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Judas and the Black Messiah (2021)
Judas and the Black Messiah (2021)
2021 | Biography, Drama, History
Kaluuya in an Oscar worthy performance
Ever since Daniel Kaluuya burst onto the scene in 2017’s GET OUT, he has been an actor to watch - one who’s brilliance bursts off the screen in whatever project he is in.

This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.

Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.

Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.

The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.

Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.

The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.

In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.

Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.

All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.

Letter Grade: B

7 stars (out of 10) - and you can take that to the Bank(ofMarquis)