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Kourtney Becraft (1 KP) rated A scatter of light in Books
Nov 11, 2022
The book A Scatter of Light written by Malinda Lo was a very wonderfully written novel and a great read. My reasons for choosing to read A Scatter of Light are I love the theme of the novel and Malinda Lo is one of my favorite authors so when I saw this book it was an automatic read for me. I rated A Scatter of Light a four out of five stars because the book was great from the start to the end of it. It's a coming of age story about discovering bisexuality. It takes place during the first major decision dealing with legalizing same sex marriage by the Supreme Court. During the story Aria Tang West is sent to her Grandmother's after a party gone wrong. She goes there exspecting not to have fun until she meets her Grandmother's gardener. Her Grandmother's gardener changes the outcome of her summer for the better. I hope others enjoy this great read too.
Lee KM Pallatina (951 KP) rated Big Trouble in Little China (1986) in Movies
Jun 18, 2019
Escape from china town
Big Trouble in Little China is a 1986 martial arts comedy movie.
the story follows Jack Burton, a man who agrees to help his friend Wang Chi rescue his green-eyed fiancée from bandits in San Francisco's Chinatown. Their mission leads them to a mysterious underworld beneath Chinatown, where they face an ancient sorcerer named Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.
Directed by John Carpenter and starring Kurt Russell, Kim Cattrall, Dennis Dun and James Hong
Great storyline, cheesy old school graphics and action, brilliant characters and cast.
Absolute classic.
release date: July 2, 1986
Running time: 99 minutes
Fun fact:
The project fulfilled Carpenter's long-standing desire to make a martial arts movie.
the story follows Jack Burton, a man who agrees to help his friend Wang Chi rescue his green-eyed fiancée from bandits in San Francisco's Chinatown. Their mission leads them to a mysterious underworld beneath Chinatown, where they face an ancient sorcerer named Lo Pan, who requires a woman with green eyes to marry him in order to release him from a centuries-old curse.
Directed by John Carpenter and starring Kurt Russell, Kim Cattrall, Dennis Dun and James Hong
Great storyline, cheesy old school graphics and action, brilliant characters and cast.
Absolute classic.
release date: July 2, 1986
Running time: 99 minutes
Fun fact:
The project fulfilled Carpenter's long-standing desire to make a martial arts movie.
Awix (3310 KP) rated Horror Express (1972) in Movies
Mar 14, 2018 (Updated Mar 14, 2018)
Unexpectedly winning Anglo-Spanish horror movie, with low budget and lo-fi production more than compensated for by strong cast and inventive script. Initially looks like caveman-on-the-rampage schlock, but turns into something much more interesting and intelligent; to some extent this is yet another version of The Thing, with a mini-zombie apocalypse dropped in for the climax.
Benefits enormously from the old Lee-Cushing magic; Telly Savalas turns up at the end and manages to upstage them both (no mean feat). Decent production values, once you get past the dubbing (movie was made without sound and had multiple different soundtracks added for different markets). Maybe it can't quite make its mind up whether to be a supernatural horror movie or sci-fi, but the genre mash-up is at least distinctive and interesting. Great fun; deserves to be better known.
Benefits enormously from the old Lee-Cushing magic; Telly Savalas turns up at the end and manages to upstage them both (no mean feat). Decent production values, once you get past the dubbing (movie was made without sound and had multiple different soundtracks added for different markets). Maybe it can't quite make its mind up whether to be a supernatural horror movie or sci-fi, but the genre mash-up is at least distinctive and interesting. Great fun; deserves to be better known.
Awix (3310 KP) rated Parker (2013) in Movies
Apr 4, 2019
Fun if slightly nondescript Jason Statham action thriller. Master criminal (J-Stat) is betrayed by associates, embarks on vengeance; this involves pretending to be Texan. Comely estate agent (J-Lo) is, somehow, completely taken in by the wholly ridiculous accent her co-star adopts. Much twisty-turny plotting and violent mayhem ensues.
Not much here to disappoint fans of the great man: plenty of faintly absurd moments are mixed in with him kicking people in, and there are some pleasingly tense and effective moments. That said, it is a bit overlong, and - like quite a few films from around this period in his career - you do get a sense of a star perhaps a bit too firmly lodged in his comfort zone, as there's not much to distinguish this from Safe, The Mechanic, and so on. On the other hand, I kind of miss the days when you could expect two or three Statham movies like this one every year. Hey ho.
Not much here to disappoint fans of the great man: plenty of faintly absurd moments are mixed in with him kicking people in, and there are some pleasingly tense and effective moments. That said, it is a bit overlong, and - like quite a few films from around this period in his career - you do get a sense of a star perhaps a bit too firmly lodged in his comfort zone, as there's not much to distinguish this from Safe, The Mechanic, and so on. On the other hand, I kind of miss the days when you could expect two or three Statham movies like this one every year. Hey ho.
Bong Mines Entertainment (15 KP) rated FRiENDS - Single by Derek Simpson in Music
Jul 10, 2019
Derek Simpson is an artist, producer, songwriter, and multi-instrumentalist based in Long Beach, CA. Not too long ago, he released a DIY music video for his camaraderie tune, entitled, “FRiENDS”.
“Smoke a doobie, have a groovy night. I’m gettin’ loopy have a movie night. Some Bud heavy and a Miller High Life! ‘Cause that’s the only sh*t I need in my life! I ain’t goin’ out, I’m feelin’ chill. Some Harry Potter and a sleepin’ pill. They said that I was just too much to deal. But Seb and Kristie said they love me still. Too many joyrides to help a buddy out. Too many talks, I don’t recall what they’re about.” – lyrics by Jack O’Brien
‘FRiENDS’ is a fun-loving ode to friendship and unbridled adult indulgence.
The likable tune features Derek Simpson alongside his closest friends and roommates—Zac Hartwell, Jack O’Brien, Sebastian Hibbert, and Linden Crumrine.
‘FRiENDS’ contains a relatable storyline and introspective rap vocals. Also, the song possesses mellow instrumentation flavored with hazy lo-fi hip-hop, bits psychedelia, and experimental pop elements.
“‘FRiENDS’ is a love letter to the first support system I was introduced to outside of my hometown. I like to believe that at that age many of us are finding people we actually connect with for the first time. So we excitedly get together regularly and begin to build our tribes on the foundation of celebration. During the close of our time together in Allston, MA, a few of my buddies luckily jumped at the opportunity to take part in this musical mirror of our lifestyle. The reflection shows us something honest, sweaty, hilarious and sweet as we look back years later from three separate corners of the United States, together.” – Derek Simpson
“Smoke a doobie, have a groovy night. I’m gettin’ loopy have a movie night. Some Bud heavy and a Miller High Life! ‘Cause that’s the only sh*t I need in my life! I ain’t goin’ out, I’m feelin’ chill. Some Harry Potter and a sleepin’ pill. They said that I was just too much to deal. But Seb and Kristie said they love me still. Too many joyrides to help a buddy out. Too many talks, I don’t recall what they’re about.” – lyrics by Jack O’Brien
‘FRiENDS’ is a fun-loving ode to friendship and unbridled adult indulgence.
The likable tune features Derek Simpson alongside his closest friends and roommates—Zac Hartwell, Jack O’Brien, Sebastian Hibbert, and Linden Crumrine.
‘FRiENDS’ contains a relatable storyline and introspective rap vocals. Also, the song possesses mellow instrumentation flavored with hazy lo-fi hip-hop, bits psychedelia, and experimental pop elements.
“‘FRiENDS’ is a love letter to the first support system I was introduced to outside of my hometown. I like to believe that at that age many of us are finding people we actually connect with for the first time. So we excitedly get together regularly and begin to build our tribes on the foundation of celebration. During the close of our time together in Allston, MA, a few of my buddies luckily jumped at the opportunity to take part in this musical mirror of our lifestyle. The reflection shows us something honest, sweaty, hilarious and sweet as we look back years later from three separate corners of the United States, together.” – Derek Simpson
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Hustlers (2019) in Movies
Sep 19, 2019
Bland and boring DESPITE J-Lo's performance
When I first saw the trailer for the Jennifer Lopez "strippers get back at scummy Wall Street-types" film, HUSTLERS, I wasn't at all interested in seeing it But then I got wind of strong early reviews with some (very faint) Oscar talk about J-Lo's performance in this film, so I thought I'd check it out.
I should have trusted my instincts.
What a lame disappointment this film is. It starts out flat and then flattens out even further to produce a movie that starts at one (fairly low) level and then stays there the entire time.
HUSTLERS stars Constance Wu (CRAZY, RICH ASIANS) as a a young stripper who is taught the ropes of the stripping game by uber-stripper Jennifer Lopez (if you don't know who this is, then go ahead and skip to the rating of this film at the bottom of this review and move on). When J-Lo's character, Ramona, comes up with an idea to get back at the scummy Wall Street types AND make some money along the way, Wu's character, Destiny (of course) is a reluctant participant becoming - over time - the leader.
A potentially interesting, "based on True Events" story (this film is based on the real life exploits of Ramona as described in a New York Magazine story), this film just falls flat and I put the blame for this in 2 places.
Lets start with Director and Writer of the screenplay, Lorene Scafaria (SEEKING A FRIEND AT THE END OF THE WORLD). She wrote - and directed - this film like it is a modest-scaled, low-key independent film (much like the very good SEEKING A FRIEND...), but the second that this film cast Jennifer Lopez as the flashy leader Ramona, words like modest and low-key should have been thrown out the window but Scafaria chose not to do this, she downplays the best asset in her movie and plunks most of her effort on a lead who could not match Lopez star power wattage.
And that lead is Constance Wu - the other weak link in this chain. I thought she was "just fine" in CRAZY RICH ASIANS, blending into the scenery when more flamboyant personalities were on the screen (in CRA it was Michelle Yeoh's "tiger mom") and she blends into the scenery whenever J-Lo is on the screen in this film - and that just doesn't work here. She needed to step up and step out and match J-Lo blow for blow, but she backs up and backs away in these crucial moments, so when her character is on the screen alone - trying to get the audience's sympathies - I just didn't care.
What I did care about is Jennifer Lopez's performance as Ramona. She is the brightest spot in this film and brings her star power and natural charisma to the screen. The ultimate problem with this performance (and NO, it is NOT Oscar-worthy) is it feels that she is fighting the "low-key" headwinds of writer/director Scafaria the entire time.
Former Disney star Keke Palmer and current RIVERDALE star Lili Reinhart bring some fun and energy to the screen as the 3rd and 4th partners in this quartet of stripper Robin Hoods, but they are all too often sentenced to strut around in the background in tight outfits. I would have loved to see a movie with Lopez, Palmer and Reinhart that was more "out there" and less restrained.
Finally, two very good actresses - Julia Styles and Mercedes Ruehl - are in this film in "what-the-heck-are they-doing-in-this-film" roles that are underwritten and underutilized the talents of these actresses - another missed opportunity by Writer/Director Scafaria.
I've heard this film called a "female empowerment" film or "the stripper version of Goodfellas" and I couldn't disagree more. The only "empowering" part of this film is when the credits rolled and I could leave.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(OfMarquis)
I should have trusted my instincts.
What a lame disappointment this film is. It starts out flat and then flattens out even further to produce a movie that starts at one (fairly low) level and then stays there the entire time.
HUSTLERS stars Constance Wu (CRAZY, RICH ASIANS) as a a young stripper who is taught the ropes of the stripping game by uber-stripper Jennifer Lopez (if you don't know who this is, then go ahead and skip to the rating of this film at the bottom of this review and move on). When J-Lo's character, Ramona, comes up with an idea to get back at the scummy Wall Street types AND make some money along the way, Wu's character, Destiny (of course) is a reluctant participant becoming - over time - the leader.
A potentially interesting, "based on True Events" story (this film is based on the real life exploits of Ramona as described in a New York Magazine story), this film just falls flat and I put the blame for this in 2 places.
Lets start with Director and Writer of the screenplay, Lorene Scafaria (SEEKING A FRIEND AT THE END OF THE WORLD). She wrote - and directed - this film like it is a modest-scaled, low-key independent film (much like the very good SEEKING A FRIEND...), but the second that this film cast Jennifer Lopez as the flashy leader Ramona, words like modest and low-key should have been thrown out the window but Scafaria chose not to do this, she downplays the best asset in her movie and plunks most of her effort on a lead who could not match Lopez star power wattage.
And that lead is Constance Wu - the other weak link in this chain. I thought she was "just fine" in CRAZY RICH ASIANS, blending into the scenery when more flamboyant personalities were on the screen (in CRA it was Michelle Yeoh's "tiger mom") and she blends into the scenery whenever J-Lo is on the screen in this film - and that just doesn't work here. She needed to step up and step out and match J-Lo blow for blow, but she backs up and backs away in these crucial moments, so when her character is on the screen alone - trying to get the audience's sympathies - I just didn't care.
What I did care about is Jennifer Lopez's performance as Ramona. She is the brightest spot in this film and brings her star power and natural charisma to the screen. The ultimate problem with this performance (and NO, it is NOT Oscar-worthy) is it feels that she is fighting the "low-key" headwinds of writer/director Scafaria the entire time.
Former Disney star Keke Palmer and current RIVERDALE star Lili Reinhart bring some fun and energy to the screen as the 3rd and 4th partners in this quartet of stripper Robin Hoods, but they are all too often sentenced to strut around in the background in tight outfits. I would have loved to see a movie with Lopez, Palmer and Reinhart that was more "out there" and less restrained.
Finally, two very good actresses - Julia Styles and Mercedes Ruehl - are in this film in "what-the-heck-are they-doing-in-this-film" roles that are underwritten and underutilized the talents of these actresses - another missed opportunity by Writer/Director Scafaria.
I've heard this film called a "female empowerment" film or "the stripper version of Goodfellas" and I couldn't disagree more. The only "empowering" part of this film is when the credits rolled and I could leave.
Letter Grade: C
4 stars (out of 10) and you can take that to the Bank(OfMarquis)
BankofMarquis (1832 KP) rated The Hurricane Heist (2018) in Movies
Mar 10, 2018
Doesn't Go Far Enough
There are times when all I want to do is to sit in a darkened movie theater, turn off my brain, and let a movie with a silly, over-the-top premise wash all over me. THE FAST AND THE FURIOUS films are an example of an "A" in this category. Last year's GEOSTORM was a "B" (it was so over-the-top that it was fun, especially when the meteorologist declared - as if he was reciting Shakespeare - "Oh my God, it's a GEOSTORM!"). Unfortunately, a "C" example of this is THE HURRICANE HEIST.
Directed by Rob Cohen - who brought us the original FAST AND FURIOUS film lo' those many years ago - THE HURRICANE HEIST tells the tale of a HEIST set during a...anyone?...HURRICANE. That's pretty much all you need to know of the plot. The rest is action, escapes, weather gone bad, bad guys being bad guys and good guys being good guys.
The good guys are Toby Kebbel (so good as the motion capture bad-guy ape in DAWN OF THE PLANET OF THE APES), perennial "B"-movie actress Maggie Grace (TAKEN, LOST and the immortal HOT GIRL, FAST CAR, EATING A BANANA) and Ryan Kwanten (I guess he was in TRUE BLOOD). What do these good guys have in common? They are not hard to look at on the screen. The two men also have really bad Southern accents.
The bad guys are led by Ralph Ineson ( a perennial "that guy" in such films as STAR WARS: THE LAST JEDI, GUARDIANS OF THE GALAXY and KINGSMAN: THE SECRET SERVICE) and a host of "red shirts". The problem is that Ineson plays his bad guy role as a "that guy" and the "red shirts" have no personality at all. One guy tries to be the "loose cannon" but he doesn't go far enough, nor does Ineson or ANY of the bad guys.
Oh...did I mention Ben Cross (Sarek in the new STAR TREK films)? Cross leaped off the screen in the Oscar winning film CHARIOTS OF FIRE way back in 1981 and was going to be "the next big thing". How has that worked out for him? I'm sure he's making a nice living, but...
But...you don't come to this kind of films for the acting. You come to it for the insane premise, the over-the-top acting, the out-of-this-world stunts and special effects. Unfortunately, THE HURRICANE HEIST plays each one of these "safely". The premise is insane, just not insane enough. The acting is melodramatic - just not over-the-top. The script doesn't really have any "oh-my-gosh, did he just say that" lines and the action, stunts and special effects are pretty good, (maybe even good), but not great.
A pretty mediocre time at the movies. It did serve it's purpose, I turned my brain off for two hours. I just wish it didn't power down as well.
Letter Grade: C (thanks for trying)
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Directed by Rob Cohen - who brought us the original FAST AND FURIOUS film lo' those many years ago - THE HURRICANE HEIST tells the tale of a HEIST set during a...anyone?...HURRICANE. That's pretty much all you need to know of the plot. The rest is action, escapes, weather gone bad, bad guys being bad guys and good guys being good guys.
The good guys are Toby Kebbel (so good as the motion capture bad-guy ape in DAWN OF THE PLANET OF THE APES), perennial "B"-movie actress Maggie Grace (TAKEN, LOST and the immortal HOT GIRL, FAST CAR, EATING A BANANA) and Ryan Kwanten (I guess he was in TRUE BLOOD). What do these good guys have in common? They are not hard to look at on the screen. The two men also have really bad Southern accents.
The bad guys are led by Ralph Ineson ( a perennial "that guy" in such films as STAR WARS: THE LAST JEDI, GUARDIANS OF THE GALAXY and KINGSMAN: THE SECRET SERVICE) and a host of "red shirts". The problem is that Ineson plays his bad guy role as a "that guy" and the "red shirts" have no personality at all. One guy tries to be the "loose cannon" but he doesn't go far enough, nor does Ineson or ANY of the bad guys.
Oh...did I mention Ben Cross (Sarek in the new STAR TREK films)? Cross leaped off the screen in the Oscar winning film CHARIOTS OF FIRE way back in 1981 and was going to be "the next big thing". How has that worked out for him? I'm sure he's making a nice living, but...
But...you don't come to this kind of films for the acting. You come to it for the insane premise, the over-the-top acting, the out-of-this-world stunts and special effects. Unfortunately, THE HURRICANE HEIST plays each one of these "safely". The premise is insane, just not insane enough. The acting is melodramatic - just not over-the-top. The script doesn't really have any "oh-my-gosh, did he just say that" lines and the action, stunts and special effects are pretty good, (maybe even good), but not great.
A pretty mediocre time at the movies. It did serve it's purpose, I turned my brain off for two hours. I just wish it didn't power down as well.
Letter Grade: C (thanks for trying)
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
