"In my opinion James Purdy is the most underrated writer in American literature, probably because he was gay. His books are heart wrenching, brutal and sometimes flat-out mean-spirited but they are also incredibly beautiful and endlessly poetic. I'm not all that fond of books that make me cry but in Purdy's case, I don't mind."

"Look, I'm a hits only person. When I go see a show, I don't want filler. Unless you're Sonic Youth or Tori Amos, I don't want your B-sides. Hits only. It's so self-indulgent. I picked Buzzcocks Singles Going Steady because I like that it's a little campy and gay. And the harmonies are good. It's that simple. I think with music sometimes it is that simple. It was pop punk, not pop punk as it is now, but it was poppy. I got into punk late because what I thought punk was did not appeal to me at all. I was like I couldn't care less about [whispers conspiratorially] Sex Pistols. But Buzzcocks, Gang Of Four, Wire, that's my jam. Melodic and smart and put together and catchy and the rest of it? I don't care. It's self-indulgent, like you say you don't care what we think of you but, yes you do. Singles Going Steady doesn't take itself too seriously, and it's gay. It's so gay. I think it's cool to think about being gay in the punk scene, I don't think it could have been too easy but to me that's ultimately not giving a fuck. It must be easy to be some straight, white dude and be anti-establishment. Well you're part of the problem, get out of here. You're anti what? What are you talking about? We were so lucky to come along in the 90s, because it was really a turning point for pop culture. Look at Riot Grrl, it made punk a safer place for women, and then Queercore came along and made it a safer place for queers. I think, there is a refuge in punk rock now, but that's the thing why I think the Buzzcocks was more punk than punk, because I don't necessarily think there was a refuge then. I think it probably felt pretty lonely, because you weren't disco, you weren't pop, that's where queer culture, or the gay scene really was, and to be a punk then? I don't think you could seek refuge in that. "

"Baldwin’s grand novel, Another Country, delivers beatnik-era 1950s, with characters who are on all sides of black, white, gay and straight, twisting complex lives into a magical taffy of perfection. By humanizing the bourgeoning civil rights movement and changing attitudes towards women, Baldwin creates a historical portrait of America that is a great key to understanding where we come from."

"Like lots of people, I really love Roxane Gay. This is one of my favorite essay collections I’ve read in the past five to ten years. She’s really good at conversational writing that’s also academic and intelligent and funny. After #MeToo there’s a lot of introspection, and people need to analyze themselves and see what feminist they’ll be. There’s no perfect feminist."

"I discovered this book at 15 at a time when society’s view of the gay world was fugitive criminal. Looking thru Genet’s poetic eyes into queer life in France grounded in criminality, in the margins of humanity was a both a validation of the people I was meeting, with their fierce sense of self identification and a window into my future in the NY Underground."

"The Name of the Rose. That’s a cool movie. You got Sean Connery, you got a detective story, you got a bit of gay monk sex. Can’t go wrong with that. If you’re Scottish and you don’t like Sean Connery movies, there’s something f—in’ wrong with you. Actually, if you’re human and you don’t like Sean Connery movies, there’s something wrong with you."

"This just wrecked me. I went in knowing nothing except that gay men are my target demo and came out stunned by the subtlety and sensitivity of Andrew Haigh’s direction. This is also what inspired me to show ejaculate on television: there is one scene in which cum is such a central, and lovely, part of the experience of sex with another person. Messy, happy, lonely sex."