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After breaking her arm in a circus accident, Ophelia Flax finds herself in a fancy hospital in Switzerland. Another patient there, Imogen Melchor, has been asleep for 8 days. Her parents claim it is related to the Sleeping Beauty legend, which is strong in the area. Meanwhile, Professor Gabriel Penrose is in the area, officially to track down local legends, but really in hopes of finding Ophelia again. Will he succeed? What happened to Imogen?
This is a novella written specifically to wrap up loose ends after the series was canceled. As a result, it will appeal most to series fans. With only 100 pages to work with, the story is fast paces with something always happening to move it forward. The new characters are a bit short changed, but Ophelia and Gabriel are strong, and the plot kept me guessing until the end.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/08/book-review-sleeping-beauty-borrowed.html">Carstairs Considers</a>.
This is a novella written specifically to wrap up loose ends after the series was canceled. As a result, it will appeal most to series fans. With only 100 pages to work with, the story is fast paces with something always happening to move it forward. The new characters are a bit short changed, but Ophelia and Gabriel are strong, and the plot kept me guessing until the end.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2017/08/book-review-sleeping-beauty-borrowed.html">Carstairs Considers</a>.
Matthew Krueger (10051 KP) rated Stigmata (1999) in Movies
Nov 21, 2019
The Cross
So i watched this movie once, and i wasnt sure what to think about it, im not sure it was to be horrorfying or scary or terrorfying, cause it wasnt. Like i said in my "End of Days" review i fell bad for Gabriel Bryne, cause he is a great actor but he is so underrated.
The plot: A young woman with no strong religious beliefs, Frankie Paige (Patricia Arquette) begins having strange and violent experiences, showing signs of the wounds that Jesus received when crucified. When the Vatican gets word of Frankie's situation, a high-ranking cardinal (Jonathan Pryce) requests that the Rev. Andrew Kiernan (Gabriel Byrne) investigate her case. Soon Kiernan realizes that very sinister forces are at work, and tries to rescue Frankie from the entity that is plaguing her.
Its a okay movie, not the greatest.
The plot: A young woman with no strong religious beliefs, Frankie Paige (Patricia Arquette) begins having strange and violent experiences, showing signs of the wounds that Jesus received when crucified. When the Vatican gets word of Frankie's situation, a high-ranking cardinal (Jonathan Pryce) requests that the Rev. Andrew Kiernan (Gabriel Byrne) investigate her case. Soon Kiernan realizes that very sinister forces are at work, and tries to rescue Frankie from the entity that is plaguing her.
Its a okay movie, not the greatest.
Chris Sawin (602 KP) rated Antikörper (Antibodies) (2007) in Movies
Jun 18, 2019
A serial killer named Gabriel Engel (André Hennicke, Pandorum) that the police have been after for months has finally been captured. This is where most stories would end happily ever after, but instead this is how Antibodies begins. Michael Martens (Wotan Wilke Möhring, Valkyrie), a cop from a small, rural town had an unsolved case from a year ago concerning a 12-year-old girl named Lucia Flieder and Michael intends to interrogate Gabriel in hopes of a confession for her murder.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Gabriel already admitted to being in the area around the time of Lucia’s death, but her murder doesn’t entirely fit his M.O. But Michael plays right into Gabriel’s hands and becomes the pawn in his sick, psychological game as he’s able to get into Michael’s head from the moment they meet and remains there until the credits roll. The question isn’t, “Will Michael be able to find what he’s looking for?” but is instead, “Will Michael be able to survive the cerebral hedge maze Gabriel has thrown him into?”
Written and directed by Christian Alvart (Case 39, Pandorum), Antibodies is a German crime drama thriller that is worth seeing for André Hennicke’s performance alone. His portrayal of Gabriel is psychotic, disturbing, and extraordinarily mesmerizing as he steals nearly every scene he’s in. Hennicke embodies Gabriel and brings the character to life in all of his monstrously disquieting glory. There’s a brief sequence where Gabriel is drawing in his cell and he slowly starts pulling out his hair. There’s no dialogue, but Hennicke is able to pull it off with such terrifying elegance that it is incredible to witness.
Wotan Wilke Möhring is also quite impressive as Michael Martens. Michael struggles with the mental obstacles Gabriel throws at him throughout the film. Möhring is fantastically efficient at portraying a man who devoted his life to being an abiding citizen that is also committed to his religion. He cares deeply about his family and is now slowly losing his grip on his so-called perfect life. The interrogation scenes between Michael and Gabriel seem to simultaneously be homage to The Silence of the Lambs while also offering something different with its complete mastery of tension and Gabriel’s ulterior motives ring loudly upon the audience yet fall on deaf ears to a gullible Michael.
The religious parallels are incredibly interesting and deserve recognition, as well. The film has a tendency to not only reveal these parallels, but dives into them in a way that is easy to understand for the audience; the similarities between Michael and the archangel Gabriel are uncanny. The ending involving the test Gabriel gives Michael is all a part of a twisted game Gabriel plays and the web he’s spun has managed to get Michael tangled up in it. The film makes you think you know where it’s headed before it takes an unexpected detour and ends up going in the opposite direction.
Perhaps the most unusual aspect of the film is the involvement of Norman Reedus. The Wikipedia entry for Antibodies is still so bare, but apparently Reedus did his part in the film for free. Before The Walking Dead came along, Reedus was known best for his roles in The Boondock Saints, 8MM, Blade II, and the John Carpenter directed Masters of Horror episode, “Cigarette Burns.” Reedus has always taken part in projects that are unusual, but typically turn out to be fairly awesome. It was a great change of pace to see him show up and speak a few lines of German without a crossbow or a motorcycle.
Antibodies isn’t without its flaws as its script is often juvenile with the way it references sex and pleasuring yourself way more often than it should. The German thriller is still able to capitalize on a wonderfully tense and magnificently unsettling atmosphere with two incredibly strong leads that make the whole journey worthwhile. The story is riveting despite a few hiccups, the cast is top notch, the cinematography is excellent, and its unpredictable outcome is brilliant.
Antibodies is currently streaming on Amazon Video and Vudu for $2.99. The 2-disc special edition DVD is available for $24.98 on Amazon while the standard DVD is between $19.99 and $43.41. The film is available on DVD for various prices on eBay with the best offers being a pre-owned version of the single disc edition for $5.39 (10% off its normal $5.99 price) and the two-disc edition for $18.24; both have free shipping.
Erika (17788 KP) rated Good Omens in TV
Jun 2, 2019
David Tennant (1 more)
Michael Sheen
I'm not a huge fan of Neil Gaiman (or a fan at all), and I was kind of meh on the novel this is based on. But, when I saw David Tennant and Michael Sheen were cast, I was interested. On a whim, I ended up starting the series last night, and wanted to stay up all night to finish, but didn't.
I liked the series way more than the book itself. I was hooked, and Sheen and Tennant were perfect in their roles. The humor was good, and the casting for the other characters was strong too. Jon Hamm as Gabriel was my other favorite.
Of course, with any TV show, the CGI was shoddy, but it kind of seems like the norm to me. Overall, I'm glad Amazon produced this miniseries, and I may have to watch it again.
I liked the series way more than the book itself. I was hooked, and Sheen and Tennant were perfect in their roles. The humor was good, and the casting for the other characters was strong too. Jon Hamm as Gabriel was my other favorite.
Of course, with any TV show, the CGI was shoddy, but it kind of seems like the norm to me. Overall, I'm glad Amazon produced this miniseries, and I may have to watch it again.
Chris Sawin (602 KP) rated The Nines (2007) in Movies
Jun 19, 2019 (Updated Jun 22, 2019)
The Nines tells the story of Gary, Gavin, and Gabriel with each character given a specific segment in the film. The first segment tells the story of Gary, an actor who has more than a few issues. The second introduces us to Gavin as we're given a reality TV show look behind the scenes as he tries to get his show onto the air. The final segment is about Gabriel, a married man who designs video games. All of the segments are related and focus around the number 9. Discovering the truth about these characters and what they really are is what really makes the film worth watching.
I had been wanting to see this for awhile and I finally got around to seeing it today. It was actually better than I was expecting it to be. I haven't seen a film tie together multiple segments like this in a long time. Everything comes together quite well and it's pretty satisfying once all the cards are put on the table. Ryan Reynolds proves once again that his acting is quite strong and has more to him than being the casual funny man. Melissa McCarthy is also worth mentioning. She starts off being kind of irritating, but turns out being incredibly charming once the credits roll. Hope Davis was the last piece of the puzzle and is crucial to the overall story. At first, she just seems like the typical jealous and conniving female character who didn't get what she wanted. As the film progresses, however, her role becomes more interesting and it's revealed how important she is in Gary/Gavin/Gabriel's path to discovering what's really going on.
The Nines deserves a watch from anyone looking for something a little different. It'll definitely satisfy Ryan Reynolds fans and it'll probably meet or exceed what you expect from the film once it's all said and done. It surprised me quite a bit with a strong story, a great cast, and an incredibly solid script.
I had been wanting to see this for awhile and I finally got around to seeing it today. It was actually better than I was expecting it to be. I haven't seen a film tie together multiple segments like this in a long time. Everything comes together quite well and it's pretty satisfying once all the cards are put on the table. Ryan Reynolds proves once again that his acting is quite strong and has more to him than being the casual funny man. Melissa McCarthy is also worth mentioning. She starts off being kind of irritating, but turns out being incredibly charming once the credits roll. Hope Davis was the last piece of the puzzle and is crucial to the overall story. At first, she just seems like the typical jealous and conniving female character who didn't get what she wanted. As the film progresses, however, her role becomes more interesting and it's revealed how important she is in Gary/Gavin/Gabriel's path to discovering what's really going on.
The Nines deserves a watch from anyone looking for something a little different. It'll definitely satisfy Ryan Reynolds fans and it'll probably meet or exceed what you expect from the film once it's all said and done. It surprised me quite a bit with a strong story, a great cast, and an incredibly solid script.
Phil Leader (619 KP) rated The Golden Tup (Red Grouse Tales) in Books
Nov 13, 2019
Another of the Red Grouse Tales, this is a story about a young couple who were infamous for having killed their baby. Told by someone who new them, it perhaps offers an explanation for their actions.
Matthew and Constance buy an old abandoned farmhouse and set about renovating it. All goes well despite the hard work. But something doesn't feel right about one of the courtyards and there is a strange carving in the barn. Only their friend Gabriel is able to offer them any advice but their situation just goes from bad to worse.
As with the other Red Grouse Tales there is a strong paranormal thread running through this story. Much darker in tone than the others, this provokes the reader to ask themselves who they believe in regards the killing of their baby, the word of Constance that dark forces are at work or the facts as common sense would dictate them.
As with the other stories in the collection the writing is clear and fluent, the characterisation sharp enough for the reader to sympathise with the couple despite knowing their eventual fate. The story is engrossing and gets more chilling as it reaches its conclusion
Matthew and Constance buy an old abandoned farmhouse and set about renovating it. All goes well despite the hard work. But something doesn't feel right about one of the courtyards and there is a strange carving in the barn. Only their friend Gabriel is able to offer them any advice but their situation just goes from bad to worse.
As with the other Red Grouse Tales there is a strong paranormal thread running through this story. Much darker in tone than the others, this provokes the reader to ask themselves who they believe in regards the killing of their baby, the word of Constance that dark forces are at work or the facts as common sense would dictate them.
As with the other stories in the collection the writing is clear and fluent, the characterisation sharp enough for the reader to sympathise with the couple despite knowing their eventual fate. The story is engrossing and gets more chilling as it reaches its conclusion
LeftSideCut (3778 KP) rated Get Out (2017) in Movies
Feb 18, 2020
Get Out is an incredibly strong directorial debut from Jordan Peele and is easily in the top tier of horror/thriller movies in the last few years.
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.
BankofMarquis (1832 KP) rated Hillbilly Elegy (2020) in Movies
Apr 14, 2021
Decent - with 3 strong female performances
Glenn Close is one of the most lauded Actresses of our time and her current streak of 7 Academy Award nominations without a win is a record. It would be ironic, indeed, if she would win her first Oscar with this, her 8th Oscar nomination, this time as Best Supporting Actress in HILLBILLY ELEGY.
Written by Vanessa Taylor and based on the book (and true story) by J.D. Vance, HILLBILLY ELEGY tells the tale of J.D. (naturally enough), who overcomes his impoverished roots and dysfunctional family background to become a star Law Student at Yale.
Gabriel Basso plays J.D. as the Law Student and he is just not charismatic enough to shine in this role especially as he goes up against 3 talented actresses that have PLENTY to sink their considerable acting chops into.
Close plays “Mamaw”, the grandmother of the clan. She is a no-nonsense, pragmatic matriarch that lives and breathes (through cigarette clogged lungs) “Family First”. It’s an interesting and strong performance by Close, but she does teeter into “Granny Clampett” territory at times for me. It’s a good performance…but the one that will finally get Close her Oscar? I don’t think so.
Amy Adams steals the movie as J.D.’s mother (and Mamaw’s daughter), Bev. She is (as we say in these parts) “a whole thing”. Her Bev is self-centered, clawing, desperate and constantly wondering why the world doesn’t give her the things that she is deserved. Nothing is EVER her fault and if you don’t believe me, just ask her. Adams’ performance is the strongest in this film and she never crosses the line into caricature.
One last moment of credit needs to be given to Haley Bennett as J.D.’s sister Lindsay, who is often the one stuck taking care of their Mother. When I first saw Bennett a few years back in 2016 in back to back strong performances in THE GIRL ON THE TRAIN and THE MAGNIFICENT SEVEN, I thought we were watching the emergence of a star. It’s good to see her on the screen again.
Credit for these performances must go the unlikely person helming this film, good ol’, reliable Ron Howard who’s workmanlike Directorial instincts and style lends itself very well to this, often told, type of story. It’s nothing flashy, but gets the job done.
And that pretty much sums up my feelings towards this film “nothing flashy, but gets the job done”, not the greatest film to come out in 2020 - but it is layered with 3 strong female performances by Adams, Bennett and Close so that makes this film one good enough to check out.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written by Vanessa Taylor and based on the book (and true story) by J.D. Vance, HILLBILLY ELEGY tells the tale of J.D. (naturally enough), who overcomes his impoverished roots and dysfunctional family background to become a star Law Student at Yale.
Gabriel Basso plays J.D. as the Law Student and he is just not charismatic enough to shine in this role especially as he goes up against 3 talented actresses that have PLENTY to sink their considerable acting chops into.
Close plays “Mamaw”, the grandmother of the clan. She is a no-nonsense, pragmatic matriarch that lives and breathes (through cigarette clogged lungs) “Family First”. It’s an interesting and strong performance by Close, but she does teeter into “Granny Clampett” territory at times for me. It’s a good performance…but the one that will finally get Close her Oscar? I don’t think so.
Amy Adams steals the movie as J.D.’s mother (and Mamaw’s daughter), Bev. She is (as we say in these parts) “a whole thing”. Her Bev is self-centered, clawing, desperate and constantly wondering why the world doesn’t give her the things that she is deserved. Nothing is EVER her fault and if you don’t believe me, just ask her. Adams’ performance is the strongest in this film and she never crosses the line into caricature.
One last moment of credit needs to be given to Haley Bennett as J.D.’s sister Lindsay, who is often the one stuck taking care of their Mother. When I first saw Bennett a few years back in 2016 in back to back strong performances in THE GIRL ON THE TRAIN and THE MAGNIFICENT SEVEN, I thought we were watching the emergence of a star. It’s good to see her on the screen again.
Credit for these performances must go the unlikely person helming this film, good ol’, reliable Ron Howard who’s workmanlike Directorial instincts and style lends itself very well to this, often told, type of story. It’s nothing flashy, but gets the job done.
And that pretty much sums up my feelings towards this film “nothing flashy, but gets the job done”, not the greatest film to come out in 2020 - but it is layered with 3 strong female performances by Adams, Bennett and Close so that makes this film one good enough to check out.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated Escape from Eden in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I've always been drawn to books that deal with cults, so when Escape from Eden by Elisa Nader came up for review, I was overjoyed! Luckily, I wasn't disappointed.
I love the synopsis of the book, and I think it's spot on, so I won't bore you with the blurb in my own words.
The title definitely suits the book as Gabriel and Mia are actually trying to escape. It's definitely an intriguing title and one that caught my attention.
I wasn't sold on the cover to begin with, but after awhile, it grew on me. I like the photo of Mia peeking out behind some kind of bush. It definitely sets the tone of the story.
The world building, overall, was really fantastically written, and I found myself instantly drawn into the book. However, I did wonder how Mia, a girl whose been in a compound since the age of 10 with no links to the outside world, knew about sex. Maybe she picked it up from other members, I don't know, but that question kept gnawing at me.
The pacing of this book did start out a bit slow for my liking, and I was wondering if this book would end up on my DNF (did not finish) pile. Luckily, after the first few chapters, the pacing picks up immensely, and it becomes hard to put this book down.
I loved the plot! Although plots about people trying to escape a cult aren't new, Nader did an excellent job at keeping the plot original. There aren't any major plot twists, but it doesn't matter. This book doesn't need them because it is just that good! The author also does a fantastic job of incorporating a bit of romance without it overshadowing the major plot point. Since I'm a Christian, I must admit that I was a little worried this book would belittle religion and/or God, but after reviewing the book, I didn't find anything offensive in it which was a relief.
I felt as if the characters were written really well. I loved Mia, and although I didn't connect with her right at first, I began to slowly love and care for her. I admired her courage even when she was vulnerable. I also loved Gabriel and the dry humor he brought to the story. I couldn't help but love him! Even mean girl Bridgette was written fantastically!
The dialogue was fantastic and flowed smoothly with the exception of the little bit of some info dump at the beginning of the book. The character interactions never felt forced or weak. There are a few swear words in this book though, so be forewarned if you''re not a fan of swearing.
Overall, Escape from Eden is a fantastic read once you get past the first few chapters. I loved how fantastic the characters were and how great the story line was written!
I'd recommend this book to those aged 16+ who want to read about strong characters and a fascinating plot that will leave you breathless.
(I received a free hardback copy of this title from the author in exchange for a fair and honest review).
I've always been drawn to books that deal with cults, so when Escape from Eden by Elisa Nader came up for review, I was overjoyed! Luckily, I wasn't disappointed.
I love the synopsis of the book, and I think it's spot on, so I won't bore you with the blurb in my own words.
The title definitely suits the book as Gabriel and Mia are actually trying to escape. It's definitely an intriguing title and one that caught my attention.
I wasn't sold on the cover to begin with, but after awhile, it grew on me. I like the photo of Mia peeking out behind some kind of bush. It definitely sets the tone of the story.
The world building, overall, was really fantastically written, and I found myself instantly drawn into the book. However, I did wonder how Mia, a girl whose been in a compound since the age of 10 with no links to the outside world, knew about sex. Maybe she picked it up from other members, I don't know, but that question kept gnawing at me.
The pacing of this book did start out a bit slow for my liking, and I was wondering if this book would end up on my DNF (did not finish) pile. Luckily, after the first few chapters, the pacing picks up immensely, and it becomes hard to put this book down.
I loved the plot! Although plots about people trying to escape a cult aren't new, Nader did an excellent job at keeping the plot original. There aren't any major plot twists, but it doesn't matter. This book doesn't need them because it is just that good! The author also does a fantastic job of incorporating a bit of romance without it overshadowing the major plot point. Since I'm a Christian, I must admit that I was a little worried this book would belittle religion and/or God, but after reviewing the book, I didn't find anything offensive in it which was a relief.
I felt as if the characters were written really well. I loved Mia, and although I didn't connect with her right at first, I began to slowly love and care for her. I admired her courage even when she was vulnerable. I also loved Gabriel and the dry humor he brought to the story. I couldn't help but love him! Even mean girl Bridgette was written fantastically!
The dialogue was fantastic and flowed smoothly with the exception of the little bit of some info dump at the beginning of the book. The character interactions never felt forced or weak. There are a few swear words in this book though, so be forewarned if you''re not a fan of swearing.
Overall, Escape from Eden is a fantastic read once you get past the first few chapters. I loved how fantastic the characters were and how great the story line was written!
I'd recommend this book to those aged 16+ who want to read about strong characters and a fascinating plot that will leave you breathless.
(I received a free hardback copy of this title from the author in exchange for a fair and honest review).
BackToTheMovies (56 KP) rated Child's Play (2019) in Movies
Jun 21, 2019
After moving to a new city, young Andy Barclay receives a special present from his mother. A seemingly innocent Buddi doll that becomes his best friend. When the doll suddenly takes on a life of its own, Andy unites with other neighborhood children to stop the sinister toy from wreaking bloody havoc.
For months I’ve been hating on this reboot. Whilst I still don’t necessarily agree with the politics of how this film came to be. I left the theatre quite surprised at how much I enjoyed this movie. Child’s Play is reimagined for a modern generation. Whilst this film is an alternate timeline twist to the original it still manages to throw in that classic Chucky humor we all know and love. Here’s my Child’s Play 2019 review.
Lars Klevberg tells the story of Buddi, an artificial intelligence robot that can control your home appliances and become your best friend. He will play with you, interact with you like a real human being and you can do activities together. After a man is fired at the Buddi factory he reprograms one of the dolls to disobey its commands and the reign of Chucky begins when it falls into the hands of young Andy (Gabriel Bateman) given to him as a present by his mum Karen (Aubrey Plaza). What follows is a thoroughly enjoyable feature that flies by. Chucky’s murderous rage ramps up to artificial intelligence warfare with epic results.
Disregarding the original storyline of a serial killer whose soul inhabits a Good Guys doll the new Child’s Play tells a more chilling tale. The movie runs a very close to home social commentary about our reliance on technology and the implications that could follow. Buddi is your walking, talking Amazon Echo. Every home device is controlled at his fingertips from TV’s to telephones and even as far as automated cars. You can only imagine the terror that unfolds as Chucky learns to utilize his technological surroundings for evil.
Chucky starts off innocent enough. He’s programmed to be Andy’s best friend but what starts out as a unique interaction between boy and robot instantly changes when Chucky becomes sentient. Influenced by those around him and watching horror movies with Andy suddenly Buddi becomes more sinister in nature. Instead of a treasured companion, Chucky becomes possessive and will protect Andy by any means necessary. Quite the different approach from that of previous installments. Even when Chucky begins his reign of terror Andy is still loyal to him to some degree. Whilst he cannot understand why Chucky is doing the things he does there’s a loneliness about Andy’s character that almost seems to justify Chucky’s behavior. He doesn’t agree with it but at the same time, he has a friend, albeit a murderous little rampaging doll.
Child’s Play has some incredible humour mixed in throughout which allows the film to flow freely. Whilst Seed of Chucky and Bride of Chucky had free-speaking souls it’s harder to convey this type of humour within a robotic doll. Instead, the doll spills one-liners and is influenced by those around him leading to some comical results. Chucky’s infamous one-liners come to the fold and various facial expressions on the doll are hysterical.
The vocal work and comedic delivery from Mark Hamil is nothing short of wonderful. There is nothing this man cannot do. The force is strong with him even in a Chucky movie. Whilst more robotic in nature the way the lines are delivered with such dry-pan straight-faced edge is just brilliant. But once again we cannot compare this new Chucky to the sublime work of Brad Dourif. Brad is delivering dialogue as a human being whereas Mark is delivering lines as a robotic entity. They just cannot be compared and it would be a stupid comparison to make. All in all the voice work is great It’s just a shame I can’t take this ugly doll seriously for one second!
Whoever designed the Buddi doll in pre-production needs a serious talking to! I’m not quite sure what look they were going for with this but it certainly isn’t a good one. The film becomes even more of a comedy the more you look at it. The old dolls had that look of innocence in the originals, this one is just so damn weird. I can’t picture a production meeting where everyone in the room agreed that this is the final look of the doll without intense laughing involved. It’s like the production team are openly fucking with us. No one on this planet can take this doll seriously and for me, Child’s Play is way more of a comedy than it will ever be a horror movie.
For the most part, casting within Child’s Play is very strong. Gabriel Bateman (Andy) puts in a strong performance single-handedly carrying the film. Brian Tyree Henry (Mike) who plays a neighbor/detective is also a nice comedic relief within the feature. Ty Consiglio, Beatrice Kitsos and Carlease Burke also play strong supporting roles. Where casting failed for me however was Aubrey Plaza. I’ve seen Aubrey in comedies where her humor never really hits home in any roles she’s in.
Arrogant and annoying in many roles this cookie cutter casting has her playing the same role in every film she’s in. Playing Andy’s mum in this film doesn’t work for me whatsoever. There’s no conviction, no depth, no family dynamic feel of any sort. She almost plays an annoying older sister rather than a mother. Thankfully, she doesn’t play a key role as such to Andy’s arc and thus I can overlook her involvement as such. I think Aubrey should have played a sister role or similar, it would have played to her on-screen strengths.
When Chucky starts killing is when this movie comes into its own. It has nothing to compare it to previous Chucky films. Our new technologically manipulative little doll runs havoc on the millennial generation of mobile phone and gadget addicted humans. The death scenes are gory and for the most part, all have comedy elements to them. Whilst the kills are unimaginative it’s how Chucky delivers those kills that really add that star gore power to proceedings.
Endearing, gory and mostly hilarious. The contrast of tone in Child’s Play may even persuade the die-hard fans to enjoy this one. It shouldn’t really be compared to the originals in any way shape or form although it does have an 80’s flair to it. Child’s Play has taken a new direction but has stayed relevant to modern times and whilst it’s taking a different path than the upcoming TV series, it’s safe to say Chucky really is back!
Thanks for checking out my Child’s Play 2019 review. I hope you enjoy it as much as I did!
https://backtothemovies.com/childs-play-2019-review/
For months I’ve been hating on this reboot. Whilst I still don’t necessarily agree with the politics of how this film came to be. I left the theatre quite surprised at how much I enjoyed this movie. Child’s Play is reimagined for a modern generation. Whilst this film is an alternate timeline twist to the original it still manages to throw in that classic Chucky humor we all know and love. Here’s my Child’s Play 2019 review.
Lars Klevberg tells the story of Buddi, an artificial intelligence robot that can control your home appliances and become your best friend. He will play with you, interact with you like a real human being and you can do activities together. After a man is fired at the Buddi factory he reprograms one of the dolls to disobey its commands and the reign of Chucky begins when it falls into the hands of young Andy (Gabriel Bateman) given to him as a present by his mum Karen (Aubrey Plaza). What follows is a thoroughly enjoyable feature that flies by. Chucky’s murderous rage ramps up to artificial intelligence warfare with epic results.
Disregarding the original storyline of a serial killer whose soul inhabits a Good Guys doll the new Child’s Play tells a more chilling tale. The movie runs a very close to home social commentary about our reliance on technology and the implications that could follow. Buddi is your walking, talking Amazon Echo. Every home device is controlled at his fingertips from TV’s to telephones and even as far as automated cars. You can only imagine the terror that unfolds as Chucky learns to utilize his technological surroundings for evil.
Chucky starts off innocent enough. He’s programmed to be Andy’s best friend but what starts out as a unique interaction between boy and robot instantly changes when Chucky becomes sentient. Influenced by those around him and watching horror movies with Andy suddenly Buddi becomes more sinister in nature. Instead of a treasured companion, Chucky becomes possessive and will protect Andy by any means necessary. Quite the different approach from that of previous installments. Even when Chucky begins his reign of terror Andy is still loyal to him to some degree. Whilst he cannot understand why Chucky is doing the things he does there’s a loneliness about Andy’s character that almost seems to justify Chucky’s behavior. He doesn’t agree with it but at the same time, he has a friend, albeit a murderous little rampaging doll.
Child’s Play has some incredible humour mixed in throughout which allows the film to flow freely. Whilst Seed of Chucky and Bride of Chucky had free-speaking souls it’s harder to convey this type of humour within a robotic doll. Instead, the doll spills one-liners and is influenced by those around him leading to some comical results. Chucky’s infamous one-liners come to the fold and various facial expressions on the doll are hysterical.
The vocal work and comedic delivery from Mark Hamil is nothing short of wonderful. There is nothing this man cannot do. The force is strong with him even in a Chucky movie. Whilst more robotic in nature the way the lines are delivered with such dry-pan straight-faced edge is just brilliant. But once again we cannot compare this new Chucky to the sublime work of Brad Dourif. Brad is delivering dialogue as a human being whereas Mark is delivering lines as a robotic entity. They just cannot be compared and it would be a stupid comparison to make. All in all the voice work is great It’s just a shame I can’t take this ugly doll seriously for one second!
Whoever designed the Buddi doll in pre-production needs a serious talking to! I’m not quite sure what look they were going for with this but it certainly isn’t a good one. The film becomes even more of a comedy the more you look at it. The old dolls had that look of innocence in the originals, this one is just so damn weird. I can’t picture a production meeting where everyone in the room agreed that this is the final look of the doll without intense laughing involved. It’s like the production team are openly fucking with us. No one on this planet can take this doll seriously and for me, Child’s Play is way more of a comedy than it will ever be a horror movie.
For the most part, casting within Child’s Play is very strong. Gabriel Bateman (Andy) puts in a strong performance single-handedly carrying the film. Brian Tyree Henry (Mike) who plays a neighbor/detective is also a nice comedic relief within the feature. Ty Consiglio, Beatrice Kitsos and Carlease Burke also play strong supporting roles. Where casting failed for me however was Aubrey Plaza. I’ve seen Aubrey in comedies where her humor never really hits home in any roles she’s in.
Arrogant and annoying in many roles this cookie cutter casting has her playing the same role in every film she’s in. Playing Andy’s mum in this film doesn’t work for me whatsoever. There’s no conviction, no depth, no family dynamic feel of any sort. She almost plays an annoying older sister rather than a mother. Thankfully, she doesn’t play a key role as such to Andy’s arc and thus I can overlook her involvement as such. I think Aubrey should have played a sister role or similar, it would have played to her on-screen strengths.
When Chucky starts killing is when this movie comes into its own. It has nothing to compare it to previous Chucky films. Our new technologically manipulative little doll runs havoc on the millennial generation of mobile phone and gadget addicted humans. The death scenes are gory and for the most part, all have comedy elements to them. Whilst the kills are unimaginative it’s how Chucky delivers those kills that really add that star gore power to proceedings.
Endearing, gory and mostly hilarious. The contrast of tone in Child’s Play may even persuade the die-hard fans to enjoy this one. It shouldn’t really be compared to the originals in any way shape or form although it does have an 80’s flair to it. Child’s Play has taken a new direction but has stayed relevant to modern times and whilst it’s taking a different path than the upcoming TV series, it’s safe to say Chucky really is back!
Thanks for checking out my Child’s Play 2019 review. I hope you enjoy it as much as I did!
https://backtothemovies.com/childs-play-2019-review/