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Eleanor Luhar (47 KP) rated Simon vs. the Homo Sapiens Agenda in Books
Jun 24, 2019
This was really a wild ride. I think this book managed to get me out of a mini reading slump (yay!).
The book starts off with Simon's private email being read by some guy in his drama club. This may not seem like a huge deal, except Simon's secretly been emailing this guy who he's maybe in love with. But they don't know each other's real identity, and neither of them have come out yet.
So Simon has to help the guy - Martin - get with one of his best friends. Only she isn't interested (at all). At the same time, Simon is falling for Blue more and more with each email, and is becoming desperate to find him in real life. He starts to decode the clues in an attempt to figure out his identity - only for Blue to beat him to it.
Simon's also struggling with tons of friendship issues, a big play coming up, and his family (and the entire school, for that matter) finding out about him being gay. He doesn't want any of it to be a big deal. But it is.
He's a great character, portrayed to be a normal human being. His relationships all seem pretty realistic (though I'm sceptical about the situation with Blue. Would anyone really be that lucky?). I really felt for him throughout the novel, and I was so unbelievably pleased for him at the end. I'm so not used to such great, adorable endings.
My biggest issues are that sometimes the teen voice was being pushed a bit too hard - we don't always say "freaking" or whatever. And the scenarios seemed a little too far-fetched sometimes. (Seriously, has anyone ever experienced people dancing in the crowd at a school talent show?) But generally this was a good representation of life, and I really enjoyed reading it.
I very nearly marked this as a favourite, but decided on just 4.5 stars in the end. I loved the book, but there were a few minor details that put me off just a little bit. It is most definitely a fantastic book, though! I'd definitely recommend this book for the YA audience.
The book starts off with Simon's private email being read by some guy in his drama club. This may not seem like a huge deal, except Simon's secretly been emailing this guy who he's maybe in love with. But they don't know each other's real identity, and neither of them have come out yet.
So Simon has to help the guy - Martin - get with one of his best friends. Only she isn't interested (at all). At the same time, Simon is falling for Blue more and more with each email, and is becoming desperate to find him in real life. He starts to decode the clues in an attempt to figure out his identity - only for Blue to beat him to it.
Simon's also struggling with tons of friendship issues, a big play coming up, and his family (and the entire school, for that matter) finding out about him being gay. He doesn't want any of it to be a big deal. But it is.
He's a great character, portrayed to be a normal human being. His relationships all seem pretty realistic (though I'm sceptical about the situation with Blue. Would anyone really be that lucky?). I really felt for him throughout the novel, and I was so unbelievably pleased for him at the end. I'm so not used to such great, adorable endings.
My biggest issues are that sometimes the teen voice was being pushed a bit too hard - we don't always say "freaking" or whatever. And the scenarios seemed a little too far-fetched sometimes. (Seriously, has anyone ever experienced people dancing in the crowd at a school talent show?) But generally this was a good representation of life, and I really enjoyed reading it.
I very nearly marked this as a favourite, but decided on just 4.5 stars in the end. I loved the book, but there were a few minor details that put me off just a little bit. It is most definitely a fantastic book, though! I'd definitely recommend this book for the YA audience.
Eleanor Luhar (47 KP) rated Am I Normal Yet? in Books
Jun 24, 2019
Holly Bourne writes about two of my absolute favourite topics: feminism and mental health.
So Evie is a teenage girl, who desperately wants to be "normal". She's been diagnosed with Generalised Anxiety Disorder and OCD, and is trying so, so hard to prevent them from ruling her life anymore.
Evie combats a number of issues in this book, such as the stigma around mental health, and the misuse of diagnoses (eg. "I like things neat, I'm so OCD"). She's such a real character, who makes mistakes and upsets people and keeps secrets. She shares her bad thoughts, her rituals and her worries with us, which makes this book so fantastically relatable for people with similar thoughts.
Like everyone else suffering with mental illnesses, Evie has a ton on her plate. Recovery, boy problems, friendship problems... And her desperation to just be normal for once, which leads her into a teenage guys bedroom and triggers a horrific relapse.
This doesn't have a typical happy ending. Yes, things do get better at the end, but Evie doesn't magically beat her illnesses or avoid a relapse altogether - because that's just unrealistic. Mental health doesn't work like that. Recovering from a mental illness is a rollercoaster, with about a thousand loops.
The girls - the Spinsters as they decide to call themselves - are all fabulous too. They talk about all the things that people don't talk about enough, including periods and the difference between mental health care for males versus females. I think these are all such important topics, and are covered fantastically in this novel from a teenage girl's viewpoint.
Overall, I think this is just such a wonderful, important book. For those of us who are struggling with mental health issues, it helps us to feel less alone, and lets us know that our problems are not uncommon. For other people, the more "normal" people, Am I Normal Yet? provides an accurate insight into the mind of someone who's not having such a great time mentally. I really loved this book and all the topics it includes. A new favourite of mine, with 5 stars.
So Evie is a teenage girl, who desperately wants to be "normal". She's been diagnosed with Generalised Anxiety Disorder and OCD, and is trying so, so hard to prevent them from ruling her life anymore.
Evie combats a number of issues in this book, such as the stigma around mental health, and the misuse of diagnoses (eg. "I like things neat, I'm so OCD"). She's such a real character, who makes mistakes and upsets people and keeps secrets. She shares her bad thoughts, her rituals and her worries with us, which makes this book so fantastically relatable for people with similar thoughts.
Like everyone else suffering with mental illnesses, Evie has a ton on her plate. Recovery, boy problems, friendship problems... And her desperation to just be normal for once, which leads her into a teenage guys bedroom and triggers a horrific relapse.
This doesn't have a typical happy ending. Yes, things do get better at the end, but Evie doesn't magically beat her illnesses or avoid a relapse altogether - because that's just unrealistic. Mental health doesn't work like that. Recovering from a mental illness is a rollercoaster, with about a thousand loops.
The girls - the Spinsters as they decide to call themselves - are all fabulous too. They talk about all the things that people don't talk about enough, including periods and the difference between mental health care for males versus females. I think these are all such important topics, and are covered fantastically in this novel from a teenage girl's viewpoint.
Overall, I think this is just such a wonderful, important book. For those of us who are struggling with mental health issues, it helps us to feel less alone, and lets us know that our problems are not uncommon. For other people, the more "normal" people, Am I Normal Yet? provides an accurate insight into the mind of someone who's not having such a great time mentally. I really loved this book and all the topics it includes. A new favourite of mine, with 5 stars.
Eleanor Luhar (47 KP) rated Anything That Isn't This in Books
Jun 24, 2019
Well this was a surprising read. Not just a typical YA dystopian novel, but a peculiar, artistic novel complete with illustrations throughout.
For some reason, I wasn't expecting the strange world that Priestley created in this book. The Grey is suffocating Frank, the Ministry controlling his every decision. Most people are okay with it, comfortable in the routine provided. But Frank wants more.
First, Frank is obsessed with a girl from his school. Even after they graduate, he is desperate to be with her - he believes they're 'fated'. But after a while, he realises that maybe she's not quite right for him.
This combines two typical YA romance plots - the "unpopular boy gets the cool girl" and also the "childhood friends become lovers" plot. I think it's a bit unusual to mix the two, but I didn't find anything spectacular about this aspect of the novel.
The whole book has a very strange abstract sort of feel to it; I was unsure at times whether to actually take what he was saying at face value or take it as a metaphor. There are loads of weird myths that are thrown around, many of which play a big role later in the book.
The friendship with Scape was interesting; it kind of just happened out of the blue and ended in a similar way. And Mr Vertex was a weird character - it was obvious there was something strange about him, and I felt he really added to the abstract feel created.
The book kind of felt grey, but not in a bad way - as in, I felt how Frank felt about his life. I was pretty shocked by how dark it got at the end, quite suddenly. The ending was a bit of a whirlwind, followed by a moment of calm. The calmness was nice, an interesting ending that left your imagination running wild.
I didn't really enjoy this book at first but I did eventually get into it, and quite liked it. I definitely liked the unique feel it had, almost like Coraline. 3.5 stars.
For some reason, I wasn't expecting the strange world that Priestley created in this book. The Grey is suffocating Frank, the Ministry controlling his every decision. Most people are okay with it, comfortable in the routine provided. But Frank wants more.
First, Frank is obsessed with a girl from his school. Even after they graduate, he is desperate to be with her - he believes they're 'fated'. But after a while, he realises that maybe she's not quite right for him.
This combines two typical YA romance plots - the "unpopular boy gets the cool girl" and also the "childhood friends become lovers" plot. I think it's a bit unusual to mix the two, but I didn't find anything spectacular about this aspect of the novel.
The whole book has a very strange abstract sort of feel to it; I was unsure at times whether to actually take what he was saying at face value or take it as a metaphor. There are loads of weird myths that are thrown around, many of which play a big role later in the book.
The friendship with Scape was interesting; it kind of just happened out of the blue and ended in a similar way. And Mr Vertex was a weird character - it was obvious there was something strange about him, and I felt he really added to the abstract feel created.
The book kind of felt grey, but not in a bad way - as in, I felt how Frank felt about his life. I was pretty shocked by how dark it got at the end, quite suddenly. The ending was a bit of a whirlwind, followed by a moment of calm. The calmness was nice, an interesting ending that left your imagination running wild.
I didn't really enjoy this book at first but I did eventually get into it, and quite liked it. I definitely liked the unique feel it had, almost like Coraline. 3.5 stars.
Leanne Crabtree (480 KP) rated When Polly Met Olly in Books
Sep 3, 2019
I've seen this book on Goodreads quite often with friends rating and reviewing it so when I saw it on Netgalley as a "Read Now" and with me looking for good chick-lit writers that I'm going to buy again and again, I thought I'd give this a try.
So we meet Polly--a British ex-pat--who is being interviewed for a job at a successful dating agency. It turns out that Polly isn't so good at the dating thing in real life though, as shown in these quotes:
"Didn't you send him a peach and aubergine emoji with a question mark and a winky face when you were drunk?"
"What about that guy you called Mike for four dates then it turned out his name was Matt."
She gets the job and, quite quickly, she's asked to check out a rival firm who is stealing some of their clients. So Polly goes to the other firm as a possible client and meets Olly, the owner. They seem to have an instant connection, a spark, but Olly turns a little cold and clinical towards the end of her interview. They meet by accident a few more times as Polly explores the area surrounding her new office. We don't see him all that often in the book until near the end, to be honest. She's too busy trying to find the perfect partner and setting up dates for her clients.
As the books name suggests, they do end up together but not before hitting a few bumps along the way. It's on a really slow burn and does come a little out of left field when they finally admit they have feelings for each other but after that, the happiness they feel when they're together was really cute.
I loved the camaraderie between Polly and her friend Gabe, he teases her terribly at times but I had to smile. And her friendship with her boss, too, was pretty cool. They made quite a good team at the whole dating agency thing.
I think this was quite enjoyable and will look out for further releases to see if they're as cute as this one was.
So we meet Polly--a British ex-pat--who is being interviewed for a job at a successful dating agency. It turns out that Polly isn't so good at the dating thing in real life though, as shown in these quotes:
"Didn't you send him a peach and aubergine emoji with a question mark and a winky face when you were drunk?"
"What about that guy you called Mike for four dates then it turned out his name was Matt."
She gets the job and, quite quickly, she's asked to check out a rival firm who is stealing some of their clients. So Polly goes to the other firm as a possible client and meets Olly, the owner. They seem to have an instant connection, a spark, but Olly turns a little cold and clinical towards the end of her interview. They meet by accident a few more times as Polly explores the area surrounding her new office. We don't see him all that often in the book until near the end, to be honest. She's too busy trying to find the perfect partner and setting up dates for her clients.
As the books name suggests, they do end up together but not before hitting a few bumps along the way. It's on a really slow burn and does come a little out of left field when they finally admit they have feelings for each other but after that, the happiness they feel when they're together was really cute.
I loved the camaraderie between Polly and her friend Gabe, he teases her terribly at times but I had to smile. And her friendship with her boss, too, was pretty cool. They made quite a good team at the whole dating agency thing.
I think this was quite enjoyable and will look out for further releases to see if they're as cute as this one was.
ClareR (6253 KP) rated A Single Thread in Books
Sep 12, 2019
A wonderful book!
A Single Thread is set in the period after World War 1, just before Hitler takes power in Germany. Violet Speedwell is a ‘surplus woman’, and so she is expected to live out her life caring for her ageing, cantankerous mother, and throwing herself on the mercy of her brother as she ages. However, Violet isn’t prepared to live her life like this. She manages to get a transfer from her job in Southampton to their Winchester offices. Life isn’t easy for Violet, and she lives off sandwiches and tea in her rented room. By chance, she finds herself in Winchester Cathedral on the day of the Society of Broderers service, where the embroidered kneelers and cushions are blessed and placed in the cathedral for the public to use. Violet finds herself drawn to the embroidery, and even though she has no experience, she becomes involved in the group.
I loved the descriptions of the embroidery: the different stitches, the colours, the camaraderie and friendships that Violet makes with Gilda and Miss Pesel (who incidentally, really existed - and what a life SHE had!). Who knew that embroidery and campanology (bell-ringing) could be so interesting?! Violet becomes very interested in bell-ringing - whether that’s because of the actual bell-ringing, or the fatherly Arthur who she falls in love with, I’m not quite sure.
I thought the social attitudes of the time were really well portrayed. ‘Spare women’ weren’t regarded very favourably, but this was something completely out of their control: so many young men had been killed during the war, that there just weren’t enough men to go round. And when some women found love with one another, they were ostracised and ridiculed. It’s good to see that we have moved on in some ways.
Anyway, I loved this book. It’s not just about embroidery and campanology, and I think that any reader will be pleasantly surprised at how interesting Tracy Chevalier makes these things! It’s a social commentary, a love story, a story about friendship and passion: of the man/ woman, woman/ woman and hobbies varieties. And I wouldn’t hesitate to recommend it.
I loved the descriptions of the embroidery: the different stitches, the colours, the camaraderie and friendships that Violet makes with Gilda and Miss Pesel (who incidentally, really existed - and what a life SHE had!). Who knew that embroidery and campanology (bell-ringing) could be so interesting?! Violet becomes very interested in bell-ringing - whether that’s because of the actual bell-ringing, or the fatherly Arthur who she falls in love with, I’m not quite sure.
I thought the social attitudes of the time were really well portrayed. ‘Spare women’ weren’t regarded very favourably, but this was something completely out of their control: so many young men had been killed during the war, that there just weren’t enough men to go round. And when some women found love with one another, they were ostracised and ridiculed. It’s good to see that we have moved on in some ways.
Anyway, I loved this book. It’s not just about embroidery and campanology, and I think that any reader will be pleasantly surprised at how interesting Tracy Chevalier makes these things! It’s a social commentary, a love story, a story about friendship and passion: of the man/ woman, woman/ woman and hobbies varieties. And I wouldn’t hesitate to recommend it.
Johnny Messias (25 KP) rated The Irishman (2019) in Movies
Oct 14, 2019
Al Pacino as Hoffa (6 more)
Joe Pesci is wonderful
De Niro anchors the film
Scorsese on top form
Thelma Schoonmaker’s editing
Steve Zaillian’s script
De Niro and Pacino together
Marty’s marvellous Oldfellas
The Irishman – BFI London Film Festival Review Oct 13th 2019.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.
An extended cinematic love letter to some of the finest actors of the last 40 years, and to a bygone era of US history, The Irishman is reassuringly brilliant. Like the best Scorsese joints, its business is power brokers, mobsters and underground schemers, but often as a comedy of manners. De Niro anchors the story, yes as mob enforcer but also as a kind of killer Forrest Gump; “connected” to some key milestones in 1960s America; Bay of Pigs, Jimmy Hoffa’s teamsters, RFK, then later the shadow of Nixon. Famously, we see De Niro’s titular character Frank in his 20s, 30s, 40s, right up until the old age home. Scorsese uses computerised de-aging technology to achieve the effect make-up artists might have parlayed. It works well—mostly. What grips you and takes you in is the bravura acting. Al Pacino gives a wonderful performance as Jimmy Hoffa. He goes full “Pacino” with speeches and grandstanding but it is the lilt of this voice (all sing song) in quiet moments that makes this the best we’ve seen from Al in many a year. Joe Pesci as well. He’s kind of the centre of this world, as the mobster who links up De Niro to Pacino’s Hoffa. Pesci speaks quietly and carefully; you sense how much power he has without any of the violence that was trademark in his famous Casino and Goodfellas roles. Over nearly 3.5 hours (never seems long) what you get is a beautifully written, shot, edited and performed drama about loyalty, friendship and a creeping sense of regret. All with the backdrop of this fascinating period: JFK, Union movements, Cuba, Fidel Castro. It lingers long in the memory and it’s one to cherish, since we surely won’t see its like again.
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