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Hazel (1853 KP) rated Polaris Awakening (Polaris Anthology, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Polaris Awakening</i> is a young adult science fiction anthology containing several short stories about the human race thousand of years from now where everyone lives aboard giant space stations. <i>Polaris</i> is a collaborative project between numerous authors that are rising up in the young adult world: Kelli Sheridan, E. Latimer, Erica Crouch, Janna Jennings, Hannah Davies, Terra Harmony and Meghan Jashinky. Although each story is different, they all revolve around <i>Polaris</i> – the largest human built space station in the universe.
Despite the different authors’ input, it could be easily believed that only one person wrote the anthology, as their writing styles are so similar. Whilst being labeled as science fiction, there are a lot of themes throughout the book such as a dystopian setting, social and political injustice, romance and violence. There are many strong male and female characters, which make these stories suitable to readers of both genders. The main characters are roughly the same age as the target audience thus generating appropriate language and scenarios for young adults to read and become interested in.
Naturally, some of the stories are better than others. Some are so full of action and suspense, making the reader want to stay with those characters forever, whereas others feel rather short and incomplete. What happens to those certain individuals once they are off the page?
Whilst reading this book I kept thinking about a novel that was recently published: <i>Way Down Dark</i> by J. P. Smythe. The plots of these short stories were very similar to the general story line portrayed within that book. The setting was almost the same as the spacecraft written about by Smythe. If you enjoy this anthology, I am sure you would also love <i>Way Down Dark</i>, and vice versa.
Polaris Awakening</i> is a young adult science fiction anthology containing several short stories about the human race thousand of years from now where everyone lives aboard giant space stations. <i>Polaris</i> is a collaborative project between numerous authors that are rising up in the young adult world: Kelli Sheridan, E. Latimer, Erica Crouch, Janna Jennings, Hannah Davies, Terra Harmony and Meghan Jashinky. Although each story is different, they all revolve around <i>Polaris</i> – the largest human built space station in the universe.
Despite the different authors’ input, it could be easily believed that only one person wrote the anthology, as their writing styles are so similar. Whilst being labeled as science fiction, there are a lot of themes throughout the book such as a dystopian setting, social and political injustice, romance and violence. There are many strong male and female characters, which make these stories suitable to readers of both genders. The main characters are roughly the same age as the target audience thus generating appropriate language and scenarios for young adults to read and become interested in.
Naturally, some of the stories are better than others. Some are so full of action and suspense, making the reader want to stay with those characters forever, whereas others feel rather short and incomplete. What happens to those certain individuals once they are off the page?
Whilst reading this book I kept thinking about a novel that was recently published: <i>Way Down Dark</i> by J. P. Smythe. The plots of these short stories were very similar to the general story line portrayed within that book. The setting was almost the same as the spacecraft written about by Smythe. If you enjoy this anthology, I am sure you would also love <i>Way Down Dark</i>, and vice versa.
Chocolate a la Murder
10.0
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Maddie gets rattled by a candy-coated murder. It's Wine and Chocolate Days in San Benedetto, and...
General Fiction (Adult) Mystery Cozy
Veronica Pena (690 KP) rated P.S. I Still Love You (To All the Boys I've Loved Before, #2) in Books
Jan 21, 2020
I loved the first book in this trilogy so much so going into this one, I had expectations. I was nervous to see what happened between John Ambrose McClaren and Lara Jean, especially because I found myself being Team Peter all the way. I think that this book, actually just the series as a whole is one that is just so sweet and pure and I think it's a new take on a love story. I feel like young adult and fiction is so saturated with love stories that it's hard to find good ones, ones that feel real and make your heart stop, the kind of romance stories that would make a good movie, ya know? I really think this series is out of the box and I like the diversity that it brings not only to YA but to the entire romance genre in general.
It's clear that this book is a stepping stone between the first and the third. It's not as fast-paced as the first book and the details that end up mattering aren't always the biggest ones. It's definitely a bridge that I hope will bring the first and the third together in a way that rounds out the story and I'm excited to see what happens in the conclusion of the series.
I love Lara Jean as a character and her innocence. I know that I'm not that far out from being 16, going on 17, but it's easy to get caught up in the facets of adult life and having to take care of everything all the time and be serious and have a lot of responsibilities. What I like the most about this series is how it transports you and next thing you know, you're 16, going on 17, and you're falling in love with Peter Kavinsky alongside Lara Jean Song Covey.
It's clear that this book is a stepping stone between the first and the third. It's not as fast-paced as the first book and the details that end up mattering aren't always the biggest ones. It's definitely a bridge that I hope will bring the first and the third together in a way that rounds out the story and I'm excited to see what happens in the conclusion of the series.
I love Lara Jean as a character and her innocence. I know that I'm not that far out from being 16, going on 17, but it's easy to get caught up in the facets of adult life and having to take care of everything all the time and be serious and have a lot of responsibilities. What I like the most about this series is how it transports you and next thing you know, you're 16, going on 17, and you're falling in love with Peter Kavinsky alongside Lara Jean Song Covey.
Gage (Angelbound Offspring #8) by Christina Bauer
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Gage runs the L’Griffe, AKA the dragon shifter mafia on Earth. Since the human realm has no...
Young Adult Fantasy Series
The East End
9.0
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THE EAST END opens with Corey Halpern, a Hamptons local from a broken home who breaks into mansions...
Drugs Crime Alcohol Addiction Love Dysfunction Family
R
Ringer
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Like its ambitious companion novel, Replica, this far-reaching novel by the powerhouse author of...
Young Adult Science Fiction
The Perfect Betrayal
10.0
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'A captivating, suspenseful thriller that draws you in - with a twist that will take your breath...
Mystery Thriller General Fiction (Adult) Grief Trust
Brain Burps About Books: How to Create Your Author Platform, Adult and Children's Book Publishing, Book Marketing Podcast
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Go to http://www.howtocreateyourauthorplatform.com or text the code KATIED to 33444 to get video...
Hazel (1853 KP) rated Broken Realms (The Chronicles of Mara Lantern, #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Broken Realms</i> is a brilliant science fiction novel and first installment of <i>The Chronicles of Mara Lantern</i> by D. W. Moneypenny. Set in present day Oregon it deals with metaphysical ideas and bizarre creatures – a very intriguing read.
Mara Lantern is a young adult who has left school to work in a gadget repair shop where her amazing natural talent for restoring machinery is put to good use. At the commencement of the book she is being driven to the airport by her New Age obsessed mother in order to fly out to San Francisco to visit her father. Once the plane is airborne it is clear there is something terribly wrong. Bright blue light flashes throughout the aircraft and the passengers around Mara appear to be distorting: growing fangs and snouts, and changing eye colour. What is even stranger is a redheaded boy is running down the aisle closely pursued by a clone of Mara.
In an attempt at an emergency landing, the plane crashes into the Columbia River – a crash impossible to survive – however everyone does. All the passengers and crew are pulled out of the river unharmed; all except Mara who is strangely found unconscious on the pavement with a head wound.
Detective Daniel Bohannon is assigned to the case investigating the cause of the crash, but when some of the survivors start displaying super-human or animalistic traits it becomes clear this was no ordinary situation.
Whilst the investigation continues, Mara begins to deal with what she saw on the plane. With the help of a fellow survivor, Ping, and the redheaded boy, Sam (who claims he is her brother) she begins to learn that her world, her life and human existence in general is not all she believed it to be.
Although <i>Broken Realms</i> is accurately described as a science fiction and fantasy novel there were times, particularly during the police investigations, that it also felt a little like a crime thriller. There is nothing particularly bad about that but to begin with it was as though there were two different genres competing with each other depending on which character point of view was being read.
What helped to make this book so great were the excellent writing skills of D. W. Moneypenny. It was written so clearly that vivid images came to mind whilst reading. The pace of the narrative was fairly quick and at no point did it ever stop being exciting.
Another good thing (admittedly others may not see it as such) was that there were no romantic attachments between any of the characters to detract from the main storyline. This meant the novel was completely focused on the plot without any unnecessary interruptions.
<i>Broken Realms</i> is a highly recommended book for science fiction and fantasy lovers. It does, however, leave the reader wanting to know what is going to happen next. So now the wait for the next book in <i>The Chronicles of Mara Lantern</i> begins.
<i>Broken Realms</i> is a brilliant science fiction novel and first installment of <i>The Chronicles of Mara Lantern</i> by D. W. Moneypenny. Set in present day Oregon it deals with metaphysical ideas and bizarre creatures – a very intriguing read.
Mara Lantern is a young adult who has left school to work in a gadget repair shop where her amazing natural talent for restoring machinery is put to good use. At the commencement of the book she is being driven to the airport by her New Age obsessed mother in order to fly out to San Francisco to visit her father. Once the plane is airborne it is clear there is something terribly wrong. Bright blue light flashes throughout the aircraft and the passengers around Mara appear to be distorting: growing fangs and snouts, and changing eye colour. What is even stranger is a redheaded boy is running down the aisle closely pursued by a clone of Mara.
In an attempt at an emergency landing, the plane crashes into the Columbia River – a crash impossible to survive – however everyone does. All the passengers and crew are pulled out of the river unharmed; all except Mara who is strangely found unconscious on the pavement with a head wound.
Detective Daniel Bohannon is assigned to the case investigating the cause of the crash, but when some of the survivors start displaying super-human or animalistic traits it becomes clear this was no ordinary situation.
Whilst the investigation continues, Mara begins to deal with what she saw on the plane. With the help of a fellow survivor, Ping, and the redheaded boy, Sam (who claims he is her brother) she begins to learn that her world, her life and human existence in general is not all she believed it to be.
Although <i>Broken Realms</i> is accurately described as a science fiction and fantasy novel there were times, particularly during the police investigations, that it also felt a little like a crime thriller. There is nothing particularly bad about that but to begin with it was as though there were two different genres competing with each other depending on which character point of view was being read.
What helped to make this book so great were the excellent writing skills of D. W. Moneypenny. It was written so clearly that vivid images came to mind whilst reading. The pace of the narrative was fairly quick and at no point did it ever stop being exciting.
Another good thing (admittedly others may not see it as such) was that there were no romantic attachments between any of the characters to detract from the main storyline. This meant the novel was completely focused on the plot without any unnecessary interruptions.
<i>Broken Realms</i> is a highly recommended book for science fiction and fantasy lovers. It does, however, leave the reader wanting to know what is going to happen next. So now the wait for the next book in <i>The Chronicles of Mara Lantern</i> begins.
My rating 2.5
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.
<i>I received this book for free through Goodreads First Reads. </i>
There is often a preconception that self-published books are not as good as those printed by world famous publishers. Yet, given a chance, there are a few that surprise you. Unfortunately, there are many issues with Laura Foster’s debut novel <i>Crimson</i>. The actual concept has promise of appealing to a range of readers due to falling into a variety of genres: fantasy, science fiction, young adult and paranormal/horror. Where the novel suffers is within the writing style and obvious lack of proof reading.
The storyline concentrates on a homeless young girl whose frightening nightmares have led her to believe she is in grave danger. Dawn Pearson, who the reader is led to believe is only twelve or thirteen years of age, is determined to get as far away from the creature in her dreams as possible. With the help of Mike, a friend she makes on the street, she narrowly escapes being captured by the red-eyed, irascible monster she has named Crimson.
While the pair flee, Dawn and Mike become aware of another terrifying beast, although neither understand why Dawn is being hunted. It soon manifests that Dawn harbours an ethereal power, suggesting that she is far from the human she believed herself to be. As the thrill of the chase heightens, readers are left with questions: who is Dawn? Who is the Crimson? Which characters can be trusted?
It is not clear what the target age group is, however the youthful ages of Dawn and Mike make it suitable for a young adult audience as well as adult readers in general. Dawn and Mike’s relationship, although sudden, becomes a key aspect of the story. For once a friendship between a male and female has no romantic connotations attached, thus not detracting from the surreal circumstances of the plot. Both Dawn and Mike show admiral traits of selflessness – something that ostracizes them from the remainder of ignoble characters.
Sadly, the dramatic climax spirals into confusion. Ever changing plot directions make it unclear who the heroes are, and perplexing scene descriptions make it difficult to picture what the author had in mind. This was a more prominent issue toward the conclusion of the book, resulting in an unsatisfying ending.
One of the major problems with the writing is the constant switching of points of view. Although written in third person, a narrative still speaks from one character’s perspective. This can change from character to character, but usually separated into different chapters. In <i>Crimson</i>, however, Foster alters the viewpoint from paragraph to paragraph. This occasionally makes the text difficult to follow.
As with any lengthy body of text, printing errors can occur – nobody is perfect. On the other hand, the amount of typos in <i>Crimson</i> makes it hard to believe that it had ever been proofread in the first place. Some mistakes are clearly typing errors that are (probably) not the author’s fault, however the repeated misuse of words such as seized/ceased and wondered/wandered are not easy to forgive.
Overall, the premise was there, the writing not so much. It is understood that Laura Foster is currently working on a sequel to <i>Crimson</i>, but its success rests on how well this first book is received. If people can tolerate the errors pinpointed above, then the author has nothing to worry about, yet as it stands, it does not look promising.