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Andy K (10823 KP) created a video about Gone With the Wind (1939) in Movies

Oct 29, 2017 (Updated Oct 30, 2017)  
Video

Frankly My Dear, I Don't Give a Damn

  
Video

Dead Rising 4: Frank’s Big Package – Announcement Trailer | PS4

Dead Rising 4: Frank’s Big Package is a special delivery that will let PlayStation 4 players unwrap the Dead Rising 4 main game, in addition to all other previously released game content.

  
Bad Frank (2017)
Bad Frank (2017)
2017 |
8
8.0 (1 Ratings)
Movie Rating
I love it when a movie can come completely out of nowhere and surprise this humble reviewer. Bad Frank is exactly that, A movie that on paper looks and sounds like most other Kidnap Revenge thrillers you may have seen over the years. But let me tell you that Bad Frank is far from some of the copy and paste garbage out there.

I was instantly drawn to this Flick after stumbling upon its Twitter page and hey full disclosure I saw Tom Sizemore and Brian O’Halloran and thought ‘Okay, Im in’. Little did I know that after contacting the movies director I was about to watch a somewhat by the numbers movie that takes all of the numbers and turns them on there head with a great tightly written script and one hell of a powerhouse performance (not by either of the two men I named above by the way).

Bad Frank is about a man named ummmm Frank. Frank (played by Kevin Interdonato) is a seemingly normal guy living a seemingly normal existence. He seems to have it all, but you can tell right from the outset that the man has got some demons. We learn that he is on some serious medication to deal with his head aches from a life of regrets, He is estranged from both his mum and dad and struggling to keep his marriage together. Frank is pulled into an easy money job by his buddy Travis (Brandon Heitkamp) who is in deep to Donny Shakes (O’Halloran). What is promised to be a quick job brings Frank face to face with an old acquaintance he would rather forget. Things really go sideways on the job and in turn his life, when Franks wife Gina (Amanda Clayton) is kidnapped by face from the past Mickey Duro (Sizemore). I am gonna stop plot wise now because anymore and I am giving too much away.

Tony Germinario has pulled an absolute stormer out of the bag for his debut feature length movie, a fact that was completely lost on me upon viewing. For a budget of roughly 80k he has used all tricks at his disposal to make it look like a multi million dollar flick and Bad Frank looks all the more impressive for it. A lot of the time a the script to a movie like this can get lost in its own simplicity but Tony wrote a script that really didnt conform to what I was expecting and gave the lead a chance to deliver. So lets just talk about the lead, Kevin Interdonato brings an absolute realism and intensity to this role that sucks you right in and leaves you kinda second guessing yourself, anything could happen with this guy at any moment and that to me is scary. I went from feeling sorry for this guy to thinking well he deserved everything and ending up thinking ‘SHIT’.

Tom Sizemore is in fine form as Sizemore always is. An actor that I personally love and wish got more of the beefier roles but it was great to see him on screen and like I say, seeing his name splashed on the poster was one of the reasons I sought this one out. Then there is Brian O’Halloran doing his thing as he does (always liked this dude since his Clerks days nice to see him spreading his wings).



It is easy to see how Tony and his crew took Bad Frank to Film Fest International in London last week and was not only nominated for 5 awards but Tony himself won Best Director.

I am gonna recommend the shit out of this Flick, Bad Frank is not what you expect going in, there are some pretty cool curve-balls, it moves along at a quick enough pace and no spoilers but the final 10 minutes are a Tour-De-Force. Performances wise you are getting more bang for you buck in what the Director himself considers to be an “as Indie as it gets” movie (not that you can tell mind you).
  
TD
The Dan Diaries
D.D. Marx | 2018
8
8.0 (1 Ratings)
Book Rating
In the Dan Dairies we get to see Dan’s POV. It in point of view that we see how it is for him and his friend Frank. It mostly the journey of Dan and how he helps his loves one and including Hank.

It starts out with Dan and transition. What he needs to do and help the main man up head and what need to direct one person path to her destiny. Will Dan succeed or will he not? To me this is more a summary of the 3 books that are before this one. It goes over summary of some of the big events that Hank has to deal with and Dan having to convince Hank (Olivia Henry).

Frank is a part of this, with Dan is it mostly about Dan and though his point of view. If you have not read the Beyond Trilogy. This is only the summary of it. This really concludes the series and helps define some of the holes or to see Dan and his view point. If you want the story and details of Olivia and Finn story, you will need to read Beyond Trilogy - books, Beyond Believing, Beyond Love, Beyond Forever.

The author does a really good job of this. She really show the Dan’s life in the afterlife and his point of view well.
  
HA
Hope: A Tragedy
6
8.0 (3 Ratings)
Book Rating
This book tells the story of a couple who buys an old farmhouse in upstate New York to esacape the craziness of life in NYC. The husband has major issues...the basis of which begin with his father leaving & the fact that his mother is a Jew who was born & raised in America. Yet she still manages to convince herself that she suffered through concentration camps in Nzi occupied Germany. The story gets interesting when Sol discovers an old, stooped over woman living in their attic. Big deal? Well, yeah. She claims to be Anne Frank.
Sounds like a great idea for a story, but to me it fell flat. At times I was interested & couldn't wait to see what would happen. Then it would just sort of ramble on for page upon page of nothing really happening. To me, the author was working way too hard at an attempt to be deep & philosophical. That ruined the promise of an intriguing plot line. It was okay, but I wouldn't read it again.
  
Count Dracula (1977)
Count Dracula (1977)
1977 | Classics, Horror
8
7.4 (5 Ratings)
Movie Rating
Surprisingly faithful BBC adaptation of the famous story has definite merits, but also perhaps shows why most people don't stick so close to the text. Young solicitor Harker goes off to Transylvania to close a deal with the engimatic Count Dracula; you can probably guess the rest.

Scores very highly for its acting - Frank Finlay is a charismatic Van Helsing and Louis Jourdan a playfully evil Dracula - and also for its atmosphere, even with BBC TV production restraints (videotaped interiors, some rather weird special effects). For an adaptation to stick quite so close to the book is very nearly exceptional, too - Savory makes Lucy and Mina sisters, combines Arthur and Quincey into one character, and cuts down the final act, but that's about it. The drawback to this, of course, is that after the first act Dracula gets relatively little screen-time and even less dialogue, and it does drag on just a tiny bit. Nevertheless, its fidelity and seriousness mean that this is certainly among the top echelon of Draculas in any medium.
  
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Juliette Jackson recommended track Gigantic by Pixies in Surfer Rosa by Pixies in Music (curated)

 
Surfer Rosa by Pixies
Surfer Rosa by Pixies
1988 | Alternative
9.0 (1 Ratings)
Album Favorite

Gigantic by Pixies

(0 Ratings)

Track

"Pixies are my favourite band, I've definitely listened to them more than any other band. It was hard to pick a song, I ended up just closing my eyes and pointing because I didn't really know which one to pick. With Pixies I feel there's just so much there; all the stopping and starting and the screaming and Kim Deal - Kim Deal's voice and Kim Deal's basslines - and all the weird timings, the freaky lyrics that don't make any sense and the loud and quietness of how they play. They've been a really huge inspiration to me. When I listen to Pixies I feel like music can be anything, it made me stop worrying what a song is gonna turn into. Before The Big Moon I always used to try and write songs and I never really got anywhere. I used to listen to music that was more polished and finished and I'd compare my music to that and just feel like ""Ugh! I'm never gonna be as good as them."" But Pixies sound so free and wild. They prove that music can go anywhere and if you feel like turning around and playing a different timing and completely different music suddenly, you can just do that. I love how surprising their music is. All four of them have their own brilliant thing going on: the drums are really cool and sometimes jazzy, Joey Santiago’s guitar lines are amazing, he's also got that ugly, gnarly guitar thing going on that I love – loads of bending, clashy notes. And Frank Black as well! No one screams like that. I think they're all amazing but I guess Kim Deal has a special place in my heart because there's just something about her, she's so fucking cool. Her voice doesn't sound like anyone else's, it's so pure and so smooth, she's a huge inspiration."

Source
  
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James Dean Bradfield recommended Steeltown by Big Country in Music (curated)

 
Steeltown by Big Country
Steeltown by Big Country
2014 | Punk
6.0 (2 Ratings)
Album Favorite

"I'm gonna go for a topical one... Obviously Stuart Adamson came out of The Skids. John Peel called him the Scottish Hendrix, and I loved The Skids. Absolutely loved them. Then he went on to form Big Country. And first of all I had to take a step back from it, but I just loved the way he put myths and folklore - Scottish folklore - into music, but he also linked it up with the modern day era. All those myths and belief systems were very prescient of modern day culture: how people use music to deal with loss, how people use music to deal with lostness in society, with poverty, with trying to strive to remain above the dignity level. And I thought that was quite a noble ambition for a musician, really. Lots of musicians have done that in different guises, but because Big Country was wrapped up in a certain Scottishness in the music, and what some people have called the Celtic mist in their music, they were utterly pilloried in the press. I love the music press and I love music journalism, but sometimes the music press have to be called to account, and they should give the musical kudos and reparations to Big Country and Stuart Adamson, who's sadly not with us. I also used to think, why is it that Billy Bragg's allowed to have a folk edge to him? The Men They Couldn't Hang had a folk edge to them; The Pogues were allowed to have a folklore edge to them, and people find it acceptable with The Pogues because they could get drunk to it. But Big Country were mercilessly slammed for being Scottish, whining, bagpipes… I look back and think it's a music journalism crime, what happened to them, and what happened to Stuart Adamson. You look at the album and you've just got so many songs which just touch upon the post-Thatcher unemployment that was going on in Scotland at the time... And the English-based press just absolutely slammed him for it; they just thought he was a man dealing in myth and outdated folklore and I think it's disgusting. I remember, in the sleevenotes, he said he understood the power of music way before he understood its language, and that's what he was trying to do with Big Country. It was a noble, amazing achievement which was treated with… what would you call it? Just London-dominated disdain. I'd like to redress that just by picking it. A folk influence is very much allowed in English music today, whether it be fucking Frank Bloke or Mumford And Sons with their Cath Kidston version of it. It's allowed through the gate; it's allowed to sell millions; it's allowed to have a voice. So there is a symbolism there. It's enough to make you want to be independent, the way Big Country were treated by the music press!"

Source
  
Zack and Miri Make a Porno (2008)
Zack and Miri Make a Porno (2008)
2008 | Comedy, Drama, Romance
Zack (Seth Rogan), and Miri (Elizabeth Banks), are two lifelong friends with problems. Their lives in a Pittsburgh Suburb have not turned out as well as they would have hoped as they find themselves mired in low paying jobs struggling to pay the bills and have any semblance of a happy life.

With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.

While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.

In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.

Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.

With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.

Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.

Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.

While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.

No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.

I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.

“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.
  
Eagle Eye (2008)
Eagle Eye (2008)
2008 | Drama, Mystery
5
6.8 (8 Ratings)
Movie Rating
Zack (Seth Rogan), and Miri (Elizabeth Banks), are two lifelong friends with problems. Their lives in a Pittsburgh Suburb have not turned out as well as they would have hoped as they find themselves mired in low paying jobs struggling to pay the bills and have any semblance of a happy life.

With their ten year high school reunion pending on the night before Thanksgiving, Zack agrees to accompany Miri but has little enthusiasm to see the same group of people he went to school with especially when he has so little to show for his post school life.

While things do not go as hoped for either Zack or Miri at the reunion, things get even worse when their water and power is turned off upon returning home forcing them to contend with a very cold and dark Thanksgiving.

In a fit of inspiration born out of desperation Zack decides to make a Porno as a way out of their financial issues. Zack contends that most of their fellow classmates will buy it out of curiosity and if they can sell 1000 copies, their problems will be over. Despite their platonic relationship, Miri agrees to make the film with Zack, and after getting financed by one of Zack’s co-workers with money meant for a plasma television, Zack and Miri begin the process of casting and creating their film.

Of course things do not go as planned and one series of hilarious events and disasters after another arise to hamper the budding filmmakers, and add even more pressure to their pending first time with one another.

With Deadlines pending, Zack and Miri must deal with the problems surrounding the film as well as their own long dormant denied attraction to one another the two life long friends must make choices that will have lifelong ramifications.

Writer and Director Kevin Smith has created a funny film that is both familiar to his previous works yet a more mature and emotional film. Yes there is plenty of outrageous humor and very frank and explicit diologe between the characters yet there is a maturity amongst the characters. As he showed in “Clerks II), the leads in “Zack and Miri” make a porno are dealing with bigger issues than trying to have sex, they are dealing with the fragile emotions that come with opening your heart and the fears of rejection that come with it. The theme of doing what you want to do rather than what is expected of you is also a constant theme here, and it is refreshing to see Smith once again tackle such issues without being preachy or heavy handed.

Supporting Rogen and Banks are Smith staples Jason Mewes and Jeff Anderson as well as solid supporting work from Justin Long who is utterly hilarious in every scene he is in.

While some fans may want more full out humor such as Smith gave in “Jay and Silent Bob Strike Back”, Zack and Miri is more in tune with “Chasing Amy” as it focuses more on the relationship amongst the leads rather than wall to wall blunt humor.

No matter how many times I see Kevin Smith films, I am amazed at how well he captures the natural conversation between his characters. Yes, it is very raw but also very natural as it has a flow to it that embodies and defines the characters without ever overshadowing them. We all know of people who sit around having conversations as frank and outrageous as the characters in Smith’s films but never do the words seem forced or clichéd.

I am curious to see what future films Kevin Smith will craft as I find myself longing for the classic stable of Jersey characters like Jay and Silent Bob to return, yet understand the need he has to move forward and progress as a filmmaker.

“Zack and Miri” may not be the best work Smith has ever done, but it is very funny and deeply entertaining and shows a positive new direction for this talented director.