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Churchill's Ministry of Ungentlemanly Warfare: The Mavericks Who Plotted Hitler's Defeat

Giles Milton

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Book

'A magnificent story, brilliantly told. Read it!' Anthony HorowitzSix gentlemen, one goal - the...

Kirk Bage (1775 KP) rated Alphaville (1965) in Movies

Jan 28, 2021

Alphaville (1965)

1965 | Mystery, Sci-Fi

8.3

(3 Ratings)

Movie Rating

This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.

Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.

Kudos

Bong Mines Entertainment (15 KP) rated Underground - Single by Lindsey Stirling in Music

Jun 25, 2019

Lindsey Stirling is an electronic violinist based in Los Angeles, California. Not too long ago, she released a music video for her “Underground” single.

The Tom Teller-directed music video finds Lindsey Stirling inside a futuristic dystopia which features neon lights and acrobatic dancers.

Her “Underground” single contains adventurous instrumentation centered around her immaculate violin performance.
Also, the four-and-half-minute tune is a somber and enticing introduction to her upcoming studio album, entitled, “Artemis”.

“There have been times of my life where I have felt completely overcome by the ‘shadow’ of grief or depression. I felt like I’d never feel full happiness again. But the moon has taught me a powerful lesson. Just because she gets covered in shadow doesn’t mean she isn’t still there, and that she won’t fight back to reclaim her full light. Also, Artemis is the goddess of the moon. This album tells her story. It tells my story. I think it tells everyone’s story.” – Lindsey Stirling

‘Artemis’ will be available on September 6, 2019, via BMG. The anticipated project will tackle themes of overcoming obstacles and fighting through life’s downfalls to reclaim one’s happiness and strength.

Also, it recounts the story of Artemis, Goddess of the Moon, whose life uniquely draws parallels to Stirling’s personal experiences.

Lindsey Stirling is internationally recognized for her performances on America’s Got Talent and Dancing With The Stars.

As a solo artist, she has amassed well over 11M YouTube subscribers and 2 billion-plus YouTube streams. Also, she has won multiple Billboard Music Awards since releasing her self-titled debut album in 2012.

According to Billboard, in 2016, Stirling was the highest grossing Electronic Artist. Ahead of headlining acts like The Chainsmokers, Flume, and Kygo. Also, she’s a New York Times Bestselling author, and she was featured in Forbes ’30 Under 30’ list.