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Whatchareadin (174 KP) rated Bring Me Back in Books
Apr 9, 2019
Ten years ago, Finn's wife, Layla disappeared. They were on their way home from a holiday in France, when they stopped at a rest area for a bathroom break. When Finn returned from the restroom, Layla was gone. He tried to find her right away and contacted the police and told them everything that happened from the time they pulled in until he walked out of the bathroom and his wife was gone. But he left out one detail. Now Finn is dating Layla's sister, Ellen, and things keep popping up to bring Layla back to the forefront. Is Layla alive or is someone playing a twisted game to stop Finn and Ellen from being together?
I love B.A. Paris! Everything she has written so far has been incredible to me. This was another book that I couldn't put down. I think I read it in less than 48 hours.
What would you do if your significant other went missing and was presumed dead. Ten years later when you are about to marry her sister, there are little signs everywhere that she may be still alive. But how is that possible? Why would she stay away all this time if she was alive? Has someone being keeping her captive?
All these questions are answered in the book. And the twist, that I kind of saw coming, but couldn't wait to see how the author laid it all out for us.
Whatever BA Paris writes, I'm definitely going to read. Every book has been unputdownable!! Have you read any of her books? Let me know. If not, what are you waiting for?
ClareR (5542 KP) rated The Parisian in Books
May 30, 2019
When Midhat returns home to Nablus, he is expected to conform to his fathers wishes, marry a woman from a good Muslim family, and work for the family business. He is thereafter known as The Parisian to those who don’t really know him, because of his style of dress and his outlook on life.
Politics soon begin to affect every part of his life, as the colonial powers of Britain and France flex their muscles. Their unwillingness to learn histories and the way people actually want to live cause untold problems, which actually we still see the consequences of today.
I can see that some may struggle with the French and Arabic peppered through the dialogue (I don’t speak Arabic), but I do think it was used in such a way that I didn’t lose track of what was happening, and it lent some credibility to the story. Midhat slips in french words to his speech when something surprises him, or he feels strongly about something. His second language has become a part of him. Endearments are usually in Arabic as well (it took a little while for me to realise what they were, and there are other words used that aren’t just endearments, I’m sure!).
This is a beautifully told story. It’s hard to read in places - history isn’t always very pretty. But I think it’s important to learn about the past in order to understand the present and hopefully learn from past mistakes.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
BankofMarquis (1832 KP) rated 7 Days In Entebbe (2018) in Movies
Mar 22, 2018
This film is most definitely not.
7 DAYS IN ENTEBBE tells the true story of the 1976 Air France Hijacking of (mostly) Israeli citizens that settle in Entebbe, Uganda (under the leadership of crazed dictator Idi Amin) - refusing to negotiate with terrorists, the Israeli government plan, stage and execute a daring rescue mission.
Sounds like a pretty good plot for a Charles Bronson shoot-em-up.
In this version, Director Jose Padilha (the 2014 remake of ROBOCOP) decides to focus most of his attention not on the hijacked Israeli citizens, but rather, a pair of German hijackers juxtaposed against the political infighting in Israel between Prime Minister Yitzhak Rabin and Defense Minister Shimon Peres. The Israeli governmental infighting was interesting to watch with intriguing characters and cat-and-mouse back-stabbing politics while the plight of the kidnappers was underwritten and underwhelming. Consequently, this film was "just okay".
Oh...and it had about an hour-fifteen minutes of content stretched over an hour-forty-five minutes, so to stretch things out, Padilha decided to cut back and forth between the action (what there was of it) and a modern dance recital. Clearly he was trying a metaphor of the dance punctuating the emotions and actions elsewhere. It just didn't work for me.
Neither did this film. Skip this one and check out the Charles Bronson shoot-em-up.
Letter Grade C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)