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Merissa (12510 KP) rated Yours and Mine: A Serrulata Saga Romance Novella in Books
Jan 31, 2023
A delightful read and definitely recommended by me.
YOURS AND MINE is a novella in the Serrulata Saga and, although I haven't read any of those, I was able to enjoy this one without any issues.
The strict rules that Octavia has to live by, as a daughter of a Great House, become even more constrictive once she becomes of age. She hates being shown off and handed off to different men to dance with. When she spots someone by themselves, her interest is roused. Once Octavia and Gerald meet each other, it is clear they belong together.
I loved the world this is set in, with the comments about the Ancients. It has certainly given me a reason to search out other books in this series. The writing itself is clear and concise, giving plenty of descriptions but not too many to bog you down. I thought the relationship between Octavia and Gerald moved along nicely, staying within the constraints of Society whilst allowing them to make up their own minds, and also trying to convince those who thought they knew best.
A delightful read and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The strict rules that Octavia has to live by, as a daughter of a Great House, become even more constrictive once she becomes of age. She hates being shown off and handed off to different men to dance with. When she spots someone by themselves, her interest is roused. Once Octavia and Gerald meet each other, it is clear they belong together.
I loved the world this is set in, with the comments about the Ancients. It has certainly given me a reason to search out other books in this series. The writing itself is clear and concise, giving plenty of descriptions but not too many to bog you down. I thought the relationship between Octavia and Gerald moved along nicely, staying within the constraints of Society whilst allowing them to make up their own minds, and also trying to convince those who thought they knew best.
A delightful read and definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Beatriz (17 KP) rated 1408 (2007) in Movies
Feb 22, 2019
1408
1408 is a 2007 American psychological horror film based on Stephen King's 1999 short story of the same name.
It tells the story about a man that specialises in going to places with paranormal events and longs to find something that actually scares him. So he goes to the room 1408 in the Dolphin Hotel.
Its a genious psycological horror .
Here are some facts i found about the film ...
-The bottle that Gerald Olin offers Mike Enslin is named "Les Cinquant Sept Décès". In French, it means literally
"The fifty seven deaths". And just after that we learn that in the room 1408 there were 56 deaths. So we could have guessed that Mike's fate was "written".
-When the clock starts counting down from 60:00, the movie ends exactly one hour later.
-There are many references to the number "13" throughout the movie. The room is numbered "1408", add each number together equals 13. The room is on the 14th floor,
and the Hotel skips the 13th floor, so the room is technically on the 13th floor. The room's key lock also has "6214" etched into it, which adds up to 13.
And the first death was in the year 1912, which adds to 13.
- It has two alternative endings
It tells the story about a man that specialises in going to places with paranormal events and longs to find something that actually scares him. So he goes to the room 1408 in the Dolphin Hotel.
Its a genious psycological horror .
Here are some facts i found about the film ...
-The bottle that Gerald Olin offers Mike Enslin is named "Les Cinquant Sept Décès". In French, it means literally
"The fifty seven deaths". And just after that we learn that in the room 1408 there were 56 deaths. So we could have guessed that Mike's fate was "written".
-When the clock starts counting down from 60:00, the movie ends exactly one hour later.
-There are many references to the number "13" throughout the movie. The room is numbered "1408", add each number together equals 13. The room is on the 14th floor,
and the Hotel skips the 13th floor, so the room is technically on the 13th floor. The room's key lock also has "6214" etched into it, which adds up to 13.
And the first death was in the year 1912, which adds to 13.
- It has two alternative endings
Darren (1599 KP) rated Villain (1971) in Movies
Jul 25, 2019
Story: Villain starts as we see how gangster Vic Dakin (Burton) controls London, he has people that will grass on him to the cops with Inspector Bob Matthews (Davenport) trying to bring down the criminal.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Adam Colclough (3 KP) rated Harry's Game in Books
Mar 6, 2018
Dangerous Games
London at the height of the IRA’s campaign on the British mainland and a government minister is assassinated, orders are send down from the highest level that retaliatory action must be taken. Gerald Seymour’s ground breaking 1975 novel tells the story of the resulting operation, in which a British agent is sent undercover in Republican Belfast.
For the most part thrillers are the literary equivalent of Danish pastry, enjoyable but not made to last. A few, and ‘Harry’s Game’ is one, are more substantial fare, food for the mind that may give you indigestion.
On one level it is a book in the tradition established by Frederick Forsythe, fiction played out as fact allowing the author to draw on his journalistic background. Seymour goes beyond this by creating characters who aren’t simply stock heroes and villains. Instead they are human beings engaged in a struggle that is squalid and futile rather than heroic and purposeful.
This combines to give a grimly believable picture of daily life in Northern Ireland at a time when a single word or action out of place could have deadly consequences. He also writes well about the machinations behind the scenes on both sides, with the British political and military establishment struggling to fight an undeclared war they don’t understand; and the IRA high command masking the brutality of their actions behind misty eyed romanticism.
Brutal, believable and still relevant more than forty years after it was first published this is a novel that is very much worth reading, even if doing so can be unsettling.
For the most part thrillers are the literary equivalent of Danish pastry, enjoyable but not made to last. A few, and ‘Harry’s Game’ is one, are more substantial fare, food for the mind that may give you indigestion.
On one level it is a book in the tradition established by Frederick Forsythe, fiction played out as fact allowing the author to draw on his journalistic background. Seymour goes beyond this by creating characters who aren’t simply stock heroes and villains. Instead they are human beings engaged in a struggle that is squalid and futile rather than heroic and purposeful.
This combines to give a grimly believable picture of daily life in Northern Ireland at a time when a single word or action out of place could have deadly consequences. He also writes well about the machinations behind the scenes on both sides, with the British political and military establishment struggling to fight an undeclared war they don’t understand; and the IRA high command masking the brutality of their actions behind misty eyed romanticism.
Brutal, believable and still relevant more than forty years after it was first published this is a novel that is very much worth reading, even if doing so can be unsettling.
Daniel Boyd (1066 KP) rated Gerald's Game (2017) in Movies
Oct 13, 2017 (Updated Oct 13, 2017)
Top Notch Performances. (1 more)
Effective Scares.
Hard To Watch, Yet Impossible To Turn Away
Contains spoilers, click to show
After being underwhelmed by the major blockbuster release of IT, I didn’t have much hope for this small Netflix movie with a limited cast, a low budget and being an adaption of what is regarded as one of Stephen King’s lesser works. I am happy to report that I was pleasantly surprised when I sat down to watch this one, in fact I’d go as far as to say it blew me away.
This is a movie that lives and dies on the performances of the actors involved. For those of you not familiar with the story’s premise, it involves a married couple driving out to a holiday cottage in the woods for a dirty weekend. The couple is played by Carla Gugino, (Jessie,) and Bruce Greenwood, (Gerald,) who both totally nail their respective roles in the movie. Once they get to the cottage and the door is conveniently left ajar, Gerald handcuffs Jessie to the bed and goes to the bathroom to pop a Viagra. Once he comes back and explains how he has made sure the gardeners and the cleaners won’t disturb them for a few days, he takes a heart attack and collapses onto the floor and dies.
From this point on, Carla Gugino spends the vast majority of the movie handcuffed to the bed and she gives an absolutely stellar performance, possibly the best of her career. She goes though a vast array of emotions in convincing, believable form and shows everything, from despair, to sadness, to anger, to fear, to resilience. I don’t think anyone has ever been Oscar nominated for a straight-to-Netflix movie, but if there is one performance that deserves to be, it is this one.
If you haven’t seen the movie yet, please don’t read on past this point as I am going to have to delve into spoilers in order to discuss the other aspects of the movie that I enjoyed. I thought the way that Gerald appeared to Jessie as a sort of devil on her shoulder was really effective and Greenwood delivered the required level of intense cruelty perfectly. Then the fact that Jessie appeared to herself as a sort of angel on the shoulder to oppose Gerald’s negative thoughts, meant that Gugino was required to deliver a dual character performance, on top of the already challenging role of being chained to the bed.
Flashback sequences in movies can go either way for me. They usually either tend to detract from the story at hand and become an unnecessary tangent, or they compliment what is going on and add to the movie overall. Thankfully in this movie, it is the latter. The flashback scenes are uncomfortable and hard to watch, but they do add context to what is going on in the character’s mind and make for a more interesting dissection of the effect that child abuse can have on a person in later life and how psychologically, even as adults people are still affected by the dreadful things that occurred in their past.
I also thought that this film was extremely effective in terms of its fear factor. As opposed to IT, which was scary at the start, but became repetitive and managed to desensitise its audience for what to expect by the halfway mark, Gerald’s game retains an unpredictable level of uneasiness throughout.
As far as the viewer knows during the first half of the movie, the main conflict facing the protagonist is starvation and the dog that is gnawing on Gerald’s dead body, but then things take a much more sinister turn. In what is possibly the creepiest scene I have seen in a movie this year, Jessie wakes up during the night after passing out for a few hours and she looks into the corner of the room, squinting her eyes. The camera follows where she is looking and the general shape of something can be made out. Then the shape begins to move forwards into the moonlight and is revealed to be a huge, deformed man holding a trinket box. This was so unexpected and freaky, and I loved it. I thought it was so effective in the context of the movie and was executed perfectly to be as disturbing as possible. It is also a relatable scare, as we have all experienced that moment; glancing at the corner of the room, something catches our eye and looks off in the darkness, but you just brush it off and fall back asleep. Jessie’s worst fears are confirmed here though, as she really did see something in the corner of the room and she is helpless to get away from it.
It also throws a twist into a story that has so far been based in what could be a real situation. You start to wonder, is Jessie experiencing something supernatural, or is she just hallucinating due to lack of food and water? Then the Gerald hallucination asks her if ‘The Moonlight Man,’ that she saw isn’t real, then why did the dog run away when he was in the room? Just like Jessie, the audience starts to wonder if he could be real, perhaps he is death and he has come to take Jessie to hell. All of these questions add to the already intense and disturbing tone of the movie and I thought it worked perfectly.
Eventually the movie wraps up with Jessie having an epiphany that if she smashes the glass of water and cuts her wrist, the blood can help her slip her hand out of the cuffs. What follows is a gory, brutal, difficult to watch de-gloving scene that will have you wincing and watching through your fingers. Then in true Stephen King fashion, the movie goes on to reveal another twist. It is revealed that ‘The Moonlight Man,’ really was in the room with Jessie. He was a serial killer that collected various body parts form dead people and he was taking parts from Gerald’s body while Jessie was chained to the bed. I can see why this ending could be polarizing for some, but I loved it and I thought it added an extra layer of craziness to the already insane sequence of events that we just witnessed.
Overall, Gerald’s Game is fantastic. A truly unsettling, chilling Stephen King adaption that showcases fantastic performances from its cast, makes the most of its minimal setting and managed to creep me out way more than any other horror movie I have seen this year.
This is a movie that lives and dies on the performances of the actors involved. For those of you not familiar with the story’s premise, it involves a married couple driving out to a holiday cottage in the woods for a dirty weekend. The couple is played by Carla Gugino, (Jessie,) and Bruce Greenwood, (Gerald,) who both totally nail their respective roles in the movie. Once they get to the cottage and the door is conveniently left ajar, Gerald handcuffs Jessie to the bed and goes to the bathroom to pop a Viagra. Once he comes back and explains how he has made sure the gardeners and the cleaners won’t disturb them for a few days, he takes a heart attack and collapses onto the floor and dies.
From this point on, Carla Gugino spends the vast majority of the movie handcuffed to the bed and she gives an absolutely stellar performance, possibly the best of her career. She goes though a vast array of emotions in convincing, believable form and shows everything, from despair, to sadness, to anger, to fear, to resilience. I don’t think anyone has ever been Oscar nominated for a straight-to-Netflix movie, but if there is one performance that deserves to be, it is this one.
If you haven’t seen the movie yet, please don’t read on past this point as I am going to have to delve into spoilers in order to discuss the other aspects of the movie that I enjoyed. I thought the way that Gerald appeared to Jessie as a sort of devil on her shoulder was really effective and Greenwood delivered the required level of intense cruelty perfectly. Then the fact that Jessie appeared to herself as a sort of angel on the shoulder to oppose Gerald’s negative thoughts, meant that Gugino was required to deliver a dual character performance, on top of the already challenging role of being chained to the bed.
Flashback sequences in movies can go either way for me. They usually either tend to detract from the story at hand and become an unnecessary tangent, or they compliment what is going on and add to the movie overall. Thankfully in this movie, it is the latter. The flashback scenes are uncomfortable and hard to watch, but they do add context to what is going on in the character’s mind and make for a more interesting dissection of the effect that child abuse can have on a person in later life and how psychologically, even as adults people are still affected by the dreadful things that occurred in their past.
I also thought that this film was extremely effective in terms of its fear factor. As opposed to IT, which was scary at the start, but became repetitive and managed to desensitise its audience for what to expect by the halfway mark, Gerald’s game retains an unpredictable level of uneasiness throughout.
As far as the viewer knows during the first half of the movie, the main conflict facing the protagonist is starvation and the dog that is gnawing on Gerald’s dead body, but then things take a much more sinister turn. In what is possibly the creepiest scene I have seen in a movie this year, Jessie wakes up during the night after passing out for a few hours and she looks into the corner of the room, squinting her eyes. The camera follows where she is looking and the general shape of something can be made out. Then the shape begins to move forwards into the moonlight and is revealed to be a huge, deformed man holding a trinket box. This was so unexpected and freaky, and I loved it. I thought it was so effective in the context of the movie and was executed perfectly to be as disturbing as possible. It is also a relatable scare, as we have all experienced that moment; glancing at the corner of the room, something catches our eye and looks off in the darkness, but you just brush it off and fall back asleep. Jessie’s worst fears are confirmed here though, as she really did see something in the corner of the room and she is helpless to get away from it.
It also throws a twist into a story that has so far been based in what could be a real situation. You start to wonder, is Jessie experiencing something supernatural, or is she just hallucinating due to lack of food and water? Then the Gerald hallucination asks her if ‘The Moonlight Man,’ that she saw isn’t real, then why did the dog run away when he was in the room? Just like Jessie, the audience starts to wonder if he could be real, perhaps he is death and he has come to take Jessie to hell. All of these questions add to the already intense and disturbing tone of the movie and I thought it worked perfectly.
Eventually the movie wraps up with Jessie having an epiphany that if she smashes the glass of water and cuts her wrist, the blood can help her slip her hand out of the cuffs. What follows is a gory, brutal, difficult to watch de-gloving scene that will have you wincing and watching through your fingers. Then in true Stephen King fashion, the movie goes on to reveal another twist. It is revealed that ‘The Moonlight Man,’ really was in the room with Jessie. He was a serial killer that collected various body parts form dead people and he was taking parts from Gerald’s body while Jessie was chained to the bed. I can see why this ending could be polarizing for some, but I loved it and I thought it added an extra layer of craziness to the already insane sequence of events that we just witnessed.
Overall, Gerald’s Game is fantastic. A truly unsettling, chilling Stephen King adaption that showcases fantastic performances from its cast, makes the most of its minimal setting and managed to creep me out way more than any other horror movie I have seen this year.
Gareth von Kallenbach (980 KP) rated The First Purge (2018) in Movies
Jun 19, 2019
Usually when a film reaches the fourth in a series there is the danger of becoming stale and repeating things form the prior film. With the release of “The First Purge”, the creator of the series, James DeMonaco; has stepped away from directing duties this time around and has turned his script over to Director Gerald McMurray to tell the tale of how the Purge began.
With crime, unemployment, and other social issues at all all-time high, a new political group; known as the “New Founding Fathers of America” rises to power and plan to implement a bold new experiment to get the country back on track.
Dr. Updale (Marisa Tomei) has a plan to legalize all crime including murder for a 12-hour span. The idea is that by allowing people to vent their frustrations, it will allow them to be happier in the situations and better able to face the challenges they have.
The decision is made to set it in a poor community in Staten Island and naturally protests arise over this especially from community leaders who see the cash incentives being offered to stay in the area and take part in the event as exploiting the poor.
Despite worldwide condemnation and protests, the event goes on as planned and for the most part does not result in the mass carnage that many expected.
Local criminal Kingpin Dmitri (Y’Lan Noel) plans to ride out the event in his compound surrounded by his crew as he believes that his fortified and well-armed locale will be more than enough to ensure his safety. Others in the community stay at home, gather at a church, or take to the streets for parties and mayhem as nobody really knows what to expect.
Under the watchful gaze of the government, it soon becomes clear that the events of the evening are being manipulated and that there is a much bigger and more sinister agenda behind the event.
When squads of well-armed mercenaries enter the community and start killing everyone they encounter, Dmitri and others must work with one another to survive the night.
The film takes a bit to get started as it spends a good amount of time introducing us to the various characters we will meet over the evening and it helps to show the community and how the events of the evening motivate the various characters.
The series has always been heavy on social commentary and the inclusion of characters and costumes that are clearly inspired by various hate groups throughout history is impossible to miss and the film seems to be pushing home the message that society needs to be careful as we are close to heading down the dystopian path that the series depicts.
If you have seen any of the film in the series, you know what to expect as it shows what happens when humanity is not bound by the laws of society and the threat of punishment. The cast works well as they are not simply fodder to be endangered and disposed of when the Purge begins.
There is a 10-episode television series coming soon and it will be interesting to see where the franchise goes following it. For now, “The First Purge” should be an entertaining enough film for fans of the series
http://sknr.net/2018/07/03/the-first-purge/
With crime, unemployment, and other social issues at all all-time high, a new political group; known as the “New Founding Fathers of America” rises to power and plan to implement a bold new experiment to get the country back on track.
Dr. Updale (Marisa Tomei) has a plan to legalize all crime including murder for a 12-hour span. The idea is that by allowing people to vent their frustrations, it will allow them to be happier in the situations and better able to face the challenges they have.
The decision is made to set it in a poor community in Staten Island and naturally protests arise over this especially from community leaders who see the cash incentives being offered to stay in the area and take part in the event as exploiting the poor.
Despite worldwide condemnation and protests, the event goes on as planned and for the most part does not result in the mass carnage that many expected.
Local criminal Kingpin Dmitri (Y’Lan Noel) plans to ride out the event in his compound surrounded by his crew as he believes that his fortified and well-armed locale will be more than enough to ensure his safety. Others in the community stay at home, gather at a church, or take to the streets for parties and mayhem as nobody really knows what to expect.
Under the watchful gaze of the government, it soon becomes clear that the events of the evening are being manipulated and that there is a much bigger and more sinister agenda behind the event.
When squads of well-armed mercenaries enter the community and start killing everyone they encounter, Dmitri and others must work with one another to survive the night.
The film takes a bit to get started as it spends a good amount of time introducing us to the various characters we will meet over the evening and it helps to show the community and how the events of the evening motivate the various characters.
The series has always been heavy on social commentary and the inclusion of characters and costumes that are clearly inspired by various hate groups throughout history is impossible to miss and the film seems to be pushing home the message that society needs to be careful as we are close to heading down the dystopian path that the series depicts.
If you have seen any of the film in the series, you know what to expect as it shows what happens when humanity is not bound by the laws of society and the threat of punishment. The cast works well as they are not simply fodder to be endangered and disposed of when the Purge begins.
There is a 10-episode television series coming soon and it will be interesting to see where the franchise goes following it. For now, “The First Purge” should be an entertaining enough film for fans of the series
http://sknr.net/2018/07/03/the-first-purge/