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gayga (2128 KP) rated Trout Mask Replica by Captain Beefheart in Music

Jun 16, 2020  
Trout Mask Replica by Captain Beefheart
Trout Mask Replica by Captain Beefheart
1969 | Experimental, Jazz, Rock
8
6.7 (7 Ratings)
Album Rating
It’s fucking nuts!!! (0 more)
It’s a hot mess of an album (0 more)
After deciding to embrace my inner hippy and introduce myself to new musical experiences I had started with Frank Zappa and the natural progression was Captain Beefheart.

After doing extensive research as to where to start, I was intrigued to read about Trout Mask Replica, especially when it was classed on several sites as unlistenable.

I like a challenge so I bought it. I have to say that it’s the weirdest album I’ve EVER listened to! Captain Beefy does a lot of bellowing and, to be honest, I found it hard to distinguish one song for the other. However! I don’t know if it’s cos I’m on the autistic spectrum and generally like weird things, but... I liked it! I think the key to enjoying it is not to overthink it while listening, just do with it. I concentrated more on the beat of the music (if you can call it that?????!!!) than the lyrics.

Normally I hate jazz but I did enjoy it. I think I’d have to listen to it more times to feel comfortable with it. I would say, if you’re a bit nervous of investing in this, listen to the whole album before you purchase - it’s not for everyone, you may decide it’s just a cacophonous mess
  
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Ian Anderson recommended The Spotlight Kid/Clear Spot by Captain Beefheart in Music (curated)

 
The Spotlight Kid/Clear Spot by Captain Beefheart
The Spotlight Kid/Clear Spot by Captain Beefheart
1990 | Blues, Psychedelic, Rock
7.0 (1 Ratings)
Album Favorite

"Beefheart was a bit of a dangerous guy. I did know Don Van Vliet quite well during 1972/73 and he was not a very nice man. He was pretty cruel to his musicians, which was pretty hard for them to take because they didn’t have a great opinion of him as a human being, nor as a musician. Don had no musical talent whatsoever, he simply employed other people to translate his maniacal ravings, musically speaking, into something that had a bit of order and discipline. Lyrically, however, Don did have a great talent and was a vivid painter – literally of course as a pictorial artist in that kind of abstract expressionist style. But he also employed that abstract expressionism in his lyric writing, and that makes him special and very worthwhile in spite of the fact he didn’t leave behind him a group of happy or respectful musicians. It’s rather sad that he was a bully. So he and Frank Zappa are my two big American, not influences, but revered examples of musical greatness. In Beefheart’s case it was a musically naïve greatness. Spotlight Kid and Clear Spot were the two albums around 1972, when Captain Beefheart and his band supported Jethro Tull when we were doing Thick As A Brick in America. Don called me himself, as Warner Brothers had told him what hotel I was staying in, and he kind of invited himself on tour. I tried to talk him out of it saying, “Don, this is not the passport to success you might think it is,” as audiences can be very cruel to support bands. But he was very insistent and Warner Brothers were desperate for some kind of outlet for Beefheart’s work and pushed for him to come on tour with us, so somewhat reluctantly I agreed. The audience did hate him and he got a rough ride every night. It was not successful for him in any way whatsoever. It was a misguided but interesting liaison."

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