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Les 50 Plus Belles Chansons by Serge Gainsbourg
Les 50 Plus Belles Chansons by Serge Gainsbourg
2007 | Latin
7.0 (1 Ratings)
Album Favorite

"I'm starting to write my second record and am becoming really inspired by French pop music. This is currently my favorite Serge Gainsbourg song, but I kind of change my mind every minute about that."

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Colin Newman recommended Sexuality by Sebastien Tellier in Music (curated)

 
Sexuality by Sebastien Tellier
Sexuality by Sebastien Tellier
2008 | Pop
(0 Ratings)
Album Favorite

"From the 90s onwards French music started to become very interesting. There have been quite a few French artists, especially in the dance-pop arena, who have found their metier when a lot of earlier French music just didn't translate. We lived in Belgium for quite a long time and one of the things I was completely aware of was the fact that as a British person I knew nothing about French music. And that's one good thing that's happened in music over the last twenty years: the increased internationalisation of music. Yes, Sebastian Tellier has to sing in English, but it doesn't necessarily matter as you don't understand what he's singing about anyway. He kind of does it by stealth. People told me about Sebastian Tellier and I was like, "yeah, it sounds quite interesting." And then you hear it, and you hear it again, and eventually you're like "my god, this is brilliant!" It's a combination of music and voice, it's groovy and funky; it's just incredibly listenable and a little bit bonkers. Again this is one of those records that we've listened to a lot. You can just put it on and it's just there, and sometimes it's just so beautiful, what he does. I'm not afraid of things that are just beautiful."

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Awix (3310 KP) rated Godzilla (1998) in Movies

Mar 24, 2018  
Godzilla (1998)
Godzilla (1998)
1998 | Sci-Fi
Much-reviled and frequently-mocked (especially in subsequent Toho films) American Godzilla is actually not bad as a mega-budget reinvention of the classic American monster B-movie (which the original Japanese Godzilla was inspired by), it's just very disappointing as an actual Godzilla movie. The French irradiate the Pacific, causing humble iguana to grow to ginormous proportions, experience curious gender issues, and then devastate Manhattan.


Some good effects sequences, particularly the two big battles between 'Godzilla' and the US armed forces, and the leads work hard to be likeable, but on the whole the film seems much more interested in American pop culture (there's a pastiche of Jurassic Park, jokes about Elvis, some really unsubtle digs at film critics who didn't like Independence Day) than in the Japanese pop icon it's supposed to be about - the monster is lacking in grandeur and majesty, doesn't have Godzilla's special abilities, and is basically just a big lizard you can kill with conventional weapons. (No wonder the beast is just called 'Zilla' in its subsequent appearances.) Not awful on its own terms, but then it was never going to be judged on those.
  
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Morrissey recommended Kimono My House by Sparks in Music (curated)

 
Kimono My House by Sparks
Kimono My House by Sparks
2017 | Pop, Rock
7.5 (2 Ratings)
Album Favorite

"In a glorious surge of deserved success in 1974, the very comprehensive lyric sheets accompanying Sparks albums prove that Ron Mael is clearly driven to tell, yet he answers the media by skillfil Quietism and by impersonating various walls. Ron Mael is an undoubted genius, and where else would a true genius live but in the catacombs of hell? Ron asks his younger brother Russell to sing the words - in chilling falsetto. Russell sings in what appear to be French italics, and has less facial hair that Josephine Baker. It is a scream, because the songs are screams. (...) Who on earth would write a pop song in such a way? A song about an arts and crafts competition where 'lovely Claudine Jones/has to come to push her quilt', but where Tracy Wise gets a prize. There is no category for this madness - except the category of madness, and Sparks are only let down by their name. At 14, I want to live with these people, to be - at last! - in the company of creatures of my own species"

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Stillwater (2021)
Stillwater (2021)
2021 | Crime, Drama
6
5.5 (4 Ratings)
Movie Rating
On paper this has it all: Matt Damon's first great performance in *years*, an actually good sidekick child actor, a complex and consistently surprising father/daughter relationship, and though I initially dreaded the 2hr20min runtime it ended up being insanely economical with it against all odds. The only problem is it does all that without offering up a single piece of compelling imagery - framed into another one of these "white American solves problems in foreign country" things (to the point where a French woman asks Damon if he owns a gun while she's fucking him, like okay...) with a bargain-bin Lifetime Channel score. Not to mention the surreal way this rips off/takes inspiration from the Amanda Knox trial. Though you know what - they'd have their own separate sets of problems either way but - I'm glad this took the route of normie-fied mom & pop film as opposed to a tiring, self-serious prestige slog if it just had to be one or the other; that way it makes the unexpected shift in tone a little over halfway through so much more special. And that ending is a real gut punch.
  
Bad Boys II (2003)
Bad Boys II (2003)
2003 | Action, Comedy, Mystery
Decent but Definitely the Worst of the Trilogy
Narcotics detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) are back getting into a heap of shit as they try and take down an ecstasy ring.

Acting: 9
You have to love the performances of Lawrence and Smith as they know how to carry a movie between the two of them. Their chemistry is amazing and they do a wonderful job of balancing each other out, particularly in this film were Smith is more of a shoot-first type while Lawrence’s role is about finding peace and zen. Joe Pantoliano makes a return as Captain Howard, making me crack up everytime he opens his mouth to yell at Lowrey and Burnett for screwing up yet again.

The one role I just couldn’t let sneak past was Jordi Molla playing Johnny Tapia. Terrible doesn’t even begin to describe his performance. It feels too cliche and way overdone, detracting from important scenes at times. Wasn’t a fan in the slightest.

Beginning: 7
While I did appreciate the action at the beginning of the movie, there was just too much going on for me to really settle in and get into it. It’s hard to really understand up from down in the first ten minutes which carries on as the movie progresses as well. Less can be more sometimes, but it feels like in this instance, director Michael Bay called for more of everything.

Characters: 9

Cinematography/Visuals: 6
Bad Boys II has its moments cinematically. The mortuary scene and the scene in the abandoned house are two that really stand out for me. They were shot in such a way that they are hard to forget. From an overall standpoint, I am not a fan of the overdose of slowmo that Bay loves to do. It becomes tedious to the brain and drags the movie out longer than it needs to be. And this movie already has enough time constraints as it is.

Conflict: 10
Action abounds in this second installment from shootouts to car chases to explosions on top of explosions. If you are an action junky, this movie will not disappoint. As much as I rag on Bay (and, no he’s not my favorite director), he knows how to make a scene pop and make traditional action sets feel extremely original. Even as I’m typing this, I can’t forget the highway scene where the bad guys have hijacked a car-carrying truck and they start to release the cars as they speed down the highway. It’s absolute calamity.

Entertainment Value: 7

Memorability: 8

Pace: 7
Bay does his best to keep things fresh, but it’s hard to hide from the fact that this is all about action then dialogue then right back to action. It gets a bit repetitive at times, but I will also admit that it may have something to do with the fact that I’ve watched a shit ton of movies recently (what else is new?). When Cuba gets mentioned and you realize the movie is only two thirds of the way over when it should be finished, that’s when things really slowed down for me even more. You can absolutely cut thirty minutes from this movie and it would be phenomenal, possibly a classic.

Plot: 6
Decent enough story, but nothing that’s going to win an Oscar. I felt corners were cut in spots as there were times where I was trying to figure out, “Why the hell is this happening now?” I also didn’t appreciate some of the cheats, which is a term I use to refer to spots in the movie that conveniently happen for the sake of it being a good scene. Again, cut a half hour of this movie and I might be feeling differently overall.

Resolution: 4
The end was not only mad corny, but it didn’t feel like a real resolution. Not sure what they were going for here, but it didn’t work. The end didn’t really justify the length of what it took to get there.

Overall: 73
I know I know. You read through this review and it almost sounds like I hated Bad Boys II. Truth is, it wasn’t terrible. Would it be the first action movie I recommend? Absolutely not. On the flipside, I can definitely think of many that were worse. At the risk of losing all credibility (as if I had any to begin with), I actually enjoyed this movie more than I did The French Connection. Fight me.