"I feel like talking about Mary Poppins all day. Okay. Andrei Rublev, spelled ‘Rublev’ but pronounced ‘Rublov’. It’s because we don’t use the Cyrillic alphabet. I really do love Tarkovsky’s Mirror as well. But the last act, or the last movement of Andrei Rublev is probably just the best thing in cinema history. That bell casting sequence is just so powerful. In some ways, it’s kind of the same thing that Fanny and Alexander does where you’re not even sure who Andrei Rublev is for quite a while the first time you watch the movie, and this is the episode that makes sense together and works together [in a film that doesn’t have] this super linear, aggressive plot. And then the last movement is very linear, that is incredibly cathartic once you’ve been marinated in this world. It really knocks you out. But in general, the movie is so well-staged and beautiful and stunning and inspiring. It’s completely mind-blowing."

"It’s such a sick song. Just listening to the lyrics, how he can juxtapose sounding happy, but also when you listen it’s quite melancholy what they’re saying you know – “Life, life, tell it like it is, you don’t have to die before you live”. I think I always go back to Sly in particular, across his discography from a production point of view - how his drums sound so crisp, and at the end when you get into the break. I just listen to it and I’m like man, how did you record this? I think the 70s in general… what were they on man? How does the music sound so crisp and completely knock when you put it on a speaker or a soundsystem, how is it still so strong? And then I play Drake and it’s like… it doesn't sound the same. It’s not that I’m living too much in nostalgia or trying to be something I’m not, there’s just something strong."