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    The Rider

    The Rider

    Tim Krabbe

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    Book

    At the start of the 137-kilometre Tour de Mont Aigoual, Tim Krabbe glances up from his bike to...

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    Numbers

    Kieron Barry

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    This brutal and hilarious one-act play was declared one of the greatest plays of all time for women...

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Garth Davis recommended The 400 Blows (1959) in Movies (curated)

 
The 400 Blows (1959)
The 400 Blows (1959)
1959 | Drama
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Movie Favorite

"I love 400 Blows. [François] Truffaut is just a genius and, again, just there’s a total Cassavetian quality in his performances as well. I know that story was close to his own story, so that was very moving and just a totally immersive experience. I like him and a lot of the French filmmakers, obviously, for the exact reason we’re talking about. That last scene in 400 Blows where he escapes the children’s home in that really, really long tracking shot was just astonishing, just such an astonishing end to that film. That and when the kids steal a typewriter too, and they’re struggling with the weight of it; that was great. It’s just great, great fun."

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John Bailey recommended The Fire Within (1963) in Movies (curated)

 
The Fire Within (1963)
The Fire Within (1963)
1963 |
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Movie Favorite

"This is the single most underrated film of the entire French New Wave. Its near obsessive tracking of Maurice Ronet through the wet Paris streets as he retraces the steps of a wasted life makes for one of the most tightly focused of the era’s film portraits of a desperate man at the end of his rope. Its slow build toward an inexorable end is Louis Malle’s most nuanced work—this from a director who was already noted for his almost classical discipline. Ronet, until then largely thought of as a lightweight romantic film actor, surrenders himself to the downhill yet strangely transcendent fate that awaits him on the mirror of his room."

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Love on the Beat by Serge Gainsbourg
Love on the Beat by Serge Gainsbourg
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Album Favorite

"Most people know Serge Gainsbourg's Histoire de Melody Nelson album, but what's interesting is that in the early '90s, he actually went into a dark, weird phase that French people don't really like. They consider his music from that time weak. But for me, it's the best. It's porn, it's queer, it's rap before that was a thing in France. It's just him mumbling obscene things on drum-and-guitar heavy production, really raw and tough. At the same time, it's poetic. The contrast is interesting: it's beautiful but dirty. On this album, Gainsbourg is hiding behind nothing. You get everything: the obsessions, the lust, the weaknesses, the scars. You see everything ugly and everything beautiful."

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