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Darren (1599 KP) rated Eli (2019) in Movies
Oct 24, 2019
Characters – Eli is the young boy with the auto-immune disease, he does suffer nightmares about what would happen if he was outside, he lives in a bubble, which is his only safety in life. He is going through an experimental procedure which is meant to cure him, only for him to start suffering haunting visions and attacks by ghosts, he must figure out if they are trying to harm him or help him before he reaches the latest procedure. Rose and Paul are the religious parents that have given up nearly everything to make their son’s life better, trying to remain strong for him throughout the events of the film. Dr Isabella Horn is the doctor that is trying to help Eli, only her methods don’t seem to get explained to the family, while they are left to just believe anything she says. Haley is a girl from the neighbourhood that visits Eli, hoping to find friendship, though she does know the fate of most of the people in the house.
Performances – Charlie Shotwell does a wonderful job in the leading role, suffering through medical procedures, hauntings and emotional problems with ease through the film. Kelly Reilly, Max Martini and Lili Taylor are all strong through the film, which we don’t see much away from Charlie from any of them. Sadie Sink is solid without having much to do, other than being a friend to talk too.
Story – The story here follows a young boy with a medical condition who gets taken to an experimental hospital for treatment, when he starts getting visits from ghosts, where he might learn the truth about the hospital. This is a story which does keep you on your toes, you will constantly be thrown through different sub-genres of horror and it is excellent to see how the film can keep you guessing and leave you surprised by the ending, because if anybody saw this coming, they would be a liar. This is a story where not learning too much going in is even better because it does start with what could be a routine horror, but will leave you shocked by the end.
Horror – The horror here does seem to jump through so many sub-genres of horror it is a joy to watch, because the transition is seamless throughout.
Settings – The film keeps most of the film inside the hospital, this is an excellent location for the film to be set, which sees everything unfold down the dark filled hallways.
Special Effects – The effects do come off well too with how everything happens, be it the ghostly figures or the more practical ones too.
Scene of the Movie – The ghosts in the mirror.
That Moment That Annoyed Me – The abusive people at the start of the film.
Final Thoughts – This is a horror that does truly keep you on your toes, it is great to see this too, we will get scares and surprises and you won’t believe how everything unfolds.
Overall: Surprising Throughout.
Performances – Charlie Shotwell does a wonderful job in the leading role, suffering through medical procedures, hauntings and emotional problems with ease through the film. Kelly Reilly, Max Martini and Lili Taylor are all strong through the film, which we don’t see much away from Charlie from any of them. Sadie Sink is solid without having much to do, other than being a friend to talk too.
Story – The story here follows a young boy with a medical condition who gets taken to an experimental hospital for treatment, when he starts getting visits from ghosts, where he might learn the truth about the hospital. This is a story which does keep you on your toes, you will constantly be thrown through different sub-genres of horror and it is excellent to see how the film can keep you guessing and leave you surprised by the ending, because if anybody saw this coming, they would be a liar. This is a story where not learning too much going in is even better because it does start with what could be a routine horror, but will leave you shocked by the end.
Horror – The horror here does seem to jump through so many sub-genres of horror it is a joy to watch, because the transition is seamless throughout.
Settings – The film keeps most of the film inside the hospital, this is an excellent location for the film to be set, which sees everything unfold down the dark filled hallways.
Special Effects – The effects do come off well too with how everything happens, be it the ghostly figures or the more practical ones too.
Scene of the Movie – The ghosts in the mirror.
That Moment That Annoyed Me – The abusive people at the start of the film.
Final Thoughts – This is a horror that does truly keep you on your toes, it is great to see this too, we will get scares and surprises and you won’t believe how everything unfolds.
Overall: Surprising Throughout.
Gareth von Kallenbach (980 KP) rated Ice Age: Dawn of the Dinosaurs (Ice Age 3) (2009) in Movies
Aug 9, 2019
Scrat and the gang are back, and this time in stunning 3D in the new “Ice Age: Dawn of the Dinosaurs”. The third chapter in the popular series once again follows the adventures of the unusual mix of friends, in their frozen home.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
As the film opens, Manny (Ray Romano), is a nervous wreck as Ellie (Queen Latifah), is expecting their first child. Sid the sloth (John Leguizamo), is ecstatic over the pending arrival, while Diego the tiger, (Dennis Leary), believes he has lost his edge and is no longer needed in a family environment.
As Diego prepares to set off on his own, Sid falls through a crack in the ice and discovers three eggs which he believes have been abandoned.
Sid decides to adopt the eggs and soon they hatch with three T-Rex infants. Unaware of what they are, Sid is delighted at his new family and ignores Manny’s warnings up until a gigantic T-Rex arrives looking for her children and takes them and Sid into a hole in the ice.
Despite their misgivings, Diego, Ellie, and Manny venture under the ice to rescue Sid and discover an entire world of dinosaurs that have survived and thrived under the ice. Facing numerous new dangers and having no idea where to go, the group is befriended by a weasel named Buck (Simon Pegg), who helps them track their missing friend.
Along the way the group must contend with flesh eating plants, laughing gas, dangerous dinosaurs, and hostile terrain as they attempt to save their friend and return home.
While the plot is simple and some will no doubt question how dinosaurs and mammals would be around at the same time, the film is fun, and I enjoyed it more than the previous film in the series. The creators know this is a family film that is intended for children and do not waste time with an overly complicated plot and keep character developments to the bare essentials.
Instead, we get a lively and quirky tale about friendship and family, as well as some funny moments and great animation. The technicians behind the film have wisely allowed the characters to remain the focal point of the film, but cleverly included the new 3D techniques to allow the audience a sense of immersion into the film.
The cast works well with one another and seem to be having a good time playing characters that have no doubt become familiar to them. Once again Scrat steals every scene he is appears in as he attempts time and again to capture his beloved acorn. A new character named Scratte adds a new dimension to the character as she plays not only a romantic interest in the film but also a new obstacle in his never ending quest.
The film was paced well and never overstayed its welcome, and despite some jokes that were better suited to an older audience, the film delivered a perfect summer film for the family to enjoy.
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Sophia (Bookwyrming Thoughts) (530 KP) rated All Is Fair in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><em><strong>All is Fair</strong></em><strong> by Dee Garretson promises an adventure.</strong></h2>
The beginning of <em>All is Fair</em> promises a fun, action-packed adventure, set in World War I with badass females being involved in espionage. After Mina receives a telegram from her father at her boarding school and decrypts the message, she heads home to find her friend Andrew with an American named Lucas.
<h2><strong>It's a little predictable, but also fun.</strong></h2>
<em>All is Fair</em> starts off great and I loved seeing Mina decrypting her father's message at school. I also loved seeing this play a role later on when Mina has to join Lucas on his mission so he could succeed.
But Garretson's novel is relatively predictable as I called some of the twists before they happened. While this may suck out of the fun for some people, I found myself letting the easy predictions slide as I enjoyed other aspects of the story.
<h2><strong>Slow at the beginning.</strong></h2>
After the promising intro and beginning when we are introduced to Mina and learn a little about her, the story dies down. <em>All is Fair</em> becomes slow and we focus a lot on the aristocratic life in the early 20th century before we get to the action-packed part of the story. I found myself stepping away frequently until then because I was just <em>bored</em> despite the character interactions.
<h2><strong>Characters and interactions are great, romance unnecessary</strong></h2>
I'm a huge character person - if there's a character or two that I enjoy reading, I'll likely let other problems (if any) I have slide. And I adored Mina. From the beginning, she's wanted to go on an adventure but rarely gets the opportunity until something happens and she takes the chance. Her interactions with Lucas are amusing and there is <em>quite</em> the shade being thrown between the two (I love me some good shade).
But the romance wasn't necessary to the story. It felt suddenly thrown in near the end just to have a romantic aspect of sorts. <em>All is Fair</em> would have been perfectly fine with the friendship and occasional shade being thrown about.
<h2><strong>We have an open ending.</strong></h2>
<em>All is Fair</em> leaves an open ending that promises of a possible sequel that could potentially happen. Even if there is no sequel, though, the story wrapped up nicely. My only issue aside from the unnecessary romantic aspect is the boring beginning readers will have to drag themselves through to get to the action-packed adventure.
<a href="http://bookwyrmingthoughts.com/all-is-fair-by-dee-garretson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><em><strong>All is Fair</strong></em><strong> by Dee Garretson promises an adventure.</strong></h2>
The beginning of <em>All is Fair</em> promises a fun, action-packed adventure, set in World War I with badass females being involved in espionage. After Mina receives a telegram from her father at her boarding school and decrypts the message, she heads home to find her friend Andrew with an American named Lucas.
<h2><strong>It's a little predictable, but also fun.</strong></h2>
<em>All is Fair</em> starts off great and I loved seeing Mina decrypting her father's message at school. I also loved seeing this play a role later on when Mina has to join Lucas on his mission so he could succeed.
But Garretson's novel is relatively predictable as I called some of the twists before they happened. While this may suck out of the fun for some people, I found myself letting the easy predictions slide as I enjoyed other aspects of the story.
<h2><strong>Slow at the beginning.</strong></h2>
After the promising intro and beginning when we are introduced to Mina and learn a little about her, the story dies down. <em>All is Fair</em> becomes slow and we focus a lot on the aristocratic life in the early 20th century before we get to the action-packed part of the story. I found myself stepping away frequently until then because I was just <em>bored</em> despite the character interactions.
<h2><strong>Characters and interactions are great, romance unnecessary</strong></h2>
I'm a huge character person - if there's a character or two that I enjoy reading, I'll likely let other problems (if any) I have slide. And I adored Mina. From the beginning, she's wanted to go on an adventure but rarely gets the opportunity until something happens and she takes the chance. Her interactions with Lucas are amusing and there is <em>quite</em> the shade being thrown between the two (I love me some good shade).
But the romance wasn't necessary to the story. It felt suddenly thrown in near the end just to have a romantic aspect of sorts. <em>All is Fair</em> would have been perfectly fine with the friendship and occasional shade being thrown about.
<h2><strong>We have an open ending.</strong></h2>
<em>All is Fair</em> leaves an open ending that promises of a possible sequel that could potentially happen. Even if there is no sequel, though, the story wrapped up nicely. My only issue aside from the unnecessary romantic aspect is the boring beginning readers will have to drag themselves through to get to the action-packed adventure.
<a href="http://bookwyrmingthoughts.com/all-is-fair-by-dee-garretson/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated Coven Deception in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Coven: Deception by D. H. Davis is very similar to Twilight by Stephenie Meyer in the fact that it is largely a supernatural teen romance. Add in the threat of the coven being under attack and exposed, and it becomes an interesting read.
Brooke Lesley is in training to become the leader of her coven once she turns eighteen but it is not that easy. She must deal with an overbearing father, mastering incantations, and learning history from Elders who are hiding things from her. Being super stressed out Brooke decides to take a walk during lunch and ends up witnessing two men trying to rob an old lady. Brooke steps in to help her only to find Jessie, a boy from her school has the same idea. As it turns out he is a vampire which means that their friendship is forbidden.
Soon strange things start happening all over town and an Elder from another coven is killed. The coven Brooke is from ignores all the signs and lets their long-standing hatred for vampires cloud their investigations. Brooke and her friends notice that not only is this unnamed threat an issue but also the Elders are hiding the truth about the feud with the vampires. It will take cunning and rule-breaking on their part but is up to Brooke and her friends to find out what really is going on, and to try to stop it.
I enjoyed how Brooke found it in herself to stand up to her father and the Elders when she discovers they are hiding things from her. The fact that her mother encourages her to do what she must in order to make changes the coven desperately needs instead of following blindly behind her husband was also surprising considering the coven dynamics. Honestly how similar this book was to Twilight was a definite downside to me. The whole forbidden love with a vampire seems kind of overused and when the wolf attacked the school I was just waiting for Brooke to say it was a shapeshifter and start talking to it.
Young adults and teens will enjoy this book the most. It might even be safe for most middle school students. Fans of the Twilight series will either love this book because of how similar it is or hate it, calling it a rip-off. I give this book a 2 out of 4 rating. I found it to be a good midrange young adult book. It might not have been the best supernatural teen romance but it was certainly far from the worst. I would recommend it to fans of the genre looking for a quick read.
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Brooke Lesley is in training to become the leader of her coven once she turns eighteen but it is not that easy. She must deal with an overbearing father, mastering incantations, and learning history from Elders who are hiding things from her. Being super stressed out Brooke decides to take a walk during lunch and ends up witnessing two men trying to rob an old lady. Brooke steps in to help her only to find Jessie, a boy from her school has the same idea. As it turns out he is a vampire which means that their friendship is forbidden.
Soon strange things start happening all over town and an Elder from another coven is killed. The coven Brooke is from ignores all the signs and lets their long-standing hatred for vampires cloud their investigations. Brooke and her friends notice that not only is this unnamed threat an issue but also the Elders are hiding the truth about the feud with the vampires. It will take cunning and rule-breaking on their part but is up to Brooke and her friends to find out what really is going on, and to try to stop it.
I enjoyed how Brooke found it in herself to stand up to her father and the Elders when she discovers they are hiding things from her. The fact that her mother encourages her to do what she must in order to make changes the coven desperately needs instead of following blindly behind her husband was also surprising considering the coven dynamics. Honestly how similar this book was to Twilight was a definite downside to me. The whole forbidden love with a vampire seems kind of overused and when the wolf attacked the school I was just waiting for Brooke to say it was a shapeshifter and start talking to it.
Young adults and teens will enjoy this book the most. It might even be safe for most middle school students. Fans of the Twilight series will either love this book because of how similar it is or hate it, calling it a rip-off. I give this book a 2 out of 4 rating. I found it to be a good midrange young adult book. It might not have been the best supernatural teen romance but it was certainly far from the worst. I would recommend it to fans of the genre looking for a quick read.
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Night Reader Reviews (683 KP) rated A Warrior's Blush in Books
Jan 9, 2020
A Warriors Blush by Shannon Whittall is an action-adventure fantasy story with just a hit of romance. This book could z easily be the beginning of a very interesting series if the author wanted to go that route with it. The ending is also surprising, but I do not encourage any readers to skip ahead in the book to see what I mean.
Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
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Lenora Belavier has been held prisoner and was used as a slave in the female prison, Golnar. It is here in Golnar that Lenora makes two names for herself. The first is Iron-Will for the excellent blades she forges. The second is Golnars Ghost, for protecting her fellow prisoners from the guards without them finding out who the ghost is. One day after much planning Lenora escapes from Golnar and brings an eleven-year-old prisoner, Mear, with her. Elijah finds Lenora (who has now adopted a new name) and Mear injured in the desert and takes them to Drodals Keep for healing.
In Drodal Lenora endures training for a magical ability that she does not believe she possesses, by a temperamental Elijah. Mear, on the other hand, seems to be enjoying her freedom and wonders off for some unknown reason. Lenora and Elijah slowly form an unlikely friendship as they start looking into the appearance of Bolgran, the evil monsters controlled by Myrna. Myrna, the evil Queen who Lenora was fighting against when she was arrested has learned of Lenora surviving Golnar and seeking refuge at Drodal. In an attempt to destroy her enemy Myrna floods Drodal with Bolgren and it doesn't look good for the small keep.
What I liked best about this book was that it was not predictable nor was it confusing. The twists in the story were extremely enjoyable and even surprised me. I am purposely leaving these twists out of the review as to not ruin them for the interested reader. What I did not like was how some of the characters and creatures were named similar to each other. The biggest of these issues was Bolgran, a terrible monster, and Brogan, a blacksmith. This did cause a bit of confusion because one is obviously evil and the other is not.
This book is age-appropriate for readers who are at least in high school. Younger readers would enjoy most of the story but would have to be mature. The rape and abuse of female prisoners is a big driving factor for Lenora and readers must be able to handle that. Overall I rate this book 3 out of 4. While it was a good book the name issue felt a little sloppy and lost it some points with me. I would still recommend this book to people who like fantasy but they would have to pay close attention to the names.
https://nightreaderreviews.blogspot.cpm
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https://www.austinmacauley.com/book/warriors-blush
Emma @ The Movies (1786 KP) rated Richard Jewell (2019) in Movies
Mar 2, 2020
Richard longs to work in law enforcement, but his eagerness to make the best impression doesn't endear him to his employers or the people he's bound to protect.
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
As the Olympics come to Atlanta he manages to get a job working security, he's keen and overly vigilant but when he spots a suspicious package he acts without hesitation. He's the hero and his actions saved countless lives. Looking for any new angles to report the story a local paper identifies Jewell as the main suspect in the case and his life is suddenly turned upside down.
Looking at the state of the media today, films like this highlight just how long people have been suffering for the sake of a story. Innocent until proven guilty doesn't always matter in the court of public opinion when what we're fed is presented as fact. But that's a whole other story we could debate on for years.
This film was made by its actors. Paul Walter Hauser in the lead gave a stellar performance. The naivety and trust he managed to get across had a sincerity that really helped you connect with the film.
Inter-personal relationships also added so much to it overall. His back and forth with Watson Bryant (Sam Rockwell) is amusing without breaking the seriousness of what's happening, this odd friendship borders on a brotherly bond and Rockwell's acting gets across the feat, exasperation and determination when we need to feel it.
Kathy Bates may well have been my favourite though. Bobi Jewell, the loving mother torn apart by the actions of the press and police, and literally having her dirty laundry aired in public. the journey of emotions she goes through is striking and again, it's such a genuine feeling that I was completely taken aback when she broke down.
There's also strong talent in the support cast. Olivia Wilde as Kathy Scruggs giving us a rollercoaster too. She shows us the determined journalist who's willing to stowaway in cars for the chance of an interview, to a more vulnerable and redemptive investigative journalist. Her confidence to doubt was well handled by Wilde and the moment she breaks is understated but touching.
The locations and wardrobe give the perfect setting for the film, to actually film in Centennial Park must have been a challenging but motivating opportunity.
Paul Walter Hauser gets a powerful moment near the end of the film that really brought Jewell out of the cocoon we saw in him throughout the film, it was a great end to a wonderfully acted piece of cinema.
While I've praised a lot here it's a film that feels a little heavy at times, the way that law enforcement pile on Jewell every time they interact makes it a tense watch, I don't think there was really any way to lighten that, and actually, I don't think I'd have wanted them to if there was.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/richard-jewell-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated Parting Worlds (Once Upon a Curse #4) in Books
Mar 24, 2020
Parting Worlds brings everything together.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
BankofMarquis (1832 KP) rated A Simple Favor (2018) in Movies
Apr 8, 2020
Well Worth Watching
I'll start this review by stating for the record - I LIKE BLAKE LIVELY. I think the former Gossip Girl star is extremely watchable and interesting - and in the right role, can take over a film.
And...in A SIMPLE FAVOR...she is in the right role.
Also starring Anne Kendrick (INTO THE WOODS), A SIMPLE FAVOR tells the tale of a suburban mother (Kendrick) who forms a friendship with a lively (no pun intended) working mom (Lively) - from "The City" no less - who asks her friend for "A Simple Favor" - watch her child while she tends to some urgent business. When the working Mom goes missing, the suburban Mom starts snooping into what happened.
Directed by Paul Feig (BRIDESMAIDS), A SIMPLE FAVOR finds itself in a bit of a "no man's land" of style and genre. Is it a made for TV Movie like BIG LITTLE LIES (no...it's ambition and production style is more ambitious than that). Is it a "Major Motion Picture" a la GONE GIRL (no...it's not that ambitious). Is it a satire on the suburban Mom (partially), a whodunnit (partially), a mystery (partially) a black comedy (partially).
And that's what is in this film's favor - and it's biggest issue. It's hard to define and pin down and the feel of the film floats all over the place, as do the performances of the leading ladies.
Anna Kendrick is perfectly well suited to play the frumpy suburban Mom, Stephanie, who's underlying unhappiness is masked by the perma-grin and energy of that Mom who volunteers for EVERYTHING at school. She is more than balanced by Lively's scene-stealing performance as Emily the working Mom from NYC that doesn't take crap - or orders - from anybody. Their scenes together are uneven and unbalanced - and that is perfect for what Stephanie is going through. She encounters a force of nature in Emily and is just trying to hang on for dear life.
And there, again, is where the issues of this film (and it's strengths) show up. Sometimes - it seems - that Stephanie is getting a foothold, only to slip and fall. But then she gets her foothold stronger and a whole new character emerges, only to have it slip again...and then she is SNARKY...and slips back to mousey...and then she is CLEVER...and slips back to mousey...and the she...
You get the idea. It keeps the audience guessing and off-guard, but the change in tone hurts the overall flow of the film.
It, ultimately, becomes a fairly clever whoddunit that had me guessing (for the most part) until the end, so I have to admit - I ended up enjoying it - mostly because of Lively's energy.
Letter Grade: B+ (well worth your time to check out)
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
And...in A SIMPLE FAVOR...she is in the right role.
Also starring Anne Kendrick (INTO THE WOODS), A SIMPLE FAVOR tells the tale of a suburban mother (Kendrick) who forms a friendship with a lively (no pun intended) working mom (Lively) - from "The City" no less - who asks her friend for "A Simple Favor" - watch her child while she tends to some urgent business. When the working Mom goes missing, the suburban Mom starts snooping into what happened.
Directed by Paul Feig (BRIDESMAIDS), A SIMPLE FAVOR finds itself in a bit of a "no man's land" of style and genre. Is it a made for TV Movie like BIG LITTLE LIES (no...it's ambition and production style is more ambitious than that). Is it a "Major Motion Picture" a la GONE GIRL (no...it's not that ambitious). Is it a satire on the suburban Mom (partially), a whodunnit (partially), a mystery (partially) a black comedy (partially).
And that's what is in this film's favor - and it's biggest issue. It's hard to define and pin down and the feel of the film floats all over the place, as do the performances of the leading ladies.
Anna Kendrick is perfectly well suited to play the frumpy suburban Mom, Stephanie, who's underlying unhappiness is masked by the perma-grin and energy of that Mom who volunteers for EVERYTHING at school. She is more than balanced by Lively's scene-stealing performance as Emily the working Mom from NYC that doesn't take crap - or orders - from anybody. Their scenes together are uneven and unbalanced - and that is perfect for what Stephanie is going through. She encounters a force of nature in Emily and is just trying to hang on for dear life.
And there, again, is where the issues of this film (and it's strengths) show up. Sometimes - it seems - that Stephanie is getting a foothold, only to slip and fall. But then she gets her foothold stronger and a whole new character emerges, only to have it slip again...and then she is SNARKY...and slips back to mousey...and then she is CLEVER...and slips back to mousey...and the she...
You get the idea. It keeps the audience guessing and off-guard, but the change in tone hurts the overall flow of the film.
It, ultimately, becomes a fairly clever whoddunit that had me guessing (for the most part) until the end, so I have to admit - I ended up enjoying it - mostly because of Lively's energy.
Letter Grade: B+ (well worth your time to check out)
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
The Last Suppers: A Novel
Book
-A gorgeous novel that finds beauty in the most unlikely of places.- --Susan Wiggs, #1 New York...
fiction