Search

Search only in certain items:

40x40

Andy Bell recommended Blue Bell Knoll by Cocteau Twins in Music (curated)

 
Blue Bell Knoll by Cocteau Twins
Blue Bell Knoll by Cocteau Twins
1988 | Alternative
9.0 (1 Ratings)
Album Favorite

"Since I’ve gone back to learn these early Ride songs for the reunion tour, I’ve noticed how much Robin Guthrie’s playing influenced me, and it harks back to Johnny Marr and George Harrison with little patterns and little sort of partial chords with open strings. “Johnny Marr had a little bit of chorus and a bit of echo and a bit of reverb but Robin Guthrie had an absolute grand canyon of reverb! And, talking to him, he is an absolute connoisseur of reverbs and stuff like that. “The Cocteau Twins were very otherworldly and were very influential on the Ride sound. [Record label] 4AD as a whole was a massive influence on us."

Source
  
40x40

Owen Kline recommended Little Malcolm (1974) in Movies (curated)

 
Little Malcolm (1974)
Little Malcolm (1974)
1974 | Comedy, Drama
(0 Ratings)
Movie Favorite

"A young John Hurt plays a bitter art school drop-out who forms his own fascist political movement, the Party of Dynamic Erection. It’s very proto-Withnail & I, and it’s not lost on me that George Harrison was involved in producing both Little Malcolm and Withnail. So it’s cool to think that my favorite Beatle helped make the best two movies about crazy assholes in trench coats screaming at each other in shitty apartments. Mike Leigh directed the original production of the play of Little Malcolm and I can also see how the Scrawdyke character may have informed him in creating Johnny from Naked, another misogynistic, visionary crackpot trying to assert his manhood."

Source
  
40x40

Mick Hucknall recommended Led Zeppelin 2 by Led Zeppelin in Music (curated)

 
Led Zeppelin 2 by Led Zeppelin
Led Zeppelin 2 by Led Zeppelin
1969 | Rock
7.5 (2 Ratings)
Album Favorite

"I listen to this record all the way through - even 'Moby Dick'. To me it encapsulates the Led Zeppelin sound, because the engineering on it is so magnificent. The fact that a four-piece band can sound so vast. Obviously there are great tracks on III and IV. But I feel that II is the most complete album. It's amazing to find out they recorded it mostly on tour. Extraordinary. It sounds like it was recorded in one room. I think it's accounted for by the fact they just sound like that. They just sound that magnificent. I was not a huge fan of the first album. I remember reading the story about how, I think it was Glyn Johns again, the story about him playing it to George Harrison, and George Harrison didn't really get it. I wonder if he had played him Zeppelin II he'd have got it. I is not my favourite. On II it felt fully realised. They'd pulled away from that influence of blues; it was still there, but they'd merged it into their own thing. Which again I think is something that people don't associate with Simply Red – we've been enormously influenced by African American music, but we've been influenced by it from a different era. The marriage between black and white started with Bing Crosby and Frank Sinatra and George Gershwin and all these people that ran through music, right through to Elvis, to Jagger, to Robert Plant – we've all in our own ways been enormously influenced by African American music. But the real thing to celebrate is that we made something different out of it. We didn't just copy it. The British especially turned it into something else. It became what we now know as rock music. The Beatles and the Stones are the people who can justifiably claim to have invented what we know as rock music. Not rock & roll, not R&B, not blues, but rock. And that is something to celebrate."

Source