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Erika (17788 KP) rated Sophie: A Murder In West Cork in TV
Jul 31, 2021
Sophie: A Murder in West Cork, is one of Netflix’s newest true crime series offerings. Consisting of three episodes, the series examines the murder case of Sophie Toscan Du Plantier, a French National that was murdered at her rural holiday getaway home in Schull, Ireland in 1996. Du Plantier’s murder was the first in over 100 years in the small town and remains technically unsolved.
The documentary series had a wide variety of talking heads, from Du Planier’s family, friends, locals, various members of the Garda, and surprisingly, the main suspect. Du Planier’s private life seemed complicated, and it was definitely going to be utilized against her throughout the entire thing.
The case was interesting, Du Planier was found in a bramble bush a few days before Christmas. With seemingly no leads, and a haphazard investigation, I didn’t know how they would end up with a suspect. The first episode set everything up, establishing what the town was like by interviewing the locals. There was even a little spookiness brought in. A few days before her death, Du Planier had visited some ruins, and saw a white lady, which was an omen of death. Pretty interesting, and you wouldn’t think it was pertinent, however, Du Planier took it seriously.
If you watch enough true crime documentaries, you know normally what a killer would do, revisit the scene, be overly helpful, etc. It was clear as soon as they introduced the journalist that he was indeed the suspect. However, when the second episode started, the series was taken over by the main suspect, journalist and ‘poet’, Ian Bailey. As one of Du Planier’s family members quipped, he loves to be interviewed.
Somehow, Bailey had all of this insider knowledge, and wrote somewhat salacious articles about Du Planier, painting her as this woman that entertained all sorts of men. He was also very adamant that the murder was French, and probably her partner or another intimate partner. Bailey was somewhat charismatic, but a complete weirdo. It is common for law enforcement to go after the ‘others’ in society, so was he targeted because he was eccentric? Who knows?
It was clear that the Garda in this area had no idea as to what to do. They may have also had a little tunnel vision because the village creep was poking around the crime scene.
I’m all for presenting all sides to a case, but having the suspect take over in a very charismatic way is not the best approach. The Garda in the area, inexperienced in investigating murders, was obviously not equipped to deal with the investigation. It was clear from the beginning that it was the primary reason the case hasn’t been officially prosecuted in Ireland.
Whenever your documentary begins to get overtaken by the number one suspect, rather than the victim, I begin to have issues. It was also interesting that at the end of the series, there was actually a statement that Du Planier had been forgotten throughout the entire event, and while she was present, she wasn’t the center of the story.
Bailey seems to be the most likely culprit, though, the Garda couldn’t have convinced me beyond a reasonable doubt. It was interesting that somehow in France, the evidence was considered solid enough for a conviction.
I did generally enjoy the documentary series, but again, I have an issue with the main suspect overshadowing the victim. Also, I didn’t feel like enough evidence was presented, and the majority of it was slightly repetitive. I’m interested to see if the case is ever resolved. Based upon the series, probably not.
The documentary series had a wide variety of talking heads, from Du Planier’s family, friends, locals, various members of the Garda, and surprisingly, the main suspect. Du Planier’s private life seemed complicated, and it was definitely going to be utilized against her throughout the entire thing.
The case was interesting, Du Planier was found in a bramble bush a few days before Christmas. With seemingly no leads, and a haphazard investigation, I didn’t know how they would end up with a suspect. The first episode set everything up, establishing what the town was like by interviewing the locals. There was even a little spookiness brought in. A few days before her death, Du Planier had visited some ruins, and saw a white lady, which was an omen of death. Pretty interesting, and you wouldn’t think it was pertinent, however, Du Planier took it seriously.
If you watch enough true crime documentaries, you know normally what a killer would do, revisit the scene, be overly helpful, etc. It was clear as soon as they introduced the journalist that he was indeed the suspect. However, when the second episode started, the series was taken over by the main suspect, journalist and ‘poet’, Ian Bailey. As one of Du Planier’s family members quipped, he loves to be interviewed.
Somehow, Bailey had all of this insider knowledge, and wrote somewhat salacious articles about Du Planier, painting her as this woman that entertained all sorts of men. He was also very adamant that the murder was French, and probably her partner or another intimate partner. Bailey was somewhat charismatic, but a complete weirdo. It is common for law enforcement to go after the ‘others’ in society, so was he targeted because he was eccentric? Who knows?
It was clear that the Garda in this area had no idea as to what to do. They may have also had a little tunnel vision because the village creep was poking around the crime scene.
I’m all for presenting all sides to a case, but having the suspect take over in a very charismatic way is not the best approach. The Garda in the area, inexperienced in investigating murders, was obviously not equipped to deal with the investigation. It was clear from the beginning that it was the primary reason the case hasn’t been officially prosecuted in Ireland.
Whenever your documentary begins to get overtaken by the number one suspect, rather than the victim, I begin to have issues. It was also interesting that at the end of the series, there was actually a statement that Du Planier had been forgotten throughout the entire event, and while she was present, she wasn’t the center of the story.
Bailey seems to be the most likely culprit, though, the Garda couldn’t have convinced me beyond a reasonable doubt. It was interesting that somehow in France, the evidence was considered solid enough for a conviction.
I did generally enjoy the documentary series, but again, I have an issue with the main suspect overshadowing the victim. Also, I didn’t feel like enough evidence was presented, and the majority of it was slightly repetitive. I’m interested to see if the case is ever resolved. Based upon the series, probably not.
Gareth von Kallenbach (977 KP) rated Dunkirk (2017) in Movies
Jul 11, 2019
In May 1940, as Germany advanced into France, Allied troops found themselves surrounded at the town of Dunkirk with little time to escape. In the distance, the Germans sought to capture or kill each of the nearly 400,000 men. French and British soldiers began the slow process to evacuate using every naval or civilian ship available. Dunkirk examines the heroism involved by everyone on the land, sea, and air in their attempt to get their countrymen home.
When we discuss, reflect, or are taught about World War II, we often think the turning points of the war as the Battle of the Bulge, Leningrad, Midway, or D-Day. In doing this, we overlook moments like Dunkirk. Christopher Nolan exposes how vital this moment was in determining the fate, not only of the war, but the world in Dunkirk.
It is hard to describe what the film is like just from the visuals. It captures you and surrounds you by making the audience feel as though they are witnessing these events from a third-person perspective, as well as, through the eyes of those involved. The film itself is not limited to just the war or a discussion of the circumstances that led up to the war itself. There are no major battles shown, however, the film demonstrates quite vividly the horrors of war, the confusion, the chaos, the brutality, and the fear that each moment might be your last.
Dunkirk, masterfully tells the story of those involved in the evacuation of those troops that found themselves being pursued by Nazi Germany. Each frame will have audiences fearing for the safety of the men on the screen and hoping that they will somehow make it home despite all indications that their fate is sealed. Nolan gives audiences the opportunity to see the events in a multilayered way so that we can understand all of the moving parts involved in this massive undertaking. It renews the appreciation that many of us have for those who fought in World War II and offers a new sense of appreciation for younger generations who are far removed from those events. Most impressive about the film is its ability to be more historically accurate in displaying the different people who actually were fighting. It is not, like Saving Private Ryan, a film that exaggerates American participation in the war to make it look as though the only people fighting were Americans and Nazis. Dunkirk shows how the French, British, and Belgians, of various colors and backgrounds were fighting well before summer of 1944.
The film also pulls of quite an ambitious task by removing the Nazis from the film. This is not to say that there is no German presence in the film, rather, they minimize the focus on the Nazis in order to keep the focus on those evacuating and those involved in assisting with the efforts. In my viewing, I felt that this strengthened the film in adding to the fear by having a faceless enemy, one that could be lurking around the corner or coming around the corner at any moment. This added to the tension to make audiences feel the fear that so many of these young men must have had as they waited to board their ships to get home.
Dunkirk is impressive, emotional, and full of tension. It raises the bar with respect to how historically-based films should be in the representation of events. It does not rely on one linear story to capture the audience. It is an intelligent and overdue homage to the men and women who did all they could to ensure that these men made it home.
When we discuss, reflect, or are taught about World War II, we often think the turning points of the war as the Battle of the Bulge, Leningrad, Midway, or D-Day. In doing this, we overlook moments like Dunkirk. Christopher Nolan exposes how vital this moment was in determining the fate, not only of the war, but the world in Dunkirk.
It is hard to describe what the film is like just from the visuals. It captures you and surrounds you by making the audience feel as though they are witnessing these events from a third-person perspective, as well as, through the eyes of those involved. The film itself is not limited to just the war or a discussion of the circumstances that led up to the war itself. There are no major battles shown, however, the film demonstrates quite vividly the horrors of war, the confusion, the chaos, the brutality, and the fear that each moment might be your last.
Dunkirk, masterfully tells the story of those involved in the evacuation of those troops that found themselves being pursued by Nazi Germany. Each frame will have audiences fearing for the safety of the men on the screen and hoping that they will somehow make it home despite all indications that their fate is sealed. Nolan gives audiences the opportunity to see the events in a multilayered way so that we can understand all of the moving parts involved in this massive undertaking. It renews the appreciation that many of us have for those who fought in World War II and offers a new sense of appreciation for younger generations who are far removed from those events. Most impressive about the film is its ability to be more historically accurate in displaying the different people who actually were fighting. It is not, like Saving Private Ryan, a film that exaggerates American participation in the war to make it look as though the only people fighting were Americans and Nazis. Dunkirk shows how the French, British, and Belgians, of various colors and backgrounds were fighting well before summer of 1944.
The film also pulls of quite an ambitious task by removing the Nazis from the film. This is not to say that there is no German presence in the film, rather, they minimize the focus on the Nazis in order to keep the focus on those evacuating and those involved in assisting with the efforts. In my viewing, I felt that this strengthened the film in adding to the fear by having a faceless enemy, one that could be lurking around the corner or coming around the corner at any moment. This added to the tension to make audiences feel the fear that so many of these young men must have had as they waited to board their ships to get home.
Dunkirk is impressive, emotional, and full of tension. It raises the bar with respect to how historically-based films should be in the representation of events. It does not rely on one linear story to capture the audience. It is an intelligent and overdue homage to the men and women who did all they could to ensure that these men made it home.
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Scott Tostik (389 KP) rated Raw (2017) in Movies
Jul 28, 2017
Great lead actress (1 more)
Weird twist
WTF did I just watch... In a good way :)
Contains spoilers, click to show
What can be said about french horror that the amazing film Martyrs couldn't say?
A whole mouthful as made apparent by this entry from the land of Eiffel.
It starts slow, which in horror can make the viewer lose interest and get bored. But by the end of the first act you find yourself strangely intrigued by the story of Justine.
Who knew the students in veterinary school could be so harsh on rookies of the program. They shower them in blood and make them eat raw meat. Justine, a strict vegetarian protests, but her older sister makes her eat it, beginning a whirlwind of activity from the prudish Justine that seems completely out of character.
She and her roommate, who is supposed to be a girl, but is a gay young man, engage in pleasantries when she first gets there and a solid connection between the two characters is made.
During a botched Brazilian wax, Justine kicks a pair of scissors from her sister's hand, accidentally removing her ring finger in the process. Sister passes out, Justine calls the paramedics who tell her to put it on ice and rush her into the ER.
But Justine has other plans, she begins smelling the finger, then sucking the blood from the severed end, before snacking on the removed digit feverishly as Alex wakes up and awkwardly stares at her with a look of disbelief.
I'm not going to reveal anymore of this film, to do so would be rude and ignorant to the reader.
This movie is something that needs to be viewed to fully appreciate. It's utterly amazing to watch Justine's transformation.
As an avid horror fanatic, I can only make a recommendation that this film be watched by you the viewer, and your own assumptions be made.
I can lead you to the water, but I can't make you drink. But take my advice... Drink!!! Guzzle!!!! CHUG IT TIL YOU CAN'T DRINK ANYMORE!!!!
A whole mouthful as made apparent by this entry from the land of Eiffel.
It starts slow, which in horror can make the viewer lose interest and get bored. But by the end of the first act you find yourself strangely intrigued by the story of Justine.
Who knew the students in veterinary school could be so harsh on rookies of the program. They shower them in blood and make them eat raw meat. Justine, a strict vegetarian protests, but her older sister makes her eat it, beginning a whirlwind of activity from the prudish Justine that seems completely out of character.
She and her roommate, who is supposed to be a girl, but is a gay young man, engage in pleasantries when she first gets there and a solid connection between the two characters is made.
During a botched Brazilian wax, Justine kicks a pair of scissors from her sister's hand, accidentally removing her ring finger in the process. Sister passes out, Justine calls the paramedics who tell her to put it on ice and rush her into the ER.
But Justine has other plans, she begins smelling the finger, then sucking the blood from the severed end, before snacking on the removed digit feverishly as Alex wakes up and awkwardly stares at her with a look of disbelief.
I'm not going to reveal anymore of this film, to do so would be rude and ignorant to the reader.
This movie is something that needs to be viewed to fully appreciate. It's utterly amazing to watch Justine's transformation.
As an avid horror fanatic, I can only make a recommendation that this film be watched by you the viewer, and your own assumptions be made.
I can lead you to the water, but I can't make you drink. But take my advice... Drink!!! Guzzle!!!! CHUG IT TIL YOU CAN'T DRINK ANYMORE!!!!
Hazel (1853 KP) rated My True Love Gave to Me: Twelve Winter Romances in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With 25th December fast approaching, what better book to read than one full of Christmas stories? <i>My True Love Gave To Me </i>is a selection of twelve winter romances (twelve stories, twelve days of Christmas…) by a handful of well-known authors of young adult literature. Stephanie Perkins, author of <i>Anna and the French Kiss</i>, is the editor of this festive volume and also includes her own short story along with Holly Black, Ally Carter, Gayle Forman and Rainbow Rowell, to name a few.
Aimed at teenaged girls or young adults, the stories focus on characters between the ages of 15 and 19, usually in a contemporary setting. Some are written as romances that just so happen to occur at Christmas time, whereas others use Christmas as a main focal point. Naturally there are a couple of tales that are pure fantasy with magic, Santa and elves, but they all involve romance.
What is great about incorporating twelve authors into one book is the various ideas about what Christmas means to different people. For some it is about family whereas other’s it is about the birth of Jesus. Authors also explore the difficulties some people face as well as what people who do not celebrate do. The stories are diverse including characters from all types of background – race, religion and sexuality.
My favourite story from this selection was by David Levithan. Unlike most of the others, it was not a story about falling in love. The main character already had a boyfriend who he (yes, HE) loved. The tale focused on what people do for love as well as keeping the magic of Christmas alive for others.
For those wanting to read something festive, this is the book for you. Its short stories let you dip in and out during this busy period meaning you can enjoy both reading and celebrating at the same time.
With 25th December fast approaching, what better book to read than one full of Christmas stories? <i>My True Love Gave To Me </i>is a selection of twelve winter romances (twelve stories, twelve days of Christmas…) by a handful of well-known authors of young adult literature. Stephanie Perkins, author of <i>Anna and the French Kiss</i>, is the editor of this festive volume and also includes her own short story along with Holly Black, Ally Carter, Gayle Forman and Rainbow Rowell, to name a few.
Aimed at teenaged girls or young adults, the stories focus on characters between the ages of 15 and 19, usually in a contemporary setting. Some are written as romances that just so happen to occur at Christmas time, whereas others use Christmas as a main focal point. Naturally there are a couple of tales that are pure fantasy with magic, Santa and elves, but they all involve romance.
What is great about incorporating twelve authors into one book is the various ideas about what Christmas means to different people. For some it is about family whereas other’s it is about the birth of Jesus. Authors also explore the difficulties some people face as well as what people who do not celebrate do. The stories are diverse including characters from all types of background – race, religion and sexuality.
My favourite story from this selection was by David Levithan. Unlike most of the others, it was not a story about falling in love. The main character already had a boyfriend who he (yes, HE) loved. The tale focused on what people do for love as well as keeping the magic of Christmas alive for others.
For those wanting to read something festive, this is the book for you. Its short stories let you dip in and out during this busy period meaning you can enjoy both reading and celebrating at the same time.
Micky Barnard (542 KP) rated Big Little Lies in Books
Aug 25, 2018
So much more than I expected
This was my first read by Liane Moriarty and I'm fairly blown away by this book. BIG LITTLE LIES takes the ridiculousness of a bunch of mainly elitist mums surrounding their kids' kindergarten class. Oh and there's husbands too. It was a witty painting of cliques, bitchiness, friendships strong and true and tragedy.
"Jane, nice to meet you! I'm Amabella's mum, and I have Jackson in Year 2. That's Amabella by the way, not Annabella. It's French. We didn't make it up."
"We're a bit too white bread here in the peninsula. We like to think we're terribly diverse but it's only our bank accounts that vary."
There are three friends in this book, each carrying secrets but these three really did care for one another. I liked each flawed woman in this threesome, Madeline, Celeste and Jane. There were characters to love, like, hate and those that redeemed themselves.
Bullying and more is a thread in this book and I felt sick, heart-sick, at times in terms of the nature of these issues. There is also some gut wrenching heart ache and I felt each emotion in full technicolor.
"She'd always known that her reaction to this night had been too big, or perhaps too small. She hadn't ever cried. She hadn't told anyone. She'd swallowed it while and pretended it meant nothing, and therefore it had come to mean everything."
At the heart of BIG LITTLE LIES is a tale of suspense. The seeds are placed right at the beginning and I spent the whole book guessing, re-guessing and second-guessing all my suspicions. Liane Moriarty is a truly talented writer, I enjoyed the light, the witty quips and dialogue, alongside the dark and sad. I'm definitely eager to read more by her.
A copy of this book was provided by the publisher through netgalley in return for a honest review.
"Jane, nice to meet you! I'm Amabella's mum, and I have Jackson in Year 2. That's Amabella by the way, not Annabella. It's French. We didn't make it up."
"We're a bit too white bread here in the peninsula. We like to think we're terribly diverse but it's only our bank accounts that vary."
There are three friends in this book, each carrying secrets but these three really did care for one another. I liked each flawed woman in this threesome, Madeline, Celeste and Jane. There were characters to love, like, hate and those that redeemed themselves.
Bullying and more is a thread in this book and I felt sick, heart-sick, at times in terms of the nature of these issues. There is also some gut wrenching heart ache and I felt each emotion in full technicolor.
"She'd always known that her reaction to this night had been too big, or perhaps too small. She hadn't ever cried. She hadn't told anyone. She'd swallowed it while and pretended it meant nothing, and therefore it had come to mean everything."
At the heart of BIG LITTLE LIES is a tale of suspense. The seeds are placed right at the beginning and I spent the whole book guessing, re-guessing and second-guessing all my suspicions. Liane Moriarty is a truly talented writer, I enjoyed the light, the witty quips and dialogue, alongside the dark and sad. I'm definitely eager to read more by her.
A copy of this book was provided by the publisher through netgalley in return for a honest review.