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Jason Kimbro (105 KP) rated Sin City (2005) in Movies
Dec 30, 2017
Dean (6921 KP) rated The Spirit (2008) in Movies
Sep 10, 2018
A pretty decent comic book romp in the same graphic style as Sin City. Unfortunately any similarities end there, despite a strong cast this fails to pack a punch. I didn't know anything about the comic book and you have to wait halfway through the film to get any idea of the characters background. I felt it could have been better. Maybe one more for fans of Frank Miller stories or comic books. Silly over the top fun action but nothing special.
David McK (3162 KP) rated Batman, Volume 1: The Court of Owls in Books
Jan 28, 2019
Unlike some of the more famous Batman stories ([b:the Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159], say, or {book: The Killing Joke], The Court of Owls is not one that I was previously familiar with - or, for that matter, had even heard of - prior to this graphic novel.
Unlike those previously two mentioned, this is a more contemporary tale, with Batman at the height of his crime-fighting powers, unlike the aging Batman of [b:The Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159], or the still-relatively-green of the majority of [b:The Killing Joke|96358|Batman The Killing Joke|Alan Moore|https://d.gr-assets.com/books/1346331835s/96358.jpg|551787], and also has the wider Bat-family (that sounds awful, doesn't it?) of Nightwing, Robin and Red Robin all in it.
The Court of Owls itself is an urban legend from Gotham of a secret society that lives in the shadows and watches/judges all: like Batman, an urban legend that soon proves not to be such after all.
While I may read volume 2 in the future, it's also not one that I'd be hunting out for.
Unlike those previously two mentioned, this is a more contemporary tale, with Batman at the height of his crime-fighting powers, unlike the aging Batman of [b:The Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159], or the still-relatively-green of the majority of [b:The Killing Joke|96358|Batman The Killing Joke|Alan Moore|https://d.gr-assets.com/books/1346331835s/96358.jpg|551787], and also has the wider Bat-family (that sounds awful, doesn't it?) of Nightwing, Robin and Red Robin all in it.
The Court of Owls itself is an urban legend from Gotham of a secret society that lives in the shadows and watches/judges all: like Batman, an urban legend that soon proves not to be such after all.
While I may read volume 2 in the future, it's also not one that I'd be hunting out for.
tapestry100 (306 KP) rated Renato Jones: The One%, Season 1 in Books
Aug 2, 2017
Renato Jones was born into privilege, died because of that privilege, was reborn again through that privilege, and now he spends his time between being one of the ONES, the top 1% wealthiest people in the world, and the Freelancer, making sure that the ONES still know their place in the world. Making definite nods to Frank Miller (I'm not familiar with Andrews work, so I don't know if his artistic and writing styles are usually this influenced by Miller, but it is quite clear in this book), this first volume of Renato Jones is a hyper-stylized, hyper-violent, hyper-sensational free for all that seems eerily prescient of today's political atmosphere. The book is cleverly constructed, with fake ads throughout that mock the ridiculous over the top nature of the super rich in the book. Personally, I'm thoroughly intrigued to see where Andrews is going to take this series so will be following along for sure.
Awix (3310 KP) rated On the Town (1949) in Movies
Nov 15, 2020
Cheery MGM musical is possibly the only chance you will ever have to see Frank Sinatra belly dancing. Three sailors on leave in New York for a day have various misadventures and hook up with girls who are rather more clued-up about big city life than they are.
Made in 1949, and you can almost taste the buoyancy and optimism of post-war America: there are no social issues to be explored in this film, which is all about being young and carefree and enjoying yourself. Subverts expectations by having some of the girls be much more romantically pro-active than the boys they encounter; this is rather charming and funny. Still, one of those musicals where a lot of the songs are slightly forgettable, but Gene Kelly and Ann Miller dance up a storm every time they get the chance. It's almost pure froth, but rather touching and enormously likeable.
Made in 1949, and you can almost taste the buoyancy and optimism of post-war America: there are no social issues to be explored in this film, which is all about being young and carefree and enjoying yourself. Subverts expectations by having some of the girls be much more romantically pro-active than the boys they encounter; this is rather charming and funny. Still, one of those musicals where a lot of the songs are slightly forgettable, but Gene Kelly and Ann Miller dance up a storm every time they get the chance. It's almost pure froth, but rather touching and enormously likeable.
David McK (3162 KP) rated Batman the Killing Joke in Books
Jan 28, 2019
So, [b:The Killing Joke|96358|Batman The Killing Joke|Alan Moore|https://d.gr-assets.com/books/1346331835s/96358.jpg|551787].
Commonly cited as one the best Batman stories (after [b:The Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159]), The Killing Joke is, in reality, an origin story.
However, rather than being the origin story of a Superhero, this takes the somewhat unusual idea of being that of a villain instead: in this case, how did the most Notorious (and deadly) of Batman's foes - The Joker - come to be how he is?
This also draws parallels between The Joker and Batman himself, depicting them each as, if you will, two sides of the same coin - both have had a very bad day, but each have reacted to it differently (or have they?).
Personally, I feel that the origins of The Joker would have been better left to mystery rather than detailed as in this story; however, that's not denying that this is a good (if short) read in its own right.
Commonly cited as one the best Batman stories (after [b:The Dark Knight Returns|59960|Batman The Dark Knight Returns|Frank Miller|https://d.gr-assets.com/books/1327892039s/59960.jpg|1104159]), The Killing Joke is, in reality, an origin story.
However, rather than being the origin story of a Superhero, this takes the somewhat unusual idea of being that of a villain instead: in this case, how did the most Notorious (and deadly) of Batman's foes - The Joker - come to be how he is?
This also draws parallels between The Joker and Batman himself, depicting them each as, if you will, two sides of the same coin - both have had a very bad day, but each have reacted to it differently (or have they?).
Personally, I feel that the origins of The Joker would have been better left to mystery rather than detailed as in this story; however, that's not denying that this is a good (if short) read in its own right.
David McK (3162 KP) rated Superman: Whatever Happened to the Man of Tomorrow? in Books
Jan 28, 2019
Hmmmm ... how best to describe this?
Perhaps the foreword puts it best: released back in the mid-80s, this is (now) effectivel a 'what-if', with the central conceit being that this was a story told by Lois to a Daily Planet reporter about Superman's Last Days.
I say a 'What-if' as, obviously, the Man of Steel is still around today: at the time this was released, however, DC was going through a major 'cleaning of the house'; retconning and throwing out over 50 years worth of backstory for their various properties in an attempt to reset the switch; to go back to basics (as it were). As such, it was possible (just) that this very well could have been the last Superman story ever written.
Unlike some of Moore's other works ([b:Batman: The Dark Knight Returns|59960|Batman The Dark Knight Returns (The Dark Knight Saga, #1)|Frank Miller|https://images.gr-assets.com/books/1327892039s/59960.jpg|1104159]The Dark Knight Returns, for example, or even [b:Watchmen|472331|Watchmen|Alan Moore|https://images.gr-assets.com/books/1442239711s/472331.jpg|4358649]Watchmen), this does show it's age somewhat; very much having a 'Silver Age' feel to it.
Perhaps the foreword puts it best: released back in the mid-80s, this is (now) effectivel a 'what-if', with the central conceit being that this was a story told by Lois to a Daily Planet reporter about Superman's Last Days.
I say a 'What-if' as, obviously, the Man of Steel is still around today: at the time this was released, however, DC was going through a major 'cleaning of the house'; retconning and throwing out over 50 years worth of backstory for their various properties in an attempt to reset the switch; to go back to basics (as it were). As such, it was possible (just) that this very well could have been the last Superman story ever written.
Unlike some of Moore's other works ([b:Batman: The Dark Knight Returns|59960|Batman The Dark Knight Returns (The Dark Knight Saga, #1)|Frank Miller|https://images.gr-assets.com/books/1327892039s/59960.jpg|1104159]The Dark Knight Returns, for example, or even [b:Watchmen|472331|Watchmen|Alan Moore|https://images.gr-assets.com/books/1442239711s/472331.jpg|4358649]Watchmen), this does show it's age somewhat; very much having a 'Silver Age' feel to it.
Often cited as one of the most influential comic-books/graphic novels, alongside the likes of [b:V for Vendetta|5805|V for Vendetta|Alan Moore|https://images.gr-assets.com/books/1343668985s/5805.jpg|392838]'V for Vendetta' and [b:Batman: The Dark Knight Returns|59960|Batman The Dark Knight Returns (The Dark Knight Saga, #1)|Frank Miller|https://images.gr-assets.com/books/1327892039s/59960.jpg|1104159]'The Dark Knight Returns', this was, if I'm honest, one such that I'd never even heard of until the 2009 movie of the same name.
Set in an alternate 1985 America in which costumed superhero's are (were) real but have since been outlawed, there's a definite argument to be made that this would inspire the Pixar film The Incredibles: family drama, costumed superheroes coming out of retirement, conspiracies afoot ... see what I mean?
But whereas The Incredibles is aimed at a family audience, this is anything but: violent throughout, slow (at times seemingly glacial) moving and even dealing with the effects of (and fallout from) rape, this is definitely not one for the younger reader!
On the plus side, it does have a stunningly realised world alongside a compelling backstory to several of the characters: like several other literary classics, this is one that I can now say that I've read but wouldn't really be rushing back to do so again anytime soon.
Set in an alternate 1985 America in which costumed superhero's are (were) real but have since been outlawed, there's a definite argument to be made that this would inspire the Pixar film The Incredibles: family drama, costumed superheroes coming out of retirement, conspiracies afoot ... see what I mean?
But whereas The Incredibles is aimed at a family audience, this is anything but: violent throughout, slow (at times seemingly glacial) moving and even dealing with the effects of (and fallout from) rape, this is definitely not one for the younger reader!
On the plus side, it does have a stunningly realised world alongside a compelling backstory to several of the characters: like several other literary classics, this is one that I can now say that I've read but wouldn't really be rushing back to do so again anytime soon.
LeftSideCut (3778 KP) rated 300 (2007) in Movies
Oct 3, 2020
There's a few Zack Snyder films that I genuinely like, and 300 is one of them. It's 100% style over substance, it's overly gratuitous in the sheer amount of slow motion, but it's pretty enjoyable.
Some of the shots are expertly crafted recreations of the graphic novel by Frank Miller and Lynn Varley, and as such, is a damn faithful adaption of a cult classic comic series.
The visual effects are stunning at times, and the sepia tone it's draped in lends a lot to its overall feel (even if it's a subject of criticism from many)
Gerard Butler takes the lead as King Leonidas of Sparta, in what has arguably become his most well known roll in the years following. It's easy to look over his thick Scottish accent (in ancient Greece...) when he's playing the character with such enthusiasm. Most of his lines have become highly quotable, even familiar to those who have never seen the film. 300 would be a much lesser film without his involvement.
Rodrigo Santoro carves a striking figure as primary antagonist Xerxes, his androgynous look and demonic-like voice providing a memorable villain.
The cast is rounded out by the likes of Lena Headey, David Wenham, Dominic West, and an early role for Michael Fassbender, a sturdy ensemble cast.
The set pieces are pretty thrilling, and results in a movie that blurs the fantastical, with a real life historic battle. It's an interesting mix that works well.
300 is a film that throws big sloppy buckets of testosterone at its audience, whilst simultaneously flaunting a silly amount of homoerotic undertones and CGI pectoral muscles, and it's great.
Some of the shots are expertly crafted recreations of the graphic novel by Frank Miller and Lynn Varley, and as such, is a damn faithful adaption of a cult classic comic series.
The visual effects are stunning at times, and the sepia tone it's draped in lends a lot to its overall feel (even if it's a subject of criticism from many)
Gerard Butler takes the lead as King Leonidas of Sparta, in what has arguably become his most well known roll in the years following. It's easy to look over his thick Scottish accent (in ancient Greece...) when he's playing the character with such enthusiasm. Most of his lines have become highly quotable, even familiar to those who have never seen the film. 300 would be a much lesser film without his involvement.
Rodrigo Santoro carves a striking figure as primary antagonist Xerxes, his androgynous look and demonic-like voice providing a memorable villain.
The cast is rounded out by the likes of Lena Headey, David Wenham, Dominic West, and an early role for Michael Fassbender, a sturdy ensemble cast.
The set pieces are pretty thrilling, and results in a movie that blurs the fantastical, with a real life historic battle. It's an interesting mix that works well.
300 is a film that throws big sloppy buckets of testosterone at its audience, whilst simultaneously flaunting a silly amount of homoerotic undertones and CGI pectoral muscles, and it's great.
Gareth von Kallenbach (962 KP) rated Sin City (2005) in Movies
Aug 14, 2019
In a dazzling blend of muted color, violence, and eroticism Frank Millers graphic novel Sin City has burst upon the screen with a visual style that is as diverse as the star studded cast that drives it.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.
Set in the fictional Basin City, the film is a series of segments that weave in and around each other to tell various stories and side plots without a clear cut beginning and end as the conclusion of one segment often mirrors portions of the events in another.
While the film does not have a linear plot in the traditional sense, each segment is a snapshot of life in Basin City and how it is viewed by the various people that dwell within. It does not take a genius to see that the city is rife with all manner of unsavory characters from child molesters to cannibals. Basin City is also a place where people are not always the sum of their parts as a violent and disfigured thug named Marv (Mickey Rourke) can show humanity and compassion as he attempts to avenge those who were wronged. It is a place where a person with a dubious past and a new face named Dwight (Clive Owen), is town between the life he left behind and his desire to protect those who are in danger.
The film is chocked full of dialogue that is reminiscent of classic pulp novels and comics of the 40’s and 50’s where characters were often as two dimensional as the pages in which their exploits were chronicled. While this at first seems awkward and hokey it tends to grow on you as it is an accurate reflection of the locales and inhabitants that comprise the city.
While most of the film is shot in a black and white style, there are flashes of color that make a gripping contrast to the usually blank characters. Examples of which are seen in many of the films violent action sequences where blood and other gore are used for artistic effect. In one example, graphic shooting segments are left in a muted black and white allowing us to see the gore in a muted sense. The impact of the scene is not lost but it is rendered in an artistic and unique manner that is amazing to see. While you should be horrified at what you see, you find yourself captivated by the clever color and camera work that is used to render the scene. At other times, the crimson color of blood is used to emphasize a scene and illustrate and illuminate a character.
If this sounds confusing, it is due to the fact that to many “Sin City”, is a film that is a unique looking film, that has a pacing and style all its own, and does not play by the traditional rules for a film. While films such as “Heavy Metal” and “Sky Captain and the World of Tomorrow” have brought graphic novels and visually unique pulp stories to the screen, it is the constant adherence to the source material, and directors Robert Rodriguez, Frank Miller, and Quentin Tarantinos ability to blend their unique styles seamlessly that makes this film interesting.
The action of the film is very well choreographed and despite being very, very graphic in places, it nonetheless entertains and rarely seems gratuitous. The film also has a surprising amount of comedy as there were several moments that caused the audience at my press screening to erupt.
While it does not offer much in the way of plot or acting, the performances are appropriate to the characters and settings .The all-star cast does a great job in conveying the motivations of their characters as the audience is given just what the need to know about a character to make the segments work.
While the film may not appeal to a mass audience due to the unique look and structure of the film, fans of Tarantino and Rodriguez are likely to embrace this film which should likely result in further adventures in Basin City sometime in the near future.