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Awix (3310 KP) rated Transit (2018) in Movies

Aug 16, 2019 (Updated Aug 16, 2019)

Transit (2018)

2018 | Drama

7.0

(1 Ratings)

Movie Rating

Anna Seghers' novel of life in France following the German invasion of 1940 updates to the present day with disturbing ease. There is much talk of 'occupation' and 'cleansing' but the director wisely keeps things unspecified as Franz Robowski's character steals a dead man's identity in an attempt to escape Europe, only to find emotional entanglements pose almost as great a problem as international borders.

Understated, with various echoes of other films - you can see why it's being compared to Casablanca, but this is a much heavier and more intense movie. Still quite engrossing to watch, mainly because of the performances. There are also shades of Kafka - you are only allowed to stay in one hotel if you can prove you don't want to stay there - and also Antonioni's The Passenger, although the existentialism of the film's theme is kept muted. Concentrates on telling a story rather than putting over a message, and as a result is effective and sometimes moving.

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Awix (3310 KP) rated The Land That Time Forgot (1975) in Movies

Dec 11, 2019

The Land That Time Forgot (1975)

1975 | Adventure, Fantasy

6.8

(18 Ratings)

Movie Rating

First of the Amicus-Kevin Connor-Doug McClure fantasy adventure films is an unexpectedly classy genre movie. A U-boat carrying a mix of British and German sailors (it's 1916, so tensions abound), led by a beefy American (McClure), pitches up in a lost world inhabited by the usual rubber dinosaurs and ape men.

Pulp, but superior pulp: good production values and unexpectedly thoughtful in places. Even the dinosaurs are a cut above (the pterodactyls still leave a bit to be desired). The look and feel of the thing is very good indeed, but the plot is a touch underpowered and linear. The book's ideas about the strange way evolution works in the lost world are faithfully reproduced, but not really explored enough, and don't contribute anything significant to the plot. The film's weaknesses are those of the source material, but its fidelity to Burroughs is commendable; its strengths are all its own.