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    Withered

    Amy Miles

    (0 Ratings) Rate It

    Book

    I always thought when the apocalypse finally began I would be swinging my baseball bat at the...

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Charlie Cobra Reviews (1840 KP) rated Good Boys (2019) in Movies

Jul 7, 2020  
Good Boys (2019)
Good Boys (2019)
2019 | Comedy
8
7.4 (21 Ratings)
Movie Rating Watch
South Park Meets Super Bad In This Summer Comedy
Good Boys is a 2019 comedy movie directed by Gene Stupnitsky and written by Stupnitsky and Lee Eisenberg. Seth Rogen and Evan Goldberg served as producers under their Point Grey Pictures production company. It was also produced by Good Universe and Quantity Entertainment and distributed by Universal Pictures. The film stars Jacob Tremblay, Keith L. Williams, and Brady Noon.


Entering 6th grade and dealing with their own personal problems, friends Max, Thor and Lucas are presented with the opportunity to attend a party thrown by the popular kids. However nervous that this will be their first "kissing" party, Max and his friends lose his dad's valuable drone while spying on his neighbor Hannah to learn more about kissing. And their journey to get it back is full of chaos and shenanigans they likes of which they are not prepared for.


Now this movie was really funny and had me laughing. Man it got me reminiscing about how my friends and I were pretty much our own version of the gang from South Park. What I enjoyed the most was that the movie had a great way of showing the kids struggle to understand things that you would think they would know because of how they act older by cussing and talking about other adult stuff. I really liked their group dynamic and the acting from them was really top notch. This movie really made me laugh but also made me miss my group of friends that I grew up with and used to hang out with all the time. I give this movie an 8/10 and say that if you are looking for something to make you laugh, then you need to check out this movie.
  
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Alexis Taylor recommended Hard to Earn by Gang Starr in Music (curated)

 
Hard to Earn by Gang Starr
Hard to Earn by Gang Starr
1994 | Rock
(0 Ratings)
Album Favorite

"When I was growing up, hip-hop was pretty new. My oldest brother was really into it. Also, we had MTV from about 1990 onwards, so you'd see all these different people - A Tribe Called Quest, Public Enemy and Gang Starr - just became a soundtrack to whatever we were doing. I picked that one because I love DJ Premier's production, but also Guru's voice. I'm a big fan of the experimentation within hip-hop. Nowadays, people feel hip-hop has gone mainstream or whatever, but at that time, people were making records that were sampling very out there, experimental music, but combining them with parts from classical or jazz recordings, resulting in this very dense collage of sounds that is at times not even very melodic, but it's always got an amazing groove to it. It was those aspects in combination with Guru's voice, I just found it really inventive and exciting. Also, I would listen to it, and want to know where the samples had come from, and then I would go on missions to try and track things down. I think there was a Monk Higgins sample used on the track, 'Code Of The Streets', and that's just very alien-sounding. It's very basic, but it uses this beautiful violin part all the way through the track. They must have just been listening to such a wide variety of music, and what they've come out with is much more interesting that what came out post that era of hip-hop. You get some songs where there's a whole song taken, with just new lyrics added on. Back then though, there would have been as many as forty songs sampled in one song sometimes."

Source
  
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Alex Kapranos recommended It Takes a Nation of Millions to Hold Us Back by Public Enemy in Music (curated)

 
It Takes a Nation of Millions to Hold Us Back by Public Enemy
It Takes a Nation of Millions to Hold Us Back by Public Enemy
1988 | Rock
8.0 (3 Ratings)
Album Favorite

"I got to love this album when I was 18, working in a second hand clothes shop in Glasgow, where one of the guys I worked with played it constantly. It was the first time I had heard music that felt like genuine contemporary protest music. The combination of Chuck D’s informed eloquence and unashamed confrontational stance was so potent. Here was a guy name-checking Martin Luther King and Malcolm X in the same breath as Coltrane and Anthrax. It was revolutionary in every sense. It felt dangerous. These guys had the FBI tapping their phones and were taking on the behemoth of the US establishment. While in retrospect the S1Ws may be the campest paramilitaries in history, the imagery of guerrilla conflict intensified the sense of resisting persecution. Like the best groups, it felt like a gang, too. Flav the joker, Chuck the boss, Terminator-X voiceless, but ever-present. Tight. Then there was the music. That fragmented repetition. Those bursts of brass and breakbeats, squealing like sirens against stolen guitars. Amazing. It didn’t sound like anything else. While Chuck D and his cartoon foil Flavor Flav had the lyrical articulacy, Terminator-X, Professor Griff and the Bomb Squad matched it musically. Their imagination was in context – how to take something from its original context, place it against something else out of context to create something way more powerful than either in isolation. In many ways, I still see this LP as the pinnacle of rap. Of course it is of its time and sonic trends advanced, but for sheer inventiveness and lyricism it has never been matched. It felt like rap was violently booting the world into a better direction – a brief flash of genius before it became mired in the vocabulary of egoism, misogyny and avarice. There have been great pinnacles since, but nothing matches this moment."

Source
  
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LoganCrews (2861 KP) rated The Full Monty (1997) in Movies

Sep 20, 2020  
The Full Monty (1997)
The Full Monty (1997)
1997 | Comedy, Musical
2
7.3 (15 Ratings)
Movie Rating Watch
I'm sure it's sacrilege saying so, but I got absolutely nothing out of this - in fact I'm deathly sure I hated it. Not because it was exactly awful, per se - moreso because it was just so exhaustively timid, top to bottom. Seldom has a sex comedy ever been more self-conscious of itself, I sat in almost pure impatient silence the entire time waiting for it to end. I mean is it not enough that we rarely ever get to see these tiresome (less than) one note characters actually ever interact as a group? Or that even the overly-familiar sorta-half-jokes have to fizzle out before they're even delivered? And while we're at it, why is the direction so violently bland? And why is the film so indifferent about its own story while also trying to bolster it up as the main selling point? I mean there's hardly any stakes let alone momentum, nor even light fun because everyone just sort of "Yeah sure, whatever"s to everything that happens which is allegedly of consequence. Are we supposed to care? Basically the bone marrow of every sex comedy ever made, stripped down of all the meat and other fixings that made them funny/interesting/charming/memorable. Zero personality, and deliberately stops itself from having any anytime it threatens to use some. At best only mildly amusing, whatever made this entirely pedestrian British 'comedy' get shot up to Best Picture status over something like the mega superior 𝘓𝘰𝘤𝘬, 𝘚𝘵𝘰𝘤𝘬, 𝘢𝘯𝘥 𝘛𝘸𝘰 𝘚𝘮𝘰𝘬𝘪𝘯𝘨 𝘉𝘢𝘳𝘳𝘦𝘭𝘴 I will never grasp. The whole time I just wanted to see the "Always Sunny" gang or even the Broken Lizard troupe take a stab at this premise and give it the non-passive justice it deserves.