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BankofMarquis (1832 KP) rated Hillbilly Elegy (2020) in Movies
Apr 14, 2021
Decent - with 3 strong female performances
Glenn Close is one of the most lauded Actresses of our time and her current streak of 7 Academy Award nominations without a win is a record. It would be ironic, indeed, if she would win her first Oscar with this, her 8th Oscar nomination, this time as Best Supporting Actress in HILLBILLY ELEGY.
Written by Vanessa Taylor and based on the book (and true story) by J.D. Vance, HILLBILLY ELEGY tells the tale of J.D. (naturally enough), who overcomes his impoverished roots and dysfunctional family background to become a star Law Student at Yale.
Gabriel Basso plays J.D. as the Law Student and he is just not charismatic enough to shine in this role especially as he goes up against 3 talented actresses that have PLENTY to sink their considerable acting chops into.
Close plays “Mamaw”, the grandmother of the clan. She is a no-nonsense, pragmatic matriarch that lives and breathes (through cigarette clogged lungs) “Family First”. It’s an interesting and strong performance by Close, but she does teeter into “Granny Clampett” territory at times for me. It’s a good performance…but the one that will finally get Close her Oscar? I don’t think so.
Amy Adams steals the movie as J.D.’s mother (and Mamaw’s daughter), Bev. She is (as we say in these parts) “a whole thing”. Her Bev is self-centered, clawing, desperate and constantly wondering why the world doesn’t give her the things that she is deserved. Nothing is EVER her fault and if you don’t believe me, just ask her. Adams’ performance is the strongest in this film and she never crosses the line into caricature.
One last moment of credit needs to be given to Haley Bennett as J.D.’s sister Lindsay, who is often the one stuck taking care of their Mother. When I first saw Bennett a few years back in 2016 in back to back strong performances in THE GIRL ON THE TRAIN and THE MAGNIFICENT SEVEN, I thought we were watching the emergence of a star. It’s good to see her on the screen again.
Credit for these performances must go the unlikely person helming this film, good ol’, reliable Ron Howard who’s workmanlike Directorial instincts and style lends itself very well to this, often told, type of story. It’s nothing flashy, but gets the job done.
And that pretty much sums up my feelings towards this film “nothing flashy, but gets the job done”, not the greatest film to come out in 2020 - but it is layered with 3 strong female performances by Adams, Bennett and Close so that makes this film one good enough to check out.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written by Vanessa Taylor and based on the book (and true story) by J.D. Vance, HILLBILLY ELEGY tells the tale of J.D. (naturally enough), who overcomes his impoverished roots and dysfunctional family background to become a star Law Student at Yale.
Gabriel Basso plays J.D. as the Law Student and he is just not charismatic enough to shine in this role especially as he goes up against 3 talented actresses that have PLENTY to sink their considerable acting chops into.
Close plays “Mamaw”, the grandmother of the clan. She is a no-nonsense, pragmatic matriarch that lives and breathes (through cigarette clogged lungs) “Family First”. It’s an interesting and strong performance by Close, but she does teeter into “Granny Clampett” territory at times for me. It’s a good performance…but the one that will finally get Close her Oscar? I don’t think so.
Amy Adams steals the movie as J.D.’s mother (and Mamaw’s daughter), Bev. She is (as we say in these parts) “a whole thing”. Her Bev is self-centered, clawing, desperate and constantly wondering why the world doesn’t give her the things that she is deserved. Nothing is EVER her fault and if you don’t believe me, just ask her. Adams’ performance is the strongest in this film and she never crosses the line into caricature.
One last moment of credit needs to be given to Haley Bennett as J.D.’s sister Lindsay, who is often the one stuck taking care of their Mother. When I first saw Bennett a few years back in 2016 in back to back strong performances in THE GIRL ON THE TRAIN and THE MAGNIFICENT SEVEN, I thought we were watching the emergence of a star. It’s good to see her on the screen again.
Credit for these performances must go the unlikely person helming this film, good ol’, reliable Ron Howard who’s workmanlike Directorial instincts and style lends itself very well to this, often told, type of story. It’s nothing flashy, but gets the job done.
And that pretty much sums up my feelings towards this film “nothing flashy, but gets the job done”, not the greatest film to come out in 2020 - but it is layered with 3 strong female performances by Adams, Bennett and Close so that makes this film one good enough to check out.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)