"One of my Mum’s favourite bands is Bread, who I can’t stand, I just don’t like them at all, but as a redeeming feature their singer David Gates wrote and produced ‘My One and Only Jimmy Boy.’ “One of the main types of records I collect are 60s’ girl groups. It’s far from a group of kids in a parent’s garage starting a band, these are more manufactured studio projects, but they do give me a similar feeling. The expression in these songs have influenced me artistically. That romantic sentiment has always interested me, even in the way of how unrealistic it is. That appeals to me in music. “I’ve always connected to girl groups. When I was about eight years old, I found a cassette called Sounds of the 60s Volume 2 under my parents’ stereo. I heard The Ronettes ‘Be My Baby’ for the first time and I almost felt guilty for liking it because I felt like it was ‘girl music’, but there was something about it that I really loved. That sound, it always has such power to me, it really made me feel strong emotions. There’s something about the naivety and the longing and the emotion expressed that I love. “So I got this cassette and at eight years old, at the end of term, we all had to bring in a song that we liked. I brought ‘Be My Baby’ in and I remember this girl laughing at me and saying ‘Faris has brought in a girls’ song!’ “But I still started collecting girl group music. For a genre that only existed for about seven years, from about 1958 to 1965, there were so many records released and so many weird ones – it was a time in the pop charts of total freedom, expression and experimentation. There’s a clash of the pure, almost sickly sweet melodies with some really weird production ideas thrown in. That’s why I loved it."