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Lee (2222 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 5, 2019 (Updated Nov 5, 2019)
Anyone who knows me knows that I have pretty much zero interest in cars. As long as they can get me from A to B, reliably and comfortably, then that's good enough for me. I have even less interest in watching cars race round and round and round at high speeds for hours on end too - if I wanted to watch that, then I'd just go and stand on a bridge overlooking the M25 for a while. So, a movie about a determined team of American engineers and designers looking to build a Ford racing car with the potential to finally beat Ferrari in the 1966 Le Mans race in France? Well, that doesn't immediately sound like my kind of movie. But, a great looking trailer and an interesting cast got me interested, and in the end I am so glad that I saw it.
Le Mans ‘66 (or Ford v Ferrari as it is known elsewhere - much better name, no idea why it needed to be changed) stars Matt Damon and Christian Bale (once again going through some weight loss for a movie role) as Carroll Shelby and his engineering partner Ken Miles. Shelby was the first American to win Le Mans, the 24 hour race held in France, in 1959, but has since retired from racing due to a heart condition. These days, Shelby designs and sells souped-up cars as well as running the racing team Cobra, along with British racing driver Ken Miles. Shelby is calm, very clever and extremely determined and Miles knows everything there is to know about cars, but isn’t exactly what you might call a good ‘people person’. Together they have a wonderful friendship and partnership, the highs and lows of which form the basis and heart of the movie.
Meanwhile, Ford Motor company is suffering from poor sales and Henry Ford II (Tracy Letts) is looking to his workforce to come up with the next big idea in order to try and boost the Ford name. One of the many corporate suits we see during the movie, Lee Iacocca (Jon Bernthal) proposes that Ford buy into Ferrari in order to create a winning sports car that will make Ford cool again with the kids, so they head to Italy for a meeting with Enzo Ferrari. The meeting doesn't really go according to plan though, and the suits return home with their tails between their legs, and a strong desire to go to war with Ferrari and teach them a lesson.
Ford puts its money where its mouth is, pretty much writing a blank cheque for Shelby to come up with a car worthy enough to defeat Ferrari and win Le Mans ‘66, and we then follow Shelby, Miles and their team as they struggle to make it happen. Problems arise when Shelby is repeatedly put under pressure by the corporate suits at Ford to ditch Miles, feeling that he doesn’t quite fit with the Ford image, and this puts strain on both the project and the friendship between Shelby and Miles, eventually resulting in a comedy brawl reminiscent of the one involving Hugh Grant and Colin Firth in Bridget Jones Diary!.
Caitriona Balfe plays Miles' wife, Mollie, and it’s great to finally see her out of period costume and outside of TV show Outlander. It’s a role that could easily have been relegated to the usual, long-suffering spouse, sitting at home watching hubby race with baited breath, and while there is a fair bit of that, she does prove to be a strong and worthy addition to the cast. As does Josh Lucas, one of the dastardly, clueless suits who thinks he knows best. It’s a fantastic, jam-packed cast, but never detracting from the central Shelby/Miles friendship and dynamic.
I’ve come this far without talking about the race itself. There are a number of enjoyable, smaller races throughout the movie, giving us a taste of the high energy, intense camerawork to come, but that’s nothing compared to the 24 hours of racing we get when the team eventually arrive in France. As Shelby and his team look on in the pits, watched over in the stands above by the suits from Ford, and by team Ferrari in the stand next to them, Miles takes it in turns with other drivers to try and win the race, through the night and in heavy rain, dealing with car problems already experienced and worked upon throughout the movie, as well as yet more meddling from those pesky suits.
The pacing of the race is perfect. Putting you right in the heart of the action, occasionally cutting to the drama in the pits and between the team, all the while desperate to get one over on the all powerful Ferrari. This is a movie that can be enjoyed by petrol heads, and non enthusiasts like me, in equal measure, and I had an absolute blast watching it. Highly recommended.
Le Mans ‘66 (or Ford v Ferrari as it is known elsewhere - much better name, no idea why it needed to be changed) stars Matt Damon and Christian Bale (once again going through some weight loss for a movie role) as Carroll Shelby and his engineering partner Ken Miles. Shelby was the first American to win Le Mans, the 24 hour race held in France, in 1959, but has since retired from racing due to a heart condition. These days, Shelby designs and sells souped-up cars as well as running the racing team Cobra, along with British racing driver Ken Miles. Shelby is calm, very clever and extremely determined and Miles knows everything there is to know about cars, but isn’t exactly what you might call a good ‘people person’. Together they have a wonderful friendship and partnership, the highs and lows of which form the basis and heart of the movie.
Meanwhile, Ford Motor company is suffering from poor sales and Henry Ford II (Tracy Letts) is looking to his workforce to come up with the next big idea in order to try and boost the Ford name. One of the many corporate suits we see during the movie, Lee Iacocca (Jon Bernthal) proposes that Ford buy into Ferrari in order to create a winning sports car that will make Ford cool again with the kids, so they head to Italy for a meeting with Enzo Ferrari. The meeting doesn't really go according to plan though, and the suits return home with their tails between their legs, and a strong desire to go to war with Ferrari and teach them a lesson.
Ford puts its money where its mouth is, pretty much writing a blank cheque for Shelby to come up with a car worthy enough to defeat Ferrari and win Le Mans ‘66, and we then follow Shelby, Miles and their team as they struggle to make it happen. Problems arise when Shelby is repeatedly put under pressure by the corporate suits at Ford to ditch Miles, feeling that he doesn’t quite fit with the Ford image, and this puts strain on both the project and the friendship between Shelby and Miles, eventually resulting in a comedy brawl reminiscent of the one involving Hugh Grant and Colin Firth in Bridget Jones Diary!.
Caitriona Balfe plays Miles' wife, Mollie, and it’s great to finally see her out of period costume and outside of TV show Outlander. It’s a role that could easily have been relegated to the usual, long-suffering spouse, sitting at home watching hubby race with baited breath, and while there is a fair bit of that, she does prove to be a strong and worthy addition to the cast. As does Josh Lucas, one of the dastardly, clueless suits who thinks he knows best. It’s a fantastic, jam-packed cast, but never detracting from the central Shelby/Miles friendship and dynamic.
I’ve come this far without talking about the race itself. There are a number of enjoyable, smaller races throughout the movie, giving us a taste of the high energy, intense camerawork to come, but that’s nothing compared to the 24 hours of racing we get when the team eventually arrive in France. As Shelby and his team look on in the pits, watched over in the stands above by the suits from Ford, and by team Ferrari in the stand next to them, Miles takes it in turns with other drivers to try and win the race, through the night and in heavy rain, dealing with car problems already experienced and worked upon throughout the movie, as well as yet more meddling from those pesky suits.
The pacing of the race is perfect. Putting you right in the heart of the action, occasionally cutting to the drama in the pits and between the team, all the while desperate to get one over on the all powerful Ferrari. This is a movie that can be enjoyed by petrol heads, and non enthusiasts like me, in equal measure, and I had an absolute blast watching it. Highly recommended.
Gareth von Kallenbach (971 KP) rated Flyboys (2006) in Movies
Aug 14, 2019
Prior to the sinking of the Lusitania in 1915, the U.S. was mainly a spectator during what would eventually be called World War I.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
Gareth von Kallenbach (971 KP) rated As Above So Below (2014) in Movies
Aug 6, 2019
The film “As above so below” is part horror, part treasure adventure, and
all shaky cam. This found-footage film could also be more aptly titled as
“Lara Croft goes to hell.” The story centers around an excitable young
adventurer with a British accent named Scarlett on a search for the
mythological Philosopher’s Stone. A self-professed scholar of alchemy, she
hopes proving that the stone exists will fulfill her father’s legacy and
prove to the world that he wasn’t crazy. This search leads her and her
partners through the secret areas of the haunted catacombs of Pairs, France
into what could be hell itself. The movie starts with her traveling to Iran
for clues on the location of the Philosopher’s Stone.
The action opens without introductions which I enjoyed, as it gets right
into the action and sets the a good pace for the rest of the film. After
retrieving clues to the location of the stone and narrowly avoiding
security and a cave-in in Iran, our heroine sets off to Paris, France to
gather the rest of the crew for her adventure (the rest of our films
characters). These characters include her old friend Benji, a translator, a
group of French miscreants: Papillion (the leader), Zed and Souxie (the
Banshee, no kidding) all of whom are experts on the secret underground
catacombs. Her loyal documentarian George rounds out the crew who has
followed her around since the film’s opening shot.
Up until this point, the horror element of this film is non-existent. Once
the crew journey into the secret catacombs is when things begin to get
eerie. Plot and circumstance is good and all, but it’s a horror movie, is
it scary? Well, I wasn’t scared at all, neither was my wife whom I saw the
movie with. I’d call it more of a psychological thriller, a slight one at
that. Lots of supernatural happenings occur in the caverns akin to what
you’d find in a haunted house movie. Things like phone’s ringing
inexplicably in an area devoid of electricity and hundreds of feet below
the ground, spooky ghost like figures chanting occult hymns, and dead
drowned children. There isn’t much gore in this film, the little found is
reserved for the last 3rd of the movie. Some fear and wince inducing
moments are supplied via claustrophobia as the group squeezes themselves
through tight corridors and underwater channels. They did a pretty good job
of getting your heart racing. These scenes were reminiscent of a greater
horror entry “The Descent.” If you’ve seen that film, then you know what to
expect when it comes to the 1st person moments of claustrophobia.
Once in the catacombs what follows is a maze of twists and turns and
strange occurrences as the crew tries to solve the mystery of the hidden
Philosopher’s Stone as one by one the crew members get killed off in their
attempt to escape the demonic maze of underground tunnels. As for the
ending? Well prepare to be underwhelmed. The definitive worst part of the
film is its ending. It is so mundane and handled extremely poorly as to
come to an abrupt and seemingly rushed finish without any sense of
accomplishment or endearment to any of the characters or what they have
been through. Although they don’t all make it out alive (naturally this is
a horror film) those that do give off the impression of a group that has
just passed out of the end of a haunted house maze similar to those at the
upcoming Halloween Horror Nights at Universal Studios.
all shaky cam. This found-footage film could also be more aptly titled as
“Lara Croft goes to hell.” The story centers around an excitable young
adventurer with a British accent named Scarlett on a search for the
mythological Philosopher’s Stone. A self-professed scholar of alchemy, she
hopes proving that the stone exists will fulfill her father’s legacy and
prove to the world that he wasn’t crazy. This search leads her and her
partners through the secret areas of the haunted catacombs of Pairs, France
into what could be hell itself. The movie starts with her traveling to Iran
for clues on the location of the Philosopher’s Stone.
The action opens without introductions which I enjoyed, as it gets right
into the action and sets the a good pace for the rest of the film. After
retrieving clues to the location of the stone and narrowly avoiding
security and a cave-in in Iran, our heroine sets off to Paris, France to
gather the rest of the crew for her adventure (the rest of our films
characters). These characters include her old friend Benji, a translator, a
group of French miscreants: Papillion (the leader), Zed and Souxie (the
Banshee, no kidding) all of whom are experts on the secret underground
catacombs. Her loyal documentarian George rounds out the crew who has
followed her around since the film’s opening shot.
Up until this point, the horror element of this film is non-existent. Once
the crew journey into the secret catacombs is when things begin to get
eerie. Plot and circumstance is good and all, but it’s a horror movie, is
it scary? Well, I wasn’t scared at all, neither was my wife whom I saw the
movie with. I’d call it more of a psychological thriller, a slight one at
that. Lots of supernatural happenings occur in the caverns akin to what
you’d find in a haunted house movie. Things like phone’s ringing
inexplicably in an area devoid of electricity and hundreds of feet below
the ground, spooky ghost like figures chanting occult hymns, and dead
drowned children. There isn’t much gore in this film, the little found is
reserved for the last 3rd of the movie. Some fear and wince inducing
moments are supplied via claustrophobia as the group squeezes themselves
through tight corridors and underwater channels. They did a pretty good job
of getting your heart racing. These scenes were reminiscent of a greater
horror entry “The Descent.” If you’ve seen that film, then you know what to
expect when it comes to the 1st person moments of claustrophobia.
Once in the catacombs what follows is a maze of twists and turns and
strange occurrences as the crew tries to solve the mystery of the hidden
Philosopher’s Stone as one by one the crew members get killed off in their
attempt to escape the demonic maze of underground tunnels. As for the
ending? Well prepare to be underwhelmed. The definitive worst part of the
film is its ending. It is so mundane and handled extremely poorly as to
come to an abrupt and seemingly rushed finish without any sense of
accomplishment or endearment to any of the characters or what they have
been through. Although they don’t all make it out alive (naturally this is
a horror film) those that do give off the impression of a group that has
just passed out of the end of a haunted house maze similar to those at the
upcoming Halloween Horror Nights at Universal Studios.
David McK (3207 KP) rated Mr. Midshipman Hornblower (Hornblower Saga: Chronological Order, #1) in Books
Jan 28, 2019
I remember when I read this at first, just before the Ioan Gruffudd led TV series, as part of a collection entitled 'The Young Hornblower', thinking that this would make a good TV series (although, when it cam e out, I also remember thinking that he was to old for the role as written here - he's meant to be all of about 14!).
I was also completely unaware at the time, and only found out within the last couple of weeks, that this is also (technically) a prequel - i.e. written later, but set earlier - to more than a few of Forester's other Hornblower works.
Set during the Napoleonic Wars, these are your typical 'boys own' adventures of naval derring-do, that quite obviously set the template for other authors to follow (think [a:Bernard Cornwell|12542|Bernard Cornwell|https://images.gr-assets.com/authors/1240500522p2/12542.jpg] 'Sharpe' Series, or [a:Patrick O'Brian|5600|Patrick O'Brian|https://images.gr-assets.com/authors/1212630063p2/5600.jpg] 'Master and Commander' series).
Based on real life events, these novels (according to Wikipedia!) were also written in such a way that Hornblower was always off elsewhere when great naval battles occured during those wars, hence the reason he is never caught up in Trafalgar!
This particular entry, however, follows Hornblower's early career from when he first came on board (as a sea-sick Midshipman at Spithead), up until he receives his promotion to Lieutenant whilst a prisoner of the Spanish authorities, taking in night-time raids, 'cutting-out' expeditions, a (failed) attempt to start a revolt in France and his first examination for Lietunancy.
I was also completely unaware at the time, and only found out within the last couple of weeks, that this is also (technically) a prequel - i.e. written later, but set earlier - to more than a few of Forester's other Hornblower works.
Set during the Napoleonic Wars, these are your typical 'boys own' adventures of naval derring-do, that quite obviously set the template for other authors to follow (think [a:Bernard Cornwell|12542|Bernard Cornwell|https://images.gr-assets.com/authors/1240500522p2/12542.jpg] 'Sharpe' Series, or [a:Patrick O'Brian|5600|Patrick O'Brian|https://images.gr-assets.com/authors/1212630063p2/5600.jpg] 'Master and Commander' series).
Based on real life events, these novels (according to Wikipedia!) were also written in such a way that Hornblower was always off elsewhere when great naval battles occured during those wars, hence the reason he is never caught up in Trafalgar!
This particular entry, however, follows Hornblower's early career from when he first came on board (as a sea-sick Midshipman at Spithead), up until he receives his promotion to Lieutenant whilst a prisoner of the Spanish authorities, taking in night-time raids, 'cutting-out' expeditions, a (failed) attempt to start a revolt in France and his first examination for Lietunancy.
Omari Hardwick recommended A Pornographic Affair (Une Liaison Pornographique) (1999) in Movies (curated)
Lyndsey Gollogly (2893 KP) rated Destine Academy ( Destine Academy book 1) in Books
Mar 10, 2022
44 of 230
Kindle
Destine Academy ( Destine Academy book 1)
By Sara Snow
⭐️⭐️⭐️
On her 16th birthday, Caroline Destine's safe, happy existence is turned…UPSIDE DOWN into uncertainty, mystery, and magic...
Caroline returns home from school on her 16th birthday to find her mother and brother missing, with NO sign of a struggle and NO clues to their whereabouts.
Caroline's estranged aunt and next of kin, the mysterious Marguerite Destine, brings Caroline to stay with her in France at the prestigious school where Marguerite is Headmistress.
However, the students at Destine Academy aren't your typical gifted and talented academics...
Caroline finds herself surrounded by a world filled with four factions of magically talented individuals, each with their own special skills. There's the friendly witch Nadine Landry of the Magiques and the handsome and flirtatious Corbin of the Surnaturals with his preternatural strength and skills.
Even the sullen and unapproachable Magique Aldrick Vieux can't help but intrigue Caroline, who finds many more surprises in store for her in this fascinating world.
...and terrifying truths that throw everything she thought she ever knew into question.
But is she ready for this new knowledge, or for the potential dangers of this unfamiliar new reality?
A little bit of an odd start! Reads more like a novella than a book. This is the first book in a 9 book series and I’m thinking they are all very short! For a quick read it was ok very teeny but could hold some promise I was red to go a little lower on scoring but I’m hoped for upcoming books from this author.
Kindle
Destine Academy ( Destine Academy book 1)
By Sara Snow
⭐️⭐️⭐️
On her 16th birthday, Caroline Destine's safe, happy existence is turned…UPSIDE DOWN into uncertainty, mystery, and magic...
Caroline returns home from school on her 16th birthday to find her mother and brother missing, with NO sign of a struggle and NO clues to their whereabouts.
Caroline's estranged aunt and next of kin, the mysterious Marguerite Destine, brings Caroline to stay with her in France at the prestigious school where Marguerite is Headmistress.
However, the students at Destine Academy aren't your typical gifted and talented academics...
Caroline finds herself surrounded by a world filled with four factions of magically talented individuals, each with their own special skills. There's the friendly witch Nadine Landry of the Magiques and the handsome and flirtatious Corbin of the Surnaturals with his preternatural strength and skills.
Even the sullen and unapproachable Magique Aldrick Vieux can't help but intrigue Caroline, who finds many more surprises in store for her in this fascinating world.
...and terrifying truths that throw everything she thought she ever knew into question.
But is she ready for this new knowledge, or for the potential dangers of this unfamiliar new reality?
A little bit of an odd start! Reads more like a novella than a book. This is the first book in a 9 book series and I’m thinking they are all very short! For a quick read it was ok very teeny but could hold some promise I was red to go a little lower on scoring but I’m hoped for upcoming books from this author.
Lyndsey Gollogly (2893 KP) rated The Vine Witch in Books
Mar 6, 2023
27 of 235
Kindle
The Vine Witch ( book 1)
By Luanne G.Smith
⭐️⭐️⭐️⭐️
A young witch emerges from a curse to find her world upended in this gripping fantasy set in turn-of-the-century France.
For centuries, the vineyards at Château Renard have depended on the talent of their vine witches, whose spells help create the world-renowned wine of the Chanceaux Valley. Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.
Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.
I really liked it! The style was a little different compared to what I normally read and I love that she starts off as a frog. It moved quickly and was a really good story.
The characters were fun to get to know and it had a lovely romance blooming.
Kindle
The Vine Witch ( book 1)
By Luanne G.Smith
⭐️⭐️⭐️⭐️
A young witch emerges from a curse to find her world upended in this gripping fantasy set in turn-of-the-century France.
For centuries, the vineyards at Château Renard have depended on the talent of their vine witches, whose spells help create the world-renowned wine of the Chanceaux Valley. Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.
Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.
I really liked it! The style was a little different compared to what I normally read and I love that she starts off as a frog. It moved quickly and was a really good story.
The characters were fun to get to know and it had a lovely romance blooming.
ClareR (5589 KP) rated The Queens Lady in Books
Dec 8, 2022
The Queens Lady is the second in the Queens of the Tower series, and picks up the Joan Vaux story where it left off in the last book. She’s now Lady Joan Guildford, and is Lady in Waiting to Queen Elizabeth, the wife of Henry VII. It’s a privileged position and means that Joan is at Court when Prince Arthur dies and Prince Henry is named as heir. Joan acts as something of a go between with the King and Queen, but King Henry is a serious, dour man - and this isn’t improved when the Queen dies shortly after her son.
Joan no longer has a place at court, and her husband falls out of favour when his enemies gain considerable influence with the King.
It was really interesting to learn about the inner workings of the English court and the precarious line that courtiers had to tread. Joan also gave some insight into some significant historical events: the Field of the Cloth of Gold in France, Princess Margaret’s marriage to King James, the arrival of Catherine of Aragon, and accompanying Princess Mary to Paris when she marries King Louis.
I’m an absolute sucker for historical fiction, and I loved the details and the very human, realistic style this book was written in. And I really liked Joan.
The ravens are a constant - after all, Joan is the Lady of the Ravens. Bu they’re not as central to the storyline this time.
I don’t know whether this will just be a duology, or if there’s more to come, but I’ve thoroughly enjoyed this book.
Highly recommended.
Joan no longer has a place at court, and her husband falls out of favour when his enemies gain considerable influence with the King.
It was really interesting to learn about the inner workings of the English court and the precarious line that courtiers had to tread. Joan also gave some insight into some significant historical events: the Field of the Cloth of Gold in France, Princess Margaret’s marriage to King James, the arrival of Catherine of Aragon, and accompanying Princess Mary to Paris when she marries King Louis.
I’m an absolute sucker for historical fiction, and I loved the details and the very human, realistic style this book was written in. And I really liked Joan.
The ravens are a constant - after all, Joan is the Lady of the Ravens. Bu they’re not as central to the storyline this time.
I don’t know whether this will just be a duology, or if there’s more to come, but I’ve thoroughly enjoyed this book.
Highly recommended.
Phillip McSween (751 KP) rated Overlord (2018) in Movies
Feb 3, 2019
Crazy Insane
When a team of American troops take on a routine mission in Nazi-occupied France during World War II, they stumble upon something abnormal and horrifying that they weren’t expecting.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
From it’s heartpounding beginning to crazy conclusion, you’re put right in front of consistent action. They are the kind of scenes that leave you wanting more. Intensity awaits at every turn with gun battles, explosions, and crazy zombie(esque) fights. The action was managed perfectly, not overdone in anyway.
Genre: 7
Memorability: 8
I remember jumping quite a few times while watching Overlord. It’s one of those movies where you, as an audience member, recognize something is wrong, but the characters don’t seem to pick up on it until it’s too late. Some of the things you see are quite unsettling and hard to get out of your memory.
Pace: 8
Overlord moves at a steady speed, although not perfect. I would prefer “breakneck” with a movie like this, but instead you get “just over the speed limit”. Fortunately there are only a handful of lulls, but they seem to come at the worst times right when you expect the train to keep rolling.
Plot: 7
Resolution: 10
I won’t give anything away, but the ending left me both satisfied and hoping for more. There is definitely room for some kind of a sequel here if they wanted to go that route. All the loose ends that needed to be tied up were taken care of.
Overall: 90
I can’t stress enough that I appreciate when certain genres get reused for the sake of being spun in a different fashion. Sometimes it’s a big miss (insert Pride and Prejudice and Zombies here). Other times, a film succeeds with a big swing. Overlord hits a home run.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
From it’s heartpounding beginning to crazy conclusion, you’re put right in front of consistent action. They are the kind of scenes that leave you wanting more. Intensity awaits at every turn with gun battles, explosions, and crazy zombie(esque) fights. The action was managed perfectly, not overdone in anyway.
Genre: 7
Memorability: 8
I remember jumping quite a few times while watching Overlord. It’s one of those movies where you, as an audience member, recognize something is wrong, but the characters don’t seem to pick up on it until it’s too late. Some of the things you see are quite unsettling and hard to get out of your memory.
Pace: 8
Overlord moves at a steady speed, although not perfect. I would prefer “breakneck” with a movie like this, but instead you get “just over the speed limit”. Fortunately there are only a handful of lulls, but they seem to come at the worst times right when you expect the train to keep rolling.
Plot: 7
Resolution: 10
I won’t give anything away, but the ending left me both satisfied and hoping for more. There is definitely room for some kind of a sequel here if they wanted to go that route. All the loose ends that needed to be tied up were taken care of.
Overall: 90
I can’t stress enough that I appreciate when certain genres get reused for the sake of being spun in a different fashion. Sometimes it’s a big miss (insert Pride and Prejudice and Zombies here). Other times, a film succeeds with a big swing. Overlord hits a home run.
graveyardgremlin (7194 KP) rated Epitaph for Three Women (Plantagenet Saga, #12) in Books
Feb 15, 2019
<b>2.5 stars
Epitaph for Three Women</b> turned out to be far less about these three women than I was led to believe by the book's description. Broken into three parts titled Katherine of Valois, Joan of Arc, and Eleanor of Gloucester, only Joan, or Jeannette rather, has an actual story that follows her path in life. The other two are background players to the politics going on at the time, especially those concerning the Dukes of Bedford and Gloucester and England's fight for France. Whenever Katherine enters the picture, it's all light, airy, and extremely romanticized, especially in regards to Owen Tudor. For most of the book they live a totally idyllic life that doesn't feel realistic in the least. Eleanor Cobham is portrayed as a scheming, crown-hungry social climber who proves far too trusting of witches and soothsayers. Isabeau of Bavaria fares even worse and I got tired of the constant references to how whorish she was. Since this was written, historians have looked into the accuracy of her reputation and dismissed certain facets as untrue. Still, this isn't a completely bad book. Putting aside Katherine's storyline where she only made cameo appearances anyway, I enjoyed the first part the most. Not knowing much about this period, the history was fascinating. The second featuring Jeannette was my least favorite, but I lay full blame at my feet because I have just never cared for Joan of Arc's story, so found most of this part boring. While there was some interesting information in the book, I didn't love the book but it's an easy introduction to this particular time.
For more information on Eleanor Cobham, I recommend Susan Higginbotham's guest <a href="http://madameguillotine.org.uk/2012/09/03/the-duchess-downfall-eleanor-cobham/">post</a>; at Madame Guillotine.
Originally Reviewed: October 17, 2012
Received: Local Library
Epitaph for Three Women</b> turned out to be far less about these three women than I was led to believe by the book's description. Broken into three parts titled Katherine of Valois, Joan of Arc, and Eleanor of Gloucester, only Joan, or Jeannette rather, has an actual story that follows her path in life. The other two are background players to the politics going on at the time, especially those concerning the Dukes of Bedford and Gloucester and England's fight for France. Whenever Katherine enters the picture, it's all light, airy, and extremely romanticized, especially in regards to Owen Tudor. For most of the book they live a totally idyllic life that doesn't feel realistic in the least. Eleanor Cobham is portrayed as a scheming, crown-hungry social climber who proves far too trusting of witches and soothsayers. Isabeau of Bavaria fares even worse and I got tired of the constant references to how whorish she was. Since this was written, historians have looked into the accuracy of her reputation and dismissed certain facets as untrue. Still, this isn't a completely bad book. Putting aside Katherine's storyline where she only made cameo appearances anyway, I enjoyed the first part the most. Not knowing much about this period, the history was fascinating. The second featuring Jeannette was my least favorite, but I lay full blame at my feet because I have just never cared for Joan of Arc's story, so found most of this part boring. While there was some interesting information in the book, I didn't love the book but it's an easy introduction to this particular time.
For more information on Eleanor Cobham, I recommend Susan Higginbotham's guest <a href="http://madameguillotine.org.uk/2012/09/03/the-duchess-downfall-eleanor-cobham/">post</a>; at Madame Guillotine.
Originally Reviewed: October 17, 2012
Received: Local Library