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Batman, Volume 1: The Court of Owls
Batman, Volume 1: The Court of Owls
Scott Snyder | 2020 | Comics & Graphic Novels
4
8.1 (7 Ratings)
Book Rating
Unlike some of the more famous Batman stories ([b:the Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159], say, or {book: The Killing Joke], The Court of Owls is not one that I was previously familiar with - or, for that matter, had even heard of - prior to this graphic novel.

Unlike those previously two mentioned, this is a more contemporary tale, with Batman at the height of his crime-fighting powers, unlike the aging Batman of [b:The Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159], or the still-relatively-green of the majority of [b:The Killing Joke|96358|Batman The Killing Joke|Alan Moore|https://d.gr-assets.com/books/1346331835s/96358.jpg|551787], and also has the wider Bat-family (that sounds awful, doesn't it?) of Nightwing, Robin and Red Robin all in it.

The Court of Owls itself is an urban legend from Gotham of a secret society that lives in the shadows and watches/judges all: like Batman, an urban legend that soon proves not to be such after all.

While I may read volume 2 in the future, it's also not one that I'd be hunting out for.
  
Renato Jones: The One%, Season 1
Renato Jones: The One%, Season 1
Kaare Andrews | 2017 | Comics & Graphic Novels
8
8.0 (2 Ratings)
Book Rating
Renato Jones was born into privilege, died because of that privilege, was reborn again through that privilege, and now he spends his time between being one of the ONES, the top 1% wealthiest people in the world, and the Freelancer, making sure that the ONES still know their place in the world. Making definite nods to Frank Miller (I'm not familiar with Andrews work, so I don't know if his artistic and writing styles are usually this influenced by Miller, but it is quite clear in this book), this first volume of Renato Jones is a hyper-stylized, hyper-violent, hyper-sensational free for all that seems eerily prescient of today's political atmosphere. The book is cleverly constructed, with fake ads throughout that mock the ridiculous over the top nature of the super rich in the book. Personally, I'm thoroughly intrigued to see where Andrews is going to take this series so will be following along for sure.
  
On the Town (1949)
On the Town (1949)
1949 | Comedy, Musical, Romance
9
9.3 (3 Ratings)
Movie Rating
Cheery MGM musical is possibly the only chance you will ever have to see Frank Sinatra belly dancing. Three sailors on leave in New York for a day have various misadventures and hook up with girls who are rather more clued-up about big city life than they are.

Made in 1949, and you can almost taste the buoyancy and optimism of post-war America: there are no social issues to be explored in this film, which is all about being young and carefree and enjoying yourself. Subverts expectations by having some of the girls be much more romantically pro-active than the boys they encounter; this is rather charming and funny. Still, one of those musicals where a lot of the songs are slightly forgettable, but Gene Kelly and Ann Miller dance up a storm every time they get the chance. It's almost pure froth, but rather touching and enormously likeable.
  
Batman the Killing Joke
Batman the Killing Joke
Brian Bolland, Alan Moore | 2008 | Fiction & Poetry
6
7.4 (10 Ratings)
Book Rating
So, [b:The Killing Joke|96358|Batman The Killing Joke|Alan Moore|https://d.gr-assets.com/books/1346331835s/96358.jpg|551787].

Commonly cited as one the best Batman stories (after [b:The Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159]), The Killing Joke is, in reality, an origin story.

However, rather than being the origin story of a Superhero, this takes the somewhat unusual idea of being that of a villain instead: in this case, how did the most Notorious (and deadly) of Batman's foes - The Joker - come to be how he is?

This also draws parallels between The Joker and Batman himself, depicting them each as, if you will, two sides of the same coin - both have had a very bad day, but each have reacted to it differently (or have they?).

Personally, I feel that the origins of The Joker would have been better left to mystery rather than detailed as in this story; however, that's not denying that this is a good (if short) read in its own right.