"Obviously the Fugees were huge, but Lauryn, she was at that point where she was the empowered female. If we look back across the decades, she was at the forefront of all that. “This was around the time that I was making those trips up to Soho and to D'Arblay street, or Red Records in Brixton. I put this song on and I thought ‘This is amazing.’ And then you get to see the video! You know that split screen one? “I think she set the bar for a lot of women who came after her. When you think of Foxy Brown and Lil' Kim - those type of artists - you can draw a line to the Nikki Minaj’s and Cardi B’s of today. But Lauryn was super conscious. And vocally – fuck you can sing!"

"This album is flawless. From production to writing to everything, that album is just good. There is not much more to say about it than that album is fucking perfect. Some albums are just perfect. Amy Winehouse Back To Black is fucking perfect. The Miseducation Of Lauryn Hill album is perfect. It won eight grammies or something. Start-to-finish, every song, literally every single song, is a number one. Not in the terms of success, but sonically, it's solid songwriting at it's best. From production to writing, to delivery, to performance, stylistically, I could sing that entire album, it's just so perfect. It's like eating the most well-rounded meal, all of your favourite foods from start to dessert, everything is your very favourite, cooked exactly the way you want it to be. Sometimes I'll put on that album and I just can't believe how easy it is to explain, because it's just so fucking perfect. And the way she came off Fugees and did that was so cool. She is a badass. She is so unapologetic. Oh I love her. She's my generation's Nina Simone."

"This was a song that I'd hear on the radio quite a bit when I was growing up. It wasn't a current song, but it was one of those that had legs, and they just kept on playing it. ""The reason it was on my mind is because I pulled it apart the other day. I do that when I'm trying to get into work mode. I might have been hanging with friends, or dealing with business or talking to my mom, so when I want to switch over to the kind of mindset where I need to be receptive to musical ideas, it sometimes helps me to just play a song that I really love - not one of my own - and pick at it. What are the chords doing here? I'm asking that kind of question. ""I heard the Fugees version - which is what brought it to mind - but the Flack one is my favourite. To get to that place in my head when I'm working, I need to do something physical, like sing and strum the guitar on a track that's not mine and just figure out what makes it tick. So in terms of 'Killing Me Softly', there's this cool trick - this cycle of fifths - where you play a chord, and then go a fifth up, and then another fifth up, and it sounds as if it's going down at the same time. You don't hear that very often, but it's on songs like 'Goodbye Yellow Brick Road' and 'You Never Give Me Your Money'. ""At first glance, you might say this is a sad song, because of the tone and approach, but it's not. It's just somewhere to go if you're looking for an emotional experience, because it's pure soul"