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Jamie (131 KP) rated Born a Crime: Stories from a South African Childhood in Books
Jul 22, 2017
Noah’s wit and charm (1 more)
Frank discussions of racism, poverty, and family
A stellar memoir
For those that don’t already know who Trevor Noah is, he is a comedian from South Africa that is now the current host of The Daily Show, taking the place of Jon Stewart when he retired. Trevor is an accomplished polyglot, speaking 9 languages fluently and has some fluency in several more. In much of his comedy he talks about his difficulties with racial identity having been born during apartheid to an African mother and a Swiss father. Apartheid was a system of institutionalized segregation in South Africa that lasted from the 1940’s to the 1990’s.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
The book is bursting at the seams with humorous anecdotes about growing up as the wild child in his family. Getting in trouble, trying to outrun and outsmart his mom, committing petty crimes with friends, striking out with girls; Trevor’s life was colorful in no small part because of his mother. In interviews Trevor has stated that his memoir became sort of an open love letter to his mother, Patricia Noah–a fiercely independent woman that refused to be held down by her race or gender and sought to show her son the world outside of apartheid South Africa, who tried to save her son from the cruelty of the world.
“The world doesn’t love you. If the police get you, the police don’t love you. When I beat you, I’m trying to save you. When they beat you, they’re trying to kill you.”
The last chapters had me sobbing which was something that I hadn’t anticipated. Trevor mentions his step-father in the early chapters in passing, like a dark cloud that hung over his family’s life. I wasn’t prepared for the deeply troubling and heartbreaking portrait of a loving family ripped apart by abuse and the failures of law enforcement to prevent tragedy despite numerous attempts to get help.
I was already a fan of Trevor Noah, having watched some of his stand-up comedy and was overjoyed when he took over The Daily Show. From this memoir I have a newfound respect for Trevor not only for the horrendous abuse and racism he has endured, but how he allowed these things to shape who he is. He approaches issues of race, identity, poverty, and abuse with honesty and was able to articulate his feelings on topics that I have been struggling with for years. This memoir was surprisingly cathartic to me as someone that has struggled both with a mixed racial background and as a survivor of domestic abuse.
This was a wonderful memoir that really showcased that even in the darkest of places one can still find hope and strength in love. It was both insightful and laugh out loud funny, even if some of the humor could be viewed as highly offensive. I really enjoyed this memoir and am happy that I read it, it’s definitely going down on my shelf as a favorite.
Lucy Buglass (45 KP) rated Broken Ceiling (2018) in Movies
Jun 20, 2019
A critique of toxic workplace culture
We’ve all had to endure conference calls at work, and we all know how boring they can be. When I realised that Broken Ceiling takes place almost entirely within a conference call, I was worried that they wouldn’t be able to keep my attention for a full hour and a half. However, I’m pleased to say I was wrong!
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
Broken Ceiling is Adam Davis’ first feature film, following office assistant Angela as she deals with workplace discrimination based on both her gender and race. She is surrounded by white men and gets pushed to the side, despite the hard work she puts in every day. The film throws us straight into the middle of the action, right when the company is dealing with their biggest and most important deal to date. It is during this deal when all of the drama unfolds.
Karan Kendrick completely shines in the leading role, bringing Angela and her struggles to life on screen. I was captivated by her raw and honest performance throughout. She has reached breaking point, and does the unthinkable in order to make her colleagues finally listen to her. She has the power throughout most of this film, as she skilfully puts everyone in their place. Kendrick is a joy to watch and I was absolutely on her character’s side, rooting for her the whole time.
The cast is very small, only featuring four key characters. I enjoyed every performance in Broken Ceiling because of the way they reflected very familiar personalities. These kinds of characters exist in real life business, and contribute to the toxic environment. Regen Wilson is the power-hungry, short-tempered CEO Ken Wolfe, who constantly berates and yells at his staff whilst putting on a cheerful facade for his clients. He makes difficult decisions easily, and seems to lack compassion for those around him.
Beside him on the call are Rane Jameson and Torran Kitts as rival salesmen Tyler and Garrett, who are riddled with their own personal flaws. They are entitled and deceitful, both wanting the most praise and recognition whilst simultaneously ignoring Angela. The dynamic between these characters is often fast paced and intense, thanks to Davis’ great script.
The cast and script are a match made in heaven, delivering memorable lines of dialogue and many twists and turns to keep the audience engaged and wondering what happens next. Whilst, admittedly, it may be a little far-fetched in places, it makes for a great piece of drama that draws on real life issues to raise an important critique of corporate life.
Overall I thought Broken Ceiling was a strong debut film with an important message about modern workplace culture. Despite a few sound and camerawork issues, I thought it was a well made and crafted film, especially for a feature length independent film. The pacing is right, the script is captivating, and the performances are strong. It’s a film that I urge you to experience for yourself and let Angela’s voice finally be heard.
https://lucygoestohollywood.com/2018/12/13/a-critique-of-toxic-workplace-culture-my-thoughts-on-broken-ceiling/
Gareth von Kallenbach (971 KP) rated The Adjustment Bureau (2011) in Movies
Aug 7, 2019
The Adjustment Bureau is based on (or it may be more accurate to say, inspired by) the Philip K. Dick short story “Adjustment Team”, and stars Matt Damon as David Norris, a New York politician running for the U.S. Senate and Emily Blunt as Elise Sellas, a professional ballerina.
When David and Elise first meet in the men’s restroom and he doesn’t question her gender I knew this wasn’t going to be the typical boy meets girl story. Just to clarify, I’m not saying she turns out to be a he, I’m just saying it’s good to check out the engine under the hood. But what should have been a once in a restroom… er, lifetime encounter, becomes a second, then a third and… you get the point. Shortly after their second encounter where David finally gets Elise’s name and number written on a business card he walks in on a strange group of well dressed individuals who were what can only be described as “probing” his friends in a conference room. So David does what any sane person would do after witnessing a group probing, he runs (like you wouldn’t? ). After running down a few hallways, he’s captured. Let’s be honest, running down hallways isn’t Oscar material, so I was glad it was short-lived. David learns that these well-dressed individuals work for The Adjustment Bureau.
This secret organization works behind the scenes to ensure the course of destiny, as written by “The Chairman”, goes as planned and they tell him that men’s room ballerinas are not part of the plan for him. At this point I wanted to yell “Screw them, go for the ballerina! They’re bendy!” but before I could, Agent Richardson (played by John Slattery) informs David that if he doesn’t follow the plan they have for him then they will… well, let’s just say they will probe him like nobody’s business. Then before they leave they take the business card with Elise’s name and number on it and before you can say “rooster-block” they throw him to the floor like Chevy Chase impersonating President Ford and disappear.
In time David and Elise are reunited by chance and with some information given to him by his disgruntled Adjustment Bureau ex-caseworker Agent Harry (played by Anthony Mackie), David works hard to overcome the obstacles placed before them by the Adjustment Bureau. But when Agent Thompson (played by Terence Stamp) joins the fray, he tells David what will happen to Elise if he doesn’t leave her.
Does love win in the end, does fate win or are they eaten by the alligators in the New York City sewers? I will tell you, that once again, the alligators did not win. The film does an excellent job of balancing its romance and thriller aspects with just enough humor to compliment the first two aspects, making it a very enjoyable movie for an individual, a couple or a group of friends to see. On a side note, when the film was over I left the movie wanting to buy a suit and I really dislike wearing suits.
When David and Elise first meet in the men’s restroom and he doesn’t question her gender I knew this wasn’t going to be the typical boy meets girl story. Just to clarify, I’m not saying she turns out to be a he, I’m just saying it’s good to check out the engine under the hood. But what should have been a once in a restroom… er, lifetime encounter, becomes a second, then a third and… you get the point. Shortly after their second encounter where David finally gets Elise’s name and number written on a business card he walks in on a strange group of well dressed individuals who were what can only be described as “probing” his friends in a conference room. So David does what any sane person would do after witnessing a group probing, he runs (like you wouldn’t? ). After running down a few hallways, he’s captured. Let’s be honest, running down hallways isn’t Oscar material, so I was glad it was short-lived. David learns that these well-dressed individuals work for The Adjustment Bureau.
This secret organization works behind the scenes to ensure the course of destiny, as written by “The Chairman”, goes as planned and they tell him that men’s room ballerinas are not part of the plan for him. At this point I wanted to yell “Screw them, go for the ballerina! They’re bendy!” but before I could, Agent Richardson (played by John Slattery) informs David that if he doesn’t follow the plan they have for him then they will… well, let’s just say they will probe him like nobody’s business. Then before they leave they take the business card with Elise’s name and number on it and before you can say “rooster-block” they throw him to the floor like Chevy Chase impersonating President Ford and disappear.
In time David and Elise are reunited by chance and with some information given to him by his disgruntled Adjustment Bureau ex-caseworker Agent Harry (played by Anthony Mackie), David works hard to overcome the obstacles placed before them by the Adjustment Bureau. But when Agent Thompson (played by Terence Stamp) joins the fray, he tells David what will happen to Elise if he doesn’t leave her.
Does love win in the end, does fate win or are they eaten by the alligators in the New York City sewers? I will tell you, that once again, the alligators did not win. The film does an excellent job of balancing its romance and thriller aspects with just enough humor to compliment the first two aspects, making it a very enjoyable movie for an individual, a couple or a group of friends to see. On a side note, when the film was over I left the movie wanting to buy a suit and I really dislike wearing suits.
Darren (1599 KP) rated The Wound (2017) in Movies
Jun 25, 2019
Story: The Wound starts when factory worker Xolani (Toure) returns to his community outside of Joburg to help with the initiation process of the teenage boys to manhood, he teenager Kwanda (Jay) is a family friend, which is meant to help the process for the teenager.
Xolani gets to see his own secret lover Vija (Mantsai) who is also performing an initiation, but the two men get to return to their forbidden ways. As the initiation continues Kwanda must learn just what this means to the other young men, as Xolani must keep his own secret from everybody else.
Thoughts on The Wound
Characters – Xolani is a factory worker who knows his roots through an initiation process for teenagers to become men, he has returned to be a ‘caregiver’ to his initiate, he gets to rekindle a forbidden love with a married man, which they must keep secret, even if this is the highlight of his life. Vija is a married man who is also a ‘caregiver’, he is much stricter than Xolani and is a lover of his, he knows just how forbidden their love is and will go after anyone who gets in their way. Kwanda is a rich kid that is going through this initiation, he does question the process which puts his position in danger.
Performances – Nakhane Toure is wonderful in the leading role, showing us the commitment to his character has for this love. Bongile Mantsai and Niza Jay in the supporting roles are both brilliant too, which is a completely well acted film throughout.
Story – The story here shows an initiation being performed on teenager boys as they become young men, it takes them away from their family’s and leaves them in the care of a man known as a ‘caregiver’ who helps heal the wound, we have two caregivers that are involved in a gay relationship, which they can only have on these events who have very different lives away from the initiation. This does show us how a culture treats their young men, which shouldn’t be a practised in this modern world. we do get to deal with forbidden romance, in a culture that doesn’t accept homosexual relationships. By having two major world issues going on, it shows us how the country is just as happy to sweep them under the rug, rather than learn to accept them, which is interesting to see,
Romance – The romance side of the story shows the love two men can have, only for a short time, only if nobody else knows, in a culture that isn’t ready to accept them.
Settings – The film is set in a mountain range in South Africa, this location is where the people go every year for the initiation.
Scene of the Movie – Mountain top.
That Moment That Annoyed Me – Its not an easy subject matter when you look at the initiation process.
Final Thoughts – This is a very interesting movie showing us how forbidden love between two men can be in a culture that still practises a form of gender mutilation.
Overall: Culture shock.
https://moviesreview101.com/2019/06/24/abc-film-challenge-world-cinema-x-the-wound-2017/
Xolani gets to see his own secret lover Vija (Mantsai) who is also performing an initiation, but the two men get to return to their forbidden ways. As the initiation continues Kwanda must learn just what this means to the other young men, as Xolani must keep his own secret from everybody else.
Thoughts on The Wound
Characters – Xolani is a factory worker who knows his roots through an initiation process for teenagers to become men, he has returned to be a ‘caregiver’ to his initiate, he gets to rekindle a forbidden love with a married man, which they must keep secret, even if this is the highlight of his life. Vija is a married man who is also a ‘caregiver’, he is much stricter than Xolani and is a lover of his, he knows just how forbidden their love is and will go after anyone who gets in their way. Kwanda is a rich kid that is going through this initiation, he does question the process which puts his position in danger.
Performances – Nakhane Toure is wonderful in the leading role, showing us the commitment to his character has for this love. Bongile Mantsai and Niza Jay in the supporting roles are both brilliant too, which is a completely well acted film throughout.
Story – The story here shows an initiation being performed on teenager boys as they become young men, it takes them away from their family’s and leaves them in the care of a man known as a ‘caregiver’ who helps heal the wound, we have two caregivers that are involved in a gay relationship, which they can only have on these events who have very different lives away from the initiation. This does show us how a culture treats their young men, which shouldn’t be a practised in this modern world. we do get to deal with forbidden romance, in a culture that doesn’t accept homosexual relationships. By having two major world issues going on, it shows us how the country is just as happy to sweep them under the rug, rather than learn to accept them, which is interesting to see,
Romance – The romance side of the story shows the love two men can have, only for a short time, only if nobody else knows, in a culture that isn’t ready to accept them.
Settings – The film is set in a mountain range in South Africa, this location is where the people go every year for the initiation.
Scene of the Movie – Mountain top.
That Moment That Annoyed Me – Its not an easy subject matter when you look at the initiation process.
Final Thoughts – This is a very interesting movie showing us how forbidden love between two men can be in a culture that still practises a form of gender mutilation.
Overall: Culture shock.
https://moviesreview101.com/2019/06/24/abc-film-challenge-world-cinema-x-the-wound-2017/
Lucy Buglass (45 KP) rated Rare Beasts (2019) in Movies
Oct 14, 2019
Directorial debuts are tough, and it gives people a chance to establish their personal style. Sadly for me, Billie Piper’s first film had a style that didn’t sit well with me at all. She was heavily involved in the project; directing, writing and starring in it, but her unique first film is perhaps a bit too quirky.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
Rare Beasts follows Mandy, a career-driven single mother (Billie Piper) and her turbulent relationship with Pete (Leo Bill). Possibly the most frustrating thing about this film as it’s unclear why the two of them even ended up together at all.
It’s not uncommon for people to choose poorly when they’re dating, and end up in a relationship that doesn’t work, but Rare Beasts offers no reason for the two to even end up together in the first place. Mandy’s a single mother, she’s wild, she wears bold clothing, and Pete is a traditionalist who is, frankly, a misogynist with anger issues.
Interestingly, the film’s synopsis describes Pete as ‘charming’, and I’m unable to see that quality in him, nor is it ever shown from Mandy’s point of view. She never once looks at Pete lovingly, or seems charmed by him.
The lack of context or any indication as to what drove them to be together is a problem for me. Even if we saw one tiny nice moment between them it would make sense, but throughout the film they’re consistently awful to each other with no redeeming features.
Combined with a narrative that is all over the place and dialogue that feels very unnatural, it comes across as jarring most of the time. I have no issue with unconventional film styles, but I found it very hard to follow what was going on at various points.
It seems Rare Beasts is confused about what tone its actually going for, switching between whimsical musical style scenes (minus the music or singing) and gritty realism in a matter of seconds.
I appreciated the efforts to raise awareness of social issues such as domestic abuse, gender inequalities and the struggles of bringing up a child as a single parent, but these messages are squashed by a visual style that is rather overwhelming.
There is also a sub-plot involving Mandy’s parents (Kerry Fox and David Thewlis), who have separated but appear to have a complicated relationship. This is never fully explained either so it’s hard to connect with them, especially when Mandy’s mother falls ill.
This attempt to tug at our heartstrings falls flat, which is disappointing as it had the potential to bring some real, raw emotion to Rare Beasts. Sadly it’s as disjoined and confusing as Mandy and Pete’s relationship.
It’s clear those involved in the film gave it their all, and I can’t fault the quality of the actors even though some of the lines didn’t work and felt too far removed from natural conversation to be taken seriously. At least they tried.
Billie Piper has talent, there’s no doubt about it, but she hasn’t quite made it work in this very daring debut behind the camera. If Rare Beasts was attempting to be relatable and resonate with audiences, it failed to do that with me.
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