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Burn After Reading (2008)
7.4
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Burn After Reading, a comedy thriller from Joel Coen and Ethan Coen (No Country for Old Men, Fargo,...
Matthew Krueger (10051 KP) rated From Dusk Till Dawn (1996) in Movies
Jul 9, 2019
A underrated action horror film
From dusk till dawn- was directed by robert roderguiz and had a great cast.
The plot: the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid, loose-cannon brother, Richard (Quentin Tarantino), hightail it to the Mexican border. Kidnapping preacher Jacob Fuller (Harvey Keitel) and his kids, the criminals sneak across the border in the family's RV and hole up in a topless bar. Unfortunately, the bar also happens to be home base for a gang of vampires, and the brothers and their hostages have to fight their way out.
A tv series was made back in 2014 and had 3 seasons.
From dusk till dawn- has horror, action and fantasy all mixed into one film. Overall its very underrated and more people should watch it.
The plot: the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid, loose-cannon brother, Richard (Quentin Tarantino), hightail it to the Mexican border. Kidnapping preacher Jacob Fuller (Harvey Keitel) and his kids, the criminals sneak across the border in the family's RV and hole up in a topless bar. Unfortunately, the bar also happens to be home base for a gang of vampires, and the brothers and their hostages have to fight their way out.
A tv series was made back in 2014 and had 3 seasons.
From dusk till dawn- has horror, action and fantasy all mixed into one film. Overall its very underrated and more people should watch it.
Directors Close Up 2: Interviews with Directors Nominated for Best Film by the Directors Guild of America: 2006-2012
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Since 1992, The Directors Guild of America has hosted annual seminars featuring its nominees for...
Movie Metropolis (309 KP) rated Tomorrowland (2015) in Movies
Jun 11, 2019
A CGI disaster
Disney has an intriguing track record when it comes to movies. The multi-billion dollar company has produced some incredible films and some absolute stinkers, with its live-action department bearing the brunt of this misfortune.
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Here, The Incredibles director Brad Bird is hoping to add another great film to his CV with Tomorrowland: A World Beyond, but does this George Clooney fantasy adventure tick all the right boxes?
Tomorrowland is based on Disney’s adventure ride of the same name and like The Pirates of the Caribbean franchise, requires a completely original story to ensure it translates well onto the big screen.
George Clooney, Hugh Laurie and Britt Robertson star in a film that is visually stunning but horrifically uneven with a story that doesn’t make much sense. Its vague environmental message is one of the only things to take away from it.
Clooney stars as Frank Walker, a disgruntled inventor who transports Robertson’s Casey Newton to a place in time and space known only as Tomorrowland. Once there, they must change the past in order to secure their future.
Bird’s direction is as usual, supremely confident with stunning CGI landscapes of the metropolis being beautifully juxtaposed with the Earth we know and love. There are scenes here that look like something from an art installation.
Clooney is as dynamic as ever in between all the special effects and Robertson channels Jennifer Lawrence in her role as the plucky teenager, but Tomorrowland showcases Hugh Laurie the best. His David Nix is an intriguing character who is sorely underused with the CGI being the main focus here.
Unfortunately, as countless blockbusters have proved time and time again, brilliant special effects don’t equal a brilliant film and Tomorrowland falls head first into that trap. Yes, the other dimension is on the whole, breath-taking but there’s such a lack of detail anywhere else that it feels decidedly hollow.
This isn’t to say that we have a film like Transformers: Age of Extinction on our hands but it doesn’t reach the heights of Saving Mr Banks or even the Narnia films.
Being stuck in the middle isn’t the best place to be for a movie with a rumoured production cost of $200m and it’s this lack of identity that may hold Tomorrowland back when it comes to box-office performance.
There’s also some debate over the target audience. With a 12A rating, you’d expect a similar tone to The Hunger Games or even The Amazing Spider-Man 2, but what the audience gets is a PG movie with a couple of scenes of violence, pushing it over into the coveted ‘teen market’.
Overall, Tomorrowland is a fun if entirely forgetful fantasy adventure brimming with CGI and unfortunately not much else. Hugh Laurie is an eccentric and painfully underused presence and that pretty much sums up the entire production.
Everything feels a little underdone, like there was something else under the surface waiting to break free that just didn’t come to fruition.
https://moviemetropolis.net/2015/05/24/a-cgi-disaster-tomorrowland-review/
Tamer Hosny
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Tamer Hosny official Youtube Channel Tamer Hosny was Awarded as The Best Artist In Africa and...
The World in 2017
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The World in 2017 app contains The Economist’s annual collection of detailed, numerate and...
The Wit and Wisdom of Kerry
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This new collection about Kerry represents a county which has produced leading national figures,...
Reggie Watts recommended Fantastic Mr. Fox (2009) in Movies (curated)
Troye Sivan recommended The Air Up There (1994) in Movies (curated)
Gareth von Kallenbach (971 KP) rated Money Monster (2016) in Movies
Aug 6, 2019
Growing up, whenever a political or economic scandal was featured on the news, my father would utter the words, “Follow the money.” This phrase was made famous by “Deep Throat” during the Watergate scandal that eventually brought down the Nixon Administration. In the film Money Monster which stars George Clooney and Julia Roberts, this is a question that we start to ask ourselves as a financial investment show is taken captive by a disgruntled investor while it is airing live.
Clooney, who serves as the show’s host, quickly finds himself in the middle of a storm of tension and deception as he and his captor try to discover what happened to over $800 million in investments. The film itself is sufficient as an overview for satisfying our need for some sense of understanding at how corrupt and unstable the financial industry can be. Through much of the film, I found myself wondering about how many people wanted these same answers in 2008 during the financial market meltdowns and the collapse of the housing markets. The film approaches this anger that hit the American working class, but do not delve deeper than the superficial issues and discontent. There is a major lack of depth and this might be a metaphor for the industry itself that is built on confusion, misdirection, and a lack of substance. The plot is simplistic and does not allow for any surprises or twists.
It is a very straightforward movie where a flawed character wants answers. He wants closure. He wants to bring to justice the people who ruined the lives of countless Americans and took advantage of their desire to experience the American Dream. Despite the lack of complexity and a few holes in the storytelling, Money Monster provides a few laughs and leaves the audience asking questions about how deep the problems and corruption may be within our financial system nearly 8 years after the collapse. It makes us want to “follow the money” in the hopes that we will find answers.
Clooney, who serves as the show’s host, quickly finds himself in the middle of a storm of tension and deception as he and his captor try to discover what happened to over $800 million in investments. The film itself is sufficient as an overview for satisfying our need for some sense of understanding at how corrupt and unstable the financial industry can be. Through much of the film, I found myself wondering about how many people wanted these same answers in 2008 during the financial market meltdowns and the collapse of the housing markets. The film approaches this anger that hit the American working class, but do not delve deeper than the superficial issues and discontent. There is a major lack of depth and this might be a metaphor for the industry itself that is built on confusion, misdirection, and a lack of substance. The plot is simplistic and does not allow for any surprises or twists.
It is a very straightforward movie where a flawed character wants answers. He wants closure. He wants to bring to justice the people who ruined the lives of countless Americans and took advantage of their desire to experience the American Dream. Despite the lack of complexity and a few holes in the storytelling, Money Monster provides a few laughs and leaves the audience asking questions about how deep the problems and corruption may be within our financial system nearly 8 years after the collapse. It makes us want to “follow the money” in the hopes that we will find answers.