"I have a 1000… I have a top 100. I can tell you five movies that are important to me, but as I say, I could go on and on. Shampoo is important to me. Hal Ashby, one of the great directors of our time, died very young, and is sometimes overlooked; but he did The Last Detail, and Being There, and he is a great director. And Robert Towne wrote the script with Warren Beatty. It’s a brilliant script, a portrait of LA at a certain time and the United States when we were going through a spasm of political activity that was very discouraging — it ends with the election of Nixon and Agnew. It’s hilarious, it’s sexy; it deals with all the variety of complications of people’s behavior. Jack Warden is brilliant in it; hilarious in one of the greatest scenes ever shot: At the end of the movie when Beatty comes back to his house and he thinks that Jack Warden’s gonna have him killed ’cause he’s slept with both Warden’s wife and his daughter, Carrie Fisher. It’s a great, great film, but Warden is brilliant in that scene. The movie is full of great writing; it’s almost like a French farce, but very modern. Beatty is at his absolute best. Everybody in it is great. Julie Christie’s a knockout. So that’s an important movie that not enough people have seen."

"It’s one of the great ’50s melodramas, and it’s kind of like a musical without the music, but it has a great score, of course. I saw it in my early- to mid-20s, and it just really affected me. It’s about a guy who goes back to his hometown where his brother is a prominent citizen. He’s a stalled-out, blocked writer, and he’s been a soldier, and a worker, and a would-be novelist, and he’s kind of a gambler and a drinker — this is Sinatra, of course, the conflicted one — and he lives in two worlds. Because he’s a published writer, he has the respect of the local English teacher and her brother — the respectable world of literature — but he really has a soft spot for bars and gambling and floozies and the Shirley MacLaine character. And then you’ve got Gwen French, who’s played by Martha Hyer, who’s the uptight school teacher. So it’s all these opposites colliding — respectability, debauchery… It’s wonderfully melodramatic and beautifully made… It’s about male friendship too. I consider it kind of the first Rat Pack movie, although it’s just Dean and Frank with Shirley around too. It doesn’t have a lot of the other people, but it’s the first one to capture these guys gambling and hanging out and that camaraderie. They become roommates and go on, like, a trip to Terre Haute, IN, to go gambling. It’s just wonderful."