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Death on a Longship
Book
When she wangles the job of skippering a Viking longship for a film, Cass Lynch thinks her big break...
The Dandy at Dusk
Book
Philip Mann chronicles the relationship of dandyism and the emerging cultural landscape of modernity...
Gareth von Kallenbach (980 KP) rated Flyboys (2006) in Movies
Aug 14, 2019
Prior to the sinking of the Lusitania in 1915, the U.S. was mainly a spectator during what would eventually be called World War I.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
At the time, the conflict that was known as “The Great War and by optimists as “The War to End all Wars” was laying waste to a generation of young men and leaving many of Europe’s nations in ruins.
With new inventions such as submarines, machine guns, and poison gas being deployed in the battlefield, hundreds of thousands were killed in the early stages of the war. One of the new inventions to see use during the war were airplanes, which had only recently been invented, but showed great potential and were quickly used by both sides for scouting and combat missions.
Looking for adventure and hoping to make a name for themselves, a handful of American men volunteered to fight in the war and some joined the Lafayette Escadrille, so they could join the fight by flying for the French.
In the new film Flyboys, James Franco stars as Blaine Rawlings, a young man fleeing his family ranch in TX after an altercation with a financier who has foreclosed on his family home. Upon arriving in France, Blaine meets other Americans including Eugene (Abdul Salis), who has left a promising career as a boxer to give something back to his adoptive nation of France since due to a more tolerant society, the color of his skin has not held him back as much as it has in
America.
Under the command of Captain Thenault (Jean Reno) the squadron is trained and eventually sent into combat against the German forces where they learn the true nature and horrors of war firsthand as they have to deal with the very high mortality rate that faces pilots and the knowledge that each time they fly into battle, may very well be their last moments.
Blaine eventually meets a local French lady named Lucienne (Jennifer Decker), a shy French lady who cares for three young children after their parents were killed when their home was hit. The fact that the dead father was also her brother is added burden for Lucienne as she worries about losing those she cares for as the war wages on.
Despite her concerns, Lucienne becomes close to Blaine even though the war is a constant threat and keeps creating distances between them, especially when the German forces advance upon the village in which she lives.
Since this is a film about aviators, there are several scenes in the film of the various missions Blaine and his comrades undertook that are rendered with a mix of CGI and vintage aircraft from the era.
In the air, the action is engrossing and entertaining, but on the ground, much of the film drags as it has every cliché and war movie staple in the book thrown in as well as characters that are not well defined, and lack anything to make the audience really connect with them.
This is a real shame as there are some good points to the film, but at just over two hours running length, there is not enough chemistry or development with the characters to truly make the audience care about them or their fates.
The aerial scenes are well done, but in many ways remind me of Howard Hughes classic “Hell’s Angels” and vintage classics “Dawn Patrol” and“The Blue Max”
As it stands, the best thing going for the film are the flight sequences but the slow pacing, numerous clichés and bland characters keeps Flyboys grounded.
Italian Style: Fashion & Film from Early Cinema to the Digital Age
Book
This is the first in-depth, book-length study on fashion and Italian cinema from the silent film to...
Queer European Cinema: Queering Cinematic Time and Space
Book
Queer European Cinema commences with an overview of LGBTQ representation throughout cinematic...
365Flicks (235 KP) rated I Love My Mum (2018) in Movies
Oct 31, 2019 (Updated Oct 31, 2019)
I feel this could be an instant cult favourite.
Prepare yourself Film Fans, for what could be the best British road trip comedy you will have seen in a long time. A bold statement I know however this Low budget Brit comedy punches way above its weight in almost every aspect and lands an absolute knockout for its viewers.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
Often movies like this can just seem like a series of randomly put together scenarios and yes this movie could easily run the risk of being overly silly but I felt like through some spot-on casting, a great script and masterful directing on the part of Alberto Sciamma this movie expertly avoids becoming one of those movies.
Tommy French as Ron is somewhat of a revelation, I will hold my hands up and say that I personally don't think I have seen this actor before and didn't really expect too much but boy did he impress me, the comedic delivery of a lot of his dialogue is superb and I found him completely believable as a sort of fish out of water put upon son who has just about had enough but would still do just about anything for his mum... Including an epic Karaoke jam. Of course French does have a superb Co-star to bounce off in Kierston Wareing who just nails this role, absolutely nails it. At first I was a little put off by the character but 8-10 minutes into the movie I fell in love with Olga and that love only grew. French and Wareing are a match made in heaven.
Andy K (10821 KP) rated The Matrix Reloaded (2003) in Movies
Jun 2, 2019
The car chase scene saved it
I remember when the Matrix Reloaded was released in 2003. The hype train could not have been going any faster and full throttle. The fact that both parts 2 and 3 were filmed back to back and released the same year meant Warner Brothers was betting the farm that the movies would be huge successes and may continue to build a historic franchise for them.
The story continues kind of where the first truly exceptional groundbreaking first film leaves off; however, the tone is much different. I didn't think very much interesting exposition even occurs. The heroes and villains are pretty much the same as the first film. There is some strange Zion dance sequence where you get to see too many nipples and the story is kind of confusing and hard to follow.
When they started talking about the keymaster and gatekeeper, I started thinking of Ghostbusters and kind of laughed about it. They meet some French guy, his girlfriend some some weird twins with white dreadlocks who turn to ghosts whenever they are threatened.
And then comes the highway chase scene...
One of the great film car chases, the sequence goes on forever it seems (like over 30 minutes) and took months to film I had read. Having not seen the film in a while, I was drawn to the edge of my seat as some of the nuances were fresh to me as some of the details faded over time.
I had always thought one of the most the interesting parts of the original film, other than the groundbreaking special effects, was more cerebral meaning we are all sitting in these globules hooked up to the master machine looking like some sort of Borg creature powering the enemy Matrix while drowning in our dreams.
This movie takes a different direction and becomes more of an interesting sci fi drama with one killer car chase scene. The Smith battle at the end I felt was too forced and processed to be epic or interesting.
To be continued... in the Matrix Revolutions
The story continues kind of where the first truly exceptional groundbreaking first film leaves off; however, the tone is much different. I didn't think very much interesting exposition even occurs. The heroes and villains are pretty much the same as the first film. There is some strange Zion dance sequence where you get to see too many nipples and the story is kind of confusing and hard to follow.
When they started talking about the keymaster and gatekeeper, I started thinking of Ghostbusters and kind of laughed about it. They meet some French guy, his girlfriend some some weird twins with white dreadlocks who turn to ghosts whenever they are threatened.
And then comes the highway chase scene...
One of the great film car chases, the sequence goes on forever it seems (like over 30 minutes) and took months to film I had read. Having not seen the film in a while, I was drawn to the edge of my seat as some of the nuances were fresh to me as some of the details faded over time.
I had always thought one of the most the interesting parts of the original film, other than the groundbreaking special effects, was more cerebral meaning we are all sitting in these globules hooked up to the master machine looking like some sort of Borg creature powering the enemy Matrix while drowning in our dreams.
This movie takes a different direction and becomes more of an interesting sci fi drama with one killer car chase scene. The Smith battle at the end I felt was too forced and processed to be epic or interesting.
To be continued... in the Matrix Revolutions
When the Cock Crows: A History of the Pathe Exchange
Book
Influential during Hollywood's silent-film era, the Pathe Exchange was a multinational film company...
Sarah (7798 KP) rated The Untouchables (1987) in Movies
Dec 16, 2020 (Updated Dec 16, 2020)
A little melodramatic
(not) Film #7 on the 100 Movies Bucket List: The Untouchables
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
As with most of the films on this list, The Untouchables is a film that has garnered a great deal of acclaim over the years, and yet if I’ve ever seen it, I’m ashamed to admit that I don’t remember it.
The Untouchables (1987) was directed by Brian De Palma and stars Kevin Costner as Eliot Ness, a treasury agent who recruits a group of fellow cops and agents to take down mob boss Al Capone (Robert De Niro) in Prohibition-era Chicago, with Ness and his agents soon becoming known as the “untouchables” after refusing large bribes. Sean Connery, Andy Garcia and Charles Martin Smith make up the rest of the Untouchables.
An American gangster film is a dime a dozen, there have been countless over the years and the 1920s and 30s are always featured fairly heavily, no doubt due to the large number of criminal gangs and mobsters around in that era. Personally whilst The Untouchables is a good film, I don’t think there’s a lot in this to make it particularly notable or outstanding above any of the others. It’s engaging and interesting, which it should be considering the subject matter – it is based on a true story after all. The entire production looks great too; the sets, costumes and locations are very well done and definitely look the part.
The issue with The Untouchables is it’s too melodramatic, too over the top and clichéd. This isn’t helped by Ennio Morricone’s score, which feels far too heavy handed, cheesy and out of place for the scenes. Even the open title credits is ridiculously over dramatic. You can definitely tell this film was made in the 80s and I’m afraid that’s not a good thing. There’s also some questionable acting from Kevin Costner, and while admittedly I’ve never been a big fan of his, the script and some of the almost cringeworthy scenes with Ness’s wife don’t help matters. And De Niro’s Capone pops up in scenes that feel rather random and forced during the first hour, and seem completely out of place with the rest of the story.
Despite this, The Untouchables is still fairly enjoyable and this is mostly due to Sean Connery’s Malone, the role that he won his only Oscar for. The Irishman, despite sounding very Scottish, injects some much needed heart, humour and spirit into the film and without him, this would have been a very lacklustre film indeed. Even Connery’s horrific Irish accent is a source of amusement, and without the character having been described as Irish, I would’ve just assumed he was Scottish.
Overall, I found The Untouchables to be a decent and entertaining gangster film as long as you can ignore the melodramatic overtones. But I’m not convinced that it’s anything memorable or above average, and if it even deserves a place on this list.
Update: So after having watched this film and headed to my Bucket List to scratch it off, I realised that the film on this list is actually The Intouchables, a French film from 2012 also known as Untouchable. Oops. So I’m afraid The Untouchables isn’t number 7 ticked off my bucket list after all 😆
Bob Mann (459 KP) rated SAS: Red Notice (2021) in Movies
Mar 13, 2021
The script is dire: awful dialogue (1 more)
A truly wasted cast
Psycho vs Psycho: but poorly delivered
Oh my word, SAS: Red Notice is disappointing.
A really interesting cast, and the opportunity to do a mix of "Die Hard", "Daylight" and the finale of "Mission Impossible". And a novel take of 'good psychopath' vs 'bad psychopath'. But it's just so poorly delivered.
True that some of the McNab-guided action scenes feel refreshingly authentic. But the script is clunkingly bad (a discussion with a French girl on top of the train... #shudder) and there are story segues that shock (in a bad way): at one point our hero (Sam Huegen - most recently very good as Paul Newman in "For Olivia") walks out of a French vineyard into a winter wonderland with 6 inches of snow! Did I miss the wardrobe???!
After "Twist" this is yet another dire Sky Original movie, this time with a wasted cast. In particular, BAFTA Rising Star Noel Clarke needs to start making better film choices before getting a reputation for being in duffers.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2021/03/13/sas-red-notice-another-sky-original-duffer/ ).
A really interesting cast, and the opportunity to do a mix of "Die Hard", "Daylight" and the finale of "Mission Impossible". And a novel take of 'good psychopath' vs 'bad psychopath'. But it's just so poorly delivered.
True that some of the McNab-guided action scenes feel refreshingly authentic. But the script is clunkingly bad (a discussion with a French girl on top of the train... #shudder) and there are story segues that shock (in a bad way): at one point our hero (Sam Huegen - most recently very good as Paul Newman in "For Olivia") walks out of a French vineyard into a winter wonderland with 6 inches of snow! Did I miss the wardrobe???!
After "Twist" this is yet another dire Sky Original movie, this time with a wasted cast. In particular, BAFTA Rising Star Noel Clarke needs to start making better film choices before getting a reputation for being in duffers.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2021/03/13/sas-red-notice-another-sky-original-duffer/ ).
