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In the Heart of the Sea: The Tragedy of the Whaleship Essex
In the Heart of the Sea: The Tragedy of the Whaleship Essex
Nathaniel Philbrick | 2015 | History & Politics
(0 Ratings)
Book Favorite

"Many years ago I was boarding a plane to Las Vegas, planning on doing two things I really enjoyed: gambling and reviewing All-You–Can-Eat buffets (I was young. Thankfully, I got both habits out of my system.). Also boarding was a large passenger sneezing and wheezing. Here was someone who desperately needed a bowl of chicken soup and a flight refund. While he squeezed his way down the aisle looking for his seat, everyone on the plane was thinking the same thing I was—I hope he doesn’t sit next to me. As he settled in next to me, I imagined the worst. Needless to say, by the end of the flight, we not only became friends who still keep in touch twenty years later, but he recommended a book which changed my life. During the flight, he sold me on In the Heart of the Sea by Nathaniel Philbrick. I asked my mom for this book for Christmas and as my Vegas friend promised, the book was extraordinary. So much so, it convinced me to write my own. Up until that point, I wrote comedy pieces and columns in publications but never anything long form. Speed up to today—20 years later—In the Heart of the Sea has been adapted into a movie and now that I’ve finished my current project (Footnotes from the World’s Greatest Bookstores), I plan to publish that illustrated novel inspired by my favorite book. Called The Sea Below Us, it’s a black comedy about the missing Sir John Franklin. I sent a manuscript to Nathaniel Philbrick—whom I have also met and kept in touch with over the years—and thanked him for the inspiration his book provided. He loved the manuscript."

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Daughters of Night
Daughters of Night
Laura Shepherd-Robinson | 2021 | Fiction & Poetry, Mystery, Thriller
10
10.0 (1 Ratings)
Book Rating
Daughters of Night is set in Georgian London, not a period that I’ve read that much about. I love a good historical novel, and this is definitely one of the good ones! There’s loads of really interesting, accurate (it seems to me!)historical detail, and the characters are well developed people that I wanted to find out more about.
It was surprising that Caro Corsham could investigate a death and a disappearance herself, but I suppose with money and status comes a little freedom - and her husband isn’t in the country for the vast majority of the book. Caro’s thief taker, Peregrine Child, is a great character. A complex man, he wants to do what’s right, despite the fact that he’s paid to do so. He comes with his own set of problems: drinking, gambling, he owes money to the wrong people (if there are ‘right’ ones, I don’t know!), but I really had the impression throughout that he had empathy for the prostitute he was looking for. He realises that these women don’t always choose to do the job, and when they do, it’s because there’s little other choice.
This is a big book, and I listened to it on Audible, so it was a lot of hours - but it didn’t seem that way. The narrator, Lucy Scott, was really engaging, and her different voices were discernible from one another. I’ve done this a couple of times recently with my NetGalley books: I realise that there are some books that just really lend themselves well to being read aloud - and it’s a far more entertaining way to get ready for work or to cook dinner!
I loved this book, and I’d highly recommend it - either in book or audible form!
  
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Ben Foster recommended Husbands (1970) in Movies (curated)

 
Husbands (1970)
Husbands (1970)
1970 | Classics, Comedy, Drama
10.0 (1 Ratings)
Movie Favorite

"Male camaraderie, male love, is a difficult subject to show on film. What does it mean to have one of your best friends pass away? When that unit dies, how do you deal with it? I’m not a married man but I’m sure that when I’m married and have kids I’ll see Husbands in a new light. It’s regular guys trying to make sense of this life, having a good time while they’re doing it; running from their own lives and trying to distract themselves with hookers and gambling and drinking, and they all have families to go back to. They just don’t wanna leave the party. It’s male camaraderie at its most loving and brutal: these guys are terrible to each other, but they’d do anything for each other, and that kind of friendship, those values, mean a lot to me. The way they shot the film, the way they lost funding — there’re these wild stories of how to make a movie that you care about. They lost financing. As the story goes, they put the last bit of money — and they’re half way through the film, they’ve been shooting for six months — they put all the money to throw a party. They got dancers and girls and piano players and I think there was like an elephant, and they invited all these studio heads to come to this party sequence that they were filming — and when they studio saw the scene they said, “This movie’s huge, it’s wild, we’ll cover the rest of the film.” They got the rest of the financing. The scene’s not in the movie — it was never planned to be. So that spirit still excites me. The camaraderie feels familiar."

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