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The Perfect King: The Life of Edward III, Father of the English Nation
Book
He ordered his uncle to be beheaded; he usurped his father's throne; he taxed his people more than...
Skin and Bones (London Love #3)
Book
Hugo Burrows has life under control. He has a decent job, a long-term relationship and a flat in...
Contemporary MM Romance Hurt/Comfort Grumpy/Sunshine Eating Disorder
ClareR (6253 KP) rated The Glutton in Books
Dec 20, 2023
Well, here’s another absolute banger of a historical fiction novel!
The Glutton by A. K. Blakemore is based on the real life story of Tarare, a man born into poverty but happy with that life. That is until his mother meets the man who changes her life, presumably for the better - and changes Tarare’s life for the worst.
He’s known as the man who ate a golden fork (that eventually kills him), live animals, offal, a baby - but still people want to watch him put away vast amounts of food (and non-food!). And if it means he’s fed, Tarare sees it as a way of satiating the ever-present hunger. The draw of the circus freak is overwhelming for the French public.
Tarare is a simple man who is taken advantage of at every turn. I felt so sorry for him. He has the disadvantage of not only being very unusual, but also uneducated and poor. He has to fight to survive, both as a soldier and as a civilian, and he’s seen as a joke by the more well-off.
For such a grotesque subject matter, the writing really is rather beautiful. Descriptions of Tarare’s childhood and the place that he grew up were sensitively done - you could see the love of his local area and the love he felt for his mother. Even in the most disgusting sections of the book, there was a kind of beauty.
A deliciously bizarre, beautifully written book. I loved it.
The Glutton by A. K. Blakemore is based on the real life story of Tarare, a man born into poverty but happy with that life. That is until his mother meets the man who changes her life, presumably for the better - and changes Tarare’s life for the worst.
He’s known as the man who ate a golden fork (that eventually kills him), live animals, offal, a baby - but still people want to watch him put away vast amounts of food (and non-food!). And if it means he’s fed, Tarare sees it as a way of satiating the ever-present hunger. The draw of the circus freak is overwhelming for the French public.
Tarare is a simple man who is taken advantage of at every turn. I felt so sorry for him. He has the disadvantage of not only being very unusual, but also uneducated and poor. He has to fight to survive, both as a soldier and as a civilian, and he’s seen as a joke by the more well-off.
For such a grotesque subject matter, the writing really is rather beautiful. Descriptions of Tarare’s childhood and the place that he grew up were sensitively done - you could see the love of his local area and the love he felt for his mother. Even in the most disgusting sections of the book, there was a kind of beauty.
A deliciously bizarre, beautifully written book. I loved it.
Traitor's Game (Soldier Spy #1)
Book
1808. Captain Will Fraser has just returned from the Front in the Peninsular War. He is disgraced...
Historical Fiction Spies Napoleonic Wars
ClareR (6253 KP) rated Captive Queen: The Decrypted History of Mary Queen of Scots in Books
Jun 14, 2025
Tudor England has always been a favourite subject of mine, and then on to the Elizabethan period as well. It’s always interested me how Elizabeth I treated her cousin, Mary Queen of Scots, especially after I visited Carlisle Castle and saw some of the displays that explained her captivity there. It may have only been a few weeks out of the 19 years that she was held captive, and I was curious about the rest of those years.
Captive Queen explains a lot of Mary’s life and also tells of how she got to the point of her imprisonment. So much information was gleaned from the encrypted letters that she sent to, and received from, her supporters. When they were decrypted, after their discovery in a French archive, they answered a lot of questions.
Jade Scott uses this information to paint a really interesting picture of Mary’s captivity, and just how involved she was in the various plots to release her and put her on the English throne. I mean, who can blame her?! She was imprisoned in some awful places - regardless of the fact that she was in castles or stately homes.
I rather enjoyed the little fictional chapter headers. They made it feel more personal, and ideal for people like me who don’t always enjoy dry, academic historical writing. This is absolutely not that - I whizzed through this book, thoroughly enjoying it.
So, if you enjoy history and want to find out more about Mary, Queen of Scots, you may well enjoy this too.
Captive Queen explains a lot of Mary’s life and also tells of how she got to the point of her imprisonment. So much information was gleaned from the encrypted letters that she sent to, and received from, her supporters. When they were decrypted, after their discovery in a French archive, they answered a lot of questions.
Jade Scott uses this information to paint a really interesting picture of Mary’s captivity, and just how involved she was in the various plots to release her and put her on the English throne. I mean, who can blame her?! She was imprisoned in some awful places - regardless of the fact that she was in castles or stately homes.
I rather enjoyed the little fictional chapter headers. They made it feel more personal, and ideal for people like me who don’t always enjoy dry, academic historical writing. This is absolutely not that - I whizzed through this book, thoroughly enjoying it.
So, if you enjoy history and want to find out more about Mary, Queen of Scots, you may well enjoy this too.
Murder at the Moulin Rouge (The Blackwell & Watson Time-Travel Mysteries #5)
Book
Paris, 1895. When a cancan dancer at the Moulin Rouge falls to her death from the top of one of...
Crime Mystery Time Travel
Wined and Died in New Orleans
10.0
Rate It
Book
The second in a fantastic new cozy mystery series with a vintage flair from USA Today bestselling...
Brushstrokes from the Past (Soli Hansen Mysteries #4)
Book
WWII and the mid-seventeenth century are entwined in this fourth dual timeline novel about Nazi art...
Historical Fiction Mystery Sweet
Mark @ Carstairs Considers (2593 KP) rated A Sense for Murder in Books
Aug 3, 2023
Fundraising is Murder
When Sally Solari hears about the farm-to-fork fundraiser that the new restaurant in Santa Cruz is hosting, she immediately volunteers to help with the cooking for the event. As a result, she on hand when someone steals one of the auction items – a signed set of Julia Child’s Mastering the Art of French Cooking – killing a member of the restaurant’s staff as well. Can Sally figure out what happened?
The book takes a bit of time setting up the suspects, but it isn’t too long before the body is found and things really pick up. There were several puzzling twists on the way to the satisfying climax. I was anxious to see how Sally’s relationship with her new boyfriend was going to go. I appreciated that their storyline didn’t drag their conflict out too much. The rest of the cast was great; we mostly focus on the suspects, and they kept me guessing. The book touches on the issue of the homeless, and I felt it did a good job of presenting the concerns fairly, which I appreciated. We also dabble a little with the sixth sense in this book, but it didn’t go so far that it bothered me or took this book out of the real world. There are five gourmet recipes at the end to enjoy later. This series was always intended to be a six book series, and if the author does stick with that, fans will be happy with where Sally winds up here.
The book takes a bit of time setting up the suspects, but it isn’t too long before the body is found and things really pick up. There were several puzzling twists on the way to the satisfying climax. I was anxious to see how Sally’s relationship with her new boyfriend was going to go. I appreciated that their storyline didn’t drag their conflict out too much. The rest of the cast was great; we mostly focus on the suspects, and they kept me guessing. The book touches on the issue of the homeless, and I felt it did a good job of presenting the concerns fairly, which I appreciated. We also dabble a little with the sixth sense in this book, but it didn’t go so far that it bothered me or took this book out of the real world. There are five gourmet recipes at the end to enjoy later. This series was always intended to be a six book series, and if the author does stick with that, fans will be happy with where Sally winds up here.
Bob Mann (459 KP) rated Colette (2018) in Movies
Sep 28, 2021
“The hand that holds the pen writes history”.
Colette is yet another tale of female empowerment: a woman with real talent trying to break out of the gilded cage she finds herself trapped in.
The plot
This is a true story, set in Paris in the late 19th Century. Colette (Keira Knightley), a beautiful country girl living in Burgundy is seduced by and then married to the much older Parisian ‘literary entrepreneur’ Willy (Dominic West). Willy is a “brand” in Paris: a well-known critic turned author. The only problem being that he does virtually no writing of his own but ghosts work out to his team. Colette exhibits a gift for writing slightly lascivious tales of her life (under the pseudonym Claudine) at her girl’s school, where clearly nighttime swimming lessons taught more than back stroke! As a result, Willy fills a financial hole by publishing Colette’s work in his name. The books fly off the shelves faster than the publishers can print them. But Willy has expensive habits and Colette gets locked into writing an ever-popular series but without a voice of her own.
Bohemian Rhapsodies
If the swinging 60’s started anywhere, it was probably in Paris during this time period! While Victorian England was staid and conservative, Paris – home of the Moulin Rouge – was a hot-bed of liberation. As a result, Colette and Willy’s marital affairs are – erm – sexually ‘fluid’. While Colette has to learn to live with her philandering ‘Free Willy’, he positively encourages the bi-sexual Colette to explore the other camp, as it were.
The turns
Keira Knightley turns in a truly cracking performance in the titular lead. No-one does ‘brooding’ better than Knightley, and she gets ample chance here to exercise that look, most notably in a train scene near the end of the film: if looks could kill.
Dominic West delivers as reliably a solid performance as you would expect from him, but he is such a despicable and loathsome character that it is difficult to warm to him.
Driving me mad (not sexually you understand…. although…) was the girl playing the American double-dip love interest Georgie: I knew her so well but just couldn’t place her. It was the American accent that threw me: she is of course Eleanor Tomlinson, Demelza from TV’s “Poldark”, here showing a lot more flesh than she can get away with on a Sunday night on BBC1!
An interesting choice of language
The film is obviously in English about one of France’s literary greats (although curiously Colette writes in French). My guess is that the film will go down like a lead balloon in France as a result. A part of me would have liked this to be French language with subtitles, but maybe that’s just me.
When you look at it objectively, Colette’s story is quite remarkable: what a clever and determined woman.
Gorgeous to look at
Aside from Knightley, the other star turn in the film comes from cinematographer Giles Nuttgens (who also did “Hell or High Water“). The scenes, particularly the bucolic ones set in the French countryside, are simply gorgeously photographed. The framing of the shots is also exquisite with an impressive shot of the slog up a spiral staircase to the couple’s flat being repeatedly used.
Sex vs violence – still not on a par in 2019
It remains curious to me how prudish both the UK and the US are still about sex on screen. In the UK the film is a 15 certificate; in the US the film is R-rated! Yes, there are some breasts on show, and a few mixed- and same-sex couplings (particularly during a frenetic 5 minute period in the middle of the film!), but they are artfully done and you don’t get to see much more than the breasts. In comparison, the violence that would get meted out during a 15/R action thriller would typically makes my eyes water.
But is it any good?
This is one of those films that is worthy, beautifully done, well acted but for some reason it felt to me like a bit of a slog. At 111 minutes it certainly felt a lot longer than it was. The middle reel of the film in particular is rather pedestrian (and yes, I recognise the irony of the fact that I just said there was the frenetic 5 minutes of sex during that part!). Maybe on the night I was just not in the mood for this type of film.
The director is Englishman Wash Westmoreland, whose last film back in 2014 was the impressive “Still Alice”.
I’m glad I’ve seen it, and it is a lot better than many films I saw last year. But in terms of my “re-watchability” quotient, its not going to rate that highly.
The plot
This is a true story, set in Paris in the late 19th Century. Colette (Keira Knightley), a beautiful country girl living in Burgundy is seduced by and then married to the much older Parisian ‘literary entrepreneur’ Willy (Dominic West). Willy is a “brand” in Paris: a well-known critic turned author. The only problem being that he does virtually no writing of his own but ghosts work out to his team. Colette exhibits a gift for writing slightly lascivious tales of her life (under the pseudonym Claudine) at her girl’s school, where clearly nighttime swimming lessons taught more than back stroke! As a result, Willy fills a financial hole by publishing Colette’s work in his name. The books fly off the shelves faster than the publishers can print them. But Willy has expensive habits and Colette gets locked into writing an ever-popular series but without a voice of her own.
Bohemian Rhapsodies
If the swinging 60’s started anywhere, it was probably in Paris during this time period! While Victorian England was staid and conservative, Paris – home of the Moulin Rouge – was a hot-bed of liberation. As a result, Colette and Willy’s marital affairs are – erm – sexually ‘fluid’. While Colette has to learn to live with her philandering ‘Free Willy’, he positively encourages the bi-sexual Colette to explore the other camp, as it were.
The turns
Keira Knightley turns in a truly cracking performance in the titular lead. No-one does ‘brooding’ better than Knightley, and she gets ample chance here to exercise that look, most notably in a train scene near the end of the film: if looks could kill.
Dominic West delivers as reliably a solid performance as you would expect from him, but he is such a despicable and loathsome character that it is difficult to warm to him.
Driving me mad (not sexually you understand…. although…) was the girl playing the American double-dip love interest Georgie: I knew her so well but just couldn’t place her. It was the American accent that threw me: she is of course Eleanor Tomlinson, Demelza from TV’s “Poldark”, here showing a lot more flesh than she can get away with on a Sunday night on BBC1!
An interesting choice of language
The film is obviously in English about one of France’s literary greats (although curiously Colette writes in French). My guess is that the film will go down like a lead balloon in France as a result. A part of me would have liked this to be French language with subtitles, but maybe that’s just me.
When you look at it objectively, Colette’s story is quite remarkable: what a clever and determined woman.
Gorgeous to look at
Aside from Knightley, the other star turn in the film comes from cinematographer Giles Nuttgens (who also did “Hell or High Water“). The scenes, particularly the bucolic ones set in the French countryside, are simply gorgeously photographed. The framing of the shots is also exquisite with an impressive shot of the slog up a spiral staircase to the couple’s flat being repeatedly used.
Sex vs violence – still not on a par in 2019
It remains curious to me how prudish both the UK and the US are still about sex on screen. In the UK the film is a 15 certificate; in the US the film is R-rated! Yes, there are some breasts on show, and a few mixed- and same-sex couplings (particularly during a frenetic 5 minute period in the middle of the film!), but they are artfully done and you don’t get to see much more than the breasts. In comparison, the violence that would get meted out during a 15/R action thriller would typically makes my eyes water.
But is it any good?
This is one of those films that is worthy, beautifully done, well acted but for some reason it felt to me like a bit of a slog. At 111 minutes it certainly felt a lot longer than it was. The middle reel of the film in particular is rather pedestrian (and yes, I recognise the irony of the fact that I just said there was the frenetic 5 minutes of sex during that part!). Maybe on the night I was just not in the mood for this type of film.
The director is Englishman Wash Westmoreland, whose last film back in 2014 was the impressive “Still Alice”.
I’m glad I’ve seen it, and it is a lot better than many films I saw last year. But in terms of my “re-watchability” quotient, its not going to rate that highly.