Europe in Flames: The Crisis of the Thirty Years War
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`War,' wrote Cardinal Richelieu, `is one of the scourges with which it has pleased God to afflict...
Princess Elizabeth's Spy (Maggie Hope Mystery, #2)
8.7
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As World War II sweeps the continent and England steels itself against German attack, Maggie Hope,...
The True Story of Hansel and Gretel
7.0
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A poignant and suspenseful retelling of a classic fairy tale set in a war-torn world In the last...
Historical Fiction Nazi WW
A Child for the Reich
8.0
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Rumours of the Nazis coming for Czech children swept through the villages like a breeze through the...
Hazel (2934 KP) rated We Fly Beneath the Stars [Audiobook] in Books
Dec 4, 2022
![We Fly Beneath the Stars [Audiobook]](/uploads/profile_image/802/80aa1332-831c-401a-87dd-f91c5a08d802.jpg?m=1670160938)
The book follows the lives of Nadia and Tasha, sisters who join the Russian Airforce during World War II and who become fighter pilots in the much-feared by the Germans and all-female squadron known as "The Night Witches."
Given inferior equipment and less training than their male counterparts as well as having to put up with their harassment all whilst trying to stay alive and get back safely following their night sorties over the advancing German army; this is a story of tremendous bravery however it also a tale of sibling rivalry, love, loss and choices.
The narrator, Lauryn Allman, was excellent; her voice totally immersed me into the story; one of the best I have come across so far and my thanks to Bookouture and NetGalley for enabling me to listen to and share my thoughts of We Fly Beneath the Stars.
Berlin
9.0
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*FOR FANS OF MY YEAR OF REST AND RELAXATION, EXCITING TIMES AND WRITERS & LOVERS * When Daphne...
Literary fiction Germany Berlin
Saving Madonna
Book
Inspired by real events, an unforgettable story of love, courage and sacrifice to save a country’s...
Historical Fiction
David McK (3734 KP) rated The Imitation Game (2014) in Movies
Feb 26, 2022
This flits back and forth between three timelines: the 1950s (just before Turing committed society, after being found guilty of Homosexual behaviour, which was outlawed at the time), the late 30s/early 40s (his work at Bletchley) and the 1920s (his childhood at a public boarding school, where he was bullied).
Cumberbatch manages to bring a different aura to his portrayal of Turing than he did previously to Sherlock - even though both are geniuses who struggle with a low EQ (Emotional Quotient) - while Kiera Knightley does her period piece acting as his fellow (perhaps even smarter) codebreaker Joan, who has to also put up with the misogynistic attitudes of the time.
And yes, the Imitation Game of the title is a real philosophical conundrum (which is described during the movie itself).
Under A Cloud (The Rival Courts #2)
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Vicky's father, Albert, the Prince Consort, has just died, leaving her and her family under a heavy...
Historical Fiction Victorian German History
RəX Regent (349 KP) rated Pandora's Box (1929) in Movies
Feb 18, 2019
In short. Pandora’s Box looks stunning! Using the frame to its fullest, with a combination of wide framing and exploiting the art of the close up as Lulu herself, would the men around her, as well as driven by brilliant performances by most of the cast. But kudos needs to go to the star, Louise Brooks, as she portrays Lulu, the alluring flapper girl who can work her innocent, secutive magic on anyone, men and women alike.
But this is not limited to the narrative’s characters as her performance is subtle and underplayed, oozing out the silver screen and seducing the audience with same allure. If looks could kill, then this movie has them all.
With a sparse use of inter-titles, the film relies on both the physicality of the cast and imaginative cinematography to convey the seductive and danger of the events as they unfold over the two and bit hour runtime. Fritz Korner in particular rivals Brooks with the intensity of his performance as the ill fated husband of the girl about town.
And then there’s Alice Roberts, the Countess, who is widely thought to have the first lesbian to be seen on screen. Only Belgian actress’s second film in her short career, is played very Germanic, yet sympathetic as she too, has been drawn under Lulu’s spell.
This was made during the period in which German cinema was ruling, driving the art form from the nickelodeon to the theatre, but this was about to change in the 1930’s with advent of the sound and the golden age of American cinema. But as this film proves, you do not need sound to tell or show a good story.
Granted, the central story is pretty mediocre; a simple tale of a damaged woman who instinctively uses her allure to get her own way yet not as a diva, just an instinctive manipulator, casting her spell far and wide until that spell leads her into the hands London serial killer, Jack The Ripper (Gustav Diessl). But she is never portrayed as evil or scheming, just as herself as those around her are drawn to her aide.
There is little of the pantamine action or motives that you can expect from this genre even now, 90 years on.
But German director G.W. Pabst manages to create a multi-layered tale, deepened by psychological and social subtext, achieved as much because of the relationship he garnered with the star, Brookes, as he played on her natural talents to bring one of cinemas most defining roles to the screen. This would be the first of two collaborations between the director and the wayward starlet that year.
Pandora’s Box is yet another example of how German Cinema was leading the world back in the 1920’s; and even though the second world war may have brought this golden era to an abrupt end, it’s legacy lives on today with the styles, both in front and behind the camera, still being honoured by entire film industry now and hopefully for decades to come.