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Chris Sawin (602 KP) rated 127 Hours (2010) in Movies
Jun 23, 2019
127 Hours is based on the true story of Aron Ralston, a mountain climber who was trapped under a rock for five days only to amputate his own arm to survive. Directed by Danny Boyle (Slumdog Millionaire, 28 Days Later) and starring James Franco (Pineapple Express, Spider-Man), 127 Hours sucker punches you with its ability to be both absorbing and compelling.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
The first thing to notice about 127 Hours is that it contains excellent editing. The opening credits illustrate this to a certain extent, but the best example comes at the peak of Aron's struggle once he's trapped and fighting for his life. His delusions begin overlapping with his memories as the screen is divided into three separate vertical segments representing how desperate and how dangerously close Aron has come to the brink of insanity.
127 Hours looks spectacular, as well. The desert is a mostly dry and bleak place that no one would want to visit, but it's shown in a light here that makes it makes it look both appealing and beautiful in a way that almost makes you forget that it lacks civilization. The film does an incredible job of making you feel like you're right there in these crevices with Aron without giving the overbearing sensation of claustrophobia. Captivating cinematography makes even the most simple things like a dripping faucet and air bubbles settling in a water bottle appear like more of a spectacle than they really are.
James Franco is also quite impressive. He is the only one on-screen for the majority of the film and has no one to play off of but himself. Events of his life flashing before his eyes and the decisions he should've but didn't make, Scooby Doo hallucinations, and premonitions of the future on top of his uphill battle to survive aren't only incredibly engaging but arguably some of the best scenes in the film.
127 Hours is enthralling, incredibly powerful, and easily one of the best films of the year. James Franco delivers what is quite possibly his strongest and most intriguing performance to date while Danny Boyle adds another visually brilliant and superbly written film to his repertoire that is a potential award winner.
Matthew Krueger (10051 KP) rated Die Hard 2 (1990) in Movies
Dec 25, 2019
Christmas Harder
Die Hard 2- is actually a good movie, has good action, good plot and of course Bruce Willis. As with the first film, the action in Die Hard 2 takes place on Christmas Eve.
The Plot: A year after his heroics in L.A, detective John McClane (Bruce Willis) is mixed up in another terrorist plot, this time at Washington Dulles International Airport, where he is waiting for his wife (Bonnie Bedelia). That same night, South American politico and drug profiteer Ramon Esperanza (Franco Nero) is arriving in U.S. custody. McClane takes action when a treasonous ex-colonel (William Sadler) seizes control of the airport, threatening to crash every inbound flight unless Esperanza is freed.
A good christmas movie to watch with the whole family.
The Plot: A year after his heroics in L.A, detective John McClane (Bruce Willis) is mixed up in another terrorist plot, this time at Washington Dulles International Airport, where he is waiting for his wife (Bonnie Bedelia). That same night, South American politico and drug profiteer Ramon Esperanza (Franco Nero) is arriving in U.S. custody. McClane takes action when a treasonous ex-colonel (William Sadler) seizes control of the airport, threatening to crash every inbound flight unless Esperanza is freed.
A good christmas movie to watch with the whole family.
Gareth von Kallenbach (965 KP) rated The Interview (2014) in Movies
Aug 6, 2019
Thanks to the negative attention that “The Interview” received, it will be viewed by many more people than it would have without the controversy. The film, which was almost never released due to a cyberattack on Sony, is now the most widely accessible of this season.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
J.A. Bayona recommended The Executioner (1970) in Movies (curated)
David McK (3185 KP) rated Rise of the Planet of the Apes (2011) in Movies
Mar 11, 2023
Caesar. Home.
A surprisingly good prequel/re-imagining/reboot of the seminal Charlton Heston starring sci-fi flick, with this being set in more contemporary time and with it tracing the origins of the smart Apes/the beginning of the decline of man.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.
Basically, don't mess with nature.
I have to say, the end credits - tracing the virus - also hits differently now (in 2023) than it did on release (in 2011), after the world has been through a global pandemic.
Anyway, Andy Serkis interpretation of Caesar is really the star of the show, with able support from his surrogate 'father' Will Rodman (James Franco), the scientist who first developed a drug that he hopes will cure Alzheimer's but which leads to super intelligence in the chimps exposed to it.
Gareth von Kallenbach (965 KP) rated Oz the Great and Powerful (2013) in Movies
Aug 7, 2019
Taking on a movie as beloved as “The Wizard of Oz” is a daunting task. The iconic Judy Garland film is considered a classic and many of the songs from the film have remained part of our culture since it was released in 1939. Despite several book sequels, the attempts to continue the series have had little success as there have been animated films as well as an urban remake, “The Wiz”, which also failed to reach the success of the original. Director Sam Raimi opted to do an original prequel story that tells of how the fabled Wizard of Oz came to be.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.
Oz (James Franco), is a small-time magician toiling away in small circus in Kansas in 1905. Life on the road has allowed him to be a womanizer and an egomaniac who dreams of greatness. When his actions catch up with him, Oz is forced to flee and takes refuge from an angry mob in a hot air balloon. An unexpected storm funnel grabs the balloon, and whisks Oz to a dazzling and colorful world filled with all manner of strange creatures and wonders.
Upon his arrival, Oz is greeted by Theodora (Mila Kunis), who believes that Oz is the great wizard that legend has said will arrive to save the land and rule the people in a kind and just way. It is revealed that the land is under siege from a wicked witch, and a prophecy indicates a great wizard will arrive with the same name as the land, and will save the day.
Naturally Oz does not believe this but is more than willing to charm Theodora and her sister Evanora (Rachel Weisz), and plot to get his hands on the abundant gold that will come with his appointment as the great wizard. Oz learns that in order to take the throne, he has to defeat another witch (Michelle Williams), and sets off on a journey to the Dark Forest with his flying monkey companion Finley (Zach Braff). Along the journey, Oz learns first hand of the horrors the witch has unleashed on the unsuspecting and learns that his selfish behavior has serious consequences not just for himself, but for innocent people as well. This leads to some serious soul-searching and a confrontation that will force Oz to become the man that many believe he is, less they all perish.
The film has some great visuals as Raimi wisely shot the movie in 3D and mixed CGI with some very impressive sets. It is clear that much of the film is shot against a CGI backdrop but the visual wonder of the film is something to behold. The biggest issues I had with the film were that it was slow-paced and did drag in several parts. Franco does his best to play up the seedier side of Oz, but makes some very odd facial expressions throughout the film that seem very forced and out of place for the film and the situations he finds himself in. Kunis and Weisz make excellent witches and their backstory is a very interesting and an integral part of Dorothy’s adventures in the original film. Williams does well with her role but never seems to develop the needed chemistry with Franco. I was also surprised that the film was very light on musical numbers as there was only a hint of one that was quickly halted by Franco. “Oz: The Great and Powerful” is a visually enjoyable film that sets the stage well for the original film and Raimi is to be praised for taking on such sacred material and providing a new chapter for the modern generation. While it is not likely to be considered a classic like the original film, it is still a worthy chapter in the series which will provide good nostalgic entertainment for fans new and old alike.
Debbiereadsbook (1069 KP) rated Dark Encounters Box Set in Books
Aug 1, 2019
3 very good shorts
Independent reviewer for Archaeolibrarian, I was gifted my copy of this box set of three short stories.
I can't write three individual reviews for such short stories, the whole box set is 130 pages, and it took my an hour to read, but I will write a general one, encompassing what I thought about the three tales, which all take place within the BDSM club, Dark Encounters
There is Elizabeth and Ren: She goes to the club open night, but ery nearly walks out without speaking to anyone, but she catches Ren's eye. He doesn't play very often, but felt a need to come to the club this night. Elizabeth is a sub, and Ren, a Dom and their night goes pretty much how you expect it to. Well written, from Elizabeth's point of view only. All three tales are single point of view, actually!
then we have Franco and Trevor: Franco works at the club and has had a crush on Trevor who owns said club, forever. But trevor doesn't play with his staff. A sex carnival gives Trevor the opportunity to finally act on his desire. They start at a Ferris Wheel spanking and things move quickly after that.
And my favourite of the three!
Kameron wants one thing, well TWO really. Theodore and Beck fit all the requirements Kameron has, but will they want him for more than one night? Can he really be the middle of a bear sandwich forever?
Three well written, well delivered but far too SHORT stories, that hit just the spot they need to. I read this in the tub, and thoroughly enjoyed it!
I haven't read anything else by this author, but I would like to now. Something longer, maybe a full length book. Something that shows off what she can do with more words and pages to play with!
4 very good stars
**same worded review will appear elsewhere**
I can't write three individual reviews for such short stories, the whole box set is 130 pages, and it took my an hour to read, but I will write a general one, encompassing what I thought about the three tales, which all take place within the BDSM club, Dark Encounters
There is Elizabeth and Ren: She goes to the club open night, but ery nearly walks out without speaking to anyone, but she catches Ren's eye. He doesn't play very often, but felt a need to come to the club this night. Elizabeth is a sub, and Ren, a Dom and their night goes pretty much how you expect it to. Well written, from Elizabeth's point of view only. All three tales are single point of view, actually!
then we have Franco and Trevor: Franco works at the club and has had a crush on Trevor who owns said club, forever. But trevor doesn't play with his staff. A sex carnival gives Trevor the opportunity to finally act on his desire. They start at a Ferris Wheel spanking and things move quickly after that.
And my favourite of the three!
Kameron wants one thing, well TWO really. Theodore and Beck fit all the requirements Kameron has, but will they want him for more than one night? Can he really be the middle of a bear sandwich forever?
Three well written, well delivered but far too SHORT stories, that hit just the spot they need to. I read this in the tub, and thoroughly enjoyed it!
I haven't read anything else by this author, but I would like to now. Something longer, maybe a full length book. Something that shows off what she can do with more words and pages to play with!
4 very good stars
**same worded review will appear elsewhere**
Film and stuff (30 KP) rated Kin (2018) in Movies
May 30, 2019
Underrated
Contains spoilers, click to show
Kin is a modern twist on a story that feels very familiar.
Our hero is a boy that we assume was sent back in time to live in relative safety until his time to do something pivotal in a future war comes about.
The biggest issue is the ending. Audiences are unforgiving of sequel bait endings and this isn't subtle either.
Franco is a cookie cutter bad guy that just about reaches entertaining.
The relationship between our three main characters is thin and underdeveloped.
The beginning catalyst of the father dying suffers from an underdeveloped relationship between him and his sons as well as the father figure being largely unlikable.
All this being said, as an entire piece of work there is plenty to enjoy and that's what you will need to do with this film.
A mild recommendation
Our hero is a boy that we assume was sent back in time to live in relative safety until his time to do something pivotal in a future war comes about.
The biggest issue is the ending. Audiences are unforgiving of sequel bait endings and this isn't subtle either.
Franco is a cookie cutter bad guy that just about reaches entertaining.
The relationship between our three main characters is thin and underdeveloped.
The beginning catalyst of the father dying suffers from an underdeveloped relationship between him and his sons as well as the father figure being largely unlikable.
All this being said, as an entire piece of work there is plenty to enjoy and that's what you will need to do with this film.
A mild recommendation
LeftSideCut (3778 KP) rated Spider-Man 2 (2004) in Movies
Sep 23, 2020
The second of the Sam Raimi Spider-Man films is a shining example of a comic book sequel outshining it's predecessor. Everything is better, the set pieces, the characters, the effects, and the stakes are higher.
Spider-Man 2 owes a lot to Alfred Molina. His performance as Otto Octavius, and later, Doctor Octopus is pure villainous perfection, whilst lending the character a sympathetic undertone. Spider-Man has a fantastic rogues gallery to chooses from, and Doc Ock is one of the more complicated ones. This movie does the character justice.
Tobey Maguire, Kirsten Dunst, James Franco, J.K. Simmons and Rosemary Harris all return from the first film and all cement their positions in movie history as these beloved comic characters.
The effects look a little dated by today's standards, but they're still more than passable, and another great score by Danny Elfman is the cherry on top.
Spider-Man 2 is both a strong sequel, and a strong comic book adaption.
Spider-Man 2 owes a lot to Alfred Molina. His performance as Otto Octavius, and later, Doctor Octopus is pure villainous perfection, whilst lending the character a sympathetic undertone. Spider-Man has a fantastic rogues gallery to chooses from, and Doc Ock is one of the more complicated ones. This movie does the character justice.
Tobey Maguire, Kirsten Dunst, James Franco, J.K. Simmons and Rosemary Harris all return from the first film and all cement their positions in movie history as these beloved comic characters.
The effects look a little dated by today's standards, but they're still more than passable, and another great score by Danny Elfman is the cherry on top.
Spider-Man 2 is both a strong sequel, and a strong comic book adaption.
LoganCrews (2861 KP) rated Pineapple Express (2008) in Movies
Mar 18, 2021
The ultimate stoner movie - rivaled only by 𝘛𝘦𝘥 and 𝘏𝘢𝘳𝘰𝘭𝘥 & 𝘒𝘶𝘮𝘢𝘳 𝘌𝘴𝘤𝘢𝘱𝘦 𝘍𝘳𝘰𝘮 𝘎𝘶𝘢𝘯𝘵𝘢𝘯𝘢𝘮𝘰 𝘉𝘢𝘺. Just so precisely captures that essence of getting high with your buddies, and then ingeniously represents it through these literal Chaotic Good, Chaotic Neutral, and Chaotic Evil trio of leads - played to (unsurprising) perfection by Franco, Rogen, and McBride respectively. The comedic value earned in each scene by transitioning from shooting the shit about nonsensical high musings abruptly into blunt violence cannot be understated - those fights are so side-splitting. And I'll be damned but the action... actually looks like action! Further proof that these are at their best when made by people who regularly get blazed as hell. Two hours straight of hilarious Rogen and co. histrionics, general destruction and chaos which routinely draw blood, and it ends with a 15 minute long shootout + fistfight combo in a pot farm. Just spectacular, as funny during its low-key moments as it is when it goes off the rails. Naturally, Amber Heard is the only major weak point.