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Brief Encounter (1974)
Brief Encounter (1974)
1974 | Drama, Romance
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"I knew and liked David Lean, a director of genius, who was very kind to me when he was making The Sound Barrier for my Uncle Alex, and Brief Encounter has always seemed to me the very best of classic British filmmaking, with its fiercely restrained emotions and good manners trumping passion, typical of its era. It is the best of the “small” British pictures, which my Uncle Alex tried to replace with “big” British pictures in an attempt to outdo Hollywood, rather than coexist with it, after he left it for Britain in 1932. Lean, who in Brief Encounter made this most English of English films (a distinction perhaps shared by This Happy Breed and The Fallen Idol, see below), moved onward and upward to ever bigger pictures, by way of The Sound Barrier, Summertime, and eventually the biggest and best of all epic films, Lawrence of Arabia, escaping from the confines of England to “international” films that challenged and beat those of the Hollywood studios. But Brief Encounter was a perfect, close-up view of a shabby, threadbare England, the England of “books from Boot’s, good drains, and class distinction,” in John Betjeman’s words, and of a muted, sad, doomed, and very English love affair. It has always been a film that puzzles the French, who find it hard to believe in a love story with almost no eroticism, and in which the lovers are usually dressed in raincoats. It is also Trevor Howard, a wonderful actor, at his best."

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The Rules of the Game (1939)
The Rules of the Game (1939)
1939 | Comedy, Drama
(0 Ratings)
Movie Favorite

"When people have asked me suddenly, “What is your favorite film?” I have sometimes said “Contempt by Godard,” also in the Criterion Collection, and sometimes I’ve said “The Rules of the Game (La règle du jeu) by Jean Renoir.” There are a couple of more recent films that seem to sometimes be my answer to that question, but those two have stayed on my “perhaps my very favorite” list for a long time. I first saw The Rules of the Game around fifty years ago, and I saw it again quite recently. Apparently I’m the same person I used to be, because I still felt that everything in the world is in that film, and I’m inside of it myself somehow. By the way, another French film that made an enormous impression on me was À nos amours by Maurice Pialat."

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    Home Alone 4 (2002)

    Home Alone 4 (2002)

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    Home Alone 4: Taking Back the House is a 2002 American made-for-television Christmas family comedy...

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Kirk Bage (1775 KP) rated Amélie (2001) in Movies

Mar 3, 2020 (Updated Mar 3, 2020)  
Amélie (2001)
Amélie (2001)
2001 | Comedy, Drama, International
The colour palette (2 more)
The humour
The romance
Where to start in one of the most perfect films ever realised? The photography and colours are an artwork enough to make this a classic. Then there is the music of Yann Tiersen, so French, so romantic, so tinged with sadness in just the right way. It is a love story. But a love story about fear and shyness; about moments of melting and regret. A film about people and their history and passion, and failures. A film about the heart beating against all odds. A nostalgic film, but a very modern one too (in 2001); a feminist film, with a powerful message against looking backward too much! We can’t help but feel every melancholy cry of Amélie’s wonderful soul as she looks for love and fears it may never appear. If your eyes are dry at the end, then you are broken.