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Gareth von Kallenbach (980 KP) rated War Dogs (2016) in Movies
Jul 15, 2019
The post-9/11 world changed how America conducted business and shaped our foreign relations. It also led to changes in how war was conducted and maintained. In War Dogs, we witness how companies of varying size were able to cash in on America’s need to supply their military and those of their allies as they continued their fight against terrorism and conducted nation-building. War Dogs follows the ill-fated careers of Efraim (Jonah Hill) and David (Miles Teller) as they aspire to cash in on the arms dealing frenzy that is unleashed by the US government. The film, based on actual events, gives its audience a glimpse into the problematic and perilous world of arms dealing. Efraim and David are confronted with international gangsters, bureaucratic “red tape,” and push their friendship to the limit as they pursue the goal of becoming wealthy by fulfilling government contracts.
War Dogs allows its viewers to have a greater understanding of how the government works and how businesses are competing with each other, to not only create a positive business relationship with “Uncle Sam,” but to become major players in an industry filled with companies and individuals who must suspend, amend, or terminate their moral code in order to become “merchants of death.” The film itself does a suitable job in telling the story of how these men form their own company from the ground up only to have it dismantled by mistrust, greed, and jealousy. War Dogs has its moments where you as a viewer envy the ability of these men to succeed in an industry that many would thumb their noses at out of disagreement with the war or adherence to their principles. We quickly see how money becomes a motivator for these friends as they pursue the opportunity to take on larger and more complex contracts in order to compete with the likes of Halliburton.
War Dogs allows its viewers to have a greater understanding of how the government works and how businesses are competing with each other, to not only create a positive business relationship with “Uncle Sam,” but to become major players in an industry filled with companies and individuals who must suspend, amend, or terminate their moral code in order to become “merchants of death.” The film itself does a suitable job in telling the story of how these men form their own company from the ground up only to have it dismantled by mistrust, greed, and jealousy. War Dogs has its moments where you as a viewer envy the ability of these men to succeed in an industry that many would thumb their noses at out of disagreement with the war or adherence to their principles. We quickly see how money becomes a motivator for these friends as they pursue the opportunity to take on larger and more complex contracts in order to compete with the likes of Halliburton.
Gareth von Kallenbach (980 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
Eleanor (1463 KP) rated The Rest of The Story in Books
Aug 12, 2019
I’ll start by saying that this book is very much not my usual area of reading choice, no mention of murder at all - shock horror!! I tend to only read YA occasionally and run for the hills at the mere hint of the word romance or self-discovery but in the name of the book club and expanding my reading outlook I dived in.
I found the writing in this very well done, despite pretty much nothing happening of note (in my opinion) for most of the book I was still quite happy to keep reading. For a 17-year-old protagonist Emma Saylor is pretty likeable and as we follow her on a summer trip to her mother’s family we get to explore a world she didn’t know she was part of. Following her mother’s drug related death Emma’s father hasn't really spoken much about North Lake and her mother’s family, so we get a character driven exploration of family, friendship and self.
The discovery of her new family, the Calavanders, and learning about the ways of “Lake people” is well; a nice read. Many of the characters felt real and many developed nicely as we got to know them better. It’s not an in your face romance book and in particular the first three quarters are pleasantly light on teenage love drama.
The book for me did fall apart for the last part, where it felt like all of a sudden stuff needed to happen and it felt forced and out of kilter with the rest of the book. I think I had got comfortable with it not being much of a book about things happening and just a pleasant read of people and relationships. Emma’s dad seemed the only character to fall totally flat for me and again this only really hit in the last part of the book. Overall pleasantly surprised, it’s not going to be a go to genre for me but wouldn’t avoid picking up another book by Dessen for a change of pace in the future.
I found the writing in this very well done, despite pretty much nothing happening of note (in my opinion) for most of the book I was still quite happy to keep reading. For a 17-year-old protagonist Emma Saylor is pretty likeable and as we follow her on a summer trip to her mother’s family we get to explore a world she didn’t know she was part of. Following her mother’s drug related death Emma’s father hasn't really spoken much about North Lake and her mother’s family, so we get a character driven exploration of family, friendship and self.
The discovery of her new family, the Calavanders, and learning about the ways of “Lake people” is well; a nice read. Many of the characters felt real and many developed nicely as we got to know them better. It’s not an in your face romance book and in particular the first three quarters are pleasantly light on teenage love drama.
The book for me did fall apart for the last part, where it felt like all of a sudden stuff needed to happen and it felt forced and out of kilter with the rest of the book. I think I had got comfortable with it not being much of a book about things happening and just a pleasant read of people and relationships. Emma’s dad seemed the only character to fall totally flat for me and again this only really hit in the last part of the book. Overall pleasantly surprised, it’s not going to be a go to genre for me but wouldn’t avoid picking up another book by Dessen for a change of pace in the future.
LeftSideCut (3776 KP) rated X-Men: First Class (2011) in Movies
Jul 28, 2019
Back on form
Fox made a smart move with First Class. After just four movies, the X-Men movie franchise had already started to feel a bit stale. The solution? Take the story way back for a 60s adventure.
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
Ross (3284 KP) rated Good Omens in TV
Jul 4, 2019
Broadly fine
I am a long-time fan of Terry Pratchett, and a more recent fan of Neil Gaiman, and yet it was only the release of the TV series that prompted me to finally read their joint effort. I thought the book was pretty good, lots of nice silly little jokes spread about, and a good plot keeping up momentum throughout.
I felt the TV series let the book down a little bit. While the overall story and the dialogue, in the main, is true to the book, I felt a lot of it fell flat. A lot of the humour (which comes in the form of charming asides, generally in the narrative of the book) missed the mark and just did not land properly. I did like the expanded section on Azirafale and Crowley's efforts through time, though I think they laboured it too long on the angel's unwillingness and didn't quite show how much they had worked together.
Tennant played Bill Nighy playing a demon, Sheen played David Mitchell playing an angel and they were broadly fine but didn't really sit perfectly for my liking. The rest of the cast were pretty strong (with the exception of Jack Whitehall who I utterly detest and don't think he can act for toffee).
The special effects were on the poor side, but that is only compared to the major big-budget TV shows like GoT and The Walking Dead. The physical effects were excellent.
In all, I am glad they restricted the series to a small number of episodes and did not try and drag it out too long. The ending was not given the build-up it deserved, there really wasn't enough peril before the two single acts that stopped the end of the war (Pulsifer and Adam).
I was very happy to see the relationship between Azirafale and Crowley develop beyond friendship
I felt the TV series let the book down a little bit. While the overall story and the dialogue, in the main, is true to the book, I felt a lot of it fell flat. A lot of the humour (which comes in the form of charming asides, generally in the narrative of the book) missed the mark and just did not land properly. I did like the expanded section on Azirafale and Crowley's efforts through time, though I think they laboured it too long on the angel's unwillingness and didn't quite show how much they had worked together.
Tennant played Bill Nighy playing a demon, Sheen played David Mitchell playing an angel and they were broadly fine but didn't really sit perfectly for my liking. The rest of the cast were pretty strong (with the exception of Jack Whitehall who I utterly detest and don't think he can act for toffee).
The special effects were on the poor side, but that is only compared to the major big-budget TV shows like GoT and The Walking Dead. The physical effects were excellent.
In all, I am glad they restricted the series to a small number of episodes and did not try and drag it out too long. The ending was not given the build-up it deserved, there really wasn't enough peril before the two single acts that stopped the end of the war (Pulsifer and Adam).
I was very happy to see the relationship between Azirafale and Crowley develop beyond friendship
Phil Leader (619 KP) rated God's Rough Drafts in Books
Nov 29, 2019
Set around 100 years from now, this book considers a future where body part transplantation has become widespread, routine and big business. Big business for the pharmaceutical firms, those that can afford to pay for it and also for anyone who can make money by donating their good eyes or hands.
And so society has divided into those who change body parts at a whim, and those who provide them. The gap between the 'haves' and the 'have nots' becomes even wider and even more literal. But a few, a very very tiny few, discover that if they have just the right combination of parts then something happens, some sort of synchronicity, and they gain some sort of new ability.
Fallon is one such special person who finds her world turned upside down when she is framed for a crime and sent to a juvenile prison. Escaping with new found friends Danny and Emma, they soon find that being pursued by the law is the least of their problems.
This novel covers a lot of ground. At its heart is a thrilling chase but around this Scott has woven threads of social commentary, friendship, self-discovery and the dangers of treating people as commodities. These are characters you will care about as they struggle to overcome every obstacle and make some disturbing discoveries along the way. The vision of the future that is painted is all too real and possible but not one that seems very palatable, except to the people at the very top.
One last notable feature is that each chapter starts with a character narrating and filling in some of the gaps. This exposition is wonderfully self-aware, tongue in cheek and fourth wall breaking. I found it was perfectly juxtaposed to the main narrative.
This is a really good book. Dark, charming, forboding, sharp, witty and suspenseful in equal measure. Is it a must read? It most certainly is
And so society has divided into those who change body parts at a whim, and those who provide them. The gap between the 'haves' and the 'have nots' becomes even wider and even more literal. But a few, a very very tiny few, discover that if they have just the right combination of parts then something happens, some sort of synchronicity, and they gain some sort of new ability.
Fallon is one such special person who finds her world turned upside down when she is framed for a crime and sent to a juvenile prison. Escaping with new found friends Danny and Emma, they soon find that being pursued by the law is the least of their problems.
This novel covers a lot of ground. At its heart is a thrilling chase but around this Scott has woven threads of social commentary, friendship, self-discovery and the dangers of treating people as commodities. These are characters you will care about as they struggle to overcome every obstacle and make some disturbing discoveries along the way. The vision of the future that is painted is all too real and possible but not one that seems very palatable, except to the people at the very top.
One last notable feature is that each chapter starts with a character narrating and filling in some of the gaps. This exposition is wonderfully self-aware, tongue in cheek and fourth wall breaking. I found it was perfectly juxtaposed to the main narrative.
This is a really good book. Dark, charming, forboding, sharp, witty and suspenseful in equal measure. Is it a must read? It most certainly is
JT (287 KP) rated The Peanut Butter Falcon (2019) in Movies
Mar 10, 2020
The Peanut Butter Falcon is a heartwarming tale of a boy called Zak (Zack Gottsagen) who escapes his care home with the dream of becoming a wrestler. Along the way, he meets and forms an unlikely friendship with Tyler (Shia LaBeouf) who joins him on his journey.
Zak has no idea how to get to where he’s going but is encouraged to escape by his roommate Carl (Bruce Dern). So in just his underpants he slips through the bars of his window and escapes.
Meanwhile, Tyler is running from a troubled and emotional past of his own. Flashbacks show him laughing and joking with his brother Mark played by Jon Bernthal, who as it turns out is killed in a car accident with Tyler asleep at the wheel.
But this film isn’t about Tyler, it’s about Zak and getting the chance to meet his wrestling hero, the Salt Water Redneck (Thomas Haden Church) who he’s seen countless times on TV and is desperate to meet.
It’s the kind of film that you know will only have a happy ending as each discovers new things about themselves – they bring the best out in each other.
LaBeouf gives an excellent performance and the story has a Mark Twain feel about it. Walking barefoot, swimming and floating down the river on a hand made raft, free from a society that holds them back. Zack Gottsagen is equally good and provides some funny and dramatic moments that will tug at the heartstrings.
They are followed closely on their adventure by Eleanor (Dakota Johnson) Zak’s caregiver who has foiled his previous escape attempts on more than one occasion. When she finally catches up with them she too discovers a few home truths.
The Peanut Butter Falcon oozes charm and is helped by two brilliant central performances. If you’ve not seen it already then I urge you to make time for it.
Zak has no idea how to get to where he’s going but is encouraged to escape by his roommate Carl (Bruce Dern). So in just his underpants he slips through the bars of his window and escapes.
Meanwhile, Tyler is running from a troubled and emotional past of his own. Flashbacks show him laughing and joking with his brother Mark played by Jon Bernthal, who as it turns out is killed in a car accident with Tyler asleep at the wheel.
But this film isn’t about Tyler, it’s about Zak and getting the chance to meet his wrestling hero, the Salt Water Redneck (Thomas Haden Church) who he’s seen countless times on TV and is desperate to meet.
It’s the kind of film that you know will only have a happy ending as each discovers new things about themselves – they bring the best out in each other.
LaBeouf gives an excellent performance and the story has a Mark Twain feel about it. Walking barefoot, swimming and floating down the river on a hand made raft, free from a society that holds them back. Zack Gottsagen is equally good and provides some funny and dramatic moments that will tug at the heartstrings.
They are followed closely on their adventure by Eleanor (Dakota Johnson) Zak’s caregiver who has foiled his previous escape attempts on more than one occasion. When she finally catches up with them she too discovers a few home truths.
The Peanut Butter Falcon oozes charm and is helped by two brilliant central performances. If you’ve not seen it already then I urge you to make time for it.
Gareth von Kallenbach (980 KP) rated Demolition (2016) in Movies
Aug 6, 2019
It is often said that when we lose a loved one, we often lose a part of ourselves. In mourning, we have to come to terms with the loss and where we are headed in the future. Who are we now that part of us is gone? Demolition starring Jake Gyllenhaal and Naomi Watts discusses the various aspects with healing and finding oneself. Davis Mitchell (Jake Gyllenhaal) returns to work after losing his wife in a horrific car accident.
While grieving, he writes a complaint letter to a vending machine company about a recent experience he had while waiting in the hospital. Through the letters he lets a stranger and the audience in on his mindset and the reality that he feels disconnected from the world, his wife, and himself. When the company’s customer service rep reads the letters, she feels compelled to contact Davis. She offers a sympathetic ear to his pain and numbness. As their friendship grows, he begins to rebuild his life. The task is large and requires him to follow the advice that his father-in-law passed down to him; In order to fix something, sometimes you need to take it all apart in order to see how it works. Davis begins to deconstruct various pieces of his life in order to find peace with his loss so he can move forward.
Demolition offers a unique and provocative look at loss, grief, and identity. This is a film that will have its audience asking questions about their own lives and if they feel fulfilled or satisfied. The plot stays with you. The performances of each of the characters carries the story and makes us truly connect with them. There isn’t a single moment when you cease to care about who they are or what their lives have in store. There is depth and authenticity throughout this film.
While grieving, he writes a complaint letter to a vending machine company about a recent experience he had while waiting in the hospital. Through the letters he lets a stranger and the audience in on his mindset and the reality that he feels disconnected from the world, his wife, and himself. When the company’s customer service rep reads the letters, she feels compelled to contact Davis. She offers a sympathetic ear to his pain and numbness. As their friendship grows, he begins to rebuild his life. The task is large and requires him to follow the advice that his father-in-law passed down to him; In order to fix something, sometimes you need to take it all apart in order to see how it works. Davis begins to deconstruct various pieces of his life in order to find peace with his loss so he can move forward.
Demolition offers a unique and provocative look at loss, grief, and identity. This is a film that will have its audience asking questions about their own lives and if they feel fulfilled or satisfied. The plot stays with you. The performances of each of the characters carries the story and makes us truly connect with them. There isn’t a single moment when you cease to care about who they are or what their lives have in store. There is depth and authenticity throughout this film.
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