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Debbiereadsbook (1611 KP) rated To Defend a Damaged Duke (Regency Rossingley #2) in Books
Jun 22, 2025
Loved this second instalment!!
Independent Reviewer for GRR, I was gifted my copy of this book.
This is book 2 in the Regency Rossingley series. While I do think it came be read as a stand alone read, I think it would benefit to read book 1, To Tempt a Troubled Earl. Since Lando and Kit play a huge part here, it will give you a better picture of their relationship, and that of Kit and Tommy. Not strictly necessary, just my persosnal opinion.
Ten years ago, Benedict did something he never forgave himself for. Now, Tommy has appeared in his life and Benedict wants nothing more than to beg Tommy's forgiveness. But first, they must uncover a blackmailer, and deal with someone messing with Benedict's horses.
I refer to my review for the first book. I said "I loved the way the duke was brought down. I wasn't fully in on the plan, as to how it was going to work, but that was just my brain not really putting it altogether!" But what I think NOW is that it is just the author's writing. She likes to keep things a bit vague, and secret, and keeps you on your toes. And I really LOVED that I can come to that revelation. Benedict has a plan to deal with the horse issue, and he doesn't tell anyone. I had a thought about that, then dismissed it, but he does what I thought he would do!!
I loved Tommy and Benedict. I loved that they still loved each other, even after what happened at the molly house. After what Tommy went through, his Lordling still pushed all his buttons and then some. Even if his feelings were borderline hate for a long time.
And what I loved the most?? That I kinda thought Tommy and Benedict had 'gone all the way' for want of a better expression in their dealings as teenagers. And it turns out, that they had not. And I loved when Benedict reveals to Tommy what he does. Made me all emotional, but I'm not saying what he reveals for spoilers!
Loved how it all went down with the blackmailing/ horse things. Those ladies of the Ton are not to be messed with and they pulled a blinder of a plan off! Beatrice and Mrs de Villiers?? Loved them!
I look forward to reading book 3, especially after that snippet at the back!
Actually, what I loved the most?? That I wrote 4 stars at the top pf the page for this and it's reviewed itself into a . . .
5 full and shiny star read!
*same worded review will elsewhere
This is book 2 in the Regency Rossingley series. While I do think it came be read as a stand alone read, I think it would benefit to read book 1, To Tempt a Troubled Earl. Since Lando and Kit play a huge part here, it will give you a better picture of their relationship, and that of Kit and Tommy. Not strictly necessary, just my persosnal opinion.
Ten years ago, Benedict did something he never forgave himself for. Now, Tommy has appeared in his life and Benedict wants nothing more than to beg Tommy's forgiveness. But first, they must uncover a blackmailer, and deal with someone messing with Benedict's horses.
I refer to my review for the first book. I said "I loved the way the duke was brought down. I wasn't fully in on the plan, as to how it was going to work, but that was just my brain not really putting it altogether!" But what I think NOW is that it is just the author's writing. She likes to keep things a bit vague, and secret, and keeps you on your toes. And I really LOVED that I can come to that revelation. Benedict has a plan to deal with the horse issue, and he doesn't tell anyone. I had a thought about that, then dismissed it, but he does what I thought he would do!!
I loved Tommy and Benedict. I loved that they still loved each other, even after what happened at the molly house. After what Tommy went through, his Lordling still pushed all his buttons and then some. Even if his feelings were borderline hate for a long time.
And what I loved the most?? That I kinda thought Tommy and Benedict had 'gone all the way' for want of a better expression in their dealings as teenagers. And it turns out, that they had not. And I loved when Benedict reveals to Tommy what he does. Made me all emotional, but I'm not saying what he reveals for spoilers!
Loved how it all went down with the blackmailing/ horse things. Those ladies of the Ton are not to be messed with and they pulled a blinder of a plan off! Beatrice and Mrs de Villiers?? Loved them!
I look forward to reading book 3, especially after that snippet at the back!
Actually, what I loved the most?? That I wrote 4 stars at the top pf the page for this and it's reviewed itself into a . . .
5 full and shiny star read!
*same worded review will elsewhere
Connor Sheffield (293 KP) rated Black Sails - Season 1 in TV
May 30, 2017
Great Cast (3 more)
Brilliant Action
Great Drama
Very Accurate (thought not 100%)
Game of Thrones with Pirates
I was unawares during my first initial viewing of this show that this was in fact a prequel of sorts to the famous classic novel by Robert Louis Stevenson, Treasure Island. Though I knew that I had heard the names Flint and John Silver among others. However, I must admit, I have never seen, nor read any adaptation of the classic (I know shameful) but I intend to as it is in my collection of books and has been for years. I collected the 'Golden Library' collection which contains nearly all of the most classic books that are must reads for any book worm, and though I do not claim to be a book worm nor a large reader of any kind, I take interest in anything to do with Pirates, Vikings, and most historical fiction.
This show is a great representation of the life and time of Piracy however, and I can review it from a point of view of someone who knows quite a bit about the golden age of piracy in actual historical facts. Unlike the previous pirate content I reviewed, Blackbeard, this show portrays pirates as scarred, dirty, bloody, and frightening in their own way. However, similar to the Blackbeard short series, the pirates and other characters all have near perfect teeth. It seems to be that only (in what I have seen anyways) the Pirate's of the Caribbean franchise has managed to nail the full historical accuracy of the look of a pirate from clothing, to makeup, to the teeth.
On the other hand, this does not cause much of a disturbance to the viewing of this show, because the drama is brilliant, if you can bare the somewhat slow plot lines unfold as there are many characters in this show, and each have a ship full of issues that all need resolving with very few of them actually being resolved. From love interests, to thievery, betrayal and all round general opposition between old allies and acquaintances. There is a lot of 'business' to deal with on the side of Eleanor Guthrie and her dealings with our main protagonists, among other important characters, some of which are based upon historical figures such as Captain Benjamin Hornigold, Charles Vane, Anne Bonny and Jack Rackham (known throughout history as Calico Jack). All portrayed as tough, cunning and sometimes (most times for Rackham) as humerous.
The production of this show is great, with beautiful sets, great looking props and special effects that make this a believable series to get lost in. It's one of the better pirate themed mediums that I have seen, and I personally really enjoy the drama and suspense of the episodes, as well as the twists and turns of certain scenario's which leave you wanting more.
The cast deliver great performances and make you believe that they are truly men or women to be feared, and not to be double crossed. From Charles Vane's tough exterior, to Eleanor Guthrie's power over trade in Nassau, and even Captain Flint's fear inducing presence, as we watch his secrets spill out into the hands of the wrong people.
This is a show I would recommend to anyone who enjoys the theme of pirates, with some fantasy and a lot of drama, but I should warn you, that it doesn't hold back with neither the nudity or the actions performed, during the state in which someone would be naked. Whether it's the whores in the brothel, or the few short term relationships between characters.
Minor Spoilers - nothing too important.
The first example you see of this extent of mature content, as well as some of the humour of this show, is when John Silver is taken into a whore house, and is told that 'Blackbeard' wishes to see him. When he enters, he finds a woman standing there, and as John Silver points out "You are not Blackbeard" only to discover that the beard, is revealed to be between her legs.
As I said, watch at your own risk but I would recommend it to anyone interested in the theme of Pirates during the Golden Age.
This show is a great representation of the life and time of Piracy however, and I can review it from a point of view of someone who knows quite a bit about the golden age of piracy in actual historical facts. Unlike the previous pirate content I reviewed, Blackbeard, this show portrays pirates as scarred, dirty, bloody, and frightening in their own way. However, similar to the Blackbeard short series, the pirates and other characters all have near perfect teeth. It seems to be that only (in what I have seen anyways) the Pirate's of the Caribbean franchise has managed to nail the full historical accuracy of the look of a pirate from clothing, to makeup, to the teeth.
On the other hand, this does not cause much of a disturbance to the viewing of this show, because the drama is brilliant, if you can bare the somewhat slow plot lines unfold as there are many characters in this show, and each have a ship full of issues that all need resolving with very few of them actually being resolved. From love interests, to thievery, betrayal and all round general opposition between old allies and acquaintances. There is a lot of 'business' to deal with on the side of Eleanor Guthrie and her dealings with our main protagonists, among other important characters, some of which are based upon historical figures such as Captain Benjamin Hornigold, Charles Vane, Anne Bonny and Jack Rackham (known throughout history as Calico Jack). All portrayed as tough, cunning and sometimes (most times for Rackham) as humerous.
The production of this show is great, with beautiful sets, great looking props and special effects that make this a believable series to get lost in. It's one of the better pirate themed mediums that I have seen, and I personally really enjoy the drama and suspense of the episodes, as well as the twists and turns of certain scenario's which leave you wanting more.
The cast deliver great performances and make you believe that they are truly men or women to be feared, and not to be double crossed. From Charles Vane's tough exterior, to Eleanor Guthrie's power over trade in Nassau, and even Captain Flint's fear inducing presence, as we watch his secrets spill out into the hands of the wrong people.
This is a show I would recommend to anyone who enjoys the theme of pirates, with some fantasy and a lot of drama, but I should warn you, that it doesn't hold back with neither the nudity or the actions performed, during the state in which someone would be naked. Whether it's the whores in the brothel, or the few short term relationships between characters.
Minor Spoilers - nothing too important.
The first example you see of this extent of mature content, as well as some of the humour of this show, is when John Silver is taken into a whore house, and is told that 'Blackbeard' wishes to see him. When he enters, he finds a woman standing there, and as John Silver points out "You are not Blackbeard" only to discover that the beard, is revealed to be between her legs.
As I said, watch at your own risk but I would recommend it to anyone interested in the theme of Pirates during the Golden Age.
Movie Metropolis (309 KP) rated Aladdin (2019) in Movies
Jun 10, 2019
Don't let us down Guy Ritchie
Along with Beauty & The Beast and The Lion King, Aladdin is one of Disney’s most-loved animated films. With Disney’s penchant for remaking their classic cartoons over the last few years, it was always going to be the case that Aladdin was going to be on the cards.
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
Director Bill Condon’s Beauty & The Beast was an enchanting ride that just fell short of living up to its predecessor and The Jungle Book director Jon Favreau has been tasked with bringing The Lion King back to life in live-action. We’ll find out how he gets on in July.
After Dumbo’s less than stellar performance with both critics and audiences in March, dark clouds were circling around the House of Mouse’s live-action arm. Hoping to inject a shot of hope to this ambitious release schedule was Guy Ritchie’s remake of Aladdin. Things didn’t look good from the marketing with poor CGI and seemingly wooden acting, so what does the finished film end up like?
Young Aladdin (Mena Massoud) embarks on a magical adventure after finding a lamp that releases a wisecracking genie (Will Smith). In his efforts to impress the wonderful Princess Jasmine (Naomi Scott), Aladdin embarks on a battle between good and evil against the wicked Jafar (Marwan Kenzari).
To look at, this live-action remake is absolutely packed full of colour and excitement, helped in part by Guy Ritchie’s frenetic filming style. Like Tim Burton before him, I was concerned about Ritchie’s appointment as director of this universally adored film, but unlike Burton, Ritchie gets it absolutely spot on. There are some absolutely stunning shot choices dotted throughout and the action is filmed with typical aplomb by a film-maker who has proven himself to be adept in this area.
The music, with original songs and updates of old classics is superb. Will Smith’s take on Friend Like Me is lip-smackingly good and will have you wanting to dance around the aisles, while A Whole New World really takes flight in this new, CGI-enhanced environment. Brand-new song, Speechless, written by Benj Pasek and Justin Paul and sang by Naomi Scott is Let It Go levels of awesome with Scott singing it exquisitely.
Will Smith’s take on Friend Like Me is lip-smackingly good
The special effects are on the whole very good and not as jarring as those in Dumbo. It’s unfortunate then that there are instances in which the green-screen is all too obvious and the CGI all too artificial. This is a shame, as the rest of the picture is extraordinarily well-filmed and feels, for want of a better word, incredibly opulent, dripping in gold hues. Again, Disney tests the limits of CGI and these limits are becoming more and more obvious as film-makers pursue more extravagant sequences.
Elsewhere, the cast is both a highlight and a hindrance. Mena Massoud plays the titular character with a cocky charm that makes this Aladdin very likeable indeed, while Naomi Scott is so much better than the trailers made her look. The film however belongs to Will Smith. He’s a brave man taking on a role that has become synonymous with Robin Williams but he brings depth, charisma and some of that old-fashioned Will Smith charm to the role – it’s the best we’ve seen him in years, even if he is doused in blue CGI for the majority of the film’s runtime.
Unfortunately, this modern reimagining hasn’t got everything right. Marwan Kenzari is severely miscast as Jafar. Bringing absolutely no menace to the role whatsoever, he proves to be a disappointing antagonist and the film’s only major black mark. The clunky CGI can be forgiven but this unfortunate characterisation can’t. Jafar is one of Disney’s best villains and for him to fall flat here is unacceptable.
Nevertheless, poor marketing aside, Aladdin is an absolute blast from start to finish. Well-paced, nicely acted (for the most part) and packed full of stunning music, this live-action remake has proven that Dumbo may have just been a disappointing sidestep in Disney’s ambitious live-action schedule.
That’s two out of the three. Don’t let us down Jon Favreau!
https://moviemetropolis.net/2019/05/22/aladdin-review-dont-let-us-down-guy-ritchie/
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Lee (2222 KP) rated Happy Death Day (2017) in Movies
Oct 26, 2017
Plenty of humour (1 more)
Jessica Rothe is great
Enjoable Groundhog Day/Scream Mashup
It's not that scary, and there's no real blood or gore for die hard horror fans to enjoy, but Happy Death Day - the latest offering from Blumhouse Productions - still manages to deliver a wildly entertaining mashup of Groundhog Day and Scream.
College girl Tree Gelbman wakes up in the dorm of a boy she doesn't remember spending the night with. She has a pounding headache and can't wait to get out of there as quickly as possible. Sneering at the goth on her way out, avoiding the clipboard wielding tree hugger and blanking the less popular girl that smiles at her as she returns to her sorority house. Back in her room, her room mate has a birthday cupcake for Tree in honour of her special day, which she dumps in the bin on her way out to the class she's late for. Later on, we discover that she's sleeping with one of her college teachers, whose wife nearly catches them together. There certainly do seem to be a lot of people who have every right to be pissed at Tree. And, later that evening on her way to a party, Tree is approached by someone wearing a black hoodie and a baby mask. As the mysterious figure murders her, she wakes up, back in the boys dorm from that morning, and she finds herself having to endure her birth/death day once more.
Tree is understandably confused, as the days events begin to play out exactly as they did before, right up until the point where she's murdered again by the mask wearing killer. From there she goes through stages of anger, despair and acceptance, eventually coming to the conclusion that no matter what she does or where she hides, the Baby Faced killer is always going to find her and kill her, triggering the reset button on the day in the process. It's up to her to try and whittle down that big list of suspects, and take out the killer before they get chance to kill her. The only trouble is, each time that Tree dies the injuries she sustained leave a negative impact on her body, so she only has a limited number of days to find the killer and break the loop before she is gone forever.
So much of this movie rests on Jessica Rothe as Tree, and she just nails it, successfully moving Tree from victim to full-on bad-ass and becoming more and more likeable as she sets about changing her ways in order to get close to those potential suspects. There's a lot of humour throughout, and a pretty decent twist towards the end, just to keep you on your toes. Overall I really liked this. There's even a nice, last minute mention of Groundhog Day, the classic movie that this owes so much to.
College girl Tree Gelbman wakes up in the dorm of a boy she doesn't remember spending the night with. She has a pounding headache and can't wait to get out of there as quickly as possible. Sneering at the goth on her way out, avoiding the clipboard wielding tree hugger and blanking the less popular girl that smiles at her as she returns to her sorority house. Back in her room, her room mate has a birthday cupcake for Tree in honour of her special day, which she dumps in the bin on her way out to the class she's late for. Later on, we discover that she's sleeping with one of her college teachers, whose wife nearly catches them together. There certainly do seem to be a lot of people who have every right to be pissed at Tree. And, later that evening on her way to a party, Tree is approached by someone wearing a black hoodie and a baby mask. As the mysterious figure murders her, she wakes up, back in the boys dorm from that morning, and she finds herself having to endure her birth/death day once more.
Tree is understandably confused, as the days events begin to play out exactly as they did before, right up until the point where she's murdered again by the mask wearing killer. From there she goes through stages of anger, despair and acceptance, eventually coming to the conclusion that no matter what she does or where she hides, the Baby Faced killer is always going to find her and kill her, triggering the reset button on the day in the process. It's up to her to try and whittle down that big list of suspects, and take out the killer before they get chance to kill her. The only trouble is, each time that Tree dies the injuries she sustained leave a negative impact on her body, so she only has a limited number of days to find the killer and break the loop before she is gone forever.
So much of this movie rests on Jessica Rothe as Tree, and she just nails it, successfully moving Tree from victim to full-on bad-ass and becoming more and more likeable as she sets about changing her ways in order to get close to those potential suspects. There's a lot of humour throughout, and a pretty decent twist towards the end, just to keep you on your toes. Overall I really liked this. There's even a nice, last minute mention of Groundhog Day, the classic movie that this owes so much to.
Movie Metropolis (309 KP) rated The Great Wall (2016) in Movies
Jun 11, 2019
Disappointingly Pedestrian
Acclaimed director Zhang Yimou has been at the helm of some of China’s greatest film assets. 1991’s Raise the Red Lantern is widely regarded as one of the defining foreign-language films of its period and 2004’s House of Flying Daggers received huge critical acclamation for its stunning cinematography and exceptional script.
Here, Yimou teams up with one of Hollywood’s greatest assets, Matt Damon in a monster flick to rival all others. But does The Great Wall showcase the very best from its director and leading man?
When a mercenary warrior on the run from a group of bandits (Matt Damon) is imprisoned within China’s magnificent Great Wall, he discovers the mystery behind one of the greatest wonders of the world. As surge after surge of snarling, prowling beasts called Taotie besiege the massive construction, his quest for immeasurable fortune turns into a journey toward heroism. He joins a vast army of elite Chinese soldiers to confront the unimaginable and seemingly unstoppable force.
Unfortunately, The Great Wall squanders the talents of both Damon and Yimou with an unnecessarily dense script overriding any sense of drama. To be honest, it’s all just a bit of a bore.
The cast is fine but so vast that Damon and Jin Tian, who we will see again very soon in Kong: Skull Island, are the only stars to make any sort of impact. Even then, a poor script stops them from being anything but cardboard cut-outs. There is no character development whatsoever. In fact, as I write this paragraph I nearly forgot to mention Willem Dafoe. He makes no impact on the final outcome at all.
Elsewhere, the special effects range from laughably poor to adequate and certainly not befitting of a film costing well over $200million. The wall itself is rendered in decent CGI and the numerous battle scenes have a reasonably immersive feel, but the Taotie lacks realism and as the main antagonists throughout, this is a serious problem.
The cinematography too is not up to the standard of Yimou’s previous works. Relying far too heavily on green screen, it wastes his incredible eye for detail and continuously feels like you’re sat watching a very expensive video game. As with last year’s Gods of Egypt, there’s a certain glossy quality to the picture that dominates and this is what stops it being believable.
Nevertheless, the music is very good indeed. Ramin Djawadi has scored big budget blockbusters like Iron Man and Pacific Rim with The Great Wall taking a few influences from the latter. It’s definitely the saving grace here and alleviates a couple of the shortcomings.
Overall, The Great Wall is a film unworthy of the talent both behind and in front of the lens. It’s crammed full of poor CGI and uninspiring cinematography, though its great score is unquestionably a highlight. With such good subject matter, it feels like a bit of a wasted opportunity.
https://moviemetropolis.net/2017/02/18/the-great-wall-disappointingly-pedestrian/
Here, Yimou teams up with one of Hollywood’s greatest assets, Matt Damon in a monster flick to rival all others. But does The Great Wall showcase the very best from its director and leading man?
When a mercenary warrior on the run from a group of bandits (Matt Damon) is imprisoned within China’s magnificent Great Wall, he discovers the mystery behind one of the greatest wonders of the world. As surge after surge of snarling, prowling beasts called Taotie besiege the massive construction, his quest for immeasurable fortune turns into a journey toward heroism. He joins a vast army of elite Chinese soldiers to confront the unimaginable and seemingly unstoppable force.
Unfortunately, The Great Wall squanders the talents of both Damon and Yimou with an unnecessarily dense script overriding any sense of drama. To be honest, it’s all just a bit of a bore.
The cast is fine but so vast that Damon and Jin Tian, who we will see again very soon in Kong: Skull Island, are the only stars to make any sort of impact. Even then, a poor script stops them from being anything but cardboard cut-outs. There is no character development whatsoever. In fact, as I write this paragraph I nearly forgot to mention Willem Dafoe. He makes no impact on the final outcome at all.
Elsewhere, the special effects range from laughably poor to adequate and certainly not befitting of a film costing well over $200million. The wall itself is rendered in decent CGI and the numerous battle scenes have a reasonably immersive feel, but the Taotie lacks realism and as the main antagonists throughout, this is a serious problem.
The cinematography too is not up to the standard of Yimou’s previous works. Relying far too heavily on green screen, it wastes his incredible eye for detail and continuously feels like you’re sat watching a very expensive video game. As with last year’s Gods of Egypt, there’s a certain glossy quality to the picture that dominates and this is what stops it being believable.
Nevertheless, the music is very good indeed. Ramin Djawadi has scored big budget blockbusters like Iron Man and Pacific Rim with The Great Wall taking a few influences from the latter. It’s definitely the saving grace here and alleviates a couple of the shortcomings.
Overall, The Great Wall is a film unworthy of the talent both behind and in front of the lens. It’s crammed full of poor CGI and uninspiring cinematography, though its great score is unquestionably a highlight. With such good subject matter, it feels like a bit of a wasted opportunity.
https://moviemetropolis.net/2017/02/18/the-great-wall-disappointingly-pedestrian/
Micky Barnard (542 KP) rated 99 Percent Mine in Books
Dec 2, 2018
Different to The Hating Game but equally as good
99 PERCENT MINE grabbed me in with Darcy love from the off, she's an absolute feisty female with a weakness that makes her strong. I admired her attitude, her unfiltered mouth, her inner 'oh s$$t' and her outer 'don't mess with me'. That said, it really did take 20% in for me to really get fully enmeshed into the story. The 5 star rating comes from everything that overwhelmed me and took over my life from there.
Darcy Barratt is a twin, the weaker runt and her twin Jamie, well let me say, I hated that guy and his influence on the characters in this story (even though I suspect there's a story that could come from him). Darcy and Jamie had another half to them, Tom Valeska, unofficial adoptee into the Barratt clan. Darcy has loved him forever but their life has been missed opportunities and it has always been easier for her to up and leave.
<i>"I inhale his birthday-candle pheromones. I want to know what his goddamn bones smell like. Let me start down in his DNA structure and work my way back up." </i>
Tom Valeska (I can't help saying his names together, forgive me) is solid in the friendship stakes, a support, a protector, a wannabe saviour. He comes to renovate Darcy's grandmother's house and therein starts the literal magnetism between these two. Holy chemistry, I cannot explain the draw between them and I felt right in the middle of it, like iron filings. This was a burn of slow proportions but the absolute furnace it created, blew me away.
<i>"My body is taking over. Everything is boiling up out of me-years of stolen looks and tight T-shirts and that bone-deep certainty that the animal in him wants me too."</i>
I literally shelved my Saturday, locked in my fellow arc-buddy and we read together, across the ocean, exchanging highlights, swooning alongside one another, fearing together and having a mind-blown explosion over the chemistry and banter. I could not put this book down, nor would I want to. It is very unlike me to feel drawn back to a book immediately but I just know I will have to read again on release (when I have my pretty, yellow paperback in my hand) and immerse myself once again.
Sally Thorne has followed up The Hating Game with something totally different and entirely as good. No one writes dialogue like Ms Thorne and she has amply shown her diversity and also her consistency. Sorry for the glow-y-ness but I am still riding high on feelings here and I hope you will be too.
<i>"My stomach falls down an elevator shaft. Those words, spoken aloud in his voice, crackle through my synapses, and right now, I've never been more alive. I am heartbeat and full lungs."</i>
I voluntarily read an early copy of this book.
Darcy Barratt is a twin, the weaker runt and her twin Jamie, well let me say, I hated that guy and his influence on the characters in this story (even though I suspect there's a story that could come from him). Darcy and Jamie had another half to them, Tom Valeska, unofficial adoptee into the Barratt clan. Darcy has loved him forever but their life has been missed opportunities and it has always been easier for her to up and leave.
<i>"I inhale his birthday-candle pheromones. I want to know what his goddamn bones smell like. Let me start down in his DNA structure and work my way back up." </i>
Tom Valeska (I can't help saying his names together, forgive me) is solid in the friendship stakes, a support, a protector, a wannabe saviour. He comes to renovate Darcy's grandmother's house and therein starts the literal magnetism between these two. Holy chemistry, I cannot explain the draw between them and I felt right in the middle of it, like iron filings. This was a burn of slow proportions but the absolute furnace it created, blew me away.
<i>"My body is taking over. Everything is boiling up out of me-years of stolen looks and tight T-shirts and that bone-deep certainty that the animal in him wants me too."</i>
I literally shelved my Saturday, locked in my fellow arc-buddy and we read together, across the ocean, exchanging highlights, swooning alongside one another, fearing together and having a mind-blown explosion over the chemistry and banter. I could not put this book down, nor would I want to. It is very unlike me to feel drawn back to a book immediately but I just know I will have to read again on release (when I have my pretty, yellow paperback in my hand) and immerse myself once again.
Sally Thorne has followed up The Hating Game with something totally different and entirely as good. No one writes dialogue like Ms Thorne and she has amply shown her diversity and also her consistency. Sorry for the glow-y-ness but I am still riding high on feelings here and I hope you will be too.
<i>"My stomach falls down an elevator shaft. Those words, spoken aloud in his voice, crackle through my synapses, and right now, I've never been more alive. I am heartbeat and full lungs."</i>
I voluntarily read an early copy of this book.
Darren (1599 KP) rated 2012 (2009) in Movies
Jun 20, 2019
Based on Mayan superstition this is the end of the world, now how do man survive this?
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
First off Dr Adrien Helmsley (Chiwetel Ejiofor) and one of his associates discover the world is overheating from the inside due to solar flares. so he gets a solution to the end of the world started up with governments all around the world. Now in 2012 things start to accelerate and time is running out.
Meanwhile a struggling divorced writer Jackson Curtis (John Cusack) gets a weekend camping with his two children. He takes them down to Yellowstone only to find out the Lake has nearly all gone and after approaching the army take them back to a base. Here he meets Dr Helmsley a fan and sounding like his only fan of his book. After the chatty chatty big fan speech the family get escorted of the land back tot he camp area. After arriving conspiracy nut Charlie Frost (Woody Harrleson) asks what is there and tells Jackson what he believes to be happening, Jackson just assumes he is crazy and ignores his warnings.
After dropping his kids back home he goes to his day job as a limo driver only to discover that Charlie might be making some sense, he rushes back to the house and get his kids ex wife and boyfriend. now we have one of the most amazing over the top car chase action sequences ever with a limo driving through town avoiding everything possible making it to an airport and fly away to safety for now.
After flying to the Yellowstone abandoned army base to refuel Jackson goes in search of Charlie. After finding him on top of a mountain over looking Yellowstone he learns of the crafts for safety or future of mankind, now for the next chase against nature this time in a camper van with a volcanic cloud after them,
Flying of to the next airport Jackson meets his employer who needs an extra pilot for the trip to China where the vessels are kept, after yet another over the top action sequence they are left to fend for themselves in the middle of the mountains of China, meeting a family who has worked on vessels and created a plan to sneak on a vessel.
Roland Emmerich follows up action blockbuster like Independence day, Godzilla and Day after tomorrow with another action blockbuster and he sure dose like destroying America in his movies.
This is a truly epic survival adventure if not very hard to believe it is full of cliche and cheesy one liners and overall just a good fun movie to watch, he throws up the question ‘what would we do in this situation?’ and puts out how money can buy you safety.
Overall i would give it an 82% as it keeps you holing onto what will happen next.
https://moviesreview101.com/2011/04/29/2012-2009/
Neon's Nerd Nexus (360 KP) rated The Addams Family (2019) in Movies
Nov 1, 2019 (Updated Nov 1, 2019)
Everyone knows pink is a gateway colour
addams family attempts to bring the classic family into modern day and while not a bad little film it doesnt do nearly enough to make them as memorable for a new generation of kids/teens as it did for people my age growing up. I must say I quite admire this film for trying to differentiate its self from the constant barrage of animated features weve had this year. Its colour pallet is mostly drab, cold and dark colours which I enjoyed and fit well with the gothic/spooky vibe of the film. Theres also a lot of cool halloween things to look at in the scenes that are set inside the familys house and humor at times can be incredibly gross or darkly adult too which really made me giggle (most of which children are thankfuly to young to understand). Animation while not overly detailed was nice to look at also be it the warts on an old hags nose, spiders crawling the walls or the way the bottom of Morticias dress squirms around the floor as she walks are just some of the neat little attentions to detail making this world a little more strange and alive. Plot and story wise its a little dull and while I found some clever ideas implemented here they really are not executed very interestingly. I did find some of the ideas fun however like the way the movie pokes fun at current trends eg all the girls at the school wednesday goes to have those hidious duck lips, all look identical to one another and obsess over instagram. Everyone in the town also has odd habbits of thier own and the seemingly nicest person also has a much darker side to her, not to mention the entire town is filled with hatred for anything diffrent, easily influenced by social media, full of fake happiness and coated in hidiously garish colour choices which makes you question who the 'ugly' and 'strange' ones really are here. Subtle themes of child abuse, belonging, acceptance, being yourself, death, honour, pressure, loneliness as well as other heavy subjects strangely fit well here making the film a little darker than I expected too. Sadly theres not much here for kids who will undoubtedly be bored quick because big spectacle set pieces are few and far between/not very exciting either and what I found enjoyable ie the subbtle violence, gross adult humour, adult themes and gothic visuals wont likely intrest them either. Oscar isaac and Charlize theron voice work for Morticia and Gomez I found very enjoyable and the score at times really stood out to me a lot at times creating a nice eerie atmosphere. Not nearly as bad as people make out Adams Family may be a tad forgettable, have an extreamly rushed third act, story arcs that go nowhere its creepy, kooky, spooky, and enjoyable enough to warrent seeing at the cinema for sure.
Gareth von Kallenbach (980 KP) rated Goosebumps 2: Haunted Halloween (2018) in Movies
Jul 2, 2019
When best friends Sonny (Jeremy Ray Taylor) and Sam (Caleel Harris) find a hidden room, in a spooky old house, they think they have just stumbled upon a treasure. This is exactly they were hoping for when they started a junk removal business. But those hopes are quickly dashed as they discover what they really have found is an unreleased and unfinished R.L. Stine novel. The book is locked so they unlock it hoping to find a treasure map or some money but alas it is just a book by an author they have never heard of. Disappointed they return to the rest of the items they found and is surprised to see a ventriloquist dummy sitting next to the book. In the pocket of the dummy is a card that says its name is Slappy (voiced by Jack Black). Unknowingly these two friends have now unleashed a malicious that is about to unleash a bevy of monsters on their home town. Now they, with the help of Sonny’s older sister Sarah (Madison Iseman), have to try to stop Slappy from destroying their town and maybe even the world, especially before Sonny and Sarah’s mom (Wendy McLendon-Covey) finds out.
This film is a follow up to the 2015 Goosebumps, all based on the popular children’s horror fiction novels of the same name by author R.L. Stine. The book series, over 60 novels, and the films are all geared to bring horror to a younger audience.
Goosebumps 2: Haunted Halloween is a lighthearted horror film. This will probably do well with a young audience but doesn’t really go beyond that. I thought for the genre the cast did okay. Ken Jeong as the wacky neighbor was very over the top but in a fun way. Even though Jack Black is the voice of Slappy his R.L. Stine character was mostly missing from the film. The story is predictable. The film is full of cheesy one liners, some good, some bad and some so bad they might be good. Also if you are looking for a well put together plot with streamlined scenes this is not the film. At one point the three teens are being helped by Jeong’s character but the scene cuts and the kids are alone with no mention of their neighbor. I thought that the Slappy character was definitely creepy at times and could be nightmare inducing but the rest of the monsters were more cartoon like that really scary.
Of films made for young audiences this I have seen recently this is not one of the better films. I would say that it had a few moments but really lacked a clear message and cohesive story. I think it would be something young audience would enjoy but not go back to as often as other films that have come out recently. Renting or streaming would be the way to go for this film not worth the ticket price for the theaters for me.
This film is a follow up to the 2015 Goosebumps, all based on the popular children’s horror fiction novels of the same name by author R.L. Stine. The book series, over 60 novels, and the films are all geared to bring horror to a younger audience.
Goosebumps 2: Haunted Halloween is a lighthearted horror film. This will probably do well with a young audience but doesn’t really go beyond that. I thought for the genre the cast did okay. Ken Jeong as the wacky neighbor was very over the top but in a fun way. Even though Jack Black is the voice of Slappy his R.L. Stine character was mostly missing from the film. The story is predictable. The film is full of cheesy one liners, some good, some bad and some so bad they might be good. Also if you are looking for a well put together plot with streamlined scenes this is not the film. At one point the three teens are being helped by Jeong’s character but the scene cuts and the kids are alone with no mention of their neighbor. I thought that the Slappy character was definitely creepy at times and could be nightmare inducing but the rest of the monsters were more cartoon like that really scary.
Of films made for young audiences this I have seen recently this is not one of the better films. I would say that it had a few moments but really lacked a clear message and cohesive story. I think it would be something young audience would enjoy but not go back to as often as other films that have come out recently. Renting or streaming would be the way to go for this film not worth the ticket price for the theaters for me.