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LeftSideCut (3776 KP) rated Ma (2019) in Movies
May 14, 2020
Ma is a relatively predictable and a would-be run of the mill horror thriller, if it wasn't for the mostly decent cast, and well realised slow build up.
Ma revolves around a group of teens inadvertently befriending a lonely older woman whilst trying to buy alcohol. The woman's sweet nature leads to her letting the teens and their friends use the basement of her house for police-free partying, and she becomes something a mother figure to them, nicknaming her 'Ma'. Things start to go a little awry when Ma becomes possessive, and a much more sinister plot unravels.
The film doesn't go full blown horror until the final act, meaning that the main chunk of runtime is a fairly slow burning thriller. It's paced pretty well for the most part, drip feeding details and hints that Ma is quite clearly unwell. It's also features flashbacks here and there, going some way to explain why she is the way she is. It's actually quite sad at times, and definitely plays the sympathy card on occasion. This wouldn't have worked nearly as well as it did without Octavia Spencer. She's the obvious highlight of the film and her friendly demeanor makes her character all the more unsettling.
The teenage characters are actually surprisingly likable as well. They're not particular fleshed out too much, and lack substance, but usually they're exclusively hateable in these kind of films.
Add in Juliette Lewis, Missy Pyles, and Luke Evans, and the cast is pretty solid.
I guess the main problem with Ma, is that's it's nothing special. It's painfully predictable at times - there's a lot of typical people-doing-obviously-dumb-shit-in-a-horror-film going on, and it's in your face enough to impact the overall movie.
It's still worth a watch though, even if it's just for Octavia Spencer.
Ma revolves around a group of teens inadvertently befriending a lonely older woman whilst trying to buy alcohol. The woman's sweet nature leads to her letting the teens and their friends use the basement of her house for police-free partying, and she becomes something a mother figure to them, nicknaming her 'Ma'. Things start to go a little awry when Ma becomes possessive, and a much more sinister plot unravels.
The film doesn't go full blown horror until the final act, meaning that the main chunk of runtime is a fairly slow burning thriller. It's paced pretty well for the most part, drip feeding details and hints that Ma is quite clearly unwell. It's also features flashbacks here and there, going some way to explain why she is the way she is. It's actually quite sad at times, and definitely plays the sympathy card on occasion. This wouldn't have worked nearly as well as it did without Octavia Spencer. She's the obvious highlight of the film and her friendly demeanor makes her character all the more unsettling.
The teenage characters are actually surprisingly likable as well. They're not particular fleshed out too much, and lack substance, but usually they're exclusively hateable in these kind of films.
Add in Juliette Lewis, Missy Pyles, and Luke Evans, and the cast is pretty solid.
I guess the main problem with Ma, is that's it's nothing special. It's painfully predictable at times - there's a lot of typical people-doing-obviously-dumb-shit-in-a-horror-film going on, and it's in your face enough to impact the overall movie.
It's still worth a watch though, even if it's just for Octavia Spencer.
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Mark @ Carstairs Considers (2652 KP) rated Claws for Alarm in Books
Aug 17, 2021 (Updated Aug 17, 2021)
Fundraising with Murder
As Maddie James and her family and friends get ready for their first full tourist season with JJ’s House of Purrs open, they are expecting more tourists to stop in because of the publicity that the cat café has been getting. In fact, Jillian Allen is one such tourists who insists on coming almost as soon as she gets to Daybreak Island. When Jillian offers to run a fundraiser, Maddie is thrilled. But a couple of days later, Maddie finds Jillian strangled with the cat leashes that were going to be a party favor at the fundraiser. Who would kill a visitor to the island? Or did Jillian have more local connections than Maddie knew about?
Jillian is a force, and the scenes she is in are very memorable. Once she dies, the mystery is good, although it seems like we get quite a few revelations at the end of the book. Everything makes sense, but it did make the ending feel rushed. As much as Jillian stands out, the rest of the cast are wonderful. Some of the suspects I hope pop back up again in the future, and the regulars are charming. I did find a handful of errors where a character finished their coffee twice in the same scene, or something like that. It was annoying but not too bad. I was more bothered by Maddie’s actions in one scene late in the book. She should not have done what she did. I’ve always loved Daybreak Island, and that didn’t change in this book. It’s a wonderful setting I’d love to visit in real life – between murders, of course. If you are looking to get away cheaply, this is the book to pick up.
Jillian is a force, and the scenes she is in are very memorable. Once she dies, the mystery is good, although it seems like we get quite a few revelations at the end of the book. Everything makes sense, but it did make the ending feel rushed. As much as Jillian stands out, the rest of the cast are wonderful. Some of the suspects I hope pop back up again in the future, and the regulars are charming. I did find a handful of errors where a character finished their coffee twice in the same scene, or something like that. It was annoying but not too bad. I was more bothered by Maddie’s actions in one scene late in the book. She should not have done what she did. I’ve always loved Daybreak Island, and that didn’t change in this book. It’s a wonderful setting I’d love to visit in real life – between murders, of course. If you are looking to get away cheaply, this is the book to pick up.
I Never Gave My Consent
8.0
Rate It
Book
In 2013, a series of high-profile court cases sent shockwaves through the West Midlands town of...
Kristy H (1252 KP) rated The Last House on Needless Street in Books
Nov 4, 2021
Ted is a depressed drunk who lives with his daughter, Lauren, and cat, Olivia. Years ago, a young girl disappeared at a nearby lake and Ted was blamed, but later exonerated by his alibi. Now Dee, the girl's sister is back in town, looking for justice for her little sister. But Ted and his family may still be hiding secrets--and Dee's return threatens to uncover them all.
"Today is the anniversary of Little Girl With Popsicle. It happened by the lake, eleven years ago--she was there, and then she wasn't. So it's already a bad day when I discover that there is a Murderer among us."
This is an incredibly wild read that is both mesmerizing and befuddling, as you never know exactly what is going on. You get Ted's point of view, as well as Dee's and even Olivia the cat's. I spent most of the book coming up with theories and feeling frustrated at times, because I was not sure what was happening! If you are someone who always wants to know what is happening, you may not enjoy this book.
It's definitely best to go in blind, as all the other reviews state, because the twists and turns will take you by surprise. And there are twists galore! When this ended, I realized I probably needed to read the book again, just to completely take in everything that happened. Did I fully enjoy HOUSE? Probably not. But I still feel it was worth the read. It was intricate and fascinating and at the end, when you take in the full depth of what you've read--well, it's pretty awe inspiring. Definitely read the author's note at the end, too. 4+ stars.
"Today is the anniversary of Little Girl With Popsicle. It happened by the lake, eleven years ago--she was there, and then she wasn't. So it's already a bad day when I discover that there is a Murderer among us."
This is an incredibly wild read that is both mesmerizing and befuddling, as you never know exactly what is going on. You get Ted's point of view, as well as Dee's and even Olivia the cat's. I spent most of the book coming up with theories and feeling frustrated at times, because I was not sure what was happening! If you are someone who always wants to know what is happening, you may not enjoy this book.
It's definitely best to go in blind, as all the other reviews state, because the twists and turns will take you by surprise. And there are twists galore! When this ended, I realized I probably needed to read the book again, just to completely take in everything that happened. Did I fully enjoy HOUSE? Probably not. But I still feel it was worth the read. It was intricate and fascinating and at the end, when you take in the full depth of what you've read--well, it's pretty awe inspiring. Definitely read the author's note at the end, too. 4+ stars.
LeftSideCut (3776 KP) rated Mother/Android (2021) in Movies
Jan 14, 2022
Whilst there are a handful of positives about Mother/Android, they are woefully overshadowed by just how unoriginal the overall movie is.
Starting with said positives - Chloë Grace Moretz is always trying her best and here is no different. It's also nice to see Raúl Castillo popping up more and more at the moment and here is no different. There's a scene fairly late on, set in a house full of androids that is genuinely quite tense and is an obvious highlight.
Other than that, it's pretty dire. The dialogue is shoddy, and the writing is all over the place. None of the characters are particularly likable and there's not really anyone to root for (started rooting for the androids by the end). The opening scene is one of intrigue, promising something vaguely resembling Detroit: Become Human, but the story is rushed along so quickly that we're thrown straight into 9 months later, following a pregnant lady through some woods in America, whilst trying to stay silent. Very A Quiet Place. The android designs do nothing to differentiate from the designs seen in Terminator.
However, the most insulting moment of plagiarism comes during the climax, the events of which are quite bleak, and aim for the heartstrings. This moment is intercut with flashes of a happier time, whilst chaos unfolds in the distance, set to some somber music. All of which would have landed way better if it wasn't ripped straight from the undead hands of Train to Busan!
I'm sure that there will be plenty of people out there who find something to like when it comes to Mother/Android but for me, it just came across as plain lazy, lifting ideas from far superior movies left, right, and centre.
Starting with said positives - Chloë Grace Moretz is always trying her best and here is no different. It's also nice to see Raúl Castillo popping up more and more at the moment and here is no different. There's a scene fairly late on, set in a house full of androids that is genuinely quite tense and is an obvious highlight.
Other than that, it's pretty dire. The dialogue is shoddy, and the writing is all over the place. None of the characters are particularly likable and there's not really anyone to root for (started rooting for the androids by the end). The opening scene is one of intrigue, promising something vaguely resembling Detroit: Become Human, but the story is rushed along so quickly that we're thrown straight into 9 months later, following a pregnant lady through some woods in America, whilst trying to stay silent. Very A Quiet Place. The android designs do nothing to differentiate from the designs seen in Terminator.
However, the most insulting moment of plagiarism comes during the climax, the events of which are quite bleak, and aim for the heartstrings. This moment is intercut with flashes of a happier time, whilst chaos unfolds in the distance, set to some somber music. All of which would have landed way better if it wasn't ripped straight from the undead hands of Train to Busan!
I'm sure that there will be plenty of people out there who find something to like when it comes to Mother/Android but for me, it just came across as plain lazy, lifting ideas from far superior movies left, right, and centre.