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Anything That Isn't This
Anything That Isn't This
6
6.0 (1 Ratings)
Book Rating
Well this was a surprising read. Not just a typical YA dystopian novel, but a peculiar, artistic novel complete with illustrations throughout.

For some reason, I wasn't expecting the strange world that Priestley created in this book. The Grey is suffocating Frank, the Ministry controlling his every decision. Most people are okay with it, comfortable in the routine provided. But Frank wants more.

First, Frank is obsessed with a girl from his school. Even after they graduate, he is desperate to be with her - he believes they're 'fated'. But after a while, he realises that maybe she's not quite right for him.

This combines two typical YA romance plots - the "unpopular boy gets the cool girl" and also the "childhood friends become lovers" plot. I think it's a bit unusual to mix the two, but I didn't find anything spectacular about this aspect of the novel.

The whole book has a very strange abstract sort of feel to it; I was unsure at times whether to actually take what he was saying at face value or take it as a metaphor. There are loads of weird myths that are thrown around, many of which play a big role later in the book. 

The friendship with Scape was interesting; it kind of just happened out of the blue and ended in a similar way. And Mr Vertex was a weird character - it was obvious there was something strange about him, and I felt he really added to the abstract feel created.

The book kind of felt grey, but not in a bad way - as in, I felt how Frank felt about his life. I was pretty shocked by how dark it got at the end, quite suddenly. The ending was a bit of a whirlwind, followed by a moment of calm. The calmness was nice, an interesting ending that left your imagination running wild.

I didn't really enjoy this book at first but I did eventually get into it, and quite liked it. I definitely liked the unique feel it had, almost like Coraline. 3.5 stars.
  
Very Practical Magic: Modern Magic for Everyday Use
Very Practical Magic: Modern Magic for Everyday Use
Nicola Kelleher | 2019 | Mind, Body & Spiritual, Natural World, Religion
8
8.0 (1 Ratings)
Book Rating
What I liked best is that the spells are simple and could easily be adapted for a specific use. I also really liked the list of crystals, herbs, oils, and candles at the back of the book. (0 more)
There was just one thing that I did not like at all, a spell I did not agree with. The spell titled Nail Yourself a Lover (0 more)
Honest Review for Free Copy of Book
Very Practical Magic: Modern Magic for Everyday Use by Nicola Kelleher is an interesting spellbook, to say the least. People interested in all different kinds of magic will be able to find something useful in this book. I just urge people to be sure of their intent before attempting any of these. Also, some of the spells suggest or even require the use of feathers and it may be important to note that the possession of specific feather in the US is not legal (something that I just learned recently) so users might just want to be aware of it.

 This short book of practical spells starts out with a small preface about the author and some basic information about when it is best to perform magic. The book explains what powers are strongest on each day of the week and by each phase of the moon. It then moves on to love spells but explains that even with these spells the caster can not force anyone to love them and should not attempt to do so. The spells for the home go over every subject from protection and cleaning to even selling and finding your dream home.

  No starter spellbook (and that is exactly what this is) would be complete without a section on bringing more wealth toward the user so long as it is not for greed. It contains spells to help bring new friends to you and cultivate current friendships. There is even a version of the Witch’s Ladder toward the back of the book as well. For all the pet lovers there are spells to protect or heal a pet who is sick, yet it encourages readers not to forgo proper medical care. No matter what the reader classifies themselves as or who their patron god/goddess (if applicable) is this book contains a spell for everyone.

 What I liked best is that the spells are simple and could easily be adapted for a specific use. I also really liked the list of crystals, herbs, oils, and candles at the back of the book. These lists are a great reference for anyone who wants to create their own spells or needs substitutions for an unavailable item. There was just one thing that I did not like at all, a spell I did not agree with. The spell titled Nail Yourself a Lover encourages filing your nails into a tea that you will serve someone else. This just feels completely wrong to me and gross, not to mention I am not even sure if it is legal.

 While I can not suggest an age range for this but there is a clear group of people this book is meant for. The main requirement is that the reader must believe in Magic (not the slight-of-hand type) but real magic. I give this book a rating of 3 out of 4. The title is correct in saying that this is a book of very practical magic. Most of the spells have very few ingredients or requirements and do not take long to perform. I would have liked to see pictures of the crystals along with their descriptions in the back of the book to make it better and less likely for errors to occur.

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Looooong
I received this book for free through Goodreads First Reads.

Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: A Notable Woman.

Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.

For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.

The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in Winnie the Pooh), to which he responds by calling her Piglet.

Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.

Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.

A Notable Woman gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
  
<i>I received this book for free through Goodreads First Reads.</i>

Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: <i>A Notable Woman</i>.

Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.

For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.

The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in <i>Winnie the Pooh</i>), to which he responds by calling her Piglet.

Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.

Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.

<i>A Notable Woman</i> gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
  
Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr
Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr
Mari Mancusi | 2020 | Young Adult (YA)
9
9.5 (2 Ratings)
Book Rating
Dangerous Secrets is the greatly anticipated prequel to Frozen II which, for the first time in forever, shines the spotlight onto King Agnarr and Queen Iduna of Arendelle.

The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.


The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.

The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?


Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?


Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.


This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.


Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.