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Haley Mathiot (9 KP) rated Pilgrims Don't Wear Pink (Pilgrims, #1) in Books
Apr 27, 2018
I liked Pilgrims Don't Wear Pink. For the most part, it was a good read. There was only one thing that I didn't particularly like, but it was a pretty large part.
The good:
-The plot was fun. I enjoyed the storyline, the twists and turns, and the ending. Some of it I saw coming, some of it I didn't—but even when I expected it, I enjoyed seeing it work out.
-The characters: Dev (Libby's extremely gay friend) was fabulous in every sense of the word. If he were real, he'd be my buddy, even though he'd be constantly criticizing my shoes. Garrett, the reporter, is so nerd-tastic that I literally geeked out when he was introduced. Cam's romantic side was the hero every girl dreams about.
-The relationship progression: I knew from the get-go that Cam was going to be the greasy sleazy character that charms the girls but is really a jerk, and that Garrett was going to be the awesome-sauce hero. But when Libby first meets the characters, the reader perceives them just like she does: that Cam was a Shakespeare-quoting flower-throwing romantic, and Garrett was a nerd (again, I liked him more from the beginning anyway). The transition happened so slowly and flawlessly that I didn't see it happen, it just did.
-I've lead camps before. They're so much fun. Strohm nailed it! I loved the little girls! Ah for those scenes I totally wanted to be Libby.
-The writing was totally great. It felt like a teen's interior monologue, it was witty, fun, clear, and easy to read. It was perfect for the genre.
-The ending was pretty darn perfect. I liked what Libby learned, and how she changed. If the character hasn't changed from the beginning of the book to the end, nothing happened! The change was good. All in all the whole book was pretty cute.
The only not-so-good thing:
-I couldn't figure Libby out. Why doesn't she watch Battlestar Galactica or play Assassin's Creed? (That would totally be her thing. I bet after this story ends she turns into a total geek.) Libby was somewhat contradictory. She seemed to have a pretty clear view of right and wrong, and she was smart, but she didn't pick up on things that were blatantly obvious (trying to keep it spoiler-free here).
When there is only one not-so-good thing in the whole book, usually I'll rate it pretty high. But when the only not-so-good thing in the whole book is the main character? The whole way through reading this I kept thinking "Libby, what the heck are you thinking?" and she kind of annoyed me. I liked her, but again, her character seemed conflicting.
All in all, I enjoyed Pilgrims Don't Wear Pink, and would still recommend it for a fun quick light read.
Content/Recommendation: Little language, few references to sex. Ages 14+
The good:
-The plot was fun. I enjoyed the storyline, the twists and turns, and the ending. Some of it I saw coming, some of it I didn't—but even when I expected it, I enjoyed seeing it work out.
-The characters: Dev (Libby's extremely gay friend) was fabulous in every sense of the word. If he were real, he'd be my buddy, even though he'd be constantly criticizing my shoes. Garrett, the reporter, is so nerd-tastic that I literally geeked out when he was introduced. Cam's romantic side was the hero every girl dreams about.
-The relationship progression: I knew from the get-go that Cam was going to be the greasy sleazy character that charms the girls but is really a jerk, and that Garrett was going to be the awesome-sauce hero. But when Libby first meets the characters, the reader perceives them just like she does: that Cam was a Shakespeare-quoting flower-throwing romantic, and Garrett was a nerd (again, I liked him more from the beginning anyway). The transition happened so slowly and flawlessly that I didn't see it happen, it just did.
-I've lead camps before. They're so much fun. Strohm nailed it! I loved the little girls! Ah for those scenes I totally wanted to be Libby.
-The writing was totally great. It felt like a teen's interior monologue, it was witty, fun, clear, and easy to read. It was perfect for the genre.
-The ending was pretty darn perfect. I liked what Libby learned, and how she changed. If the character hasn't changed from the beginning of the book to the end, nothing happened! The change was good. All in all the whole book was pretty cute.
The only not-so-good thing:
-I couldn't figure Libby out. Why doesn't she watch Battlestar Galactica or play Assassin's Creed? (That would totally be her thing. I bet after this story ends she turns into a total geek.) Libby was somewhat contradictory. She seemed to have a pretty clear view of right and wrong, and she was smart, but she didn't pick up on things that were blatantly obvious (trying to keep it spoiler-free here).
When there is only one not-so-good thing in the whole book, usually I'll rate it pretty high. But when the only not-so-good thing in the whole book is the main character? The whole way through reading this I kept thinking "Libby, what the heck are you thinking?" and she kind of annoyed me. I liked her, but again, her character seemed conflicting.
All in all, I enjoyed Pilgrims Don't Wear Pink, and would still recommend it for a fun quick light read.
Content/Recommendation: Little language, few references to sex. Ages 14+
Heather Cranmer (2721 KP) rated The Cutting Room Floor in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the synopsis of this book, I was definitely intrigued. When the opportunity arrived to review this book, I decided I'd take a chance on it. While I wasn't overly impressed with the book, it was still an alright read.
The title suits the book well. The chapters titles are written like a script and sometimes include blocking directions. (If you're not familiar with drama terms, you may want to look that up). The main characters are drama geeks as well.
I do like the cover! It's definitely eye catching, and it made me want to pick this book up.
I didn't really have a problem with the world building. I felt like the world building was done rather well except I didn't like how Riley seemed to find every girl she came across as hot. That just doesn't happen in real life, yet it happened to Riley in this book.
I felt like the pacing was a bit slow in this book. At times I was debating with whether or not I should carry on. However, there are some parts of this book where the pacing does pick up, especially towards the end., so not all hope is lost.
I found the plot line to be interesting enough. I was a drama geek in school, so the plot suited me. There was the whole muder mystery thing with Riley's favorite teacher, Riley's confusion about her sexuality, and Dez's stalker crush on Riley going on. I definitely wanted to know how things would play out.
I thought the characters were written fairly well. As I've said before, I didn't like how the author made it seem like Riley was hot for every girl she came across. Saying that, I did like Riley though. Everything about her (minus liking every girl) felt real, and her confusion was very realistic. I didn't like Dez. I felt he was way too controlling when it came for Riley and that he was super selfish. In fact, I'd even go as far as calling him scary. He was always there for Riley but only because he was a stalker. There's not one thing I liked about Dez.
The dialogue flowed smoothly, and all interactions between characters felt realistic. There is some swearing in this book, but it's not over the top.
Overall, The Cutting Room Floor is a decent read. The pacing could do with some work as it does come across as a bit dull some of the time. However, the plot itself is interesting.
I'd recommend this book to those aged 14+ who want a book to read to help them pass the time.
<b>I'd give The Cutting Room Floor by Dawn Klehr a 3.5 out of 5.</b>
(I was provided with a free paperback of this title from the author in exchange for a fair and honest review).
When I read the synopsis of this book, I was definitely intrigued. When the opportunity arrived to review this book, I decided I'd take a chance on it. While I wasn't overly impressed with the book, it was still an alright read.
The title suits the book well. The chapters titles are written like a script and sometimes include blocking directions. (If you're not familiar with drama terms, you may want to look that up). The main characters are drama geeks as well.
I do like the cover! It's definitely eye catching, and it made me want to pick this book up.
I didn't really have a problem with the world building. I felt like the world building was done rather well except I didn't like how Riley seemed to find every girl she came across as hot. That just doesn't happen in real life, yet it happened to Riley in this book.
I felt like the pacing was a bit slow in this book. At times I was debating with whether or not I should carry on. However, there are some parts of this book where the pacing does pick up, especially towards the end., so not all hope is lost.
I found the plot line to be interesting enough. I was a drama geek in school, so the plot suited me. There was the whole muder mystery thing with Riley's favorite teacher, Riley's confusion about her sexuality, and Dez's stalker crush on Riley going on. I definitely wanted to know how things would play out.
I thought the characters were written fairly well. As I've said before, I didn't like how the author made it seem like Riley was hot for every girl she came across. Saying that, I did like Riley though. Everything about her (minus liking every girl) felt real, and her confusion was very realistic. I didn't like Dez. I felt he was way too controlling when it came for Riley and that he was super selfish. In fact, I'd even go as far as calling him scary. He was always there for Riley but only because he was a stalker. There's not one thing I liked about Dez.
The dialogue flowed smoothly, and all interactions between characters felt realistic. There is some swearing in this book, but it's not over the top.
Overall, The Cutting Room Floor is a decent read. The pacing could do with some work as it does come across as a bit dull some of the time. However, the plot itself is interesting.
I'd recommend this book to those aged 14+ who want a book to read to help them pass the time.
<b>I'd give The Cutting Room Floor by Dawn Klehr a 3.5 out of 5.</b>
(I was provided with a free paperback of this title from the author in exchange for a fair and honest review).
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Oct 17, 2019
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
Tubes: Behind the Scenes at the Internet
Book
Tubes: Behind the Scenes at the Internet by Andrew Blum is...'Utterly engrossing. The year's most...
BookInspector (124 KP) rated Zero in Books
Sep 24, 2020
Living with a complete geek, I learned to love technology. It is kind of mesmerizing how technology is taking over our lives, that is why I was very intrigued by the blurb of this book. After reading the book, I am kind of petrified of how much of our personal data is actually collected without our knowledge… Or maybe because of our ignorance?
The protagonist in this novel is Cynthia, a single mother and investigative journalist, who lives in London. I really liked, how realistic the main character was, she is kind of old-fashioned when it comes to technology, and all the new findings really leave her confused. Also, I liked Cynthia’s personality, I think she was really curious, brave and adventurous. The Author offers a huge variety of characters in this book, representing different sectors and different perspectives, and in some places, I found it difficult to identify who belongs where, but to my luck, there was a handy list of characters at the back of the novel, which helped me.
The narrative was really thought-provoking. Elsberg highlights many aspects of data collection and usage, which really got me thinking. The story is told from multiple perspectives, and that kind of kept my interest going. To enjoy this book, you have to like technology, there is a ton of terms and IT processes being discussed, so if you not into computers, this book will not make sense to you. 🙂 I loved that author chose different settings in this book, incorporating his native town – Vienna. Also, I think, that the author used his knowledge of advertising and influencing people very smartly, and I bet, that the search for smart glasses will increase after reading this book. 😀 (Because I am definitely going to search 😀 )
I enjoyed author’s writing style, for me, it was understandable, action-filled and constantly changing. The whole book was fitted into eight chapters, and for me, they were really long. Even though every chapter shared multiple events, it still kind of dragged to me a sometimes… 😦 (I love my short chapters!) The ending rounded up the story very nicely, but there are so many unanswered questions, that it is kind of bugging me. 😀 I really liked The Circle, and I think with a good director, this book could be a superb movie.
So, to conclude, It is a very well crafted story, which feels kind of futuristic, but when you think about it, most of the things are already happening in one form or another. It is filled with smart characters, plenty of action, and I think it is kind of a wake-up call for all of the people, who are glued to their gadgets and the internet. So, “Hey, parents – do you know what your child is up to? “ Do read this book to find out why, and I hope you will enjoy it. 🙂
The protagonist in this novel is Cynthia, a single mother and investigative journalist, who lives in London. I really liked, how realistic the main character was, she is kind of old-fashioned when it comes to technology, and all the new findings really leave her confused. Also, I liked Cynthia’s personality, I think she was really curious, brave and adventurous. The Author offers a huge variety of characters in this book, representing different sectors and different perspectives, and in some places, I found it difficult to identify who belongs where, but to my luck, there was a handy list of characters at the back of the novel, which helped me.
The narrative was really thought-provoking. Elsberg highlights many aspects of data collection and usage, which really got me thinking. The story is told from multiple perspectives, and that kind of kept my interest going. To enjoy this book, you have to like technology, there is a ton of terms and IT processes being discussed, so if you not into computers, this book will not make sense to you. 🙂 I loved that author chose different settings in this book, incorporating his native town – Vienna. Also, I think, that the author used his knowledge of advertising and influencing people very smartly, and I bet, that the search for smart glasses will increase after reading this book. 😀 (Because I am definitely going to search 😀 )
I enjoyed author’s writing style, for me, it was understandable, action-filled and constantly changing. The whole book was fitted into eight chapters, and for me, they were really long. Even though every chapter shared multiple events, it still kind of dragged to me a sometimes… 😦 (I love my short chapters!) The ending rounded up the story very nicely, but there are so many unanswered questions, that it is kind of bugging me. 😀 I really liked The Circle, and I think with a good director, this book could be a superb movie.
So, to conclude, It is a very well crafted story, which feels kind of futuristic, but when you think about it, most of the things are already happening in one form or another. It is filled with smart characters, plenty of action, and I think it is kind of a wake-up call for all of the people, who are glued to their gadgets and the internet. So, “Hey, parents – do you know what your child is up to? “ Do read this book to find out why, and I hope you will enjoy it. 🙂
Lottie disney bookworm (1056 KP) rated The Kingdom in Books
Sep 20, 2020
“Where Happily Ever After is not just a promise, but a rule”
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
I mean with a tag line like that you can’t not be drawn in by this book! If that doesn’t grab you then the gorgeous cover art will.
Once you get past the wonderful aesthetics; the ‘Disney x Westworld x Big Little Lies’ reality that Jess Rothenberg conjures is sure to captivate you. Rothenberg manages to describe her Kingdom in such minute detail without it seeming contrite: the brazen references to meet and greets, monorails and “the park” are like catnip to a Disney geek like myself; whilst the proclamation from the outset that a crime has occurred appeals to the (slightly) more mature side of this 32 year old bookworm.
The Kingdom is a magical place where dreams come true: or is it? The star attractions: the princesses; are beautiful, perfect, always say the right thing and…are Artificial Intelligence. Their sophisticated technology, wireless signals and encyclopaedic knowledge ensure the princesses are as perfect as possible but it quickly becomes apparent that the princesses are, in fact, prisoners: constantly under surveillance, tracked by GPS implants in their wrists and strapped to their beds at “downtime”.
Ana is our princess and storyteller, opening her world to the reader and introducing us to her “sisters”, “mother” and “father” as well as those who have slightly less favourable views towards the AI, or Fantasists as they are known. There is no doubt that Ana is advanced in comparison to other Fantasists that we meet: she is aware of the park’s wireless blind spots and admits she becomes weary of some songs, unruly children and fathers with wandering eyes. Ironically, Ana is a profoundly human character with whom the reader immediately allies themselves with. Despite clearly being a suspect in the ongoing murder trial, I can’t see any reader convicting Ana. On the contrary, it is a real testament to Jess Rothenberg’s writing that the reader identifies with the Fantasists over and above every human character in her novel. Even Owen, the main human character, is never entirely trustworthy and does not reveal his intentions readily.
The format of The Kingdom is unlike anything else out there at the moment, in my opinion. The mix of prose, advertisements, interviews, trial transcripts and even apps allow our Fantasist to tell her story but also allows the reader to meet personnel and witness events that Ana would never see. This aspect is crucial to the murder mystery vibe of The Kingdom and Rothenberg leaves the reader guessing right to the very end and begging for a sequel.
Rothenberg’s kingdom is quick to show its murkier, thornier side. Those who question their surroundings are made an example of; nature is manipulated for entertainment and nothing is what it seems. If you haven’t guessed by now, I absolutely adored this book. It had me gripped from beginning to end. If you read one Disney book this year- read this one!
Jack’d - Gay Chat & Dating
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