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Sassy Brit (97 KP) rated Midday in Books
Jun 6, 2019
Contains spoilers, click to show
^^ Okay, so imagine the scene. Gay couple, Vincent and Ryan are living in a beautiful penthouse – a dream home only the rich can afford. Vince has a great job at a bank, with much responsibility; it’s how he can afford the place they live, and how Ryan gets to be a ‘kept man’, whilst he works from home writing his future bestseller. What a perfect life, eh?
^^ Nope. In reality they’ve a strained love, hate relationship. Ryan is high on drugs most of the time and not getting his bestseller written at all. And Vince, well, he’s just been accosted by a man called Darragh, who demands that he withdraw eight million Euros (2 from each bank he is in charge of) and deliver it back to him at the Penthouse, by midday – or he shoots Ryan dead! It’s far from the perfect life we are first lead to believe.
^^ What a fabulous read! There are several parts to this book which made this so much more than just a ‘grab the cash and save my boyfriend from dying’ story. Yes, that is the main theme, but the way it was written took the story much deeper and darker then I ever expected.
^^ The story is told from four different perspectives, Vince, Ryan, Darragh and Jack. We watch how Vince has the pressure to get the money to save his boyfriend. We hear about Ryan and what he really gets up to, and how he is being kept hostage in his own penthouse by Darragh fearing his possible death in only a few hours – if Vince doesn’t make it back in time. We also hear the thoughts and ideals of both the baddies, and they all have something worthwhile to bring to the story, which is why I think I enjoyed this read so much. At least a huge part of why!
^^ I did have one small gripe – the flashbacks – once I got used to this author’s style, I adjusted the way I read it. But I would’ve preferred perhaps a paragraph break, so I didn’t just get thrown out of the story at times this happened. Admittedly, some transitions were better than others.
^^ Despite this, I did find this a terrific read in other areas, and have to mention (in my usual semi-cryptic way, as to not give away spoilers) how I loved fearing for Ryan’s safety at the beginning, and then as I raced through the book, I changed my view of him and wanted him dead myself! Cleverly done, David B. Lyons!
^^ The use of wannabe gangster and rookie murderer Darragh was also very well woven into the story, as was the mysterious Jack.
Overall:
Midday: A tense, fast read, filled with dark secrets, betrayal, and an ending so twisted I didn’t see it rounding the corner until it was on top of me! NICE!
^^ Nope. In reality they’ve a strained love, hate relationship. Ryan is high on drugs most of the time and not getting his bestseller written at all. And Vince, well, he’s just been accosted by a man called Darragh, who demands that he withdraw eight million Euros (2 from each bank he is in charge of) and deliver it back to him at the Penthouse, by midday – or he shoots Ryan dead! It’s far from the perfect life we are first lead to believe.
^^ What a fabulous read! There are several parts to this book which made this so much more than just a ‘grab the cash and save my boyfriend from dying’ story. Yes, that is the main theme, but the way it was written took the story much deeper and darker then I ever expected.
^^ The story is told from four different perspectives, Vince, Ryan, Darragh and Jack. We watch how Vince has the pressure to get the money to save his boyfriend. We hear about Ryan and what he really gets up to, and how he is being kept hostage in his own penthouse by Darragh fearing his possible death in only a few hours – if Vince doesn’t make it back in time. We also hear the thoughts and ideals of both the baddies, and they all have something worthwhile to bring to the story, which is why I think I enjoyed this read so much. At least a huge part of why!
^^ I did have one small gripe – the flashbacks – once I got used to this author’s style, I adjusted the way I read it. But I would’ve preferred perhaps a paragraph break, so I didn’t just get thrown out of the story at times this happened. Admittedly, some transitions were better than others.
^^ Despite this, I did find this a terrific read in other areas, and have to mention (in my usual semi-cryptic way, as to not give away spoilers) how I loved fearing for Ryan’s safety at the beginning, and then as I raced through the book, I changed my view of him and wanted him dead myself! Cleverly done, David B. Lyons!
^^ The use of wannabe gangster and rookie murderer Darragh was also very well woven into the story, as was the mysterious Jack.
Overall:
Midday: A tense, fast read, filled with dark secrets, betrayal, and an ending so twisted I didn’t see it rounding the corner until it was on top of me! NICE!
Movie Metropolis (309 KP) rated A Little Chaos (2015) in Movies
Jun 11, 2019
Better suited to T.V.
From the mind of director Alan Rickman, everyone’s favourite Slytherin, A Little Chaos follows the story of a gardener as she tries to prove her worth, creating a fountain at the beautiful Gardens of Versailles. But does this historical drama have any depth?
Kate Winslet takes on the role of Sabine De Barra, a visionary landscape gardener who is tasked with creating the stunning piece of architecture in Versailles for King Louis XIV, portrayed by a typically on-point Rickman.
8379_poster_iphoneThe plot is stretched out into a film that lasts a little over two hours and despite some breath-taking scenery and excellent performances, A Little Chaos couldn’t be further removed from its title – in fact it’s all a little flat and Saturday night TV drama-esque.
A promising supporting cast that includes Stanley Tucci as Louis XIV’s gay brother and Matthias Schoenaerts, a former Cesar award-winner, as the king’s principal gardener, is wasted as the film spends much of its running time trying to tie together numerous loose ends, from a tragedy plot to a new-found romance.
Rickman’s direction is admirable and he certainly knows how to get the best out of his landscapes, but like the many shrubs in A Little Chaos, it all needed pruning back slightly more with at least 20 minutes of exposition being completely unnecessary.
Moreover, for a film that has its secondary focus on horticulture, there is very little in the way of gardening, and I for one was hoping for more beautiful shots of the stunning grounds rather than rain-soaked Winslet and admittedly impressive hair pieces.
Nevertheless, both Winslet and Rickman are superb in their roles and it’s nice to see the latter take on something a little less sinister after his well-received performances in the Harry Potter franchise and of course his brilliant turn in Die Hard.
The former is, alongside Meryl Streep and Julianne Moore, one of the most reliable actresses in cinema. Her performance here is excellent and through her tragic past, we see more to the character of Sabine the further we get into the picture.
It’s just a shame that none of it registers. After a disappointingly slow first half, things only moderately gain pace as the film
reaches its poorly CGI finished conclusion. Winslet’s character is given more depth than she needs and the audience faces the difficult task of dealing with numerous bits of information that don’t really come together.
Overall, Alan Rickman’s latest effort in the director’s chair lacks the magic and sparkle that he brings to his acting and despite mesmerising performances from Kate Winslet and Rickman himself, A Little Chaos is more at home on the small screen, rather than the big.
After all, if an overly camp Stanley Tucci fails to generate interest, there’s something seriously amiss.
https://moviemetropolis.net/2015/04/19/better-suited-to-tv-a-little-chaos-review/
Kate Winslet takes on the role of Sabine De Barra, a visionary landscape gardener who is tasked with creating the stunning piece of architecture in Versailles for King Louis XIV, portrayed by a typically on-point Rickman.
8379_poster_iphoneThe plot is stretched out into a film that lasts a little over two hours and despite some breath-taking scenery and excellent performances, A Little Chaos couldn’t be further removed from its title – in fact it’s all a little flat and Saturday night TV drama-esque.
A promising supporting cast that includes Stanley Tucci as Louis XIV’s gay brother and Matthias Schoenaerts, a former Cesar award-winner, as the king’s principal gardener, is wasted as the film spends much of its running time trying to tie together numerous loose ends, from a tragedy plot to a new-found romance.
Rickman’s direction is admirable and he certainly knows how to get the best out of his landscapes, but like the many shrubs in A Little Chaos, it all needed pruning back slightly more with at least 20 minutes of exposition being completely unnecessary.
Moreover, for a film that has its secondary focus on horticulture, there is very little in the way of gardening, and I for one was hoping for more beautiful shots of the stunning grounds rather than rain-soaked Winslet and admittedly impressive hair pieces.
Nevertheless, both Winslet and Rickman are superb in their roles and it’s nice to see the latter take on something a little less sinister after his well-received performances in the Harry Potter franchise and of course his brilliant turn in Die Hard.
The former is, alongside Meryl Streep and Julianne Moore, one of the most reliable actresses in cinema. Her performance here is excellent and through her tragic past, we see more to the character of Sabine the further we get into the picture.
It’s just a shame that none of it registers. After a disappointingly slow first half, things only moderately gain pace as the film
reaches its poorly CGI finished conclusion. Winslet’s character is given more depth than she needs and the audience faces the difficult task of dealing with numerous bits of information that don’t really come together.
Overall, Alan Rickman’s latest effort in the director’s chair lacks the magic and sparkle that he brings to his acting and despite mesmerising performances from Kate Winslet and Rickman himself, A Little Chaos is more at home on the small screen, rather than the big.
After all, if an overly camp Stanley Tucci fails to generate interest, there’s something seriously amiss.
https://moviemetropolis.net/2015/04/19/better-suited-to-tv-a-little-chaos-review/
Debbiereadsbook (1202 KP) rated Undisclosed (Nights Series #7) in Books
Oct 26, 2018
And Sparks Fly!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
When informed she does not own the land her most lucrative club, Le Secret, sits on, Eveline makes a deal with the devil to escort Lincoln while he is in Tokyo. But Lincoln affects Eveline in ways she never knew were possible and quickly finds herself head over heels in lust. Then that email comes, and Eveline runs and Lincoln race to undo the damage he may have caused: to Eveline, and to his heart.
SO!! This is book 7 in the Nights Series, but you don't need to have read books one through six first. You don't NEED to. But personally, I would recommend that you do. Cos, you know, they are rather awesome! BUT you should know that the other 6 books are all male/male pairings and this is a male/female pairing. I'm not picky, but I know some readers prefer to stick to one or the other.
I think Eveline pops up on most of the others books, and I'm so glad she gets her own story! Didn't expect her to, since the others are all gay erotica, but so pleased!
Eveline is a own boss, and although she will *sometimes* escort, she is extremely selective in her bed partners. When she discovers that the previous owners of the land her club sits on swindled her, she storms off to Lincoln's office to demand he sell it to her.
And
Sparks
Fly!
I talking Bonfire Night, Fourth of July and New Years Eve all condensed into Lincoln's office and I expected the pair of them to spontaneously combust! I mean, I'm sitting there, eating my lunch, and the office scene pops up. And I'm like WHOA!!! This is gonna be hot Hot HOT!!!
And I was not disappointed. Not for the heat level, and for how quickly they both came to the realization that they need each other.
What I AM slightly disappointed about (but it doesn't effect my star rating, I just need to mention it!) was that while there was a scene in Eveline's "special" room at the club, it was tame. And I wanted them to return to the room at some point and for Lincoln to show Eveline the other end of the whip that she usually wields. That would have been the icing on the very hot cake! Maybe they will get another book, and the return visit will be in there, who knows!
Cam and Gabe; Ethan and Joe; and Wade and Rhys all pop up here, if only for a little bit, but it was nice that they did.
So, landing itself firmly on the "fan yourself, its a hot one" shelf I made just for these books...
5 stars
**same worded review will appear elsewhere**
When informed she does not own the land her most lucrative club, Le Secret, sits on, Eveline makes a deal with the devil to escort Lincoln while he is in Tokyo. But Lincoln affects Eveline in ways she never knew were possible and quickly finds herself head over heels in lust. Then that email comes, and Eveline runs and Lincoln race to undo the damage he may have caused: to Eveline, and to his heart.
SO!! This is book 7 in the Nights Series, but you don't need to have read books one through six first. You don't NEED to. But personally, I would recommend that you do. Cos, you know, they are rather awesome! BUT you should know that the other 6 books are all male/male pairings and this is a male/female pairing. I'm not picky, but I know some readers prefer to stick to one or the other.
I think Eveline pops up on most of the others books, and I'm so glad she gets her own story! Didn't expect her to, since the others are all gay erotica, but so pleased!
Eveline is a own boss, and although she will *sometimes* escort, she is extremely selective in her bed partners. When she discovers that the previous owners of the land her club sits on swindled her, she storms off to Lincoln's office to demand he sell it to her.
And
Sparks
Fly!
I talking Bonfire Night, Fourth of July and New Years Eve all condensed into Lincoln's office and I expected the pair of them to spontaneously combust! I mean, I'm sitting there, eating my lunch, and the office scene pops up. And I'm like WHOA!!! This is gonna be hot Hot HOT!!!
And I was not disappointed. Not for the heat level, and for how quickly they both came to the realization that they need each other.
What I AM slightly disappointed about (but it doesn't effect my star rating, I just need to mention it!) was that while there was a scene in Eveline's "special" room at the club, it was tame. And I wanted them to return to the room at some point and for Lincoln to show Eveline the other end of the whip that she usually wields. That would have been the icing on the very hot cake! Maybe they will get another book, and the return visit will be in there, who knows!
Cam and Gabe; Ethan and Joe; and Wade and Rhys all pop up here, if only for a little bit, but it was nice that they did.
So, landing itself firmly on the "fan yourself, its a hot one" shelf I made just for these books...
5 stars
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated Rocketman (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Is it a musical? Is it a biopic? Does anyone actually know? I think one of the descriptions I saw called it a fantasy, and that is true for a couple of moments but it's a bit of a push. I had a good time watching this and there are definitely things about it that work well, I do however feel that this was rather confused. You've got the story parts mixed with the songs, but only occasionally are those songs what I'd call proper musical numbers. The occasional fantasy moments are a little
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
Kristy H (1252 KP) rated The Bookish Life of Nina Hill in Books
Aug 5, 2019
Nina Hill has her life just how she wants it: a job at a bookstore, an apartment with a reading nook and her cat Phil, and her days scheduled around her organized planner. But her neatly designed life gets a big shock when the father she never knew suddenly dies, giving Nina newfound knowledge of a host of brothers, sisters, nieces, and nephews. Add on to that a crush on her trivia nemesis, Tom, and Nina's careful life is a mess.
I've been wanting to read this for a while, as it sounded totally up my alley, and it so was. It's a major ode to books and bookworms. I felt such an affinity to Nina, and I found the book to be witty and sweet. When I first started it, I was worried it might be a little too cute (the writing style is quirky and different), but Nina and the writing quickly grew on me.
There's so much to love and identify with in this one--about books and bookstores, trivia, family, love, and it deftly handles anxiety and introversion. I'm sure so many readers will find parts of themselves in Nina. I know I did.
"As an only child of a single mother, Nina's natural state was solitude. Growing up, she saw other people with fathers and brothers and sisters, and it looked like fun, but generally, she thought she was better of without a crowd."
I absolutely adored how Nina's finding her new family changed her--it was touching and funny. The cast of characters we meet is hilarious and yet poignant at times. Because Nina's (now late) father was older, she has brothers and sisters of a variety of ages, as well as a charming gay nephew. But watching her come out of her shell, meeting these people, is really lovely. (And brave.)
"Nina worried she liked being alone too much; it was the only time she ever fully relaxed. People were... exhausting. They made her anxious."
Honestly, I loved Nina. The way she interacted with the kids in the various book groups she ran at the bookstore. The way she handled falling for Tom. The way she loved her cat. The realistic way she presented her anxiety. The fact that she was introverted but friendly and kind. (Imagine that? Introverts can be fun, not just evil curmudgeons.) Her deep love of books and her desire to help other people love books, too. I could go on and on.
While you can see how some of this story will play out, it doesn't make it any less fun to read. It's really sweet, funny, and enjoyable. I totally fell for Nina and found it so easy to get caught up in her story and her life. This book was very touching, and I totally teared up at the end, which is rare for me. Definitely recommend this one. 4+ stars.
I've been wanting to read this for a while, as it sounded totally up my alley, and it so was. It's a major ode to books and bookworms. I felt such an affinity to Nina, and I found the book to be witty and sweet. When I first started it, I was worried it might be a little too cute (the writing style is quirky and different), but Nina and the writing quickly grew on me.
There's so much to love and identify with in this one--about books and bookstores, trivia, family, love, and it deftly handles anxiety and introversion. I'm sure so many readers will find parts of themselves in Nina. I know I did.
"As an only child of a single mother, Nina's natural state was solitude. Growing up, she saw other people with fathers and brothers and sisters, and it looked like fun, but generally, she thought she was better of without a crowd."
I absolutely adored how Nina's finding her new family changed her--it was touching and funny. The cast of characters we meet is hilarious and yet poignant at times. Because Nina's (now late) father was older, she has brothers and sisters of a variety of ages, as well as a charming gay nephew. But watching her come out of her shell, meeting these people, is really lovely. (And brave.)
"Nina worried she liked being alone too much; it was the only time she ever fully relaxed. People were... exhausting. They made her anxious."
Honestly, I loved Nina. The way she interacted with the kids in the various book groups she ran at the bookstore. The way she handled falling for Tom. The way she loved her cat. The realistic way she presented her anxiety. The fact that she was introverted but friendly and kind. (Imagine that? Introverts can be fun, not just evil curmudgeons.) Her deep love of books and her desire to help other people love books, too. I could go on and on.
While you can see how some of this story will play out, it doesn't make it any less fun to read. It's really sweet, funny, and enjoyable. I totally fell for Nina and found it so easy to get caught up in her story and her life. This book was very touching, and I totally teared up at the end, which is rare for me. Definitely recommend this one. 4+ stars.
Debbiereadsbook (1202 KP) rated Broken Warrior (The Weavers Circle #1) in Books
Apr 27, 2020
This series is gonna be amazing!
Independent reviewer for GAy Romance Reviews, I was gifted my copy of this book.
Running from what, he doesn't know, but Clay needs to run, and run south. He follows his instincts and finds himself in a fight to save the earth from destruction. Dane finds himself fighting his attraction to Clay, even as he fights himself over his guilt at the death of his wife and son. Dane doesn't know whats going on in the house, but he wants to find out, and he knows, deep down, he wants Clay.
So! Different, very different and I really rather loved it!
Clay finds himself at the helm of The Weavers. These are a band of 6 brothers, that come together time and time again to save the earth from destruction by beings from another dimension. And when i say time and time AGAIN, I mean that quite literally. The Weavers have been gathered together many times over the years and they have yet to finally close the rift that bring the beings to earth. Maybe this time will be different but the Goddess who brings Clay to the house doesn't know why they didn't manage to close the rift yet. Her and her sisters are hoping this time they will.
I loved Clay and I loved Dane. I loved Grey and Bear too, another 2 of the brothers who manage to get to the house in this book. I'm assuming they will get their own books at some point. The three Goddesses keep popping in and out, and they are amusing at times, in that they are VERY cryptic in what they are letting these three brothers know, in this book, anyway.
They are also, I think, tired. Having been doing this song and dance for EVER, there comes a time when anyone would say, enough is enough. I *think* this might be the case, although nothing is actually said here, it's just an impression I get.
I loved this book, I really did. Not quite a one sitting, cos, you know, a girl gotta sleep, but very nearly.
Both Clay and Dane have a say, although at first I thought it might just be Clay. You get all their interactions in the beginning, and what I really liked, when I realised Dane would get a say, was that we get all his fighting with himself. We get Clay's fighting with the beings, but it is Dane's fighting with himself, with his guilt and his feelings for his dead wife, and for Clay, that really make this book, for me anyway.
It's sexy, but its equally deadly. The fights are described in some detail, but I liked that.
I really like how this book lays most of it out for you, but I have a feeling there is MUCH we don't know yet. I really look forward to reading future books in this series!
5 very excited for the next book stars
Running from what, he doesn't know, but Clay needs to run, and run south. He follows his instincts and finds himself in a fight to save the earth from destruction. Dane finds himself fighting his attraction to Clay, even as he fights himself over his guilt at the death of his wife and son. Dane doesn't know whats going on in the house, but he wants to find out, and he knows, deep down, he wants Clay.
So! Different, very different and I really rather loved it!
Clay finds himself at the helm of The Weavers. These are a band of 6 brothers, that come together time and time again to save the earth from destruction by beings from another dimension. And when i say time and time AGAIN, I mean that quite literally. The Weavers have been gathered together many times over the years and they have yet to finally close the rift that bring the beings to earth. Maybe this time will be different but the Goddess who brings Clay to the house doesn't know why they didn't manage to close the rift yet. Her and her sisters are hoping this time they will.
I loved Clay and I loved Dane. I loved Grey and Bear too, another 2 of the brothers who manage to get to the house in this book. I'm assuming they will get their own books at some point. The three Goddesses keep popping in and out, and they are amusing at times, in that they are VERY cryptic in what they are letting these three brothers know, in this book, anyway.
They are also, I think, tired. Having been doing this song and dance for EVER, there comes a time when anyone would say, enough is enough. I *think* this might be the case, although nothing is actually said here, it's just an impression I get.
I loved this book, I really did. Not quite a one sitting, cos, you know, a girl gotta sleep, but very nearly.
Both Clay and Dane have a say, although at first I thought it might just be Clay. You get all their interactions in the beginning, and what I really liked, when I realised Dane would get a say, was that we get all his fighting with himself. We get Clay's fighting with the beings, but it is Dane's fighting with himself, with his guilt and his feelings for his dead wife, and for Clay, that really make this book, for me anyway.
It's sexy, but its equally deadly. The fights are described in some detail, but I liked that.
I really like how this book lays most of it out for you, but I have a feeling there is MUCH we don't know yet. I really look forward to reading future books in this series!
5 very excited for the next book stars
Debbiereadsbook (1202 KP) rated Hunter's Desire (Dark Reserves #2) in Books
Apr 27, 2020
bloody LOVED this!
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
Okay then!
Daddy kink has been very hit and miss for me, some okay, some good, but not ever so many being so bloody good, but this one??
So Bloody Good!!
Hunter is a Dom, through and through but is disillusioned with the scene and wants to step away. He wants to retire for the police force. He wants. . . . something else. Colsen is a train wreck waiting to happen, after the death of his mother, he is wracked with guilt for not answering the phone and now he has been suspended from work. The weekend in Vegas to celebrate his best friend's up-coming wedding is the last thing he needs but he won't let his friend down. Hunter and Colsen come together, and it's not a matter of if they will butt heads, it's purely a matter of when. Can what happens in Vegas really STAY in Vegas?
I think what makes this one work so well for ME was this was a Daddy/boy relationship, rather than a Daddy/little one. Yes, Hunter buys Lego kits for Colsen, but thats more to focus his mind on something else. And Hunter wasn't really a Daddy before Colsen, either. A Dom, yes, but not a Daddy. There is an age gap, yes, but Hunter is approaching 50 (much to his disgust!) and Colsen is in his 30's. They are both working their way through what they need from the other, even if they hate each other.
And they work through their way spectactularly! Heads butt, yes indeed, and fists almost, but what gets to Colsen the most? Words. Words Hunter says in a certain tone, that pushes all kinds of his buttons he didn't know needed pushing. I LOVED how much Colsen fought Hunter, I really did. It doesn't take much for Hunter to find out why Colson is drinking so much, and once he does, he changes tactics to get Colson. Because Hunter WANTS Colsen like he never wanted before, and Colsen will be his boy, even if only for the weekend in Vegas.
But they can't leave it in Vegas, and it is great reading when Colsen finds out what Hunter did, and when Hunter comes into Colsen's space for the first time, discovering he kept some things going.
I loved it, when they finally, FINALLY, admit those three little words to each other! Very in keeping with these guys, and I loved the little epilogue.
I was to go back and read Dan and Theo's story now, too. It's their wedding they are in Vegas to celebrate. I want to continue with this series too, some interesting characters!
It's been a while since I had a one sitting read, and this one just nailed it, for me.
5 sparkling Vegas stars
**same worded review will appear elsewhere**
Okay then!
Daddy kink has been very hit and miss for me, some okay, some good, but not ever so many being so bloody good, but this one??
So Bloody Good!!
Hunter is a Dom, through and through but is disillusioned with the scene and wants to step away. He wants to retire for the police force. He wants. . . . something else. Colsen is a train wreck waiting to happen, after the death of his mother, he is wracked with guilt for not answering the phone and now he has been suspended from work. The weekend in Vegas to celebrate his best friend's up-coming wedding is the last thing he needs but he won't let his friend down. Hunter and Colsen come together, and it's not a matter of if they will butt heads, it's purely a matter of when. Can what happens in Vegas really STAY in Vegas?
I think what makes this one work so well for ME was this was a Daddy/boy relationship, rather than a Daddy/little one. Yes, Hunter buys Lego kits for Colsen, but thats more to focus his mind on something else. And Hunter wasn't really a Daddy before Colsen, either. A Dom, yes, but not a Daddy. There is an age gap, yes, but Hunter is approaching 50 (much to his disgust!) and Colsen is in his 30's. They are both working their way through what they need from the other, even if they hate each other.
And they work through their way spectactularly! Heads butt, yes indeed, and fists almost, but what gets to Colsen the most? Words. Words Hunter says in a certain tone, that pushes all kinds of his buttons he didn't know needed pushing. I LOVED how much Colsen fought Hunter, I really did. It doesn't take much for Hunter to find out why Colson is drinking so much, and once he does, he changes tactics to get Colson. Because Hunter WANTS Colsen like he never wanted before, and Colsen will be his boy, even if only for the weekend in Vegas.
But they can't leave it in Vegas, and it is great reading when Colsen finds out what Hunter did, and when Hunter comes into Colsen's space for the first time, discovering he kept some things going.
I loved it, when they finally, FINALLY, admit those three little words to each other! Very in keeping with these guys, and I loved the little epilogue.
I was to go back and read Dan and Theo's story now, too. It's their wedding they are in Vegas to celebrate. I want to continue with this series too, some interesting characters!
It's been a while since I had a one sitting read, and this one just nailed it, for me.
5 sparkling Vegas stars
**same worded review will appear elsewhere**
Ali A (82 KP) rated How It All Blew Up in Books
Sep 8, 2020
How it All Blew Up is about Amir, a closeted, eighteen-year-old. He always knew it would be hard to come out to his Muslim family, so he hasn't. When some bullies find out and blackmail him, Amir gets scared, skips graduation, and fleas to Rome. He gets taken in by a group of new friends and he spends his summer having late nights where he can feel like himself. Until his old life comes back knocking. Now, Amir is telling the whole story, with the entire truth, to a U.S. Customs officer as his family has just been detained. Can Amir get his hard-won freedom back?
I went into this book thinking it would be a storyline I don't really see: representation of a queer Muslim in YA... I didn't really get that. Islam plays no part in this story - Amir openly admits his family isn't that religious. When asked if his parents would disapprove of him being gay, he replied:
"Yes and no. Our culture is pretty conservative, even if you're not religious."
It also went into this huge countdown leading up to what happened on the airplane and why the family is detained and when we get there... it just felt like it fell short of what it could have been. I also just didn't care much for the main character, he never really clicked with me and I honestly don't know why but I found myself rolling my eyes at a lot of his choices and reasonings.
The whole story also felt very unrealistic to me. How on Earth does an eighteen-year-old make enough money editing Wikipedia pages to get to Rome, get his own apartment, and live there a whole month? There were so many side characters that would be mentioned in passing for only a page and then never heard from again? Amir's high school boyfriend we get built up to be this whole thing, for him to just toss him aside. We had all these supposed close relationships (Amir and his sister were supposedly super close??) but everything felt surface level and not flushed out. There's an entire scene in the novel, that I won't get into because of spoilers, but it just felt wrong and had no real build up to the entire scenario besides small side remarks.
The only character I really even cared for was Amir's sister, Soraya. She was only thirteen, but she was a firecracker just waiting to be messed with. She cared for her brother, regardless of anything.
I did enjoy the back and forth of the interrogation rooms and what happened as it made it a super fast read. Apart from that though, I think the story fell short of what it could have been.
*Thank you Bookish First and Penguin Teen for a copy of this book in exchange for an honest review.
I went into this book thinking it would be a storyline I don't really see: representation of a queer Muslim in YA... I didn't really get that. Islam plays no part in this story - Amir openly admits his family isn't that religious. When asked if his parents would disapprove of him being gay, he replied:
"Yes and no. Our culture is pretty conservative, even if you're not religious."
It also went into this huge countdown leading up to what happened on the airplane and why the family is detained and when we get there... it just felt like it fell short of what it could have been. I also just didn't care much for the main character, he never really clicked with me and I honestly don't know why but I found myself rolling my eyes at a lot of his choices and reasonings.
The whole story also felt very unrealistic to me. How on Earth does an eighteen-year-old make enough money editing Wikipedia pages to get to Rome, get his own apartment, and live there a whole month? There were so many side characters that would be mentioned in passing for only a page and then never heard from again? Amir's high school boyfriend we get built up to be this whole thing, for him to just toss him aside. We had all these supposed close relationships (Amir and his sister were supposedly super close??) but everything felt surface level and not flushed out. There's an entire scene in the novel, that I won't get into because of spoilers, but it just felt wrong and had no real build up to the entire scenario besides small side remarks.
The only character I really even cared for was Amir's sister, Soraya. She was only thirteen, but she was a firecracker just waiting to be messed with. She cared for her brother, regardless of anything.
I did enjoy the back and forth of the interrogation rooms and what happened as it made it a super fast read. Apart from that though, I think the story fell short of what it could have been.
*Thank you Bookish First and Penguin Teen for a copy of this book in exchange for an honest review.
Cody Cook (8 KP) rated A Black Theology of Liberation in Books
Jun 29, 2018
James Cone is considered to be the founder of Black Liberation Theology, a variant of the Liberation Theology movement most widely connected with South American theologian Gustavo Gutierrez. Liberation Theology emphasizes those biblical concerns that white European flavored Christianity has often looked over– concerns like justice and liberation for the oppressed and downtrodden (Luke 4:16-21, Matthew 25:31-45, etc.). Though these emphases are quite important, in Liberation movements, they can often drown out other, extremely vital, elements of the Christian faith, as they clearly do in Cone’s Black Liberation Theology.
One major issue for Cone is one of authority. The experience of one group of people (the oppressed) becomes equivalent with universal truth, and not simply an important concern in Christian theology. In other words, Cone makes his own experience the judge of who God is and what God is for. While “white” (a term used by Cone not so much to reflect skin color but an oppressor mentality) Christianity commits this grave error without realizing it, Cone does so with full knowledge. So, for instance, while a conservative “white” theologian would say that his own views and actions *should* be directed by the scripture (whether or not he does in fact direct them by this standard), Cone makes the judgement of the oppressed black community the ultimate truth for them– and if mass violence against whites is decided by the group as the best means to effect their liberation, so be it. Cone explicitly distances himself from the approach of King, identifying more with the violence-prone philosophy of the Nation of Islam as propounded by Malcolm X. If someone criticizes his approach, he seems to assume that they’re doing so as a “white” oppressor and should be ignored– an oppressor has no moral right to question the rightness or wrongness of the actions of the people he is oppressing. This of course ignores the criticisms of violence, even from the oppressed, of black Christians like Martin Luther King Jr., Desmond Tutu, etc. Cone is also unfortunately either unfamiliar with or unconvinced by pacifist Christian claims to be committed to peaceful action, since he equates non-violence with inaction and acquiescence. While he is absolutely correct in seeing liberation as an important theme in the Christian faith, he, like “white” religionists, allows his own experience and emotions to determine what is right and wrong to the point of supporting evil in the interest of what he feels is best for his community. However, what can’t be said of Cone’s position on violence is that it is radical, because it is emphatically not. The political heroes of most white Americans are men who used violence to gain political autonomy. Thus, it is not radical for black men and women to look up to figures like Malcolm X and James Cone who advocate doing the same thing if it seems necessary for freedom and self-determination; it is merely status quo. The problem is that Jesus calls all men and women, regardless of color, to rise above the status quo and the myth of redemptive violence.
Seizing on that point, one major problem with Cone’s view of violent revolution is that when oppressed people rise up through violence, they become the oppressor– co-opting the tools of oppression and dehumanization. “Blacks” become “white” through the use of violence. Cone seems unaware of (doubtful) or unaffected by the history of the Bolshevik, Cuban, or French revolutions, wherein the oppressed quickly became the oppressors and became twofold more a child of hell than their oppressors. His view also reshapes Nat Turner, the slave who claimed to have been directed by God to murder white women and children, into an unqualified hero. Cone’s system re-establishes and re-affirms oppression– it does not end it.
For Cone, God is black and the devil is white, because God supports the oppressed and the devil supports the oppressor. But in so closely identifying God with blackness, the actions of those in the black community are now above being questioned, just like the actions of white enslavers were, according to them, above being questioned because they aligned themselves with God and those whom they oppressed with the devil.
What Cone is really trying to get at is that since Jesus supports the cause of the oppressed, the oppressor must so distance himself from his oppressor identity that he becomes indistinguishable from the oppressed– willing to suffer along with them– if he is to be Christ-like. In other words, the “white” must become “black.” Cone says that God can’t be colorless where people suffer for their color. So, where blacks suffer God is black. Taking this logic, which is indeed rooted in Scripture, where the poor suffer, God is poor. Where babies are killed in the womb, God is an aborted baby. Where gay people are bullied, God is gay. It is our obligation to identify with the downtrodden, because that’s what Jesus did. Paul, quoting a hymn of the church about Jesus, puts it this way:
“In your relationships with one another, have the same mindset as Christ Jesus:
‘Who, being in very nature God,
did not consider equality with God something to be used to his own advantage;
rather, he made himself nothing
by taking the very nature of a servant,
being made in human likeness.
And being found in appearance as a man,
he humbled himself
by becoming obedient to death—
even death on a cross!'”
–Philippians 2:5-8
Jesus not only gives up his power to express love to the powerless by identifying with them, He also takes on their sin and suffers with and for them. This is the essence of the gospel, and it often gets lost when we translate it into our daily lives. For Cone, this important truth gets lost in the banner of black militantism and the cycle of violence. For so many American Christians, it gets lost when they reduce the political nature of Christianity to scolding those whose private expression of morality doesn’t line up with theirs. We refuse to identify with sinners (which is a category we all fit into) in love.
One major issue for Cone is one of authority. The experience of one group of people (the oppressed) becomes equivalent with universal truth, and not simply an important concern in Christian theology. In other words, Cone makes his own experience the judge of who God is and what God is for. While “white” (a term used by Cone not so much to reflect skin color but an oppressor mentality) Christianity commits this grave error without realizing it, Cone does so with full knowledge. So, for instance, while a conservative “white” theologian would say that his own views and actions *should* be directed by the scripture (whether or not he does in fact direct them by this standard), Cone makes the judgement of the oppressed black community the ultimate truth for them– and if mass violence against whites is decided by the group as the best means to effect their liberation, so be it. Cone explicitly distances himself from the approach of King, identifying more with the violence-prone philosophy of the Nation of Islam as propounded by Malcolm X. If someone criticizes his approach, he seems to assume that they’re doing so as a “white” oppressor and should be ignored– an oppressor has no moral right to question the rightness or wrongness of the actions of the people he is oppressing. This of course ignores the criticisms of violence, even from the oppressed, of black Christians like Martin Luther King Jr., Desmond Tutu, etc. Cone is also unfortunately either unfamiliar with or unconvinced by pacifist Christian claims to be committed to peaceful action, since he equates non-violence with inaction and acquiescence. While he is absolutely correct in seeing liberation as an important theme in the Christian faith, he, like “white” religionists, allows his own experience and emotions to determine what is right and wrong to the point of supporting evil in the interest of what he feels is best for his community. However, what can’t be said of Cone’s position on violence is that it is radical, because it is emphatically not. The political heroes of most white Americans are men who used violence to gain political autonomy. Thus, it is not radical for black men and women to look up to figures like Malcolm X and James Cone who advocate doing the same thing if it seems necessary for freedom and self-determination; it is merely status quo. The problem is that Jesus calls all men and women, regardless of color, to rise above the status quo and the myth of redemptive violence.
Seizing on that point, one major problem with Cone’s view of violent revolution is that when oppressed people rise up through violence, they become the oppressor– co-opting the tools of oppression and dehumanization. “Blacks” become “white” through the use of violence. Cone seems unaware of (doubtful) or unaffected by the history of the Bolshevik, Cuban, or French revolutions, wherein the oppressed quickly became the oppressors and became twofold more a child of hell than their oppressors. His view also reshapes Nat Turner, the slave who claimed to have been directed by God to murder white women and children, into an unqualified hero. Cone’s system re-establishes and re-affirms oppression– it does not end it.
For Cone, God is black and the devil is white, because God supports the oppressed and the devil supports the oppressor. But in so closely identifying God with blackness, the actions of those in the black community are now above being questioned, just like the actions of white enslavers were, according to them, above being questioned because they aligned themselves with God and those whom they oppressed with the devil.
What Cone is really trying to get at is that since Jesus supports the cause of the oppressed, the oppressor must so distance himself from his oppressor identity that he becomes indistinguishable from the oppressed– willing to suffer along with them– if he is to be Christ-like. In other words, the “white” must become “black.” Cone says that God can’t be colorless where people suffer for their color. So, where blacks suffer God is black. Taking this logic, which is indeed rooted in Scripture, where the poor suffer, God is poor. Where babies are killed in the womb, God is an aborted baby. Where gay people are bullied, God is gay. It is our obligation to identify with the downtrodden, because that’s what Jesus did. Paul, quoting a hymn of the church about Jesus, puts it this way:
“In your relationships with one another, have the same mindset as Christ Jesus:
‘Who, being in very nature God,
did not consider equality with God something to be used to his own advantage;
rather, he made himself nothing
by taking the very nature of a servant,
being made in human likeness.
And being found in appearance as a man,
he humbled himself
by becoming obedient to death—
even death on a cross!'”
–Philippians 2:5-8
Jesus not only gives up his power to express love to the powerless by identifying with them, He also takes on their sin and suffers with and for them. This is the essence of the gospel, and it often gets lost when we translate it into our daily lives. For Cone, this important truth gets lost in the banner of black militantism and the cycle of violence. For so many American Christians, it gets lost when they reduce the political nature of Christianity to scolding those whose private expression of morality doesn’t line up with theirs. We refuse to identify with sinners (which is a category we all fit into) in love.
Movie Metropolis (309 KP) rated Fifty Shades of Grey (2015) in Movies
Jun 10, 2019
A tiresome affair
The Fifty Shades phenomenon is something very hard to calculate. Yes, we know its sold millions of copies worldwide, but its readership is likely to be much higher. I’m sure someone somewhere will know another person who didn’t go out and buy the book, but just borrowed it.
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/
Creating a film from E.L. James’ novel was never going to be an easy task for numerous reasons. The harsh reality is that Brits have mixed views with regards to seeing sex on the big screen – nonetheless, Sam Taylor-Johnson, director of the critically acclaimed Nowhere Boy, was chosen to helm an adaptation. But is it a success?
Partially is the short answer. The film is nicely shot and well-acted, but in trying to craft a ‘classy’ movie, Taylor-Johnson has stripped it of what people read the novel for – escapism and of course sex.
For the uninitiated, Fifty Shades follows the story of young Ana Steele, a shy, timid virgin as she begins a rather, shall we say, unusual relationship with the wealthy, intimidating Christian Grey.
The lead roles are cast well with Dakota Johnson playing Ana as she appears in the novel – minus her irritating thought processes – and Jamie Dornan as Mr Grey. Other roles are scarce on the ground with glorified cameos for Rita Ora and Marcia Gay Harden.
It’s been well publicised that with only 20 minutes of sex in a 2 hour film, pleasing hardcore fans of the books was going to be a difficult task. The sex that is there is reasonably tastefully edited and nicely choreographed, though this also creates Fifty Shades’ biggest problem.
There simply is no story to speak of, with each raunchy scene being scattered alongside numerous plot fillers like helicopter rides which act as a catalyst to the next sequence of passion and when the majority of them are removed, watching is a tiresome affair.
Moreover, whilst the leads perform well on their own, the chemistry between them is sorely lacking. At no point in the film is there a whisper of sexual tension – with Dornan’s Grey coming across overly creepy and Johnson’s Ana reeking of desperation.
Despite its 18 certification here in the UK, Fifty Shades never feels like it is fully deserving of it. With a highly controversial and no doubt too lenient 12 rating being awarded to it in France, it almost feels like producers here tried as hard as they could to slip it into the 18 category – therefore maximising controversy before its release.
Unfortunately, digging beneath the surface reveals a good film trying desperately to break out of its shackles. Exploring the characters more than in James’ admittedly lacklustre novel ultimately does more harm than good.
Overall, Sam Taylor-Johnson should be commended for trying to bring a controversial novel to the big screen and the soundtrack is very good indeed. However, the lack of chemistry between the two leads and a lack of sex and story mean you’re more likely to be checking your watch than checking your heart rate.
https://moviemetropolis.net/2015/02/14/a-tiresome-affair-fifty-shades-of-grey-review/