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Soul (2020)
Soul (2020)
2020 | Adventure, Animation, Comedy
The second Pixar effort of 2020 is nothing short of excellent. Soul is a wonderful experience from start to finish, dealing with abstract ideas in a touching way, and boasting some of the finest animation out there.
When compared to older Pixar efforts, it's easy to see just how far this sort of thing has come. Soul manages to look photo realistic, despite the cartoony designs of the human characters. It has matured in other ways too - where these films used to be kid friendly adventures with a message lurking within, that's not quite the case anymore. The themes in Soul are very much for an older audience, and sure, there are talking cats and colourful visuals in The Great Before to keep younger viewers involved, but the narrative here focuses on how one can feel like their life is wasted sometimes, how it's easy to feel lost in such a big world, and the acceptance of death. With heavy subject matters at the forefront, the frequently heart-warming and funny screenplay results in an story that is expertly crafted to hit all the right emotional buttons, whilst still being fun, and full of awesome jazz.

Director Pete Docter is of course the man behind Up, Inside Out and Monsters Inc. so it's no surprise that his fourth Pixar feature is one that can stand tall next to those greats. A fantastic voice cast including Jamie Foxx, Tina Fey, Richard Ayoade, Anglea Bassett, Phylicia Rashad, and Rachel House among others, adds the remaining ingredients to ensure that Soul is another magnificent string in Pixar's bow, and is an essential watch.
  
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Colin Newman recommended Discreet Music by Brian Eno in Music (curated)

 
Discreet Music by Brian Eno
Discreet Music by Brian Eno
1975 | Rock
(0 Ratings)
Album Favorite

"I don't really know what he's doing anymore musically and I haven't known for a long time, because it hasn't been his main focus for a long time, but Discreet Music is a very singular record. I'm just talking about side A: the other side is just something else. But you can play it on almost any kind of system and it works. It doesn't require hi-fi. I remember in 1978, around Christmas, my first wife and I went on a trip to Cadaqués in Spain, a place associated with Dali, and we rented a converted fisherman's cottage. It was three storeys high and an architect had worked on it, and what they'd done was they'd gutted the whole building top to bottom, and there was a staircase that ran from near the door up to the roof, which was a flat roof that you could sit on. And the floor seemed suspended. It was an amazing place. And we had a tape of this album and the kind of portable cassette player you used to have in the 70s, but you could put it on in the bottom part of the house, not even on full volume, and the room just filled. The music filtered through the whole space. I don't know any other music that could do that. He did other interesting ambient works and his early song records are good, but Discreet Music is such a singular piece. There really is nothing else like it that exists. It's just three notes. It's so simple. There's nothing to it, but it's completely musical."

Source
  
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ClareR (5726 KP) rated Raybearer (Raybearer #1) in Books

Sep 15, 2020 (Updated Sep 15, 2020)  
Raybearer (Raybearer #1)
Raybearer (Raybearer #1)
Jordan Ifueko | 2020 | LGBTQ+, Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
Raybearer is a fantasy set in part in West African myth (which I really wish I knew more about, by the way). Tarisai lives in a big house full of tutors and servants, all training her for one purpose. Her mother rarely visits, and Tarisai wishes she would visit more often - she longs for a mother who will care for her and touch/ hug her. The reason for this becomes very clear as the story progresses.

Tarisai learns that her education has been leading her to one end: to become part of the crowned Prince’s Council of Eleven, and to ultimately kill him. But Tarisai doesn’t want to fulfil her life’s purpose. She doesn’t want to be a murderer, and she actually really likes the Prince.

I shouldn’t be surprised, because I’ve said it often enough myself, but for those uninitiated in YA books, this actually deals with some pretty serious themes: gender roles, and the fact that girls don’t all want their sole life purpose to be that of a child bearer, and parental abuse of children (in this case, physical abuse - eg. hitting). So this isn’t a book for the faint hearted! It’s a beautifully told story though, it has a feel of the fairytale or myth about it, and I definitely think that it was time well spent. To top it off, I see that this is the first book in perhaps a duology or trilogy? I’ll be looking out for the next one, because I’m intrigued to see how this story will develop.

Many thanks to the publisher, Hot Key Books, and to NetGalley for my copy of this book.
  
A Nun in the Closet
A Nun in the Closet
Dorothy Gilman | 1975 | Mystery
10
8.0 (2 Ratings)
Book Rating
Laughs and Thrills
The nuns in the Abbey of St. Tabitha are shocked when they are left a house and estate in New York State, several hundred miles from where they live in cloister. However, they must decide what to do with it, so Sister John and Sister Hyacinthe are elected to head up there and get a feel for what they’ve been left. Within hours of arriving, they’ve discovered a suitcase full of cash in the well and a man bleeding out from a gunshot wound in an upstairs closet. What is happening on this property? Why was it left to the nuns?

While I have loved the Mrs. Pollifax series for decades, I have never read any of Dorothy Gilman’s non-Mrs. Pollifax books. I’m glad I decided to fix that since this one was delightful. Yes, I had the broad strokes of the plot figured out early on, but I was missing a few pieces, and the twists along the way kept me highly entertained. The characters are good. They could be a little stronger overall, but they work to draw us into the story. Since the book came out in 1975, some of the references are dated, but that’s only worth noting in passing. I appreciated how one subject was handled without the book crossing into lecture mode. And the laughs were plentiful. I was smiling each time I picked up the book knowing that I was in for more fun. A lesser authors couldn’t have pulled this mix off, but Dorothy Gilman makes it look easy. I’m glad I finally picked it up.