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Erika (17789 KP) rated Profile (2018) in Movies

Aug 8, 2021

Profile (2018)

2018 |

8.0

(1 Ratings)

Movie Rating

Profile is based upon a true story of a French journalist who went undercover online to report on how ISIS recruits young, recently converted, European women to the jihadi cause. This film uses the same narrative style as Searching, everything is witnessed via screens, and it really works for this story.
In Profile, the journalist is English and called Amy. She’s portrayed as pretty desperate in general, and this story is her chance to become a fulltime employee at a random, unnamed news outlet. Her recruiter, Abu Bilal, reaches out to the false profile of ‘Melody’, almost immediately and starts chatting with her and sets up a Skype date. Now, the obvious happens, Amy gets wrapped up in this whole thing, and journalistically compromised by falling for this guy. I do have to admit, the actor they chose to play the recruiter/terrorist was incredibly attractive. I’m assuming this was done on purpose, to demonstrate how these guys convinced all these women to go over to Syria. Personally, I couldn’t believe anyone could buy what the recruiters were saying, but it happens all the time.
The tension was high and lasted until the very end, with a good pay-off. It kept me engaged mentally the entire time, which is rare for me. That’s when I know I truly like a film.
As I mentioned, the screen narrative style worked, I was constantly on edge, wondering if the ruse would be spoiled by someone walking behind her, or something like that. This film also took place in 2014, and I found it amusing that they thought to include the authentic, annoying lag that occurred a lot at that time.

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Omari Hardwick recommended A Pornographic Affair (Une Liaison Pornographique) (1999) in Movies (curated)

"Rounding out my list would be a love story, and it’s a French film called An Affair of Love. That has always gotten me. It’s funny, I only know it on VHS; I got it years ago on VHS. I don’t remember if it was to study, you know, as a sprouting actor, and learning my craft, or if I just grabbed it. I had a friend at the time who was a struggling actor — you know, I don’t think God’s call for him was acting — but he worked at Blockbuster while we were all trying to make ends meet. I think he was doing inventory, if I’m not wrong. It was before Blockbuster was going to close, and I think I grabbed it one night, late at Blockbuster, trying to help him do inventory. But it’s An Affair of Love and it’s just incredible. Two lovers who basically, in France, to and from their respective jobs, on the train, to a room, but we never really see them in the room where they’re going, to have this affair. They start to fall for each other, then the cameras come in the room. Otherwise, we just see their physical persons walking down the hall, and then exiting, and then, sort of with their own friends or co-workers, trying to figure out what this is that’s happening to them. You finally get what they feel, by the cameras coming into the room, once they start to fall, and of course, when they fall in love, then the affair’s over. They can’t take it. It’s just brilliant. It’s called An Affair of Love. It’s a great film."

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LoganCrews (2861 KP) rated Jeepers Creepers 2 (2003) in Movies

Sep 19, 2020

Competent. Scumbag Salva finally learned how to shoot something that doesn't look like a bad TV movie that they show you in like driver's ed class or something; but while this unquestionably looks more professional than the (still superior) first movie it's near totally gutted of all its weirdness and idiosyncrasy. This had all the ingredients to be a recipe for some real legendary success: pristine top-notch effects which lend themselves to some bang-up imagery like The Creeper flying in front of the moon or swooping down onto a group of fleeing high school students, an inherently winning plot which basically amounts to "fill up bus with walking appetizers then Creeper eats them one by one while they go mad and form a hierarchy based off of who the creeper wants to eat the most and hellbent Ray Wise hunts it down with a giant truck-mounted speargun (lol)", numerous bombastic action setpieces, a much larger arsenal of Creeper weaponry, etc. It's a testament to how overtly basic this was executed that this classic in the making somehow - against all odds - came out as "just fine". Still adore The Creeper, hanging upside down while pointing finger guns and licking at his next victims just as memorable as ever - the javelin skewer and head-replacement segments are *wickedly* gruesome. But it's clear that they tried to make him (and this) a more conventional horror movie product rather than the odd French Extremity curio the first one was, and that's a shame even as flawed as that one was. For sure still has enough flickers of inspiration to ultimately satisfy but fire and jail Salva already.