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LeftSideCut (3776 KP) rated The Sadness (2021) in Movies
May 12, 2022
Let's get the obvious out of the way, The Sadness is pretty damn gory. This aspect is both a positive and negative. Most of (if not all) the gore is achieved in a practical manner, and as such is undeniably impressive. It goes for the jugular, with the intention of shocking. There are multiple moments where everything is just caked in blood and viscera, but to be honest, it does come across as gore for the sake of gore. There's little else on offer, which is a great shame. There are some solid enough performances from Berant Zhu, Regina Lei, and Tzu-Chiang Wang, and the general look of the infected people is genuinely quite unsettling, but everything else feels a bit empty. It's hard to care about any of the characters trying to survive, and the attempt at an emotional ending falls flat as a result.
Gore hounds and horror fans will no doubt find things to love about The Sadness. It's bleak, nihilistic, and doesn't shy away from its depravity. I certainly didn't dislike it, but the overall experience left me very unmoved. It's ultimately a movie that is just an extreme splatter flick, and it could have been so much more.
Gore hounds and horror fans will no doubt find things to love about The Sadness. It's bleak, nihilistic, and doesn't shy away from its depravity. I certainly didn't dislike it, but the overall experience left me very unmoved. It's ultimately a movie that is just an extreme splatter flick, and it could have been so much more.
Hazel (2934 KP) rated Zombie (The Cursed Manuscripts) in Books
Jan 16, 2022
I have loved reading horror books since I was a wee teenager and whilst I don't read as many nowadays, I do enjoy a Zombie-fest every now and again and here we have yet another cracker from Iain Rob Wright, who is quickly becoming one of my go-to authors to satisfy my horror fix.
What I like about Iain's books is that it's not just about the blood and gore, there is a good story behind it and interesting and believable characters and although they may not always react logically, it does make things interesting.
Zombie is a quick read but there's a lot packed into it. It's full of tension and heart-in-the-mouth moments as you would expect in this genre and if you don't like violence, I would give this a miss but for me, I am looking forward to more instalments in this story to see where it goes.
Well written and a great pace, this is a book that will appeal to lovers of the Zombie stories and horror books in general.
My thanks must go to Iain for accepting me into his "street team" and for providing me with an advance copy in return for comments and an honest, unbiased and unedited review.
What I like about Iain's books is that it's not just about the blood and gore, there is a good story behind it and interesting and believable characters and although they may not always react logically, it does make things interesting.
Zombie is a quick read but there's a lot packed into it. It's full of tension and heart-in-the-mouth moments as you would expect in this genre and if you don't like violence, I would give this a miss but for me, I am looking forward to more instalments in this story to see where it goes.
Well written and a great pace, this is a book that will appeal to lovers of the Zombie stories and horror books in general.
My thanks must go to Iain for accepting me into his "street team" and for providing me with an advance copy in return for comments and an honest, unbiased and unedited review.
Mark @ Carstairs Considers (2470 KP) rated A Sprinkle in Time in Books
May 28, 2022 (Updated May 28, 2022)
The Corpse in the Trunk. Maybe.
Trinidad Jones is focused on the Alpenfest that is in town for the new two weekends, hoping that the tourists will provide a nice bump to her Shimmy and Shake Shop before business slows for the winter. Her life gets complicated, however, when her grandfather finds a corpse in the trunk of his classic car. When the police show up, the body is gone, only to turn up floating in the lake. What is going on?
I enjoyed the first in the series, but this one was even better. I was pulled in right away, and the plot never lagged. Because of how it impacted some of the characters we got to know in the first book, I found it compelling. I had part of the solution figured out, but there was a lot I hadn’t pieced together. The characters are strong again. I laughed at parts, but because of how things were impacting everyone, I also got chocked up a time or two. There are two recipes at the end to help with your cravings for ice cream and sweets in general. I’m already looking forward to visiting the gang again soon.
I enjoyed the first in the series, but this one was even better. I was pulled in right away, and the plot never lagged. Because of how it impacted some of the characters we got to know in the first book, I found it compelling. I had part of the solution figured out, but there was a lot I hadn’t pieced together. The characters are strong again. I laughed at parts, but because of how things were impacting everyone, I also got chocked up a time or two. There are two recipes at the end to help with your cravings for ice cream and sweets in general. I’m already looking forward to visiting the gang again soon.
ClareR (6054 KP) rated This Charming Man in Books
Jan 31, 2023
Are you feeling despondent? Need a little pick-me-up? Nothing too heavy? We all need (in this case) a book to make us feel happier and give us something to laugh at, and for me, that’s C. K. McDonnell’s job. I love these books. I really do laugh out loud.
The team at The Stranger Times have probably lost the will to laugh at their editor anymore. I mean, they see him every day, but his general bad attitude and shockingly bad work relations are hilarious.
Assistant Editor Hannah is back at work after her messy divorce, and Manchester is faced with what appears to be a bit of a vampire problem. But, you see, Vampires don’t exist. And everyone agrees on this.
Even when this book was being serious, it made me laugh. Banecroft’s interesting swearing system is workplace goals (although I work in Early Years, so still a no for me!), there’s a man on a canal boat who can’t lie and lives with a talking pug, the new journalist who lives in his van and lives on a diet of ice cream (and has terrible wind) - well. It’s just all delightfully wonky, funny and frankly genius!
I can’t wait for the next one!
The team at The Stranger Times have probably lost the will to laugh at their editor anymore. I mean, they see him every day, but his general bad attitude and shockingly bad work relations are hilarious.
Assistant Editor Hannah is back at work after her messy divorce, and Manchester is faced with what appears to be a bit of a vampire problem. But, you see, Vampires don’t exist. And everyone agrees on this.
Even when this book was being serious, it made me laugh. Banecroft’s interesting swearing system is workplace goals (although I work in Early Years, so still a no for me!), there’s a man on a canal boat who can’t lie and lives with a talking pug, the new journalist who lives in his van and lives on a diet of ice cream (and has terrible wind) - well. It’s just all delightfully wonky, funny and frankly genius!
I can’t wait for the next one!
David McK (3684 KP) rated A Darkling Plain (Mortal Engines #4) in Books
Dec 20, 2021
Final part in Philip Reeve's steampunk Predator Cities/Mortal Engines quadrilogy, finally closing off the story of Tom Natsworthy and Hester Shaw alongside that of their daughter Wren.
This particular entry opens on the character of Theo Ngoni, who here and throughout plays a much larger role than he previously did in Infernal Devices. Theo Ngoni is not the only character to return from previous novels however: Fishcake (yes, that's the name he is given) also plays a large role and finally gets a decent end to his story, as does Professor Pennyroyal (still providing the comic relief), the Stalkers Fang and Shrike (with the latter also finally getting a decent pay-off in the last chapter), and both Oenone Zero and General Naga also returning.
I also have to say that I found this to be the longest of the four stories in the quadrilogy: I'm not sure whether that is because it actually is (I read it as part of an e-book compilation, which makes it hard to compare relevant lengths), because I'd read it back to back with the previous entry, or simply because I was beginning to get tired with the series as a whole!
This particular entry opens on the character of Theo Ngoni, who here and throughout plays a much larger role than he previously did in Infernal Devices. Theo Ngoni is not the only character to return from previous novels however: Fishcake (yes, that's the name he is given) also plays a large role and finally gets a decent end to his story, as does Professor Pennyroyal (still providing the comic relief), the Stalkers Fang and Shrike (with the latter also finally getting a decent pay-off in the last chapter), and both Oenone Zero and General Naga also returning.
I also have to say that I found this to be the longest of the four stories in the quadrilogy: I'm not sure whether that is because it actually is (I read it as part of an e-book compilation, which makes it hard to compare relevant lengths), because I'd read it back to back with the previous entry, or simply because I was beginning to get tired with the series as a whole!
LeftSideCut (3776 KP) rated Nope (2022) in Movies
Oct 12, 2022
Jordan Peele has consistently delivered fresh, uncomfortable, and exciting material during his short time branching out into horror, and Nope may very well be his best work so far.
Everything from start to finish just works wonderfully. The narrative unravels at a perfect pace, giving us mystery, terror, and a hugely memorable finale. The general tone is one of unease and tension, and Nope plays it's cards close to it's chest fot the most part, keeping the audience in the unknown, even when they think they have it figured out.
There a plenty of chilling moments on display. There's one particular extended scene around the mid point (no spoilers here, but the one that happens at night time) that is pure sci-fi horror perfection.
It's all executed in a visually striking manner as well, from the inspired cinematography, to the stunning California valley vistas, to it's pleasing colour pallet.
Daniel Kaluuya and Keke Palmer are both fantastic, as they tend to be, and both bounce off eachother in a wonderfully natural way. The two of them elevate Nope to even higher levels.
Nope is just further proof of how important Peele is in the future of the genre, and I once again find myself excited for what he does next.
Everything from start to finish just works wonderfully. The narrative unravels at a perfect pace, giving us mystery, terror, and a hugely memorable finale. The general tone is one of unease and tension, and Nope plays it's cards close to it's chest fot the most part, keeping the audience in the unknown, even when they think they have it figured out.
There a plenty of chilling moments on display. There's one particular extended scene around the mid point (no spoilers here, but the one that happens at night time) that is pure sci-fi horror perfection.
It's all executed in a visually striking manner as well, from the inspired cinematography, to the stunning California valley vistas, to it's pleasing colour pallet.
Daniel Kaluuya and Keke Palmer are both fantastic, as they tend to be, and both bounce off eachother in a wonderfully natural way. The two of them elevate Nope to even higher levels.
Nope is just further proof of how important Peele is in the future of the genre, and I once again find myself excited for what he does next.
Merissa (13643 KP) rated Under By Treaty (Qui Treaty Collection #1) in Books
May 31, 2023
This story starts with General Jaden trying to shoot down an aircraft that he doesn't think has the authorisation to be there. It turns out that it does, and he is drawn into a meeting with the Ambassador and the President. Demands are made, and Jaden is forced to agree to their terms.
This story moves along at a fast pace, but not so fast to be confusing. Jaden has to learn every aspect of a culture very different to his own, including the fact that he is now 'property' and what that may entail. His personality finds it difficult to submit, and the training is brutal. Punishments are usually only needed to be given once, put it that way!
The world-building and characters are top-notch. It is easy to follow the story and the different foibles of each character. With an amazing twist towards the end, this is Sci-Fi to be thoroughly enjoyed. Definitely recommended, and I will be looking for more from this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 26, 2016
This story moves along at a fast pace, but not so fast to be confusing. Jaden has to learn every aspect of a culture very different to his own, including the fact that he is now 'property' and what that may entail. His personality finds it difficult to submit, and the training is brutal. Punishments are usually only needed to be given once, put it that way!
The world-building and characters are top-notch. It is easy to follow the story and the different foibles of each character. With an amazing twist towards the end, this is Sci-Fi to be thoroughly enjoyed. Definitely recommended, and I will be looking for more from this author.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Mar 26, 2016
David McK (3684 KP) rated Black Adam (2022) in Movies
Jul 2, 2023
Dwayne 'The Rock' Johnson did a lot of cheerleading for this movie.
Like, a lot.
I was still completely unaware, however, that it would include Pierce Brosnan's Dr Fate nor Hawkman not Atom Smasher nor Cyclone (all of which, for me, were the first time I had seen any of them on the big screen).
It also fits into the - current - DCEU - with Black Adam getting his powers from the same council of Wizards as Shazam (and using the same word), alongside cameos by Viola Davis' version of Amanda Waller and - in possibly the worst kept secret - a certain superhero during the end credits (the actor for who was told he would be returning to that role, then told not).
Anyway, this sees The Rock's Black Adam released from his tomb 5 centuries after being imprisoned within it, to modern-day Kahndaq which is now occupied by foreign invaders with some very advanced weaponry. The plot is then your usual run-of-the-mill softening of Adam's hard edges, teaming up with his supposed enemies to fight his real enemies, lots of destruction and a few general quips thrown in ...
The result? Somewhat messy; not as good (or surreal) as, say, Aquaman or Wonder Woman. Maybe a B+.
Like, a lot.
I was still completely unaware, however, that it would include Pierce Brosnan's Dr Fate nor Hawkman not Atom Smasher nor Cyclone (all of which, for me, were the first time I had seen any of them on the big screen).
It also fits into the - current - DCEU - with Black Adam getting his powers from the same council of Wizards as Shazam (and using the same word), alongside cameos by Viola Davis' version of Amanda Waller and - in possibly the worst kept secret - a certain superhero during the end credits (the actor for who was told he would be returning to that role, then told not).
Anyway, this sees The Rock's Black Adam released from his tomb 5 centuries after being imprisoned within it, to modern-day Kahndaq which is now occupied by foreign invaders with some very advanced weaponry. The plot is then your usual run-of-the-mill softening of Adam's hard edges, teaming up with his supposed enemies to fight his real enemies, lots of destruction and a few general quips thrown in ...
The result? Somewhat messy; not as good (or surreal) as, say, Aquaman or Wonder Woman. Maybe a B+.
RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
Kristy H (1252 KP) rated The Vanishing Stair (Truly Devious #2) in Books
Apr 4, 2019
Contains spoilers, click to show
Oh I just love Maureen Johnson, and I think this series is becoming my favorite of hers, although it's in stiff competition with the Shades of London books. STAIR picks up shortly after the lovely first book TRULY DEVIOUS, which is wonderful, as that one ended on a dramatic cliffhanger. Oh, but don't worry, this one will leave you gasping for more Stevie and more DETAILS, too.
This book was so compulsively readable that I read it in two sittings, on two flights. I ignored everyone around me and frantically flipped the last couple of pages as my plane landed in Charlotte (if I had known I was going to be stuck in Charlotte thanks to a canceled flight, maybe I would have made it last... oh who am I kidding, no I wouldn't have). Johnson is just so good at getting into her characters' heads--I love Stevie. I loved her in the last book, and I loved her here. She's smart, she's relatable, and she's always getting into trouble. There's plenty of exploring, detective work, and yes, tunnels, in this one to keep you more than interested.
Stevie's cast of friends is also superb, from the prickly David to the wonderful Janelle, and Nate, the writer who can no longer write. Oh and Larry, Stevie's protective security guard. I love them all, even if there are plenty of times I wanted to shake David in this one. We're also introduced to some new characters here, as Stevie takes on a new research project. (I don't want to spoil anything or ruin your enjoyment of reading about them all yourself.)
Stevie is busy unraveling the Ellingham Academy mystery in this one, and I'm happy to say she goes a long way in book #2. What I love about this series is that you get a great underlying mystery (what happened to Ellingham Academy founder Albert Ellingham's long-missing wife and daughter, if you for some unknown reason haven't read the first book), but there are always little side mysteries, plus just the general business of Stevie trying to live her life. She's struggling with being back at Ellingham--dealing with what it means to have struck a deal with Edward King, negotiating her boundaries with David, and much more. Johnson deals with Stevie's anxiety, her intelligence, and just her general no-nonsense approach to life in such realistic ways: I love it all.
So, yeah, I can't think of anything I didn't like here, except that the book ended, and now I have to wait *forever* again to find out what happens! I love this series, I love the character of Stevie, and I highly recommend this book (but start at #1, please). It's a funny, mysterious, sweet, and compelling read. 4.5 stars.
This book was so compulsively readable that I read it in two sittings, on two flights. I ignored everyone around me and frantically flipped the last couple of pages as my plane landed in Charlotte (if I had known I was going to be stuck in Charlotte thanks to a canceled flight, maybe I would have made it last... oh who am I kidding, no I wouldn't have). Johnson is just so good at getting into her characters' heads--I love Stevie. I loved her in the last book, and I loved her here. She's smart, she's relatable, and she's always getting into trouble. There's plenty of exploring, detective work, and yes, tunnels, in this one to keep you more than interested.
Stevie's cast of friends is also superb, from the prickly David to the wonderful Janelle, and Nate, the writer who can no longer write. Oh and Larry, Stevie's protective security guard. I love them all, even if there are plenty of times I wanted to shake David in this one. We're also introduced to some new characters here, as Stevie takes on a new research project. (I don't want to spoil anything or ruin your enjoyment of reading about them all yourself.)
Stevie is busy unraveling the Ellingham Academy mystery in this one, and I'm happy to say she goes a long way in book #2. What I love about this series is that you get a great underlying mystery (what happened to Ellingham Academy founder Albert Ellingham's long-missing wife and daughter, if you for some unknown reason haven't read the first book), but there are always little side mysteries, plus just the general business of Stevie trying to live her life. She's struggling with being back at Ellingham--dealing with what it means to have struck a deal with Edward King, negotiating her boundaries with David, and much more. Johnson deals with Stevie's anxiety, her intelligence, and just her general no-nonsense approach to life in such realistic ways: I love it all.
So, yeah, I can't think of anything I didn't like here, except that the book ended, and now I have to wait *forever* again to find out what happens! I love this series, I love the character of Stevie, and I highly recommend this book (but start at #1, please). It's a funny, mysterious, sweet, and compelling read. 4.5 stars.