty-turny read but I know it wont be for everybody, it features too many dark subjects for all psychological thriller lovers to enjoy.
NOW AVAILABLE IN THE UK!
<b>TRIGGER WARNING: <spoiler>Rape</spoiler></b>
Firstly Id like to thank Netgalley and HarperCollins UK, HarperFiction for the opportunity to read this book in an exchange for a review.
<b><i>"... they do remain a part of us, those people who have hurt us very deeply, or who we have hurt, never letting us go, not entirely."</b></i>
This is the tale of a fractured friendship between two young ladies from broken families. Edie is popular and beautiful, Heather is awkward and shy. To begin with they seem to be the best of friends, but one night, something terrible happens that tears them apart. Fast forward 17 or so years and Edie is alone, working as a waitress and struggling to cope with new motherhood. Luckily, Heather steps out of Edies past and into her present, just at the right time to keep Edie afloat. But, somethings not right, theres a darkness in their past that cant be overlooked in the future.
From the get go, I thought this wasnt going to be my sort of book, Im not really into thrillers where the past and present are skipped between and an intense love story is the main focus. I tend to find them samey and cringey - the love of an 18 year old still haunting lives at the age of 33 just seems to only happen in novels. But, this one intrigued me a little more than the others have done. At 50% I started getting a little more excited at what was going to happen next. In the end, I actually got quite into the book, reading it in 24 hours.
Our two main characters of the novel, Edie and Heather, have really terrible stories attached to them and we can sympathise with them both, but its difficult to pick a side . Lets just say that what youre thinking throughout the book may be completely turned on its head once the twist has come out.
There were aspects of this book that were very predictable and for a while the only reason I wanted to continue reading was because I wanted to know the full details of what happened that night at the quarry, so it had me more interested than <a href="https://www.goodreads.com/review/show/1474373840">In a Dark, Dark Wood.</a> But then <b>BAM</b> were smacked with the truth of that awful night and we have to take the book and its characters in a whole new light. The twist in the novel is so far from what I was expecting it to be, its absolutely brutal in comparison to other novels with the same kind of plot.
I ended up really enjoying this after being so skeptical to begin with and I think its an excellent fast paced, twisty-turny read but I know it wont be for everybody, it features too many dark subjects for all psychological thriller lovers to enjoy.
Kristy H (1252 KP) rated Blueprints in Books
Feb 13, 2018
Caroline MacAfee is a divorced carpenter; one who has kept her last name because she is still part of the well-known MacAfee family, which owns MacAfee Homes, a popular business in their town. Caroline is also host of the popular TV show "Gut It" (think something on DIY or HGTV) - that is until she's told she's too old to host the show the day after her 56th birthday. The network wants a new host: Caroline's 29-year-old daughter, Jamie MacAfee, an architect with the family company. Pushing for the change is Caroline's ex-husband, Roy, and her ex-father-in-law, Theo. The news rattles Caroline and upsets the foundation of her happy mother/daughter relationship with Jamie.
But everyone's life is further upended when Roy and his new wife die suddenly on a stormy night, leaving MacAfee Homes without its charismatic marketing lead and Jamie to deal with sudden guardianship of her toddler half-brother, Tad. Quickly, she must navigate life as a new mom; deal with the impact of motherhood on her relationship with her fiance; juggle the impact on her work, especially with her father no longer with the company; and try to heal her fractured relationship with Caroline.
If it sounds like there is a lot going on in this novel, there is. Yet, it seemed like it got off to a slow start. I almost put the book aside for some others on my "to-read" list until I got to the accident and things picked up. After that, even if parts of the plot and the characters' actions irked me, the book itself breezed by, and I found myself wanting to finish it quickly.
One of my biggest pet peeves with this novel was all of the talk of sex. I am no prude and have no issues with sex being in a novel, when appropriate. In this book, it seemed like it was inserted just because. Delinsky made several veiled references to "50 Shades of Grey" (the characters were reading it, for instance) and it almost seemed as if, because of that, it felt necessary to insert dialogue about sex, sex scenes, and more. Caroline and Jamie's discussions of sex, Caroline's discussions of sex with her friend, Annie - they were all painful and came across as extremely stilted. In fact, several times, it seemed like the characters were having various conversations to make sure we really, really knew how they felt about certain things, when, truly, if Delinksy would have just let the plot unfold naturally, it would have all come out on its own. It was a little unnatural and forced.
Speaking of said plot, it is a Delinsky novel, so be prepared that it will all seem a little fantastical at times. I would have liked to have been reading this novel on the beach - it's the perfect beach read where you can just suspend real life for a little while and get caught up in a slightly unrealistic plot.
That being said, Caroline and Jamie are fairly likable characters. They grow on you. I found myself empathizing with Jamie and her struggles with working motherhood, for instance. If you go in expecting a fun, silly book, you won't be disappointed.
(Note: I received an ARC of this book via the Goodreads First Reads program in return for an unbiased review.)
But everyone's life is further upended when Roy and his new wife die suddenly on a stormy night, leaving MacAfee Homes without its charismatic marketing lead and Jamie to deal with sudden guardianship of her toddler half-brother, Tad. Quickly, she must navigate life as a new mom; deal with the impact of motherhood on her relationship with her fiance; juggle the impact on her work, especially with her father no longer with the company; and try to heal her fractured relationship with Caroline.
If it sounds like there is a lot going on in this novel, there is. Yet, it seemed like it got off to a slow start. I almost put the book aside for some others on my "to-read" list until I got to the accident and things picked up. After that, even if parts of the plot and the characters' actions irked me, the book itself breezed by, and I found myself wanting to finish it quickly.
One of my biggest pet peeves with this novel was all of the talk of sex. I am no prude and have no issues with sex being in a novel, when appropriate. In this book, it seemed like it was inserted just because. Delinsky made several veiled references to "50 Shades of Grey" (the characters were reading it, for instance) and it almost seemed as if, because of that, it felt necessary to insert dialogue about sex, sex scenes, and more. Caroline and Jamie's discussions of sex, Caroline's discussions of sex with her friend, Annie - they were all painful and came across as extremely stilted. In fact, several times, it seemed like the characters were having various conversations to make sure we really, really knew how they felt about certain things, when, truly, if Delinksy would have just let the plot unfold naturally, it would have all come out on its own. It was a little unnatural and forced.
Speaking of said plot, it is a Delinsky novel, so be prepared that it will all seem a little fantastical at times. I would have liked to have been reading this novel on the beach - it's the perfect beach read where you can just suspend real life for a little while and get caught up in a slightly unrealistic plot.
That being said, Caroline and Jamie are fairly likable characters. They grow on you. I found myself empathizing with Jamie and her struggles with working motherhood, for instance. If you go in expecting a fun, silly book, you won't be disappointed.
(Note: I received an ARC of this book via the Goodreads First Reads program in return for an unbiased review.)
Gareth von Kallenbach (980 KP) rated Avengers: Infinity War (2018) in Movies
Jun 19, 2019
Summer movies often hype themselves as spectacular events not to be missed and their ad campaigns use words like “epic”, “spectacle”, and “smash” as ways to build the hype to increase advanced box office sales.
The summer 2018 film season kicks off in a big way with “Avengers: Infinity War” and it is the rare summer film that exceeds is lofty expectations and delivers a crowning achievement for the Marvel Cinematic Universe.
When Thanos (Josh Brolin), embarks on a deadly campaign to find and possess the Infinity Stones, he leaves a path of death and destruction in his path. When his pursuit leading him to Earth, Bruce Banner (Mark Ruffalo), and Doctor Strange (Benedict Cumberbatch), who enlist a reluctant Tony Stark (Robert Downey Jr.), to the cause just as the minions of Thanos arrive.
With The Avengers fractured and scattered following the events of “Captain America: Civil War” the teams find themselves dealing with the threat in various groups as fate steps in to divide many key members of the team. This allows for a great entry by the Guardians of the Galaxy and allows the film to take a very enjoyable path. Essentially the movie weaves separate storylines into one cohesive and very satisfying epic. You have a story with the Guardians as well as one with many of the key Avengers, as well as others with characters old and new. As such it is like a Guardians, Avengers, and Marvel film all rolled into one and each one supports the other very well yet has the charm and identity you would expect. While the tone is very dark as you would expect with literally half of the known universe facing destruction, there is also some solid humor in the film that never once undermines the story or pacing.
Naturally the effects are stunning as you would expect as Marvel has put a significant amount of money into the film and it shows in every eye-popping action sequence.
What really impressed me the most was that the Russo Brothers never let the FX of the film overshadow the characters and with a very large cast, it was nice to see everyone got their moment and you did not see members of the cast trying to one up each other.
There are some real surprise moments along the way and the action is easily the best of any Marvel film to date. Many fans had expressed disappointment with “Avengers: Age of Ultron” for me this film is significantly better than the prior film and is everything that a Marvel fan would want in a film.
I was also surprised by how well Thanos was portrayed as while you hopefully will not agree with his deductions and methods; you could actually understand his motivations and it help him transcend from the usual megalomaniacs which are so common in films of his type. I am really looking forward to seeing what comes next and make sure you stay through the credits for a bonus scene.
Believe the hype, “Avengers: Infinity War” is an epic not to be missed and is an example of what a summer event film should be.
http://sknr.net/2018/04/24/avengers-infinity-war/
The summer 2018 film season kicks off in a big way with “Avengers: Infinity War” and it is the rare summer film that exceeds is lofty expectations and delivers a crowning achievement for the Marvel Cinematic Universe.
When Thanos (Josh Brolin), embarks on a deadly campaign to find and possess the Infinity Stones, he leaves a path of death and destruction in his path. When his pursuit leading him to Earth, Bruce Banner (Mark Ruffalo), and Doctor Strange (Benedict Cumberbatch), who enlist a reluctant Tony Stark (Robert Downey Jr.), to the cause just as the minions of Thanos arrive.
With The Avengers fractured and scattered following the events of “Captain America: Civil War” the teams find themselves dealing with the threat in various groups as fate steps in to divide many key members of the team. This allows for a great entry by the Guardians of the Galaxy and allows the film to take a very enjoyable path. Essentially the movie weaves separate storylines into one cohesive and very satisfying epic. You have a story with the Guardians as well as one with many of the key Avengers, as well as others with characters old and new. As such it is like a Guardians, Avengers, and Marvel film all rolled into one and each one supports the other very well yet has the charm and identity you would expect. While the tone is very dark as you would expect with literally half of the known universe facing destruction, there is also some solid humor in the film that never once undermines the story or pacing.
Naturally the effects are stunning as you would expect as Marvel has put a significant amount of money into the film and it shows in every eye-popping action sequence.
What really impressed me the most was that the Russo Brothers never let the FX of the film overshadow the characters and with a very large cast, it was nice to see everyone got their moment and you did not see members of the cast trying to one up each other.
There are some real surprise moments along the way and the action is easily the best of any Marvel film to date. Many fans had expressed disappointment with “Avengers: Age of Ultron” for me this film is significantly better than the prior film and is everything that a Marvel fan would want in a film.
I was also surprised by how well Thanos was portrayed as while you hopefully will not agree with his deductions and methods; you could actually understand his motivations and it help him transcend from the usual megalomaniacs which are so common in films of his type. I am really looking forward to seeing what comes next and make sure you stay through the credits for a bonus scene.
Believe the hype, “Avengers: Infinity War” is an epic not to be missed and is an example of what a summer event film should be.
http://sknr.net/2018/04/24/avengers-infinity-war/
After the death of her husband, Jocelyn "Jo" must return home with her ten-year-old daughter, Ruby. His death has left her in financial trouble, and she has no choice but to head back to Lake Hall, the aristocratic home she shared with her parents when growing up. It's a far cry from California where she lived with Chris and Ruby, escaping a stifling childhood with her mother. Jo's happiest childhood memories involve her nanny, Hannah, but Hannah disappeared suddenly one summer when Jo was seven. Her mother blamed Jo, and the two never repaired their relationship. Back now, thirty years later, Jo must deal with her mother and their fractured relationship. And when she and Ruby find a skull in the lake behind the house, she begins to wonder exactly what happened to Hannah. Jo isn't sure of anything anymore, or who she can trust, even her own memories.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
"I'll never be able to change this place, but if we stay here long enough, I'm afraid it will change my daughter and me."
I've loved Gilly Macmillan and her books since I won one of them in a Librarything giveaway a few years ago. She's an excellent writer, and I quite enjoy how different each book is from the next. This one was very different and quite unexpected. It's told from a variety of alternating viewpoints--the primary ones being Jocelyn and her mother, Virginia, but we even get a local policeman and a mysterious woman dating back to the 1970s. I liked the way Macmillan wove all of of these perspectives together. At first, it seemed really easy to trust everyone, and then quickly, you realize that you can't be sure if you can believe either Jo or her mother.
I don't want to go too far or reveal too much, because it's probably better to let most of the plot reveal itself organically, but it's definitely easy to say that much of the book is a little befuddling (in a good way). I found myself drawn to Ruby, the young girl, and oddly, Virginia, despite her history as a pretty terrible parent. Jo frustrated me, with her somewhat naive nature. She would trust some things at face value, yet not others, and I wanted to shake her at points.
There are definitely some convoluted plot points in this one--there's quite a saga with the Holt legacy. I didn't really question it while I was reading, but after, I find myself wondering if it was all necessary. Still, I loved reading about the slightly faded grandeur of Lake Hall--it's just not something you get in America, and it's fun to picture when you read these type of novels. Macmillan does an excellent job of portraying her characters and the setting.
I definitely was caught up in the plot. I thought I had it figured out for a while, then I realized I didn't, and then the ending was a little crazy. I'm still not a 100% sure about it, but I appreciate Macmillan for embracing it. Overall, I enjoyed the varying viewpoints and the slightly fusty, aristocratic setting. I was interested in the characters and wondering what happened with Hannah. A few things seemed a little far-fetched, hence my 3.5-star rating, but still a good read.
Gareth von Kallenbach (980 KP) rated Top Gun: Maverick (2022) in Movies
May 19, 2022
Back in 1987, Tom Cruise and Paramount released “Top Gun” and in doing so created a cultural phenomenon that launched Cruise into Superstardom and became an enduring classic.
Now after decades away and delays due to the pandemic, Cruise has returned to the franchise with “Top Gun: Maverick” and has crafted the rare feat, of a sequel that is not only better than the original but also gives audiences an edge of the seat summer event film when it is needed the most.
Cruise stars as Captain Pete Mitchell who after thirty years is not only haunted by his past but unable to shed his insubordinate and impulsive ways which have kept him from reaching the rank of Admiral and have moved him from one assignment to another.
After his latest action confirms his incredible aviation skills but infuriates the upper brass in the process, Mitchell is out of options as he is unwilling to retire, unable to be promoted, and out of posting options. He is tasked by an old friend with enough clout to watch out for him to return to the Top Gun program as an instructor. Mitchell is hesitant as his last attempt as an instructor did not last long and he believes he is better suited to fly versus teaching.
It is learned that an enemy faction is about to open a Uranium enrichment facility in violation of established law that would threaten the region, and Mitchell is tasked with training a team of Top Gun graduates in three weeks who can make what appears to be a near-impossible assault on the facility to destroy it before it becomes a threat.
While the assembled pilots represent a brash and talented group, Mitchell must contend with the ghosts of his past as one of the members Bradley ‘Rooster’ Bradshaw (Miles Teller), is the son of his deceased friend Goose and has a very fractured relationship with Bradshaw over their shared past.
With pressure on him from Admiral Simpson (Jon Hamm), Mitchell must somehow find a way to train the group in a small amount of time for what is considered by many to be an impossible mission due to the terrain, defenses, and location of their target.
The film is an edge-of-the-seat adrenaline rush that grabs ahold of you from the start and never lets up. From the opening music to the intense aerial sequences, the audience was hooked as gasps and cheers erupted frequently as the characters and action clearly connected with the audience.
While the visual sequences are nothing short of spectacular, the film is a character-based story and there is a depth to Mitchell and many of the cast that goes much deeper than one would normally see in a summer action film.
Jennifer Connelly offers a great counter-point to Mitchell as a person from his past that has known him through several key moments of his career and helps him endure the turbulent emotions that he has.
From the solid characters and story to the rousing final segments of the movie, “Top Gun: Maverick” returns the Summer Event film in grand style and exceeded my expectations and the original in every way.
Now after decades away and delays due to the pandemic, Cruise has returned to the franchise with “Top Gun: Maverick” and has crafted the rare feat, of a sequel that is not only better than the original but also gives audiences an edge of the seat summer event film when it is needed the most.
Cruise stars as Captain Pete Mitchell who after thirty years is not only haunted by his past but unable to shed his insubordinate and impulsive ways which have kept him from reaching the rank of Admiral and have moved him from one assignment to another.
After his latest action confirms his incredible aviation skills but infuriates the upper brass in the process, Mitchell is out of options as he is unwilling to retire, unable to be promoted, and out of posting options. He is tasked by an old friend with enough clout to watch out for him to return to the Top Gun program as an instructor. Mitchell is hesitant as his last attempt as an instructor did not last long and he believes he is better suited to fly versus teaching.
It is learned that an enemy faction is about to open a Uranium enrichment facility in violation of established law that would threaten the region, and Mitchell is tasked with training a team of Top Gun graduates in three weeks who can make what appears to be a near-impossible assault on the facility to destroy it before it becomes a threat.
While the assembled pilots represent a brash and talented group, Mitchell must contend with the ghosts of his past as one of the members Bradley ‘Rooster’ Bradshaw (Miles Teller), is the son of his deceased friend Goose and has a very fractured relationship with Bradshaw over their shared past.
With pressure on him from Admiral Simpson (Jon Hamm), Mitchell must somehow find a way to train the group in a small amount of time for what is considered by many to be an impossible mission due to the terrain, defenses, and location of their target.
The film is an edge-of-the-seat adrenaline rush that grabs ahold of you from the start and never lets up. From the opening music to the intense aerial sequences, the audience was hooked as gasps and cheers erupted frequently as the characters and action clearly connected with the audience.
While the visual sequences are nothing short of spectacular, the film is a character-based story and there is a depth to Mitchell and many of the cast that goes much deeper than one would normally see in a summer action film.
Jennifer Connelly offers a great counter-point to Mitchell as a person from his past that has known him through several key moments of his career and helps him endure the turbulent emotions that he has.
From the solid characters and story to the rousing final segments of the movie, “Top Gun: Maverick” returns the Summer Event film in grand style and exceeded my expectations and the original in every way.
Daniel Boyd (1066 KP) rated 1922 (2017) in Movies
Oct 24, 2017 (Updated Oct 24, 2017)
Solid Performances (1 more)
Believable Set Design
Sometimes Your Own Demons Are The Hardest To Escape
1922 is the second Stephen King story adapted for Netflix in the last two months and it is very different to the adaption of Gerald's Game we saw back in September. The movie is set up nicely, showing an older, shaken man writing out his confession in hopes of appeasing the guilt that has plagued him since he murdered his wife Arlette. We then see a younger version of the man, Wilfred and we learn that he is very protective of the three things that he feels, 'belong,' to him; his son, his wife and his land.
Arlette professes a desire to sell the farm and move to the city, an idea that he outright refuses to go along with. The land that the farm is on belonged to Arlette's father and so it is now in her name, meaning she has the final say officially on selling the land. Wlifred tries to bargain with her, saying that he will buy the land off of her in installments, but Arlette knows that she can get a better price elsewhere and won’t have to wait years to receive the payment. This leads Wilfred to start planning his wife’s murder. Wilfred knows that his son wants to stay on the farm as well and so he manipulates him into helping him carry out and cover up the murder.
From this point on we have our ghost story. I’m actually rather hesitant to call it a ghost story, even though strictly speaking, it is one. This is more a tale of how guilt haunts a man beyond carrying out the heinous deed and how no bad deed goes unpunished. I don’t want to spoil too much here for those who haven’t yet seen the film, but what follows is a relentless and depressing tale of regret and loss.
The cast in this film are great, Thomas Jane does a great job in the lead role of a man willing to go to any morbid lengths, in order to retain what he believes belongs to him. Molly Parker and Dylan Schmid also do well in their roles as Arlette and Henry, respectively. The supporting cast is also solid. The other stand out thing in the movie for me was the set design. I found the farmhouses and barns to be extremely believable and the sets really added to the overall tone that the movie was going for and sold the era effectively as well.
My main complaint of the movie is the lack of any significant scares. The movie sets up a fairly creepy atmosphere at times, but never capitalizes on it. A Stephen King ghost story released the week before Halloween should be way scarier than this. I thought I was getting a truly chilling movie to sink my teeth into and instead I got a movie showing a desperate man’s fractured psyche and the guilt he has to deal with in the aftermath of a despicable deed, which is an interesting idea, it’s just not what I wanted out of this movie.
Overall this is a well made movie and for what it is it’s great, it just didn’t meet the expectations that I had for it and maybe that’s my own fault more than the movie’s. As with any Stephen King story, it makes for an interesting adaption and takes you on a dark journey and leaves you wondering about you own moral decisions in life. The film is no doubt successful in what it sets out to do; I just wish that it had scared me a bit more.
Arlette professes a desire to sell the farm and move to the city, an idea that he outright refuses to go along with. The land that the farm is on belonged to Arlette's father and so it is now in her name, meaning she has the final say officially on selling the land. Wlifred tries to bargain with her, saying that he will buy the land off of her in installments, but Arlette knows that she can get a better price elsewhere and won’t have to wait years to receive the payment. This leads Wilfred to start planning his wife’s murder. Wilfred knows that his son wants to stay on the farm as well and so he manipulates him into helping him carry out and cover up the murder.
From this point on we have our ghost story. I’m actually rather hesitant to call it a ghost story, even though strictly speaking, it is one. This is more a tale of how guilt haunts a man beyond carrying out the heinous deed and how no bad deed goes unpunished. I don’t want to spoil too much here for those who haven’t yet seen the film, but what follows is a relentless and depressing tale of regret and loss.
The cast in this film are great, Thomas Jane does a great job in the lead role of a man willing to go to any morbid lengths, in order to retain what he believes belongs to him. Molly Parker and Dylan Schmid also do well in their roles as Arlette and Henry, respectively. The supporting cast is also solid. The other stand out thing in the movie for me was the set design. I found the farmhouses and barns to be extremely believable and the sets really added to the overall tone that the movie was going for and sold the era effectively as well.
My main complaint of the movie is the lack of any significant scares. The movie sets up a fairly creepy atmosphere at times, but never capitalizes on it. A Stephen King ghost story released the week before Halloween should be way scarier than this. I thought I was getting a truly chilling movie to sink my teeth into and instead I got a movie showing a desperate man’s fractured psyche and the guilt he has to deal with in the aftermath of a despicable deed, which is an interesting idea, it’s just not what I wanted out of this movie.
Overall this is a well made movie and for what it is it’s great, it just didn’t meet the expectations that I had for it and maybe that’s my own fault more than the movie’s. As with any Stephen King story, it makes for an interesting adaption and takes you on a dark journey and leaves you wondering about you own moral decisions in life. The film is no doubt successful in what it sets out to do; I just wish that it had scared me a bit more.