"I love Blue Velvet. Put that in there. Alright, this’ll take forever if we talk about what I love about David Lynch. I love that guy. He’s one of the people out there that I just can’t get enough of. I just love everything. I love the way he does it. I love that at first you think it’s weird. [But] it’s actually not weird at all. It makes total f—g sense to me. And you know what I love about it? It seems like it should be pretentious, but there’s nothing pretentious about it. That story creeps you out, it’s fascinating, it’s funny. And [it’s got] dialogue like, “Heineken? F— that s—. Pabst Blue Ribbon!” That’s poetry."

"Man Bites Dog is a Belgian film in 1992. It’s about a film crew that starts following a serial killer around, and he’s charming and disarming and delightful, and he kills people with this film crew never interceding. The first time you see it, you’re like, “Wait a minute,” and you laugh a few times, and the second time, you laugh the whole time. It’s a bleak, dark comedy, but my god, it’s so funny. It was unlike anything I had ever seen before. It was before the onslaught of reality television, but it makes a perfect comment on it now. It had subtitles and I still loved it. I laughed so hard."

"People give him all kinds of shit but they’re just jealous. I also listened to this song on repeat on tour this year—every time I got to wi-fi—and drove my bandmates crazy, who hate this shit. I love how minimal it is, and it’s the best intro ever and then when the beat drops it stays minimal and aggressive and reserved, so good. I’m kind of a YouTube fiend for everything that’s going on in this world, and it’s been funny to watch all the covers of this song kind of mocking him but also unavoidably kind of flattering him despite themselves. Song is pretty undeniable. Oh, and the video rules too."

"The only thing wrong about this movie is the terrible haircut Holly Hunter has at the end. Broadcast News is sharp and funny and endlessly quotable—and timelier than ever in this era of both so-called fake news and what feels like the re-emergence of world-changing journalism. I don’t know if I’ve ever related to a fictional character more than I do to Jane, Hunter’s smart, ambitious, flawed uber–Type A producer (who knows when to bust out a therapeutic cry). Add to that William Hurt at his most handsome, a complicated love triangle without a pat ending, the funniest theme-song sequence ever, and cinema’s most iconic polka-dot dress. It’s simply perfect."

"One of my favorite films is the movie Tootsie. I really love Tootsie. I just watched it when I was a kid and for some reason, I just, I’m obsessed with that movie. I think I’ve watched it 100 times. It’s just so funny and fun, and I love it. It’s cool. I like that it’s sort of about women, you know? It’s sort of about how he finds the woman inside himself, so there’s sort of like this feminine aspect to it, and I just love Dustin Hoffman. He’s amazing. I don’t know, I just love that movie. It’s emotionally totally satisfying to me, and it sort of makes me feel good while being interesting and smart."

"This is tough because they are a lot of guys in here, but you know what we’re going to do? We’re going to go with The Court Jester. I feel that it’s a perfect movie and contains some of the best sword fighting ever. I’m not always on the Danny Kaye boat, but this is the one where it threads the needle. He’s genius in this movie, and the plot is gorgeous, and everybody in it is funny. It’s so beautifully constructed, and they’re singing, and the world’s greatest sword fight between him and Basil Rathbone. It’s utterly committed to being as silly as it can be and it works like gangbusters."

"I'm especially partial to this one because it has the song 'First Born', which is actually not about me specifically, it's about all first-born sons. But nonetheless, I identify it as my kind of jewel to wear – I share that position with Jesus and Moses, there are a few of us. And it's funny: we did the Christmas shows recently in London and Sophie Ellis-Bextor sang that song, and as I was doing back-up, I was once again reminded of how lucky I was to receive such attention, care and unabashed love from my mother. Without that song, and that album, I don't think I'd be who I am today as an artist."

"I love Zhang Yimou. I worked with him briefly when I was prepping a show for Legendary Films – I didn’t stay on that show, the timing didn’t work out, but I got to work several months with Zhang Yimou which was great. His use of colors, that’s what we used in John Wick. My cinematographer Dan Laustsen and I were very influenced by the artistic way he used color, because Zhang Yimou is also a photographer and amazing artist. It’s funny; when asked what my influences in action are, I usually choose them based not on the actual action choreography. It’s the vibe, the thematics of the action. Or how it’s shot and composed. That’s very important to me."

"Okay the next one, and it’s a big one, is The Goonies. I think it’s almost self-explanatory. I remember seeing The Goonies as a kid and I think it’s that sense of — it is almost like a Scooby-Doo-esque adventure become real, and I think that’s what made it so appealing to me as a kid. It wasn’t that it was raucous and loud, it was that these kids were incredibly relatable. They were real kids. They came in all shapes and sizes, they were incredibly flawed, and very funny. They were rude, they bickered; they just felt so real, and they were a lot of fun because of that. So yeah, The Goonies — huge influence."