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A list of Neil Gaiman's top 5 favorite movies to watch from Rotten Tomatoes! https://editorial.rottentomatoes.com/article/neil-gaiman-s-five-favorite-films/
Beauty and the Beast (1946)
6.4
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Movie
A beautiful young woman takes her father's place as the prisoner of a mysterious beast, who wishes...
If... (1968)
7.5
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Movie
In this allegorical story, a revolution led by pupil Mick Travis takes place at an old established...
Entertainment Editor (1988 KP) created a video about track Rest by Charlotte Gainsbourg in Rest by Charlotte Gainsbourg in Music
Oct 15, 2017
Haley Mathiot (9 KP) rated Birthmarked (Birthmarked, #1) in Books
Apr 27, 2018
Gaia is a midwife, apprentice to her mother. But her job is not just to deliver the babies: it’s to take the first three of the month to the city within the wall away from their families, to “Advance” them and let them join the government there. Gaia has never questioned the government—until she has to advance a baby herself, until her innocent parents are taken away, until she sees the injustice that happens behind the wall… Gaia’s only wish is to get her parents back, safely outside the wall, and then flee to the Dead Forest—which may or may not exist—but when she finally gets in, a series of events makes her question what is really right, who she loves, and what she lives for.
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
Xanderath (690 KP) rated FINAL FANTASY Ⅸ in Apps
Aug 25, 2019 (Updated Aug 25, 2019)
I look for yummy yummies
One of the best JRPG's of the playstation era, set on Gaia, the hero Zidane starts a whirlwind adventure by kidnapping a princess. The friends and discoveries made on the way are a truly emotional ride. The music is masterful and the cutscenes were very well done for the platform. I have come back to this game many times, with all the side quests and mini games there is so much to do its possible to find something new after multiple playthroughs. Many hours i spent as a child playing this wondrous creation in the golden era of Square. Brilliant game i would highly recommend.
Red Otter (340 KP) rated Gaia Project in Tabletop Games
Aug 20, 2019
Gaia Project is one of the pillars of the Euro-style games. It's an iteration/retheming of Terra Mystica, changing from fantasy to sci-fi. Every player takes a faction that follows the basic rules, but each have different preferred planets, starting bonuses, and abilities. GP follows the standard tropes of Euros in there is no take-that player interaction. You can block people off, use a once-per-round action before them. But you won't be able to directly attack them of course.
Every game is different. The Round staring bonus, round scoring bonus, layout of technologies to research, and even the map differ from game to game, an improvement upon Terra mystica.
This is a game that rewards multiple playthroughs, by understanding your factions strengths, you can focus on a multitude of ways to score, ensuring that Evey path to victory is a little bit different.
Every game is different. The Round staring bonus, round scoring bonus, layout of technologies to research, and even the map differ from game to game, an improvement upon Terra mystica.
This is a game that rewards multiple playthroughs, by understanding your factions strengths, you can focus on a multitude of ways to score, ensuring that Evey path to victory is a little bit different.
Lyndsey Gollogly (2893 KP) rated Viper: The Prophecy (Odins Wolves 2) in Books
Oct 19, 2023
155 of 235
Kindle
Viper :The Prophecy (Odins Wolves MC 2)
By Candi Fox
⭐️⭐️⭐️
Gaia. the mother of all created a werewolf shifter class to serve as guardians. To avoid war, Gaia gifted those that answered the call to Odin, who infused the warriors with immortality creating a class of demigods who fight for justice.
20 years ago, the world found out that humans were not the only Earth dwellers. Now Dark Fae and Shifters live in the light.
Logan Haagan: Viper, Viking demigod, and retired Dallas police officer will join his brothers in White Horse, OK as part of the OWMC who will work to exact justice when the law can’t. Before leaving Dallas, Viper sees Lady Death fight in an underground ring. The fight has mafia ties and ruthlessly pits all manner of dark fae creatures often encouraging the death of the loser.
Billie, Lady Death has been fighting for the Tromlui capo, Cayum since she was a teenager. She becomes a champion of the ring and wants nothing more than to win her contract back and help her friend who is being threatened. Viper and Synne, a dark fae, work to get her released, but Cayum is not easily discouraged and will stop at nothing to keep Billie right where he wants her.
Viper and Billie are sent to New Orleans to uncover a curse, unearth an ancient vampire relic, and discover an age-old prophecy that will change everything...
Don’t miss this epic tale of myths, justice, and prophecy.
I did enjoy this one but think I was expecting to feel the same as I did about book 1 and I didn’t. The world building is really good with complex characters and storylines. Loved catching up with Odins wolves and finding other creatures especially loving Deaths identity . Also a gator shifter that’s a first for me too!
Kindle
Viper :The Prophecy (Odins Wolves MC 2)
By Candi Fox
⭐️⭐️⭐️
Gaia. the mother of all created a werewolf shifter class to serve as guardians. To avoid war, Gaia gifted those that answered the call to Odin, who infused the warriors with immortality creating a class of demigods who fight for justice.
20 years ago, the world found out that humans were not the only Earth dwellers. Now Dark Fae and Shifters live in the light.
Logan Haagan: Viper, Viking demigod, and retired Dallas police officer will join his brothers in White Horse, OK as part of the OWMC who will work to exact justice when the law can’t. Before leaving Dallas, Viper sees Lady Death fight in an underground ring. The fight has mafia ties and ruthlessly pits all manner of dark fae creatures often encouraging the death of the loser.
Billie, Lady Death has been fighting for the Tromlui capo, Cayum since she was a teenager. She becomes a champion of the ring and wants nothing more than to win her contract back and help her friend who is being threatened. Viper and Synne, a dark fae, work to get her released, but Cayum is not easily discouraged and will stop at nothing to keep Billie right where he wants her.
Viper and Billie are sent to New Orleans to uncover a curse, unearth an ancient vampire relic, and discover an age-old prophecy that will change everything...
Don’t miss this epic tale of myths, justice, and prophecy.
I did enjoy this one but think I was expecting to feel the same as I did about book 1 and I didn’t. The world building is really good with complex characters and storylines. Loved catching up with Odins wolves and finding other creatures especially loving Deaths identity . Also a gator shifter that’s a first for me too!
Kirk Bage (1775 KP) rated Mother! (2017) in Movies
Mar 3, 2020
Pretentious. Is a word that sends shivers down my spine much more than any pseudo horror movie. It conveys the idea that the creator of a work is out of control, resorting to shock value over intelligent content. If the creator meant it all, then it is not pretentious, only dangerous.
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…