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Daniel Boyd (1066 KP) rated The Upside (2019) in Movies
May 8, 2019 (Updated May 8, 2019)
On The Up and Up
This movie had a bit of a strange release, at least in my area. It was one of those movies that only had two showings a day on it's opening weekend and they were both at really obscure times like 10:30am and 2:40pm, - times that would suggest that this movie was being put out to die. This was disappointing as, after seeing the trailers, I was looking forward to seeing it and never got the chance while it was in cinemas. Anyway, I finally got around to seeing it upon it's home release and I really enjoyed it.
Although I did like the look of this project from the trailer and I am a big fan of Bryan Cranston, I was wary of Kevin Hart starring opposite him in this role. It looked like a role that would require a more serious actor than Kevin Hart and I was concerned that Hart had been miscast and only chosen because of the recognition of his name rather than whether or not he was the right actor for the part.
Surprisingly and thankfully, I was proven entirely wrong. Hart shows here that he is in fact very capable in a more serious role such as this and doesn't just have to resort to screaming in every film he is in. I hope that he takes on more serious stuff following this as I much prefer it to any of his 'comedic,' roles. The rest of the cast are also great, Cranston gives a sublime performance as he always does and Nicole Kidman works well as Cranston's character's secretary/ potential love interest.
This film is a remake of a French film called The Intouchables and there are other elements of it that bear similarities to other movies that we have seen before, but it is a well told story that has various worthwhile messages littered throughout it. The script is witty and snappy enough that the film never feels slow or boring.
Overall, I really enjoyed my time with this one. It isn't the most original thing I have ever seen, but it was entertaining and it had heart. The script was well written and the direction was solid. The performances from the entire cast also help elevate the already funny script even further.
Although I did like the look of this project from the trailer and I am a big fan of Bryan Cranston, I was wary of Kevin Hart starring opposite him in this role. It looked like a role that would require a more serious actor than Kevin Hart and I was concerned that Hart had been miscast and only chosen because of the recognition of his name rather than whether or not he was the right actor for the part.
Surprisingly and thankfully, I was proven entirely wrong. Hart shows here that he is in fact very capable in a more serious role such as this and doesn't just have to resort to screaming in every film he is in. I hope that he takes on more serious stuff following this as I much prefer it to any of his 'comedic,' roles. The rest of the cast are also great, Cranston gives a sublime performance as he always does and Nicole Kidman works well as Cranston's character's secretary/ potential love interest.
This film is a remake of a French film called The Intouchables and there are other elements of it that bear similarities to other movies that we have seen before, but it is a well told story that has various worthwhile messages littered throughout it. The script is witty and snappy enough that the film never feels slow or boring.
Overall, I really enjoyed my time with this one. It isn't the most original thing I have ever seen, but it was entertaining and it had heart. The script was well written and the direction was solid. The performances from the entire cast also help elevate the already funny script even further.
Ross (3282 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 5, 2018 (Updated Nov 5, 2018)
Slight variation on the Alice in Wonderland reboot
I'm guessing Disney want to keep going with their live action Princess films, and thought they'd hit gold with the rights to the Nutcracker for a Christmas release. Similar to the 2010 Alice in Wonderland, the film intends to act as a sequel to the original tale of the Nutcracker, where the world has fallen into disarray. Clara is the daughter of the original story's Marie, who has passed away, and looking to open the intriguing present left by her mother she finds herself following a mouse (not a rabbit!) into a strange world. She is introduced to the world her mother was made queen of, though sadly learns that the "fourth realm" (led by Helen Mirren as Mother Ginger) is at war with the other three (among them are realms led by Keira Knightley and an underused Richard E Grant).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Gareth von Kallenbach (971 KP) rated Papillon (2018) in Movies
Jul 2, 2019
Henry “Papillon” Charriere (Charlie Hunnam) is a safecracker making his name in the Parisian underworld. But when he decides to keep some diamonds from a big score to himself his luck changes. He is framed for a murder and given a life sentence. Even worse for Papillon is that he is being shipped to the Devil’s Island penal colony in French Giana. With no chance at an appeal his only chance at freedom is to escape. On the long boat ride from France to South America he finds an unlikely ally in the form of the forger Louis Dega (Rami Malek). The slight and awkward Dega does not want to escape but rather just survive long enough to have his appeal heard. Papillon agrees to protect Dega in exchange for financing any escape plan Papillon can devise. With Dega’s financial backing Papillon now only has to figure out how to escape from prison no one has been known to escape from on an island surrounded by rivers and ocean, unforgiving jungle and guards who shoot to kill.
Papillon is based on a true story and adapted from the novels “Papillon” and “Banco” written by Charriere himself. This is the second film adaptation of these novels. The other film, also Papillon, is from 1973 stared Steve McQueen and Dustin Hoffman. I have not seen the 1973 version but I did enjoy the story and could be worth viewing to get another directors vision.
The 2018 version is powered but a captivating story of survival and the unlikely friendship of two men thrust together in a harsh environment. Both Hunnam (King Arthur, Pacific Rim) and Malek (Mr. Robot – TV Series, Night at the Museum) give excellent performances. The rest of the cast is okay but these two stars give great performances. Danish director Michael Noer (R, Northwest) does a decent job in the telling of the story visually. There was blood in one scene that was a pink colored and did not look anything like blood and that was a little distracting. The prison seemed realistic and grimy, but also weirdly bright.
Overall I enjoyed this film. I didn’t have any expectations going in and was pleasantly surprised but interesting story. At 2 hours and 13 minutes it does seem a bit too long. This would be a film I would enjoy watching at home and not necessarily something I would spend theater money on.
Papillon is based on a true story and adapted from the novels “Papillon” and “Banco” written by Charriere himself. This is the second film adaptation of these novels. The other film, also Papillon, is from 1973 stared Steve McQueen and Dustin Hoffman. I have not seen the 1973 version but I did enjoy the story and could be worth viewing to get another directors vision.
The 2018 version is powered but a captivating story of survival and the unlikely friendship of two men thrust together in a harsh environment. Both Hunnam (King Arthur, Pacific Rim) and Malek (Mr. Robot – TV Series, Night at the Museum) give excellent performances. The rest of the cast is okay but these two stars give great performances. Danish director Michael Noer (R, Northwest) does a decent job in the telling of the story visually. There was blood in one scene that was a pink colored and did not look anything like blood and that was a little distracting. The prison seemed realistic and grimy, but also weirdly bright.
Overall I enjoyed this film. I didn’t have any expectations going in and was pleasantly surprised but interesting story. At 2 hours and 13 minutes it does seem a bit too long. This would be a film I would enjoy watching at home and not necessarily something I would spend theater money on.
Phil Leader (619 KP) rated The Kingdom Beyond the Waves in Books
Nov 18, 2019
Professor Amelia Harsh is a discredited academic, shunned by any university she could work for because of her obsession for the lost city of Camlantis which is dismissed by most as a myth. When all her other avenues dry up she grabs a lifeline from a rich industrialist to lead an expedition to find the last evidence of the city.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Meanwhile, why is someone graverobbing obsolete steamman corpses from cemetaries? And why has Furnace-breath Nick - scourge of Quatershift - been asked to break a prisoner free?
For those unfamiliar with Hunt's incredibly imaginative world - revealed in this book to likely be a far future version of our own which somehow mirrors certain aspects such as Victorian England and the French Revolution - would soon be at home in this book, particularly as half of the book involves a trip up a native-infested jungle river worthy of Conrad. Meanwhile the trail is being followed from the other end and the smoggy streets of Middlesteel in the country of Jackals by Furnace-breath Nick's not so mild mannered alter ego, Cornelius Fortune.
The way the story unfolds is very reminiscent of Saturday morning serials that used to be popular when not everyone had a television. There are a series of episodes where our heroes are put into peril and yet somehow (mostly) break free. The difference is in the mostly. Hunt is not afraid of killing off a character and that keeps the reader on the edge of their seat and turning the pages to see if that really was the end or there is a miraculous escape on the cards.
The inventiveness Hunt showed in The Court of the Air is very much still evident with a fiendish plot and fantastic ideas zinging off the page together with very clever dialog. Once again this is a book to read carefully and not to skim, it will be so much more rewarding.
All in all this is a stronger book than the first and the characters in it are terrific, heroes and villains alike. There are still Deus Ex Machina escapes here and there but they are on the whole consistent with the world of Jackals.
I would very much recommend this to anyone who likes their science fiction broad and heading to steam punk rather than space opera (although it's not really steam punk) and their adventure old-school swashbuckling. Terrific work.
Gareth von Kallenbach (971 KP) rated Mr. Peabody & Sherman (2014) in Movies
Aug 6, 2019
Mr. Peabody and Sherman were first introduced to the world via the
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.
1950s-1960s legendary kids cartoon "The Rocky and Bullwinkle Show." Mr.
Peabody (Ty Burell), a Nobel prize winning brainiac canine, whose
intelligence is beyond that of any human being; there is nothing this
Beagle cannot do. He was able to put his brilliant mind to use and adopt
a young boy named Sherman (Max Charles) and he also invents a time
travelling machine he calls the WABAC (pronounced way-back). He uses the
WABAC as a teaching tool by travelling back in time with Sherman to
experience some of the most famous moments in history.
On Sherman's first day school, he finds that some of the history lessons
being taught in school were not accurate to how the events actually took
place. Remember, he traveled in time and witnessed it all first hand.
Sherman finds himself clashing with his classmate Penny (Ariel Winter),
who spends most of her time teasing and bullying Sherman for 'knowing too
much' and for being raised by a dog. In an attempt to bring peace among
Sherman's classmates and to also avoid the impending threat from child
services who would like nothing more than to prove that a dog does not have
the right to raise human child, Mr. Peabody invites Penny and her parents
over to their home for dinner. Sherman tries to impress Penny by breaking
Mr. Peabody's rules and introduces Penny to the WABAC. Nothing good comes
of two kids travelling in time and disrupting the space time continuum.
Enter Mr. Peabody, who uses the WABAC to try and rectify the disruptions
that were caused by Penny and Sherman's adventure through time.
This movie is not the story of "man's best friend!" It is geared more
towards the father-son relationship. A very likeable film that brings us
back to some significant moments in history, such as Leonardo DaVinci's
painting of the Mona Lisa, the Trojan War, the time when King Tut ruled
Ancient Egypt, and the French Revolution. In true Dreamwork fashion, there
was just the perfect of amount of humor for kids and adults alike to
enjoy. What sets this movie apart from others is its ability to embrace
education as an adventure and how it challenges the 'traditional' family
stereotype and that love can be found in all creatures and at any time.
4 out of 5 stars.
ClareR (5603 KP) rated The Paris Library in Books
Mar 2, 2021
The Paris Library tells the story of the occupation of Paris from a different point of view - that of the librarians. Historical fiction is one of my favourite genres, books are my favourite things, so it was a pretty safe bet that I’d enjoy this book!
In 1930’s - 1940’s Paris, we follow Odile, a young woman who wants to be a librarian in the American Library. She gets her dream job - much to her parents dismay. She meets and falls in love with a young police officer, but life begins to get much more difficult when the Germans invade France, occupying Paris. Odile’s twin brother is imprisoned in a camp after he is captured on the front, and her Jewish subscribers at the library are forbidden from going there. Odile’s wartime experiences are fascinating to read about, and I really enjoyed these flashbacks.
We also meet Lily in the 1980’s - Odile’s neighbour in the small Montana town that they both live in. They become good friends when Lily decides that she wants to write a school report about France during the Occupation. Odile teaches Lily to speak French, and they share a love of books. Odile becomes a grandmotherly figure in Lily’s life, and I loved the relationship between the two of them.
I found this book so interesting: when I was reading about Lily, I was desperate to know what would happen in the next Paris flashback, and when I was reading about Odile’s Paris, I wanted to know what would happen to Lily in her next section. I would say that this is the sign of a good book!
The Parisian sections weren’t gratuitously violent - in fact the Nazi heading the library department of the invading forces seemed to be a reasonable man. It’s made clear that the characters don’t like the Germans, and we’re told that Jews go missing, but the German’s themselves are very low key. This is about Odile’s experience, and Lily’s life in the 80’s. And the power of books.
The bravery of the Parisian librarians was admirable, especially as they could have been imprisoned or killed if their acts of resistance had ever been revealed.
I wouldn’t hesitate to recommend this book - it was a pleasure to read.
In 1930’s - 1940’s Paris, we follow Odile, a young woman who wants to be a librarian in the American Library. She gets her dream job - much to her parents dismay. She meets and falls in love with a young police officer, but life begins to get much more difficult when the Germans invade France, occupying Paris. Odile’s twin brother is imprisoned in a camp after he is captured on the front, and her Jewish subscribers at the library are forbidden from going there. Odile’s wartime experiences are fascinating to read about, and I really enjoyed these flashbacks.
We also meet Lily in the 1980’s - Odile’s neighbour in the small Montana town that they both live in. They become good friends when Lily decides that she wants to write a school report about France during the Occupation. Odile teaches Lily to speak French, and they share a love of books. Odile becomes a grandmotherly figure in Lily’s life, and I loved the relationship between the two of them.
I found this book so interesting: when I was reading about Lily, I was desperate to know what would happen in the next Paris flashback, and when I was reading about Odile’s Paris, I wanted to know what would happen to Lily in her next section. I would say that this is the sign of a good book!
The Parisian sections weren’t gratuitously violent - in fact the Nazi heading the library department of the invading forces seemed to be a reasonable man. It’s made clear that the characters don’t like the Germans, and we’re told that Jews go missing, but the German’s themselves are very low key. This is about Odile’s experience, and Lily’s life in the 80’s. And the power of books.
The bravery of the Parisian librarians was admirable, especially as they could have been imprisoned or killed if their acts of resistance had ever been revealed.
I wouldn’t hesitate to recommend this book - it was a pleasure to read.
Gareth von Kallenbach (971 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jul 11, 2019
Alpha, the inter-universal coalition of a thousand planets that has evolved to support millions of life forms, is under attack. Valerian and his partner, Laureline are assigned to find the culprits and destroy them. Based on the main characters in the 1967 French comic book series Valerian and Laureline. Luc Besson sends us out into the vastness of the universe and shows us how wondrous it can be.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.
Phillip McSween (751 KP) rated Amélie (2001) in Movies
Sep 30, 2019
Beautiful Movie With a Beautiful Ending
You watch a film like Amelie and you leave thinking, “Some directors just have it figured out more than others.” This movie is pure genius from start to finish, one of my all-time faves for a number of reasons. In this story, Amelie seeks to change the world and make it a better place by helping the people around her.
Acting: 10
While I don’t know many of these actors since this a French film, I was impressed by the multitude of brilliant performances. Audrey Tautou shines as main character Amelie, carrying with her a sincere innocence that is hard not to gravitate towards. From the smaller roles, like Amelie’s parents, to the more pivotal roles, every actor/actress impressed me to no end.
Beginning: 10
Characters: 10
The movie revolves around Amelie’s sensational character. You are captivated by her from her very first moments on screen as a young child. She leads an interesting life that revolves around a number of interesting people. I know I’m being vague, but this is one of those films that’s best experienced when you know very little about it.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
A classic film is one that breaks the mold giving you something that you won’t find anywhere else. That is very much the case in Amelie as it carries a style all its own. The film is interwoven with grainy flashbacks that are uniquely done in unforgettable fashion. It is hard not to be captivated by these scenes as they unfold. I also appreciate how it dives into the challenges that shy introverts face on a daily basis.
Pace: 10
Plot: 10
Great story with enough diversions to keep you entertained throughout. It is such a simple idea, but is pulled off with complex characters and stories-within-stories. It’s almost disappointing when it ends.
Resolution: 10
Concludes just as it should. It gives you the ending that you hope for without overstaying its welcome. A nice bow on a beautiful present.
Overall: 100
We watch movies for an escape, to be captivated by something better than our own mundane lives. Amelie is magical from beginning to end and the greatest movie I never knew existed until recently. To put it simply, it is damn-near perfect.
Acting: 10
While I don’t know many of these actors since this a French film, I was impressed by the multitude of brilliant performances. Audrey Tautou shines as main character Amelie, carrying with her a sincere innocence that is hard not to gravitate towards. From the smaller roles, like Amelie’s parents, to the more pivotal roles, every actor/actress impressed me to no end.
Beginning: 10
Characters: 10
The movie revolves around Amelie’s sensational character. You are captivated by her from her very first moments on screen as a young child. She leads an interesting life that revolves around a number of interesting people. I know I’m being vague, but this is one of those films that’s best experienced when you know very little about it.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
A classic film is one that breaks the mold giving you something that you won’t find anywhere else. That is very much the case in Amelie as it carries a style all its own. The film is interwoven with grainy flashbacks that are uniquely done in unforgettable fashion. It is hard not to be captivated by these scenes as they unfold. I also appreciate how it dives into the challenges that shy introverts face on a daily basis.
Pace: 10
Plot: 10
Great story with enough diversions to keep you entertained throughout. It is such a simple idea, but is pulled off with complex characters and stories-within-stories. It’s almost disappointing when it ends.
Resolution: 10
Concludes just as it should. It gives you the ending that you hope for without overstaying its welcome. A nice bow on a beautiful present.
Overall: 100
We watch movies for an escape, to be captivated by something better than our own mundane lives. Amelie is magical from beginning to end and the greatest movie I never knew existed until recently. To put it simply, it is damn-near perfect.
ClareR (5603 KP) rated Future Imperfect in Books
Dec 4, 2023
Future Imperfect is a terrifyingly plausible version of the future. Climate Change has caused displacement of people across the globe, and everyone is either trying to get home to their own countries, or trying to get to a relatively safe country. The UK is taking a hard line, and those who immigrated to Britain up to two or even three generations before, are being sent back to their ‘country of origin’ - a country that for many is an unknown.
In this atmosphere, Helen and Isha are attempting to return to the UK when their home in Arles is flooded, but as Isha is deemed to be Ugandan (her grandparents came from Uganda as refugees) only Helen can enter. Which for them is unacceptable. So Helen decides she must stay with Isha, and the two of them decide to make for Switzerland and an old friends mountain chalet.
But this is a world where everyone is constantly monitored, and as the weather and climate worsen, so do the actions of the French and Swiss governments. To be caught is to potentially be killed.
Jana, Helen and Isha’s adopted daughter, decides to follow her parents. Unlike them, she is permitted to be in France, so her journey, whilst difficult with her small daughter, is much easier.
AI is needed for every aspect of life in this world, and it’s the ideal way to track those who really don’t want to be tracked. Everything needs to be paid for using this method as well. Fortunately, Helen and Isha meet a terrorist organisation who agree to help them. They’re not the only ones to help the women. It just goes to prove that there are good people everywhere in times of need, they just need to be brave enough to step forward.
There’s a lot to think about in this story and a lot of what happens is already happening to a lesser degree (so far!): floods, fires, famine. The future this novel paints is not a good one.
Oddly, I really enjoyed this, as I do with all of these imperfect future novels. There were parts in the story where I didn’t really want to read on, because I didn’t want bad things to happen to these good people, but I’m so glad I did.
Read with The Pigeonhole.
In this atmosphere, Helen and Isha are attempting to return to the UK when their home in Arles is flooded, but as Isha is deemed to be Ugandan (her grandparents came from Uganda as refugees) only Helen can enter. Which for them is unacceptable. So Helen decides she must stay with Isha, and the two of them decide to make for Switzerland and an old friends mountain chalet.
But this is a world where everyone is constantly monitored, and as the weather and climate worsen, so do the actions of the French and Swiss governments. To be caught is to potentially be killed.
Jana, Helen and Isha’s adopted daughter, decides to follow her parents. Unlike them, she is permitted to be in France, so her journey, whilst difficult with her small daughter, is much easier.
AI is needed for every aspect of life in this world, and it’s the ideal way to track those who really don’t want to be tracked. Everything needs to be paid for using this method as well. Fortunately, Helen and Isha meet a terrorist organisation who agree to help them. They’re not the only ones to help the women. It just goes to prove that there are good people everywhere in times of need, they just need to be brave enough to step forward.
There’s a lot to think about in this story and a lot of what happens is already happening to a lesser degree (so far!): floods, fires, famine. The future this novel paints is not a good one.
Oddly, I really enjoyed this, as I do with all of these imperfect future novels. There were parts in the story where I didn’t really want to read on, because I didn’t want bad things to happen to these good people, but I’m so glad I did.
Read with The Pigeonhole.
Connor Sheffield (293 KP) rated Assassin's Creed: Forsaken in Books
May 15, 2017
The story of a Templar rather than the Assassin (3 more)
Set out like a journal, makes it intriguing
Good descriptive action
An insight to the history of the character
Some chapters are slow (1 more)
The journal format limits the experience to the view of only one character
Insight to a character we barely see
- MINOR SPOILER IF YOU HAVEN'T PLAYED ASSASSINS CREED 3 -
The 5th book in the Oliver Bowden collection of Assassin's Creed novels, follows the life of Haytham Kenway, son of Pirate / Assassin, Edward Kenway and father of the Native American Assassin Connor Kenway, who you play as in the video game Assassin's Creed 3.
Haytham is a British Templar who is sent to America during the French and Indian and American Revolutionary Wars, to learn more about, and find an ancient cave that would help the Templar Order discover more about the first civilization, also known as 'Those who came before'. After centuries of the two factions, Assassins and Templar, fighting a never ending war in secret, over advanced technology known as the Pieces of Eden, created by the first civilization.
Though it is interesting to learn more about Haytham, since we only get to play a small part of his story in the video game, my only issue, though minor it may be, with the book is that the journal format limits our experience of the story to the view point of one man, and there are so many interesting characters within the plot that are sure to have their own interesting stories to be told, but sadly we are limited to one man's thoughts and opinions, and learn very little about other characters, besides their outspoken interactions with Haytham.
However this book is exciting and really does open up a whole new story within the franchise that we do not get to see. The descriptive writing ensures that the world that is described to us, is enough to clearly imagine, as the writer imagines it, in our minds, but enough for us to also have our own image of the areas, the surroundings and the sights, sounds and smells of such a place that our protagonist visits.
If you're a fan of the franchise then I highly recommend any of these novels to you, because they open up so much more to the characters and the stories that we do not get within the games. This is what makes the books such an exciting read, because we get to delve deep inside the minds of the characters, from start to finish.
The 5th book in the Oliver Bowden collection of Assassin's Creed novels, follows the life of Haytham Kenway, son of Pirate / Assassin, Edward Kenway and father of the Native American Assassin Connor Kenway, who you play as in the video game Assassin's Creed 3.
Haytham is a British Templar who is sent to America during the French and Indian and American Revolutionary Wars, to learn more about, and find an ancient cave that would help the Templar Order discover more about the first civilization, also known as 'Those who came before'. After centuries of the two factions, Assassins and Templar, fighting a never ending war in secret, over advanced technology known as the Pieces of Eden, created by the first civilization.
Though it is interesting to learn more about Haytham, since we only get to play a small part of his story in the video game, my only issue, though minor it may be, with the book is that the journal format limits our experience of the story to the view point of one man, and there are so many interesting characters within the plot that are sure to have their own interesting stories to be told, but sadly we are limited to one man's thoughts and opinions, and learn very little about other characters, besides their outspoken interactions with Haytham.
However this book is exciting and really does open up a whole new story within the franchise that we do not get to see. The descriptive writing ensures that the world that is described to us, is enough to clearly imagine, as the writer imagines it, in our minds, but enough for us to also have our own image of the areas, the surroundings and the sights, sounds and smells of such a place that our protagonist visits.
If you're a fan of the franchise then I highly recommend any of these novels to you, because they open up so much more to the characters and the stories that we do not get within the games. This is what makes the books such an exciting read, because we get to delve deep inside the minds of the characters, from start to finish.