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Zach Smith (62 KP) rated Bumblebee (2018) in Movies
Mar 23, 2019
Finally another view on the Transformers Universe that isnt Michael Bay.
Contains spoilers, click to show
I will give you a big heads up, I was not crazy about the idea of this movie due to Hollywood casting another female lead that is horrible unrealistic that this female that is a 10 in looks department. Michael Bay at least cast a realistic man named Shia that lets face it is no Brad Pitt. It was something normal people can relate to. Now being a gay male I found that the costar a male looked realistic and was relatable in having the crush on the 'hot' girl. No saying that they managed to sexualize it abit by showing male eye candy in boxers and the costar ripping his shirt off so I gave thaat a big thumbs up for me being the pig I am. Now moving on from the human bullshit part. The opening sequence takes place on the cybertron we all grew up to love and know. No crazy shit like the Cube is mentioned, you get an epic war scene with the majority of the original decepticons that actually look like decepticons, including soundwave and the purple guy that has one eye. I dont recall seeing megatron however, but its been awhile since I last saw it.
Anywho the movie goes on for character development for the unreal female lead which of course didnt really interest me. However there is a fierce battle between bumblebee and another decepticon and the idea of Bumblebee having a damaged voice modulator is carried over from the Michael Bay Transformers universe. Skipping forward to the introduction of the hero lead human finding bumblebee she is working on the vw beetle and she lays under the car to work on it and it looks just like when look at an transformer toy, you can see bumblebees head in the undercarriage, again freaking awesome!. So this movie made money which I am glad because I gave up on the Michael Bay transformer universe after he started slaughtering the autobots just like the Transformers Cartoon movie. So it is said we will see more from this group of writers and directors as they sort of reboot the universe and start making money again. Go see it, buy it. Snore factor of 2/10 for the stupid human parts.
Anywho the movie goes on for character development for the unreal female lead which of course didnt really interest me. However there is a fierce battle between bumblebee and another decepticon and the idea of Bumblebee having a damaged voice modulator is carried over from the Michael Bay Transformers universe. Skipping forward to the introduction of the hero lead human finding bumblebee she is working on the vw beetle and she lays under the car to work on it and it looks just like when look at an transformer toy, you can see bumblebees head in the undercarriage, again freaking awesome!. So this movie made money which I am glad because I gave up on the Michael Bay transformer universe after he started slaughtering the autobots just like the Transformers Cartoon movie. So it is said we will see more from this group of writers and directors as they sort of reboot the universe and start making money again. Go see it, buy it. Snore factor of 2/10 for the stupid human parts.
BankofMarquis (1832 KP) rated House of Gucci (2021) in Movies
May 14, 2022
Not As Bad As You Heard
“It’s Not As Bad As You Heard” is the very definition of damning with faint praise, but that phrase accurately describes one of the highest profile film failures of 2021 - HOUSE OF GUCCI.
Directed by Ridley Scott with a screenplay by Becky Johnson and Roberto Bentivegna (based on the book by Sara Gay Forden), HOUSE OF GUCCI tells the tale of the Gucci family and their fashion empire as the family sees a transition from the older generation to the new - and the outsider who stirred the pot.
This film is filled with stars - Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons and Jared Leto - and is Directed by the great Ridley Scott, so why didn’t this film work?
Ultimately, films rise and fall with the script and the direction thereof, and unfortunately, both of these fall well short of good…but above bad.
Ridley Scott seemed to direct this film with the attitude of “the actors will fill out the thinness of the script, so I’ll just leave them to their own devices”, and this approach just doesn’t work.
Lady Gaga, so good in A STAR IS BORN, is just a little lost as Patricia Reggiani - the outsider (some would say Gold Digger) who digs her claws into a hapless Maurizio Gucci (Adam Driver). The first part of this film is mostly interesting as we watch Patricia manipulate Maurizio into marrying her - much to the dismay of his unapproving father, Rodolfo Gucci (Jeremy Irons, in the only characterization of this film that works from beginning to end). Driver is mostly good as the milquetoast heir who grows into a Business Mogul, but his character is mostly dealing with internal turmoil that turns into blank expressions on screen - NOT a good move for a movie.
And then the film takes a turn into burlesque with the introduction of Rodolfo’s brother and business partner, Aldo Gucci (Al Pacino) and his “idiot son”, Paolo Gucci (Jared Leto, unrecognizable under his make-up). It’s not often that you can say that Pacino is “out-over-acted” by another performer, but Leto mops the floor with him. While Pacino, actually, dials back his usual tendency to over-act, Leto goes all in on the over-acting front - so much so that one has to wonder what type of film that Leto thought he was acting in.
Ultimately, the film falls short because of a lack of focus. The movie (kind of) tries to tell the story from every characters’ point of view and in that attempt, fails, and ends up telling the story from no one’s point of view. The film starts with Gaga’s character being the entry point into the story for the viewer, but then we kareem off into Driver’s story, somewhat, and them (maybe) Pacino and Leto’s before coming back to Gaga (for a small bit) and then jumping over to Driver’s…
Well, you get the point. House of Gucci loses it’s focus along the way so you are left wishing you could get more from these characters - except for Leto’s - you wish there was a lot less.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Directed by Ridley Scott with a screenplay by Becky Johnson and Roberto Bentivegna (based on the book by Sara Gay Forden), HOUSE OF GUCCI tells the tale of the Gucci family and their fashion empire as the family sees a transition from the older generation to the new - and the outsider who stirred the pot.
This film is filled with stars - Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons and Jared Leto - and is Directed by the great Ridley Scott, so why didn’t this film work?
Ultimately, films rise and fall with the script and the direction thereof, and unfortunately, both of these fall well short of good…but above bad.
Ridley Scott seemed to direct this film with the attitude of “the actors will fill out the thinness of the script, so I’ll just leave them to their own devices”, and this approach just doesn’t work.
Lady Gaga, so good in A STAR IS BORN, is just a little lost as Patricia Reggiani - the outsider (some would say Gold Digger) who digs her claws into a hapless Maurizio Gucci (Adam Driver). The first part of this film is mostly interesting as we watch Patricia manipulate Maurizio into marrying her - much to the dismay of his unapproving father, Rodolfo Gucci (Jeremy Irons, in the only characterization of this film that works from beginning to end). Driver is mostly good as the milquetoast heir who grows into a Business Mogul, but his character is mostly dealing with internal turmoil that turns into blank expressions on screen - NOT a good move for a movie.
And then the film takes a turn into burlesque with the introduction of Rodolfo’s brother and business partner, Aldo Gucci (Al Pacino) and his “idiot son”, Paolo Gucci (Jared Leto, unrecognizable under his make-up). It’s not often that you can say that Pacino is “out-over-acted” by another performer, but Leto mops the floor with him. While Pacino, actually, dials back his usual tendency to over-act, Leto goes all in on the over-acting front - so much so that one has to wonder what type of film that Leto thought he was acting in.
Ultimately, the film falls short because of a lack of focus. The movie (kind of) tries to tell the story from every characters’ point of view and in that attempt, fails, and ends up telling the story from no one’s point of view. The film starts with Gaga’s character being the entry point into the story for the viewer, but then we kareem off into Driver’s story, somewhat, and them (maybe) Pacino and Leto’s before coming back to Gaga (for a small bit) and then jumping over to Driver’s…
Well, you get the point. House of Gucci loses it’s focus along the way so you are left wishing you could get more from these characters - except for Leto’s - you wish there was a lot less.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
One Night (Night Series #1)
7.0
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One night was all I asked for. For him to show me how good it can be. — Gabe One night was all I...
male/male romance short reads fan youself its a hot one darker/grittier hangover cures
Emma @ The Movies (1786 KP) rated Rocketman (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Is it a musical? Is it a biopic? Does anyone actually know? I think one of the descriptions I saw called it a fantasy, and that is true for a couple of moments but it's a bit of a push. I had a good time watching this and there are definitely things about it that work well, I do however feel that this was rather confused. You've got the story parts mixed with the songs, but only occasionally are those songs what I'd call proper musical numbers. The occasional fantasy moments are a little
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
The daughter (and stepdaughter) of actors, Sally Field earned her first acting role at seventeen and was quickly on television in shows such as "Gidget" and "The Flying Nun." Those roles showcased Sally's youth and smiling personality. But, behind the scenes, Sally had a tumultuous childhood: her parents divorced when she was young, and her relationships with them and her stepfather were not easy. She found happiness, in many ways, as an actress, but also struggled to find roles that challenged her. In this, her first memoir, she tells the story of her childhood and her early years as an actress.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
Aurora recommended track A Seated Night (with Moby (Richard Melville Hall)) by Moby in Wait for Me by Moby in Music (curated)
Common Powers Box Set
6.0
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Soul Bonds It’s not how big the power, it’s how you use it. Mitchell’s tired of one...
CONTEMPORARY EROTIC ROMANCE GAY GLBTQI
Goddess in the Stacks (553 KP) rated Heart of Thorns (Heart of Thorns #1) in Books
Oct 19, 2018
I almost bailed on this book. It's not bad, exactly, it's just - mediocre. Mia discovers that she is the thing she's been taught to hate, discovers that maybe they're not all bad, that what she's been taught is probably wrong, but, y'know, maybe not entirely wrong - it's just one trope after another. It was rather predictable.
And there's this problem with the world. If every woman is suspected of being a witch, (sorry, Gwyrach) and they work their magic through touch - how is anyone having kids? Sure, women are required to wear gloves in public, but - the touch-magic doesn't keep men from abusing women. Not like in The Power, where men start getting actually scared to touch women for fear of what could happen.
The only character in this book that I actually LIKED was Prince Quin. And maybe Dom, the flirtatious gay boy. Mia was rather thoroughly unlikable. First she blindly accepts that she should hate and kill Gwyrach, then is appalled to find out she (and her mother) are/were Gwyrach, and refuses to accept that because of course she can't possibly be one of those reviled women. She refuses to take Quin into her confidence, despite him showing blind trust in her for most of the book. What does he have to do to prove himself to you, woman?
I've read much better feminist dystopias. This is oppressed-women-finding-their-hidden-powers-and-fighting-back clothed in a fantasy instead of a dystopia, and it's not nearly as good as it could be. Despite ending on a cliffhanger, I don't care enough about these characters to read the next book.
You can find all my reviews at http://goddessinthestacks.com
And there's this problem with the world. If every woman is suspected of being a witch, (sorry, Gwyrach) and they work their magic through touch - how is anyone having kids? Sure, women are required to wear gloves in public, but - the touch-magic doesn't keep men from abusing women. Not like in The Power, where men start getting actually scared to touch women for fear of what could happen.
The only character in this book that I actually LIKED was Prince Quin. And maybe Dom, the flirtatious gay boy. Mia was rather thoroughly unlikable. First she blindly accepts that she should hate and kill Gwyrach, then is appalled to find out she (and her mother) are/were Gwyrach, and refuses to accept that because of course she can't possibly be one of those reviled women. She refuses to take Quin into her confidence, despite him showing blind trust in her for most of the book. What does he have to do to prove himself to you, woman?
I've read much better feminist dystopias. This is oppressed-women-finding-their-hidden-powers-and-fighting-back clothed in a fantasy instead of a dystopia, and it's not nearly as good as it could be. Despite ending on a cliffhanger, I don't care enough about these characters to read the next book.
You can find all my reviews at http://goddessinthestacks.com
Kaysee Hood (83 KP) rated The Mortal Instruments 1: City of Bones in Books
Jan 27, 2018
Characters (2 more)
Diversity
Plot Twists
Some of those Plot Twists (1 more)
Overdone & Prolonged
Another I Wanted to Like
Contains spoilers, click to show
This is more of a overall review for the series, well, up to book 4 as I gave up on trying to get through it all at that point because by then I was tired of the senseless drama.
I wanted to like this series because my friend at the time liked it on top of it sounded interesting. By then the movie was out for it and rumors of the TV show was circling around in the Tumblr community. So, between her and the rest of Booklr I thought why not give it a shot? It couldn't be that bad. Oh how I was wrong.
I shocked a series like this has gained such popularity when really it's good at most. It's not amazing. It's not stunning. It's not special. It's an okay book, with an okay plot, and your basic set of characters.
A girl is average at best, her best friend loves her, and she's being thrown into a world where she's "the one". Oh, did I mention there is a perfect, hot guy with his pals who appear to both be jealous of her? AND THERE'S MORE! The totally hot guy is falling for her...... but they're brother and sister. Oh and they are okay with hooking up despite that. Sort of. It's major conflict. Until you learn they are related and her father was simply messing with them to cause problems in the hopes it would help him have both of them on his side.
As much as Clare offers different types of paranormal things it's all overdone and overplayed. Many times the moments that are suppose to change the whole game in the series are dragged out to the point you're bored to death. Sure, there are gay characters, but they feel more like a "come look at me I'm for your rights even though I'm using your suffering as a way to promote my books as me accepting you" rather than the characters written as simply real. Most of the time that's how secondary characters feel in the series as they are there to be there but not actually meant to be there. Yes, let that idea settle for a second.
I felt like many if Clare had a better team of people proof reading her drafts, pointed out some of these things were not okay (Incest for one), and had people guide her to make the characters more real this could have been a better set of books to me. Maybe it is me still wanting to like it. I'm not sure honestly. I just wish for such a popular series it was worthy of it for everyone.
I wanted to like this series because my friend at the time liked it on top of it sounded interesting. By then the movie was out for it and rumors of the TV show was circling around in the Tumblr community. So, between her and the rest of Booklr I thought why not give it a shot? It couldn't be that bad. Oh how I was wrong.
I shocked a series like this has gained such popularity when really it's good at most. It's not amazing. It's not stunning. It's not special. It's an okay book, with an okay plot, and your basic set of characters.
A girl is average at best, her best friend loves her, and she's being thrown into a world where she's "the one". Oh, did I mention there is a perfect, hot guy with his pals who appear to both be jealous of her? AND THERE'S MORE! The totally hot guy is falling for her...... but they're brother and sister. Oh and they are okay with hooking up despite that. Sort of. It's major conflict. Until you learn they are related and her father was simply messing with them to cause problems in the hopes it would help him have both of them on his side.
As much as Clare offers different types of paranormal things it's all overdone and overplayed. Many times the moments that are suppose to change the whole game in the series are dragged out to the point you're bored to death. Sure, there are gay characters, but they feel more like a "come look at me I'm for your rights even though I'm using your suffering as a way to promote my books as me accepting you" rather than the characters written as simply real. Most of the time that's how secondary characters feel in the series as they are there to be there but not actually meant to be there. Yes, let that idea settle for a second.
I felt like many if Clare had a better team of people proof reading her drafts, pointed out some of these things were not okay (Incest for one), and had people guide her to make the characters more real this could have been a better set of books to me. Maybe it is me still wanting to like it. I'm not sure honestly. I just wish for such a popular series it was worthy of it for everyone.
Mine, Body and Soul: Trilogy (The Playroom #1-3)
9.0
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Part One Was it possible that there was a man out there who could see past Lenny’s damaged body...
Contemporary MM Romance BDSM