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Gareth von Kallenbach (980 KP) rated Monsters University (2013) in Movies
Aug 7, 2019
Monsters University brings Billy Crystal, John Goodman, and the whole gang back in what I can only describe as a huge win.
Twelve years after Disney and Pixar brought us the wildly successful Monsters Inc., Pixar finally follows up with this year’s must-see family movie, which comes to us in the form of a prequel.
Monsters University opens by showing us a very young Mike Wazowski, who gets lost on a school trip to a very familiar scare floor at Monsters Inc. After surviving a trip to the human realm, he receives a hat from one of the professional scarers, emblazoned with MU. From that point on, a wide-eyed Wazowski dedicates his life to getting into Monsters University.
Fast forward many years and Mike is at his first day of college. MU becomes the backdrop for the education, friendships, scare games, and destiny-setting events that lead into the original movie we already know and love.
I was a bit skeptical going in I was a fan of the original, but prequels are damned hard to pull off, and kid/family movies aren’t typically my preference. Fortunately, after the first 15 minutes, the humor started picking up. The writers, designers, and artists did a masterful job of combining kid-humor antics with adult humor. Like many Pixar films, it contains one-liners and inside jokes that require life experience to really appreciate. (There was nothing dirty, just more adult-themed quips.)
I was impressed by the pacing, the detail, and the seamless flow of the animation, not to mention the excellent voice talent. Crystal, Goodman, Nathan Fillion, Steve Buscemi, Helen Mirren, and all the other actors did top-notch work.
I do have two complaints. There was not one mention of Mike Wazowski’s parents. We don’t know who they were or what they did, nor did we even get a visual of what they looked like. In a world occupied by such a wide variety of monsters, my curiosity was piqued. Even more maddening was the repeated mention of James P (Sulley) Sullivan’s father, who was apparently a very famous scarer. Sully is repeatedly reminded of living up to the family name, yet we never see so much as a picture showcasing his family. Perhaps this was addressed in a scene that didn’t make it from storyboards to the final cut.
Those minor issues aside, Monsters University is done very well, and it is extremely entertaining. From the many laugh-out-loud moments to the solemn, tear-jerking scenes, this movie is a real win.
Twelve years after Disney and Pixar brought us the wildly successful Monsters Inc., Pixar finally follows up with this year’s must-see family movie, which comes to us in the form of a prequel.
Monsters University opens by showing us a very young Mike Wazowski, who gets lost on a school trip to a very familiar scare floor at Monsters Inc. After surviving a trip to the human realm, he receives a hat from one of the professional scarers, emblazoned with MU. From that point on, a wide-eyed Wazowski dedicates his life to getting into Monsters University.
Fast forward many years and Mike is at his first day of college. MU becomes the backdrop for the education, friendships, scare games, and destiny-setting events that lead into the original movie we already know and love.
I was a bit skeptical going in I was a fan of the original, but prequels are damned hard to pull off, and kid/family movies aren’t typically my preference. Fortunately, after the first 15 minutes, the humor started picking up. The writers, designers, and artists did a masterful job of combining kid-humor antics with adult humor. Like many Pixar films, it contains one-liners and inside jokes that require life experience to really appreciate. (There was nothing dirty, just more adult-themed quips.)
I was impressed by the pacing, the detail, and the seamless flow of the animation, not to mention the excellent voice talent. Crystal, Goodman, Nathan Fillion, Steve Buscemi, Helen Mirren, and all the other actors did top-notch work.
I do have two complaints. There was not one mention of Mike Wazowski’s parents. We don’t know who they were or what they did, nor did we even get a visual of what they looked like. In a world occupied by such a wide variety of monsters, my curiosity was piqued. Even more maddening was the repeated mention of James P (Sulley) Sullivan’s father, who was apparently a very famous scarer. Sully is repeatedly reminded of living up to the family name, yet we never see so much as a picture showcasing his family. Perhaps this was addressed in a scene that didn’t make it from storyboards to the final cut.
Those minor issues aside, Monsters University is done very well, and it is extremely entertaining. From the many laugh-out-loud moments to the solemn, tear-jerking scenes, this movie is a real win.
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Matthew Krueger (10051 KP) rated House of Frankenstein (1944) in Movies
Jun 18, 2020 (Updated Jun 18, 2020)
Get The Gang All Together: The Crossover
House of Frankenstein- is the ultimate monster crossover. It has Frankenstein, Dracula played by John Carradine, the Hunchback and the Wolf-Man played by Lon Chaney Jr. and a mad scientist played by Boris Karloff.
This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The plot: After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall.
Frankenstein Meets the Wolf Man (1943) had been the first on-screen pairing of two Universal Studios monsters, but The House of Frankenstein was the first multi-monster movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood—emphasized the multi-monster nature of the story.
The multi-monster approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. The House of Frankenstein marked Glenn Strange's debut as the monster. Strange, a former cowboy, had been a minor supporting player in dozens of low-budget Westerns over the preceding 15 years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.
Some continuity errors are evident in the finished film. After Dracula is thrown from the carriage, he looks over to where his coffin has landed; in a close-up, part of his mustache is gone. Also, when Talbot transforms into the Wolf Man for the final time, his hands lack fur.
Karloff's performance in this film is his last in Universal's classic horror cycle.
Its a fun entertaining movie starring the uninversal monsters.
This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The plot: After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall.
Frankenstein Meets the Wolf Man (1943) had been the first on-screen pairing of two Universal Studios monsters, but The House of Frankenstein was the first multi-monster movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood—emphasized the multi-monster nature of the story.
The multi-monster approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. The House of Frankenstein marked Glenn Strange's debut as the monster. Strange, a former cowboy, had been a minor supporting player in dozens of low-budget Westerns over the preceding 15 years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.
Some continuity errors are evident in the finished film. After Dracula is thrown from the carriage, he looks over to where his coffin has landed; in a close-up, part of his mustache is gone. Also, when Talbot transforms into the Wolf Man for the final time, his hands lack fur.
Karloff's performance in this film is his last in Universal's classic horror cycle.
Its a fun entertaining movie starring the uninversal monsters.
Eleanor Luhar (47 KP) rated The Rest of Us Just Live Here in Books
Jun 24, 2019
This is the second book I've read by Patrick Ness, the first being More Than This which I adored. So I was really looking forward to The Rest of Us Just Live Here, and I was not disappointed!
The theme of this novel was basically what if you're not the Chosen One? As in, what if you aren't the one who slays the vampires, or exorcises all the demons? What if you don't fall in love with a Goddess or an angel? What if you're just a regular kid, like Mike?
At the start of each chapter, there's a short summary of what's happening in the "main story" - the indie kids fighting the Immortals, saving the world and that kinda thing. But that's all we get of their story; the rest is dedicated to Mike and his friends and family, struggling to lead happy, normal lives.
Each character is so unique and realistic. This is the important bit. There are characters with OCD, alcoholic parents, eating disorders. All of them are so well developed and relatable (expect perhaps Jared, who happens to be 1/4 God of Cats). I just love how their lives are normal lives, and how that doesn't mean they don't get a book written about them. Okay, Henna and Mikey nearly die, Jared can heal people and they encounter blue-eyed creatures a few times, but for the most part they aren't the heroes. They are just people.
I loved how you could compare the normal lives of the gang to what's happening with the indie kids. You can see how certain things affect each group of people differently, and how everything changes what they do. Such as the ending with Finn #2, which decides Jared's fate and alters the indie kids' story completely.
The writing is sometimes a little simplistic, like the kind of thing you read when you're a pre-teen or something. But it's easy to read, and really does draw you in. I have a few other Ness books I'd like to read, and I really am loving his work so far.
As you may or may not know, I'm a sucker for books featuring mental health problems. Anxiety, OCD, anorexia... They need to be addressed! It's great seeing how Mike and his sister get on with their lives despite the problems they're facing, and how they get involved without being judged based on their issues. Like I said, this is a really honest book, which we really need! I'd say 4 stars for this; I love it, but it's not quite in my favourites.
The theme of this novel was basically what if you're not the Chosen One? As in, what if you aren't the one who slays the vampires, or exorcises all the demons? What if you don't fall in love with a Goddess or an angel? What if you're just a regular kid, like Mike?
At the start of each chapter, there's a short summary of what's happening in the "main story" - the indie kids fighting the Immortals, saving the world and that kinda thing. But that's all we get of their story; the rest is dedicated to Mike and his friends and family, struggling to lead happy, normal lives.
Each character is so unique and realistic. This is the important bit. There are characters with OCD, alcoholic parents, eating disorders. All of them are so well developed and relatable (expect perhaps Jared, who happens to be 1/4 God of Cats). I just love how their lives are normal lives, and how that doesn't mean they don't get a book written about them. Okay, Henna and Mikey nearly die, Jared can heal people and they encounter blue-eyed creatures a few times, but for the most part they aren't the heroes. They are just people.
I loved how you could compare the normal lives of the gang to what's happening with the indie kids. You can see how certain things affect each group of people differently, and how everything changes what they do. Such as the ending with Finn #2, which decides Jared's fate and alters the indie kids' story completely.
The writing is sometimes a little simplistic, like the kind of thing you read when you're a pre-teen or something. But it's easy to read, and really does draw you in. I have a few other Ness books I'd like to read, and I really am loving his work so far.
As you may or may not know, I'm a sucker for books featuring mental health problems. Anxiety, OCD, anorexia... They need to be addressed! It's great seeing how Mike and his sister get on with their lives despite the problems they're facing, and how they get involved without being judged based on their issues. Like I said, this is a really honest book, which we really need! I'd say 4 stars for this; I love it, but it's not quite in my favourites.
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Debbiereadsbook (1362 KP) rated The Devil in Books
Mar 6, 2022
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
A rare male Omega, Skylar becomes The Devil, an outlaw. Horace, an Alpha, is the Pinkerton tasked to capture him, and bring him in, dead or alive.
So, first things first.
This book is translated from Italian. English is my first (and only!) language and in places, it comes across as very proper. There is no slang, or abbreviations. Its all very correct, mind, just very PROPER. It does make for a slow read, for me, cos my mind was making it more . . .what's the word . . . . .common? I suppose that's the best fit. I kept translating the very proper English, into everyday.
It was, however, a very good read! I liked it, quite a lot.
Horace is Alpha, and a Pinkerton, and needs to bring in Skylar. But something about Sky's picture and then his scent throws Horace. He can't give the man up. Sky doesn't want an Alpha for his heat, he'll ride it out like always. But this heat is particularly bad, and Horace arrives at the right time. It's primal, their first mating.
I liked that things with Sky's gang aren't fully explained at first. It all comes out, just not in one go. It does take a little bit of time for things to fully be explained though, and I did manage to put some of the clues together correctly (for a change!)
I liked the world building, that Alphas and Omegas (both male and female) were dying out, given how the female Omegas were now treated. Betas are the dominant type. I liked that the war ran sorta along side the American civil war, that sort of time line.
It's well written and, proper speak aside, well delivered. It's short and steamy and both Horace and Sky get a say.
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
I should mention, but it in no way affected my reading, is the formatting is slightly different to a standard form. It just looks different, is all. I know that some people have issues with stuff like that, and so I thought knowing ahead of time would make it easier. It certainly helped that I was given a heads up.
First I've read of these two authors, I will certainly read more.
4 good, but very proper, stars
*same worded review will appear elsewhere
A rare male Omega, Skylar becomes The Devil, an outlaw. Horace, an Alpha, is the Pinkerton tasked to capture him, and bring him in, dead or alive.
So, first things first.
This book is translated from Italian. English is my first (and only!) language and in places, it comes across as very proper. There is no slang, or abbreviations. Its all very correct, mind, just very PROPER. It does make for a slow read, for me, cos my mind was making it more . . .what's the word . . . . .common? I suppose that's the best fit. I kept translating the very proper English, into everyday.
It was, however, a very good read! I liked it, quite a lot.
Horace is Alpha, and a Pinkerton, and needs to bring in Skylar. But something about Sky's picture and then his scent throws Horace. He can't give the man up. Sky doesn't want an Alpha for his heat, he'll ride it out like always. But this heat is particularly bad, and Horace arrives at the right time. It's primal, their first mating.
I liked that things with Sky's gang aren't fully explained at first. It all comes out, just not in one go. It does take a little bit of time for things to fully be explained though, and I did manage to put some of the clues together correctly (for a change!)
I liked the world building, that Alphas and Omegas (both male and female) were dying out, given how the female Omegas were now treated. Betas are the dominant type. I liked that the war ran sorta along side the American civil war, that sort of time line.
It's well written and, proper speak aside, well delivered. It's short and steamy and both Horace and Sky get a say.
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
I should mention, but it in no way affected my reading, is the formatting is slightly different to a standard form. It just looks different, is all. I know that some people have issues with stuff like that, and so I thought knowing ahead of time would make it easier. It certainly helped that I was given a heads up.
First I've read of these two authors, I will certainly read more.
4 good, but very proper, stars
*same worded review will appear elsewhere