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Mark @ Carstairs Considers (2099 KP) rated The Tower Treasure (Hardy Boys, #1) in Books
Mar 9, 2018
When their friend Chet's jalopy is stolen, Frank and Joe think it is their chance to prove they can be detectives. But when they find his car, it just leads them to more mysteries.
This is my first time reading a Hardy Boys book in years, and I found it interesting. The characters were still as shallow as I remembered, but I was surprised to find the plot was episodic and their father did some big chunks of the investigation without them. Still, I enjoyed it and think kids today will, too.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/08/book-review-tower-treasure-by-franklin.html">Carstairs Considers</a>.
This is my first time reading a Hardy Boys book in years, and I found it interesting. The characters were still as shallow as I remembered, but I was surprised to find the plot was episodic and their father did some big chunks of the investigation without them. Still, I enjoyed it and think kids today will, too.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2014/08/book-review-tower-treasure-by-franklin.html">Carstairs Considers</a>.
Mark @ Carstairs Considers (2099 KP) rated The Secret of the Caves (Hardy Boys, #7) in Books
Mar 9, 2018
The Hardys are dealing with two cases. While their father works on sabotage at a local security station, Frank and Joe head to a college to try to find a missing professor. But the trail leads them to some caves south of Bayport. What exactly will they find there?
This was actually the first Hardy Boys books I picked up many years ago, and it was fun to revisit. I didn’t remember much about the mystery, so it kept me guessing until the end. I did find the ending very rushed and the characters flat, but I still had fun revisiting them.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/02/book-review-secret-of-caves-by-franklin.html">Carstairs Considers</a>.
This was actually the first Hardy Boys books I picked up many years ago, and it was fun to revisit. I didn’t remember much about the mystery, so it kept me guessing until the end. I did find the ending very rushed and the characters flat, but I still had fun revisiting them.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/02/book-review-secret-of-caves-by-franklin.html">Carstairs Considers</a>.
Mark @ Carstairs Considers (2099 KP) rated The Secret of the Old Mill in Books
May 20, 2018
The Hardys Take on Counterfeiters
Fenton Hardy is hard at work on a top secret case. When Frank and Joe go to pick him up from the train station, their friend Chet is passed a counterfeit bill. Can the brothers find the counterfeiters? What is their father working on? And what is happening at the old mill outside of town?
While the big picture of the plot may be obvious to adults early on, I remember enjoying this one as a kid, and I got caught up in the action again. It does help that the details still need to be filled in and there is plenty of action along the way to the climax. The characters are shallow, but I didn’t mind as a kid, and I’m sure today’s kids won’t mind either.
While the big picture of the plot may be obvious to adults early on, I remember enjoying this one as a kid, and I got caught up in the action again. It does help that the details still need to be filled in and there is plenty of action along the way to the climax. The characters are shallow, but I didn’t mind as a kid, and I’m sure today’s kids won’t mind either.
Mark @ Carstairs Considers (2099 KP) rated The Missing Chums in Books
Jan 20, 2019
Who Kidnapped Chet and Biff?
The only thing that could make summer vacation better for Frank and Joe Hardy is a mystery, and one is handed to them by Chief Collig when he asks them to go undercover at the homeless encampment outside of town and find out what is causing the increased fighting down there. Before the teens can begin their assignment, they witness a bank robbery, however. Then, after a costume party hosted by Callie Shaw and Iola Morton, their friends Chet and Biff vanish. Can the brothers figure out what happened to their friends? Are all these events connected?
I was a bit worried that the book had bitten off more than it could successfully resolve, but it did a good job of reigning in these plots and bringing them to a successful conclusion. I enjoyed seeing how Frank and Joe figured things out and successfully wrapped everything up. The characters are shallow as always, but it's not something I remember as a kid, so I bet today's kids will not notice either. They might notice how dated some elements are, including the word "chum" in the title. However, that kind of things never stopped me as a kid, and I bet most will get caught up in the fast-moving action of the story.
I was a bit worried that the book had bitten off more than it could successfully resolve, but it did a good job of reigning in these plots and bringing them to a successful conclusion. I enjoyed seeing how Frank and Joe figured things out and successfully wrapped everything up. The characters are shallow as always, but it's not something I remember as a kid, so I bet today's kids will not notice either. They might notice how dated some elements are, including the word "chum" in the title. However, that kind of things never stopped me as a kid, and I bet most will get caught up in the fast-moving action of the story.
Mark @ Carstairs Considers (2099 KP) rated The House on the Cliff (Hardy Boys, #2) in Books
Mar 9, 2018
Frank and Joe Hardy are thrilled when their father, Fenton, gives them an assignment as part of his latest case. He asks them to go up on the cliff and watch the bay for smugglers. They find the perfect spot near an abandoned house. Yet, they soon hear a cry for help from inside, have part of the telescope stolen, and witness an attempted murder. What’s going on?
This book is a perfect example of some of the weaknesses of the series – characters always making the perfect deduction right away and the thin characters. But even rereading it, I found it very fun. It helps that there is plenty of action. Kids today will get caught up in the story just as I did as a kid and rereading it as an adult.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/08/book-review-house-on-cliff-by-franklin.html">Carstairs Considers</a>.
This book is a perfect example of some of the weaknesses of the series – characters always making the perfect deduction right away and the thin characters. But even rereading it, I found it very fun. It helps that there is plenty of action. Kids today will get caught up in the story just as I did as a kid and rereading it as an adult.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/08/book-review-house-on-cliff-by-franklin.html">Carstairs Considers</a>.
GG
Giant: George Stevens, a Life on Film
Book
Marilyn Ann Moss's Giant examines the life of one of the most influential directors to work in...
Mark @ Carstairs Considers (2099 KP) rated Footprints Under the Window in Books
Oct 21, 2021 (Updated Oct 21, 2021)
Spies and a Quick Trip to South America
When Frank and Joe Hardy go to meet their Aunt Gertrude on her return from a trip to South America, they arrive a little early, so they decide to head out in their motor boat. That’s when they see a man jump over the side of a ship. They pick him up, but all they get out of him is a strange warning about footprints before he runs off again. With their dad out of town on a case, they are left to try to figure out what is going on by themselves. Might it have to do with the robbery they foiled at a nearby photographic plant? And who left the footprints outside the Hardy’s house?
Even as a kid, I recognized the absurdity of the Hardys heading to South America at one point to follow a few leads, but even as an adult, it’s hard not to get caught up in the action and mystery. While things do make sense at the end, I feel like there were a few too many plot threads for them to untangle. One or two less would have helped. Still, even as an adult, I got caught up in the story. As always, the character are thin, and the story is dated. Very dated, in this case. But as long as today’s kids realize this is something from the 1960’s, they’ll be okay. I’ve got to admit, nostalgia is playing a bit in my rating since I loved this one as a kid.
Even as a kid, I recognized the absurdity of the Hardys heading to South America at one point to follow a few leads, but even as an adult, it’s hard not to get caught up in the action and mystery. While things do make sense at the end, I feel like there were a few too many plot threads for them to untangle. One or two less would have helped. Still, even as an adult, I got caught up in the story. As always, the character are thin, and the story is dated. Very dated, in this case. But as long as today’s kids realize this is something from the 1960’s, they’ll be okay. I’ve got to admit, nostalgia is playing a bit in my rating since I loved this one as a kid.
Daniel Boyd (1066 KP) rated Wheelman (2017) in Movies
Oct 24, 2017 (Updated Oct 24, 2017)
Grillo is great (1 more)
Decent script
One Hell Of A Night
Wheelman is a Netflix movie that unfortunately debuted on the same date as the hotly anticipated Stephen King adaption, 1922. Though Wheelman deserves more than to be overlooked and although I didn't expect much going into it, I came away afterwards pleasantly surprised.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
This movie reminds me of a bunch of others. There is some aspects of Phonebooth used here, it was also reminiscent of a Tom Hardy film called Locke that came out a couple of years ago. It is also similar to what Drive was marketed as in the trailers before it's release, (even though Drive ended up being a psychological nior drama.) The movie took a while to convince me; for the first 15 minutes nothing happened that really excited me, but once I got a bit deeper into and more invested in the story that was unfolding, I ended up being sucked into the wild ride that the protagonist was going through. I think that the film's success on that front, relies a great deal on the performance of Frank Grillo, so it's just as well he brought his A-game here. For 99% of the movie, Grillo is onscreen, so there is no hiding from the camera in terms of his performance and he nails every second of it. He really manages to make an insanely dangerous situation feel grounded and relatable. The other actors are mostly featured via their voices on the phone, which again makes their performances difficult to deliver, but they all manage it convincingly. I always knew who each person was in relation to each other and what each character's motives were, which isn't always clear in a movie where most characters are only heard on the phone.
The script is decent, but I feel that a lot of the dialogue was ad-libbed, which again adds a natural, more realistic feel to the events that are unfolding. This was a good move by the director and the direction overall is great. There are some fairly odd creative choices made, but all of them are effective and feel worthwhile. The cinematography and sound mixing are implemented effectively and add to the overall urgent tone that the movie is pursuing.
Overall, this is definitely worth a watch. To me, it is like a callback to a 70's action chase thriller, with a modern twist. There is also an element of film noir present and the intense tone will keep you engaged until the end credits. You do need to stick with the film past the fifteen minute mark though. Although the whole thing is only 82 minutes long in it's entirety, it takes while to really suck you in, but once it does, it is a really fun ride worth taking.
Bob Mann (459 KP) rated Pixie (2020) in Movies
Nov 2, 2020
Olivia Cooke - utterly enchanting (1 more)
Just the right balance of black humour and Tarantino-esque violence
Once upon a Time in the West... of Ireland
You know sometimes when you see a trailer you think "oh yeah - this is a must see"! The trailer for "Pixie" (see below) was one such moment for me. A spaghetti western set in Sligo? With Alec Baldwin as a "deadly gangster priest"? Yes, yes, yes!
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
In a remote Irish church, two Irish priests and two "visiting Afghan Catholic priests" are gunned down by a couple of losers in animal masks - Fergus (Fra Fee) and Colin (Rory Fleck Byrne) - over a stash of MDMA worth a million Euros. This reignites a simmering gang war between the gangster families of Dermot O'Brien (Colm Meaney) and Father Hector McGrath (Alec Baldwin). Linking everything together is Pixie (Olivia Cooke), O'Brien's daughter, who has a magnetic effect on men. She is somehow subtly the woman controlling everything going on.
Drawn into the mayhem are hapless teens Frank (Ben Hardy) and Harland (Daryl McCormack) - both of who have the hots for Pixie - who embark on a wild and bloody road-trip around southern Ireland.
Key to your belief in the ridiculous story is that the character of Pixie has to have the beauty and charisma to utterly enslave the poor men she crosses paths with: taking a "Kalashnikov to their hearts" as drug dealer Daniel (Chris Walley) puts it. And Olivia Cooke - so good in "Ready Player One" - absolutely and completely nails the role. I'm utterly in love with her after this movie, and she's thirty years too young for me! There's a sparkle and a mischief behind her that reminded me strongly of a young Audrey Hepburn.
Supporting her really well are the "Harry and Ron" to Cooke's Hermione - Ben Hardy (Roger Taylor in "Bohemian Rhapsody") and Daryl McCormack. And the trio make a truly memorable "love triangle". A bedroom scene manages to be both quietly erotic and excruciatingly funny in equal measure.
The direction here is by Barnaby Thompson, who's better known as a producer with the only previous movie directing credits being the St Trinian's reboots in 2007/09. Here he manages to channel some of the quirky camera shots of the likes of Guy Ritchie and Matthew Vaughn and mix them with the black humour and comedic gore of Quentin Tarantino. The taciturn hit-man Seamus (Ned Dennehy) typifies the comedy on offer, using a Land Rover to drag a poor victim round in a figure of eight on a soggy moor to make him talk!
Where I think the movie wimps out a bit is in an ecclesiastical shoot-out finale. Vaughn's "Kingsman: The Secret Service" set the bar here for completely outrageous and out-there church-based violence. Here, the scene is both tame by comparison (not necessarily a bad thing!), but also highly predictable. Given this is supposed to be "a plan", none of it feels to be very well thought-through! As such, belief can only be suspended for so long.
The visuals and music are fab. The cinematography - by veteran John de Borman - makes the west Ireland coast look utterly glorious and the Irish tourist board must have been delighted. There are also some beautifully-framed shots: a boot-eye (US: trunk-eye) perspective is fabulous, and there's a gasp-inducing fade-back to Pixie's face following a flashback. And a shout-out too to the editing by Robbie Morrison, since some of the plot twists are delivered as expert surprises.
The music - by Gerry Diver and David Holmes - is also spectacularly good at propelling the action and maintaining the feel-good theme.
Where I did have issues was with the audio mix. I'm sure there were a bunch of clever one-liners buried in there, but the combination of the accents (and I've worked in Northern Ireland for 20 years and am "tuned in"!) and the sound quality meant I missed a number of them. I will need another watch with subtitles to catch them all.
Thanks to ANOTHER WRETCHED LOCKDOWN in the UK this was my last trip to the cinema for at least a month: I was one of only four viewers in the "Odeon" cinema for this showing. Because it's a great shame that so few people will get to see this (at least for a while), since its the sort of feelgood movie that we all need right now. Slick and utterly entertaining, I'll quietly predict that this one will gain a following as a mini-cult-classic when it gets to streaming services. Recommended.
(For the full graphical review, please check-out the bob the movie man review here - https://bob-the-movie-man.com/2020/11/02/pixie-once-upon-a-time-in-the-west-of-ireland/. Thanks.)
